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171 articles
Exhibition Review
Venezia 500: The Gentle Revolution of Venetian Painting
01/2024 | 1450 | 166
Pages: 70–73
related names
Reviewer:
Hojer, Annette (Hojer, Annette)
Subjects
artists:
dates:
museums and institutions:
subjects:
subjects:
Reviewed Items
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting. Edited by Andreas Schumacher. 230 pp. incl. 160 col. ills. (Bayerische Staatsgemäldesammlungen, Munich, and Hirmer Verlag, Munich, 2023), €39. ISBN 978–3–7774–4176–4. German edition: Venezia 500: Die Sanfte Revolution der Venezianischen Malerei. ISBN 978–3– 7774–4174–0. | :
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting Alte Pinakothek, Munich 27th October 2023– 4th February 2024 | :
Illustrations
Attributed works:
11. A pupil and his teacher, perhaps Giovanni Borgherini and Trifone Gabriele, by Giorgione (?). 1509–10. Oil on canvas, 91.5 by 67 cm. (Alte Pinakothek, Munich).
Attributed works:
12. St Jerome reading in a landscape, by Giovanni Bellini. c.1480–85. Oil on panel, 46.8 by 33.8 cm. (National Gallery, London; exh. Alte Pinakothek, Munich).
Attributed works:
13. Portrait of a young woman in a blue dress with a fan, by Jacopo Negretti (Palma il Vecchio). After 1514. Oil on panel, 63.5 by 51 cm. (Kunsthistorisches Museum, Vienna; exh. Alte Pinakothek, Munich).
Book Review
Jacopo Tintoretto: Identity, Practice, Meaning
11/2023 | 1448 | 165
Pages: 1252-1253
related names
Reviewer:
Hills, Paul (Hills, Paul)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
1. Study of a seated male nude, by Jacopo Tintoretto. Charcoal on paper, 30.1 by 20.7 cm. (Fitzwilliam Museum, Cambridge, inv. no.2253). | :
Illustrations
Attributed works:
1. Study of a seated male nude, by Jacopo Tintoretto. Charcoal on paper, 30.1 by 20.7 cm. (Fitzwilliam Museum, Cambridge, inv. no.2253).
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Advertisements (front)
03/2023 | 1440 | 165
Pages: i-xxviii
Subjects
artists:
Illustrations
Attributed works:
A capriccio with a gothic church and ancient ruins, by Marco Ricci (1676–1730). Gouache on vellum, 31.3 by 44.2 cm. [GALERIE ERIC COATALEM, PARIS/Salon du Dessin]
Attributed works:
A demilune commode (with royal Italian provenance), by Carlo Randoni (1755–1831). c.1820–21. Wood, gilt, lacquer and broccatello marble, 90 by 124 by 57 cm. [Burzio, London/Tefaf]
Attributed works:
A very important pair of late-Baroque Italian polychrome majolica two-light wall sconces, tin-glazed earthenware co-called 'a gran fuocco'. Faenza. Possibly decorated by Nicolas Letourneau or Nicola Raccagna.[ Burzio/Tefaf]
Attributed works:
Albrecht Dürer. Das Schweißtuch von zwei Engeln gehalten. Around 1513. Copper engraving.[Venator & Hanstein]
Attributed works:
Alessandro Rondoni Busts of six Roman emperors [Brun Fine Art/Tefaf]
Attributed works:
BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617–1682) Portrait of Archbishop Ambrosio Spinola Circa 1670/75 Oil on canvas, 90.2 x 65.4 cm. [Caylus]
Attributed works:
Composition with portrait, fish and moonlight, by Louis Marcoussis (1878– 1941). c.1926. Gouache and pencil on paper, 20 by 14.3 cm. GALERIE BERÈS, PARIS [Salon du Dessin]
Attributed works:
Curly blue tail, by Alexander Calder (1898–1976). 1967. Painted metal and wire, 51.4 by 97.2 by 48.3 cm. [Galerie von Vertes, Zurich/Tefaf]
