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259 articles
Book Review
Goya: La ribellione della ragione
08/2024 | 1457 | 166
Pages: 872–4
related names
Reviewer:
Kientz, Guillaume (Kientz, Guillaume)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Goya: La ribellione della ragione Edited by Víctor Nieto Alcaide. 272 pp. incl. 200 col. ills. (24 ORE Cultura, Milan, 2023), €32. ISBN 978–88–6648– 728–9. | :
Illustrations
Attributed works:
12. Tu que no puedes (Thou who cannot), no.42 from the series Caprichos, by Francisco de Goya. 1797–99. Etching and aquatint, 21.8 by 15.2 cm. (Real Academia de Bellas Artes de San Fernando, Madrid).
Attributed works:
13. Colossus, attributed to Francisco de Goya. After 1808. Oil on canvas, 116 by 105 cm. (Museo Nacional del Prado, Madrid).
Article
Goya’s ‘Self-portrait with Dr Arrieta’
12/2023 | 1449 | 165
Pages: 1300–1304
related names
Author:
Céron-Peña, Mercedes (Céron-Peña, Mercedes)
Subjects
dates:
Illustrations
Attributed works:
1. Self-portrait with Dr Arrieta, by Francisco de Goya. 1820. Oil on canvas, 114.6 by 76.5 cm. (Minneapolis Institute of Art; Bridgeman Images).
Attributed works:
2. Detail of Fig.1, showing green and red brushstrokes in the white bedsheet.
Attributed works:
3. Detail of Fig.1, showing the face of the man behind Goya’s left shoulder.
Attributed works:
5. Detail of Fig.1, showing the friar or monk behind Arrieta’s right elbow.
Western art unattributed:
4. An allegory of Ferdinand VII’s constitutional oath. 1820. Handcoloured engraving, 19.4 by 25 cm. (Ayuntamiento de Madrid; Museo de Historia de Madrid).
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Advertisements (front)
06/2022 | 1431 | 164
Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
Book Review
Goya: A Portrait of the Artist
09/2021 | 1422 | 163
Pages: 874-875
related names
Reviewer:
Lee, Simon (Lee, Simon)
Subjects
Reviewed Items
subjects:
Goya: A Portrait of the Artist By Janis Tomlinson. 448 pp. incl. 35 col. + 46 b. & w. ills. (Princeton University Press, Princeton NJ, 2020), £28. ISBN 978–0–691–19204–8. | :
Illustrations
Attributed works:
7. Second of May 1808 in Madrid or ‘The fight against the Mamelukes’, by Francisco de Goya. 1814. Oil on canvas, 268.5 by 347.5 cm. (Museo Nacional del Prado, Madrid).
Article
Valentín Carderera and the dissemination of Goya’s graphic work in France
12/2020 | 1413 | 162
Pages: 1048-1055
related names
Author:
Fayos-Perez, Paula (Fayos-Perez, Paula)
Subjects
art literature:
places:
Illustrations
Attributed works:
1. Witches disguised as normal people, from the Sueños (Dreams) series, by Francisco de Goya y Lucientes. 1796–97. Pencil, ink and black chalk on paper, 24.6 by 18.4 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
2. Sketch of man with the head of a snake, by Prosper Mérimée. Pen and ink on paper, 18.7 by 11 cm. (Musée du Louvre, Paris).
Attributed works:
3. Woman / Serpent, by Francisco de Goya y Lucientes. 1797–98. Pen, ink and wash over pencil, 21.1 by 14.7 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
4. They make use of them (Se aprovechan), preliminary drawing for the Disasters of war, no.16, by Francisco de Goya y Lucientes. c.1810–14. Red chalk over pencil on paper, 16.5 by 23 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. They don’t like it (No quieren), from the Disasters of war, by Francisco de Goya y Lucientes. c.1810–13. Etching and drypoint with aquatint on paper, 15.5 by 20.6 cm. (British Museum, London).
Attributed works:
6. Don Quixote, by Francisco de Goya y Lucientes. c.1812–20. Pen, ink and wash on paper, 20.7 by 14.5 cm. (British Museum, London).
Attributed works:
7. Don Quixote after Goya, by Félix Braquemond. Etching and wash, 23.8 by 17.8 cm. (Repr. V. Carderera: ‘François Goya: sa vie, ses dessins, ses eaux-fortes’, Gazette des Beaux-Arts 7 (1860), opposite p.216).
