museums and institutions:
Attributed works:
1. Deposition of Christ, by Jacopo Tintoretto. 164 by 127.5 cm. After Cleaning and Removal of Additions. (National Gallery of Scotland, Edinburgh).
Attributed works:
10. Head and Shoulders of a Woman in Profile. Black Chalk. (Detail from Verso of Fig. 9). [Deposition of Christ. Anonymous Seventeenth-Century Italian Copy, after Tintoretto. Pen and Brown Wash, Heightened with White, 41.8 by 28.5 cm. (Uffizi, Florence).]
Attributed works:
11. Deposition of Christ, by Jacopo Tintoretto. 203 by 150 cm. Before Cleaning. (National Gallery of Scotland, Edinburgh).
Attributed works:
12. Deposition of Christ, by Jacopo Tintoretto. After Cleaning and before Removal of the Additional Strips of Canvas.
Attributed works:
13. X-Radiograph of Deposition of Christ, by Tintoretto, Showing the Additional Strips of Canvas.
Attributed works:
14. Ultramarine Blue Stripe of Nicodemus's Multicoloured Striped Garment. The Green Layer is the Paint of the Landscape. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture. [Deposition of Christ, by Jacopo Tintoretto. 164 by 127.5 cm. (National Gallery of Scotland, Edinburgh).]
Attributed works:
15. Photomicrograph. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
16. Orange (Realgar) Robe of Joseph of Arimathea; His Left Shoulder Where Painted on Top of the Landscape. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
17. Photomicrograph. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
18. Grassy Hillside, Upper Left Corner, Showing Browned Copper Resinate Glaze over Malachite Underpaint, the Green Colour of the Latter Still Perceptible at the Picture's Surface. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
19. Photomicrograph. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
2. The Sagredo (Formerly dal Basso) Chapel, San Francesco della Vigna, Venice.
Attributed works:
20. Ridge of Dark Hillock between the Heads of the Two Marys Attending the Virgin. The Browned Copper Resinate Glaze Now Obscures the Green Layers Beneath. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
21. Photomicrograph. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
22. Blue (Ultramarine) Cloak of the Woman at Far Right Holding Taper; The Light Underlayers Appear to Belong to the Landscape Background. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Section of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
23. Photomicrograph. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
24. Peach-Coloured Cloak of the Mary at Lower Right. In the Cross-Section the Orange of the Cloak and the Reddish-Brown Paint of the Shadowed Flesh Are Applied over the (Intentionally) Brown Paint Layers of the Dark Corner of the Foreground Landscape. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
25. Photomicrograph. Deposition of Christ, by Jacopo Tintoretto. Details of the Picture after Cleaning and Restoration (See Fig. 1), with Photomicrographs (Magnification c. 100) of Cross-Sections of Paint Samples from the Corresponding Areas on the Picture.
Attributed works:
26. Pygmalion and Galatea, by Anne-Louis Girodet de Roucy-Trioson. Salon of 1819. 253 by 202 cm. (Château de Dampierre).
Attributed works:
3. Photomontage (By Joe Rock), Showing Matham's Engraving (Fig.6) Inserted into the Altar Frame of the Dandolo Chapel, San Francesco della Vigna, to Indicate the Probable Original Setting of Tintoretto's Deposition. The Altar-Piece in the Dandolo Chapel and the Figure Niches on Either Side Are by Giuseppe Salviati.
Attributed works:
4. Plan of San Francesco della Vigna, Venice, by Jacopo Sansovino, Indicating the Principal Family Chapels Conceded in the Sixteenth Century. (From L. Cicognara, A. Diedo and G. Selva: Le Fabbriche e i monumenti cospicui di Venezia, Venice [1838-40]).
Attributed works:
5. San Francesco della Vigna, Venice, by Jacopo Sansovino. View of the Left Side of the Nave, Showing (From the Pulpit) the Giustinian, Dandolo, and dal Basso/Sagredo Chapels).
Attributed works:
6. Deposition of Christ, by Jacob Matham, after Tintoretto. Engraving. (British Museum).
Attributed works:
7. Deposition of Christ, by Lucas Kilian, after Tintoretto. Engraving. (Here Reversed; Rijksmuseum, Amsterdam).
Attributed works:
8. Detail from Deposition of Christ, by Tintoretto. [Deposition of Christ, by Jacopo Tintoretto. 164 by 127.5 cm. (National Gallery of Scotland, Edinburgh).]
Western art unattributed:
9. Deposition of Christ. Anonymous Seventeenth-Century Italian Copy, after Tintoretto. Pen and Brown Wash, Heightened with White, 41.8 by 28.5 cm. (Uffizi, Florence).