Attributed works:
Delft tile panel depicting a winter scene, based on an 18th-century engraving by Pierre-Jean Mariette. The ceramic panel was made by Jan Aalmis in the Dutch city of Rotterdam, c.1770. Approx 91 by 65 cm.[Regts Delft Tiles]
Attributed works:
Ecce Homo, by Sebastiano del Piombo (c.1485– 1547) and studio. 1520s. Oil on poplar, 34.7 by 26 cm. [Caylus, Madrid/Tefaf]
Attributed works:
Fabulous animal: Fabel- Tier, by Marc Chagall (1887–1927). c.1926–27. Watercolour, gouache and pastel on paper glued to card, 66 by 51.5 cm. [BAILLY GALLERY, GENEVA/Salon du Dessin]
Attributed works:
FRANÇOIS DE NOMÉ called Monsù Desiderio (c. 1593–after 1644) A pair of paintings showing the Martyrdoms of Saints Peter and Stephen, surrounded by fantastical architecture, c. 1617 Oil on slate, in original frames. Each: 31 x 31 cm [Robilant and Voena]
Attributed works:
Head of a man looking upwards, by Giovanni Bonazza (1654–1736). Late 17th century. Carrara marble, 54.5 by 45 cm. [Alessandro Cesati, Milan/Tefaf]
Attributed works:
Hiroshi Suzuki silver at Adrian Sassoon gallery. Photography by Sylvain Deleu. [Tefaf New York]
Attributed works:
Jacopo Robusti, called Tintoretto Portrait of a Scholar (detail) Oil on canvas, 112 x 90 cm [Trinity Fine Art/Tefaf]
Attributed works:
Jan Davidsz de HEEM (Leide, 1631 - 1695, Anvers) Peaches, grapes and a partly-peeled lemon in a Wanli “kraak” porselein bowl, with a ham on a pewter platter, a silver-gilt cup and cover, a pewter flagon, and a roemer with a knife on a plate, on a partly-draped table Oil on panel. Signed and dated lower left J.D. de Heem.f. 26 3/16 x 39 3/4 in. [Aguttes]
Attributed works:
Jupiter and Callisto, by Jacob de Wit (1695–1754). 1733. Black chalk, pen and ink, wash, watercolour and gouache with white highlights on paper, 44.5 by 30.8 cm. [ONNO VAN SEGGELEN FINE ARTS, ROTTERDAM/Salon du Dessin]
Attributed works:
LELIO ORSI (1508?–Novellara–1587) Portrait of Camilla Ruggeri Pen and brown ink, 17.3 x 11.8 cm. [Ratton and Ladriere]
Attributed works:
Nicolas Robert (1614-1685), Papaver somniferum (Linné). Muséum national d’Histoire naturelle, Collection des vélins, portefeuille 41, folio 49. Cliché Tony Querrec (RMN) ©. Design : Olivier Andreotti (Toluca Studio) [Salon du Dessin]
Attributed works:
Parrot and exotic birds on a branch, by Gustave Doré (1832–83). c.1856. Watercolour and black pencil on paper, 45 by 30 cm. [GALERIE FABIENNE FIACRE, PARIS/Salon du Dessin]
Attributed works:
PETER PAUL RUBENS (SIEGEN 1577-1640 ANTWERP) Study of a kneeling man seen in profile black chalk, heightened with white, on buff paper 40.6 x 29.1 cm €250,000-350,000 £230,000-310,000 [Christie's]
Attributed works:
Philoctetes on the island of Lemnos, by Gerard van Kuijl (1604–73). Oil on canvas, 137.7 by 110.8 cm. Haboldt & Co., New York, Amsterdam and Paris/Tefaf]
Attributed works:
Plants and insects (III), by Pablo Picasso (1881–1973). 1956. Ink on paper, 66 by 50 cm. WADDINGTON CUSTOT, LONDON/Salon du Dessin]
Attributed works:
POPE PAUL V BORGHESE ENTHRONED PAOLO SANQUIRICO (1565–1630) Bronze, deep reddish-black patina Bronze, 38.5 (15¹⁄4 in.) high Datable to c. 1616–1619 [Tomasso]
Attributed works:
Prince Hoare, Portrait of Sir Horace Mann (detail). Terracotta, height 51.5 cm [Walter Padovani/Tefaf].