Book Review
Goya: Drawings
12/2020 | 1413 | 162
Pages: 1104-1107
related names
Reviewer:
Lee, Simon (Lee, Simon)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Goya: Drawings By José Manuel Matilla and Manuela Mena. 368 pp. incl. numerous col. + b. & w. ills. (Museo Nacional del Prado, Madrid, and Thames and Hudson, London and New York, 2019), £24.95. ISBN 978–0–500–97100–0. | :
Illustrations
Attributed works:
1. Aun aprendo (I am still learning), by Francisco de Goya y Lucientes. c.1826. Black chalk and lithographic crayon on paper, 19.2 by 14.5 cm. (Museo Nacional del Prado, Madrid).
Book Review
Francisco de Goya (1746–1828): Dibujos. Catálogo Razonado, Volumen II: 1771–1792
12/2020 | 1413 | 162
Pages: 1104-1107
related names
Reviewer:
Lee, Simon (Lee, Simon)
Subjects
art literature:
Reviewed Items
subjects:
Francisco de Goya (1746–1828): Dibujos. Catálogo Razonado, Volumen II: 1771–1792 Edited by José Manuel Matilla and Manuela B. Mena Marqués. 521 pp. incl. 105 col. + 136 b. & w. ills. (Museo Nacional del Prado, Madrid, and Fundación Botín, Santander, 2018), £130. ISBN 978–84–15469–75–9. | :
Book Review
Cuaderno C: Francisco de Goya
12/2020 | 1413 | 162
Pages: 1104-1107
related names
Reviewer:
Lee, Simon (Lee, Simon)
Subjects
art literature:
Reviewed Items
artists:
Cuaderno C: Francisco de Goya With commentary by José Manuel Matilla. 288 pp. incl. 130 col. ills. (Museo Nacional del Prado, Madrid, and Skira, Milan, 2020), €39. ISBN 978–88–572–4362–7. | :
Article
Delacroix after Goya’s ‘Caprichos’: a new sheet of drawings
06/2019 | 1395 | 161
Pages: 474-481
related names
Author:
Fayos-Perez, Paula (Fayos-Perez, Paula)
Subjects
dates:
media:
museums and institutions:
works:
Illustrations
Attributed works:
1. Detail of the verso of Fig.2 showing the ‘PBMA’ watermark.
Attributed works:
10. Right Detail of Capricho no.70, Devout profession, by Francisco de Goya. 1799. Aquatint and drypoint, 30 by 20 cm (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
11. Opposite left Studies of ‘Los Caprichos’, no.6, by Eugène Delacroix. c.1824. Pen and brown ink, brush, and brown wash, 18 by 11 cm. (Musée du Louvre, Paris).
Attributed works:
12. Opposite right Capricho no.6, Nobody knows himself, by Francisco de Goya. 1799. Etching and burnished aquatint. 30 by 20 cm (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
13. 31, 35, 55, 61, 62, 63 and 65, showing young women inspired by Capricho 31, by Eugène Delacroix. Date unknown. Graphite, 25 by 39 cm. (Musée du Louvre, Paris).
Attributed works:
14. Detail of Studies of ‘Los Caprichos’, nos.11, 31, 33 and 36, showing a young woman inspired by Capricho 31, by Eugène Delacroix. c.1824–26. Pen and brown ink, 31 by 20 cm. (Musée du Louvre, Paris).
Attributed works:
15. Studies of ‘Los Caprichos’, nos.32 and 37, by Eugène Delacroix. c.1824. Pen and brown ink, 20 by 15 cm. (Musée du Louvre, Paris).
Attributed works:
16. Woman dragging on the floor, gripping a staircase, by Eugène Delacroix. c.1824–29. Pen, brown ink and brown wash, 22 by 31 cm. (Musée du Louvre, Paris).
Attributed works:
17. Croquis, Buonaparte and other sketches, by Eugène Delacroix. 1814. Etching. 5 by 9 cm. (Location unknown, repr. in N.M. Athanassoglou- Kallmyer: Eugène Delacroix: Prints, Politics and Satire 1814–1822, New Haven and London 1991, p.12, fig.4).
Attributed works:
18. An old man of letters meditates. What century are we in!!!, by Eugène Delacroix. Published in Le Miroir (27th June 1821). Lithograph. 17 by 22 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
19. Right Capricho no.23, Those specks of dust, by Francisco de Goya. 1799. Etching, burnished aquatint, drypoint and burin, 30 by 20 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
2. Two Studies after ‘Los Caprichos’, nos.31 and 32, here attributed to Eugène Delacroix. c.1820–24. Black chalk and brown wash, 23 by 34 cm. (Colomer collection, Madrid).
