14. Preliminary Drawings for Sculpture, Probably for Fountains, by Jacques-Louis David. Signed and Dated 1778. Wash Drawings, Heightened with White. Each 30.5 by 18.8 cm. (Victoria and Albert Museum.). 14. Group symbolising Rome.
Attributed works:
15. Preliminary Drawings for Sculpture, Probably for Fountains, by Jacques-Louis David. Signed and Dated 1778. Wash Drawings, Heightened with White. Each 30.5 by 18.8 cm. (Victoria and Albert Museum.). 15. Group symbolising Constantinople.
Attributed works:
16. Preliminary Drawings for Sculpture, Probably for Fountains, by Jacques-Louis David. Signed and Dated 1778. Wash Drawings, Heightened with White. Each 30.5 by 18.8 cm. (Victoria and Albert Museum.). 16. Group symbolising a Port, Possibly the Piræus.
Attributed works:
17. Head of St Michael, by Jacques-Louis David. Signed. Pencil Drawing, 16 by 12 cm. (Victoria and Albert Museum.)
Attributed works:
18. Female Head, by Jacques-Louis David. Signed. Pencil Drawing, 15.3 by 12 cm. (Victoria and Albert Museum.)
Attributed works:
19. Afrique, by Jacques-Louis David. Signed and Dated 1778. Wash Drawing, Heightened with White; 26.2 by 11.4 cm. (Victoria and Albert Museum.)
Attributed works:
20. Asie, by Jacques-Louis David. Signed and Dated 1778. Wash Drawing, Heightened with White; 26.2 by 12 cm. (Victoria and Albert Museum.)
Plate I. D-The Visitation. School of Konrad Witz. First Half of 15th Century. Detail. (Berlin). A Study in the Iconography of the Incarnation
Attributed works:
Plate II. D-Mater Misericordiae. Attributed to Bartolomeo Buon. About 1451. Relief in Stone. Height 190 cm. (Victoria and Albert Museum). A Study in the Iconography of the Incarnation
Western art unattributed:
Plate I. A-The Visitation. France, c. 1300. Wood, (Metropolitan Museum, New York). A Study in the Iconography of the Incarnation
Western art unattributed:
Plate I. B-The Visitation. Bohemia, Early 15th Century. (Hohenfurth, Czechoslovakia). A Study in the Iconography of the Incarnation
Western art unattributed:
Plate I. C-Joseph Reproves the Virgin. c. 1400. from Erfurt. Berlin). A Study in the Iconography of the Incarnation
Western art unattributed:
Plate II. A-Madonna and Child with Two Angels. Byzantine, End of Fifth or Beginning of Sixth Century. Wallpainting. (Monastery of Baouit). A Study in the Iconography of the Incarnation
Western art unattributed:
Plate II. B, C-Lead Seals. Byzantine, Fifth or Sixth Century. Diameter, about 2.6 cm. (Likhachev Collection). A Study in the Iconography of the Incarnation
Short Notice
The Prototype of the Virgin and Child in the Book of Kells
Plate I. A-Isis Holding Her Son Horus. Egyptian. Grey Schist. Height, 27 cm. (Museum, Cairo). B-Senmut Holding One of Queen Hatshepsut's Daughters. About 1480 B. C. Black Granite. Height, 60 cm. (Museum, Cairo). Shorter Notice: The Prototype of the Virgin and Child in the Book of Kells
Non-western art unattributed:
Plate I. C-Isis Holding the Figure of King Seti I on Her Knees. About 1300 B. C. Relief in the Wall of the Temple of Abydos. Shorter Notice: The Prototype of the Virgin and Child in the Book of Kells
Western art unattributed:
Plate I. D-The Virgin and Child. From a Panel of Woven Silk. Sixth to Seventh Century. Height, 14 cm. (Victoria and Albert Museum). Shorter Notice: The Prototype of the Virgin and Child in the Book of Kells
Western art unattributed:
Plate II. A-The Golden Madonna. Ottonian. Beginning of the Eleventh Century. Wood with Thin Plate of Gilded Silver. Height, 75 cm. (Treasury of the Cathedral, Essen). Shorter Notice: The Prototype of the Virgin and Child in the Book of Kells
Western art unattributed:
Plate II. B-The Virgin and Child. From the Book of Kells. 760-820. (Trinity College, Dublin). Shorter Notice: The Prototype of the Virgin and Child in the Book of Kells
Plate I. A-Design for a Chapter House from the Sketch Book of Villard de Honne-Court. B-Plan of the Chapter House at Westminster [From: The Royal Commission on Historical Monuments]. C, D-King Offa II Ordering the Building of a Monastery at St. Albans, Miniature from Nero D I (British Museum). Cathedral Designs of Medieval England
Western art unattributed:
Plate I. E-Plan of Jerusalem, from a Passionale (Landesbibliothek, Stuttgart). Cathedral Designs of Medieval England
Western art unattributed:
Plate II. A, B, C-Plan of Canterbury Cathedral, from the Eadwin Psalter (Trinity College, Cambridge). Cathedral Designs of Medieval England