Attributed works:
The feast in the house of Simon with Mary Magdalene, by Luca Giordano (1634–1705). Pen and brown ink and wash over black chalk, 43.1 by 43.1 cm. [GALERIE TARANTINO, PARIS/Salon du Dessin]
Attributed works:
The Holy Family, by Giovanni Battista Tiepolo (1696–1770). Pen and brown ink and wash on paper, 22.5 by 19.3 cm. GRÄSSLE, HÄRB & NUTI, MUNICH AND LONDON/Salon du Dessin]
Attributed works:
The narrow path, by Maurice Denis (1870– 1943). c.1889–90. Watercolour on paper, 23 by 17 cm. [GALERIE TERRADES, PARIS/Salon du Dessin]
Attributed works:
The popular improviser in the Campo Vaccino, by Bartolomeo Pinelli (1781–1835). 1820. Oil on canvas, 97 by 137 cm. [Walter Padovani, Milan/Tefaf]
Attributed works:
The triumph of Neptune and Amphitrite, by Frans Francken the Younger (1581–1642). Oil on panel, 53.6 by 75.2 cm. [Galerie De Jonckheere, Geneva/Tefaf]
Attributed works:
Titian (1488–1576) and workshop The Tribute Money Oil on canvas, 108.3 x 103.5 cm Expertise: Mauro Lucco and Peter Humfrey Published: Titian Themes and Variations edited by Peter Humfrey [New Raritet Gallery]
Attributed works:
Tritons and Nereids, by Amico Aspertini (1473/75–1552). 1520. Brush and brown ink heightened with white on prepared paper, 28 by 43.5 cm. [Day & Faber, London/Tefaf]
Attributed works:
Two affectionate doves, by Giacomo Raffaelli (1753–1836). Micro mosaic with a gold border, 3.5 by 1.8 cm. [Alessandra Di Castro, Rome/Tefaf]
Attributed works:
Two lovers, by Parmigianino (1503–40). Pen and brown ink on paper, 13.1 by 15.2 cm. [JEAN-LUC BARONI AND MARTY DE CAMBIAIRE, PARIS/Salon du Dessin]
Attributed works:
Untitled (bricolage), by Jean Tinguely (1925–91). c.1975. Metal and rubber with an electric sander, 75 by 49 by 49 cm. [Galerie Georges- Philippe & Nathalie Vallois, Paris/Tefaf]
Attributed works:
Untitled, by Wassily Kandinsky (1866–1944). 1941. Ink, watercolour and gouache, 47.5 by 31 cm. [Galerie Utermann, Dortmund/Tefaf]
Attributed works:
Whale hunting from the Royal Grotesques series, by the Brussels workshop of Cornelis and Jan Mattens. Design attributed to Giulio Romano. Late 16th century. Wool and silk, 415 by 550 cm. [De Wit Fine Tapestries, Mechelen/Tefaf]
Attributed works:
Young girl sitting, by Carl Olof Larsson (1853–1919). Watercolour over pencil with gouache on paper, 35.5 by 25.4 cm. [GALERIE GRAND-RUE MARIE-LAURE RONDEAU, GENEVA/Salon du Dessin]
Non-western art unattributed:
Camel and rider. China, Tang dynasty (618–906 AD). Terracotta with polychrome, 98.5 by 33 by 75 cm. [Vanderven Oriental Art, ’s-Hertogenbosch/Tefaf]
Non-western art unattributed:
CASKET Ceylon, probably Kandy;  2nd-half 16th century Ivory and silver Dim.:  8.0  ×   19.0  ×   11.0  cm Prov: descendants of Afonso de Albuquerque (1453–1515  ),  2nd Viceroy of Portuguese India. [Sao Roque/Tefaf]
Non-western art unattributed:
Female reliquary figure. Fang peoples, Okak group, Equatorial Guinea or Rio Muni / Northern Gabon, 1718–1886. Wood, nails and copper alloy, height 38.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Iznik jug. Ottoman, Turkey, late 16th century. Ceramic, 19 by 15 cm. [Amir Mohtashemi, London/Tefaf]
Non-western art unattributed:
NAMBAN TABLE Japan, Momoyama (   1573  –  1603   ) Dim.:  36. 2 ×   56.5  ×  43.5  cm Former T. P. collection, Lisbon. Exhibited at Smithsonian M., Washington; McMullen M., Boston; Orient M., Lisbon, 2010. [Sao Roque/Tefaf]    
Western art unattributed:
Attic black-figure amphora depicting the fourth labour of Hercules and two female fi gures in a chariot with winged horses (verso). Athens, 530–29 BC. Ceramic, height 45 cm. [David Aaron, London/Tefaf]
Letter
Sebastiano Casser
03/2022 | 1428 | 164
Pages: 228
related names
Author:
Cannon-Brookes, Peter (Cannon-Brookes, Peter; Brookes, Peter Cannon; Cannon-Boookes, Peter)
Subjects
Illustrations
Attributed works:
1. Self portrait, attributed to Sebastiano Casser. c.1635. Oil on canvas, 111.8 by 103 cm. (Birmingham Museum and Art Gallery; © Birmingham Museums Trust).
Exhibition Review
Caravaggio e Artemisia: la sfida di Giuditta. Violenza e seduzione nella pittura tra Cinquecento e Seicento
02/2022 | 1427 | 164
Pages: 192-195
related names
Reviewer:
Christiansen, Keith (Christiansen, Keith; Christiansen, K.)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Caravaggio e Artemisia: la sfida di Giuditta. Violenza e seduzione nella pittura tra Cinquecento e Seicento Palazzo Barberini, Rome 26th November 2021– 27th March 2022 | :
Illustrations
Attributed works:
11. Judith and her maidservant with the head of Holofernes, by Orazio Gentileschi. c.1621–24. Oil on canvas, 136 by 159 cm. (Wadsworth Atheneum Museum of Art, Hartford CT; exh. Palazzo Barberini, Rome).
Attributed works:
12. Judith beheading Holofernes, by Artemisia Gentileschi. c.1612. Oil on canvas, 159 by 126 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Palazzo Barberini, Rome).
Attributed works:
13. Installation view of Caravaggio e Artemisia: la sfida di Giuditta. Violenza e seduzione nella pittura tra Cinquecento e Seicento at Palazzo Barberini, Rome, 2021–22. (Photograph Alberto Novelli).
Article
Jacopo Tintoretto, his heirs and the family enterprise
08/2021 | 1421 | 163
Pages: 717-727
related names
Author:
Markou, Georgios E. (Markou, Georgios E.)
Subjects
places:
Illustrations
Attributed works:
1. St George and the dragon, by Domenico Tintoretto and Sebastiano Casser. 1610–17. Oil on canvas, height 400 cm. (S. Giorgio Maggiore, Venice; Scala Archives).
Attributed works:
10. The Liagò in the Palazzo Ducale, Venice, in 2019, showing paintings by Domenico Tintoretto and his workshop. (Photograph the author).
Attributed works:
2. Self-portrait, by Jacopo Tintoretto. c.1588. Oil on canvas, 63 by 52 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
3. Ca’Tintoretto, Fondamenta dei Mori, Venice. (Photograph the author).
Attributed works:
4. The Tintoretto family tree.
Attributed works:
5 a and b. Members of the Scuola dei Mercanti, by Domenico Tintoretto. 1591. Oil on canvas, each 129 by 76 cm. (Gallerie dell’Accademia, Venice; Scala Archives).
Attributed works:
6. Self-portrait, by Domenico Tintoretto. c.1610. Canvas, 54 by 88.7 cm. (Museo di Casa Martelli, Florence; courtesy Gallerie degli Uffizi, Florence).
Attributed works:
7. The apparition of St Mark or miracle of the ring, by Domenico Tintoretto. c.1600. Oil on canvas, 400 by 370 cm. (Gallerie dell’Accademia, Venice; courtesy Save Venice photo archives).
Attributed works:
8. Palma il Giovane, Paolo Veronese and Jacopo Tintoretto, by Palma il Giovane. 1602–04. Pen and grey wash over black chalk on yellowish buff ground paper, 9.9 by 7 cm. (Fondation Custodia, Collection Fritz Lugt, Paris).
Attributed works:
9. Two seated nude figures, by Marco Tintoretto. c.1590. Black chalk on faded blue paper, 20.3 by 31.2 cm. (Morgan Library and Museum, New York).
Article
Pierre Le Tessier de Montarsis and a network of picture dealers in early eighteenth-century Paris
05/2021 | 1418 | 163
Pages: 428-436
related names
Author:
Marandet, François (Marandet, François)
Subjects
art literature:
places:
Illustrations
Attributed works:
1. Pierre Le Tessier de Montarsis, by Gérard Edelinck, after Antoine Coypel. 1692. Engraving, 36 by 28 cm. (British Museum, London).
Attributed works:
10. The penitent Magdalene, by Guido Reni. c.1634–35. Oil on canvas, 79 by 68 cm. (National Gallery, London).
Attributed works:
11. Virgin and Child with an angel, by Antoine-Louis Romanet, after Parmigianino. c.1785–1806. Engraving, 22 by 20 cm. (British Museum, London).
Attributed works:
2. Adoration of the Magi, by Paolo Veronese. c.1584. Oil on copper, 45 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
3. Judith, by Giorgione. c.1504. Oil on canvas transferred from panel, 144 by 68 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. The Triumph of Pan, by Nicolas Poussin. 1636. Oil on canvas, 135.9 by 146 cm. (National Gallery, London).
Attributed works:
5. The Triumph of Galatea, by Carlo Maratta. Oil on canvas. (Location unknown; photograph Fototeca Federico Zeri).
Attributed works:
6. St John the Baptist preaching, by Francesco Albani. c.1648. Oil on copper, 29 by 39 cm. (Location unknown; photograph Christie’s).
Attributed works:
7. Aurora and Cephalus, by Nicolas Poussin. c.1630. Oil on canvas, 97 by 131 cm. (National Gallery, London).
Attributed works:
8. The Entombment, by Tintoretto. c.1557. Oil on canvas, 164 by 127 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
9. Virgin and Child (The Bridgewater Madonna), by Raphael. 1508. Oil on canvas transferred from panel, 82 by 57 cm. (The Duke of Sutherland, on loan to the Scottish National Gallery, Edinburgh).
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Article
Tintoretto’s Louvre ‘Paradise’ in Palazzo Bevilacqua, Verona
07/2020 | 1408 | 162
Pages: 570-578
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. The contest between the muses and the Pierides, by Jacopo Tintoretto. c.1545. Oil on panel, 46 by 91 cm. (Museo di Castelvecchio, Verona; Bridgeman Images).
Attributed works:
2. Coronation of the Virgin (Paradise), by Jacopo Tintoretto. c.1564. Oil on canvas, 143 by 362 cm (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
3. Praying boy (‘Adorante’ or ‘Apollo’). c.300 BC, with arms added in the eighteenth century. Bronze, height 128 cm. (Antikensammlung, Staatliche Museen, Berlin; photograph Johannes Laurentius).
Attributed works:
4. Palazzo Bevilacqua, Verona. Early twentieth-century photograph by Edizioni Brogi, Florence. (Biblioteca Civica, Verona).
Attributed works:
5. Plan of the piano nobile (top) and the pianterreno of Palazzo Bevilacqua, Verona, with the galleria indicated. (Repr. in F. Ronzani and G. Luciolli: Le fabbriche civili ecclesiastiche e militari di Michele Sanmicheli, Venice 1832; photograph Biblioteca Civica, Verona).
Attributed works:
6. Coronation of the Virgin (Paradise), by Guariento di Arpo. c.1365. Fresco, photographed in 1903. (Sala del Maggior Consiglio, Palazzo Ducale, Venice; courtesy Fondazione Musei Civici Venezia).
Attributed works:
7. Paradise, by Jacopo and Domenico Tintoretto. 1588–92. Oil on canvas, 700 by 2,200 cm. (Sala del Maggior Consiglio, Palazzo Ducale, Venice; Bridgeman Images).
Attributed works:
8. Coronation of the Virgin (Paradise), copy after Jacopo Tintoretto. c.1580. Oil on canvas, 154 by 350 cm. (  Archivio IRE, Venice)
Attributed works:
9. Detail of Fig.2.
Western art unattributed:
1. Mario Bevilacqua. Late sixteenth century. Oil on paper mounted on panel, 12.7 by 9.9 cm. (Kunsthistorisches Museum, Vienna).
Exhibition Review
Titian and the Renaissance in Venice
05/2019 | 1394 | 161
Pages: 419-422
related names
Reviewer:
Humfrey, Peter (Humfrey, Peter)
Subjects
dates:
museums and institutions:
styles:
Illustrations
Attributed works:
11. Study of St Sebastian, by Titian. c.1520. Pen and ink with brown wash and white heightening on blue-grey paper, 18.2 by 11.5 cm (Städel Museum, Frankfurt).
Attributed works:
12. Two nymphs in a landscape, by Palma Vecchio. c.1510–15. Panel, 98.3 by 152.4 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Alvise dalla Scala, by Titian. c.1562. Canvas, 138 by 116 cm (Gemäldegalerie Alte Meister, Dresden; exh. Städel Museum, Frankfurt).
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