Attributed works:
3. Capricho no.31, She prays for her, by Francisco de Goya. 1799. Etching, burnished aquatint, drypoint, and burin, 30 by 20 cm. (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
4. Capricho no.32, Because she was susceptible, by Francisco de Goya. 1799. Aquatint and burnisher, 30 by 20 cm (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
5. Detail of Capricho no.27, Which of them is the more overcome?, by Francisco de Goya. 1799. Etching, aquatint and drypoint, 30 by 20 cm. (sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
6. Detail of Méphistophélès se présente chez Marthe, from Faust, by Eugène Delacroix. 1828. Lithograph, 24.4 by 20.9 cm. (Bibliothèque nationale de France, Paris; Bridgeman Images).
Attributed works:
7. Detail of Studies after Los Caprichos nos.26, 27, 29, 35, 69, by Eugène Delacroix. c.1824. Pen and brown ink, 22 by 18 cm. (Fogg Art Museum, Cambridge MA; © President and Fellows of Harvard College).
Attributed works:
8. Caricatures, by Eugène Delacroix. Graphite, 11 by 18 cm. (Musée du Louvre, Paris).
Attributed works:
9. Detail of Capricho no.19, Everyone will fall, by Francisco de Goya. 1799. Etching and burnished aquatint, 30 by 20 cm (sheet). (Museo Nacional del Prado, Madrid).
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Advertisements (front)
03/2019 | 1392 | 161
Pages: i-xl
Subjects
collectors and dealers:
Nicholas Hall (dealer), New York, United States / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Walter Padovani (dealer), Milan, Italy / Bailly Gallery, Geneva and Paris, Switzerland / Arnoldi-Livie (dealer), Munich, Germany / Bottegantica, Bologna, Italy / Carlo Orsi (dealer), Milan, Italy / Lullo Pampoulides (dealer), London, Great Britain / Rob Smeets, Geneva, Switzerland / Stephen Ongpin Fine Art, London, Great Britain / Alessandro Cesati, Milan, Italy / Simon Dickinson, London, Great Britain / Burzio, London, Great Britain / Santa Tecla Srl, Padua, Italy / Bacarelli & Botticelli, Firenze, Italy / Daxer & Marshall (dealer), Munich, Germany / Zornmuseet, Mora, Sweden / Art Conservation Awards / Irish Arts Review / Biennale Internazionale d'Antiquariato (Italy: Florence) / Paolo Antonacci (dealer), Rome, Italy / Fairfield University Art Museum, Fairfield, United States / Galerie Neuse, Bremen, Germany / Venator & Hanstein KG (auction house), Cologne, Germany / European Fine Art Fair (Maastricht) / Timothy Newbery (frames), London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Didier Aaron, Inc, New York, United States / Rafael Valls, London, Great Britain / Salon du dessin, Paris, France / Galerie Zlotowski, Paris, France / Jean-Luc Baroni, London, Great Britain / Marty de Cambiaire, Paris / Paul Prouté S.A. (gallery), Paris, France / Wienerroither & Kohlbacher, Vienna, Austria / Talabardon & Gautier, Paris, France / Museo Nacional del Prado, Madrid, Spain / Charles Ratton & Guy Ladrière, Paris, France / Master Drawings (art periodical) / Brun Fine Art, London / London Original Print Fair / Dreweatts, Newbury, Great Britain / Artcurial, Paris, France / Hazlitt Gallery, London, Great Britain
Illustrations
Attributed works:
Francisco de Goya Visiones. 23.6 x 14.4 cm. Recently acquired by the Meadows Museum, Dallas
Attributed works:
[Arnoldi-Livie. Ernst Ludwig Kirchner. Bathers at the Beach of Fehmarn, 1912. Graphhite, 46 x 59 cm]
Attributed works:
[Artcurial. Baccio BANDINELLI Male Nudes (recto) Estimate: € 30 000 - 40 000]
Attributed works:
[BAILLY GALLERY, GENEVA AND PARIS. Head, by Amedeo Modigliani (1884–1920). c.1910–12. Pencil on paper, 42.5 by 26.5 cm.]
Attributed works:
[BOTTEGANTICA, MILAN. Futurist blackbirds, by Giacomo Balla (1871–1958). c.1924. Canvas, 66 by 146 cm.]
Attributed works:
[BURZIO, LONDON. Self portrait, by Giusseppe Maria Bonzanigo (1745–1820). 1786. Limewood, walnut, tulipwood, ebony and fruitwood, 62.7 by 59 cm.]
Attributed works:
[Burzio. The Tagliolini Laocoon. Filippo Tagliolini, Naples. c. 1785, 52 cm high.]
Attributed works:
[Carlo Orsi Fine Art. Giovanni Battista Foggini, The Portrait of Margerite Louis of Orléans, Grand Duchess of Tuscany. Marble, hieght 77 cm]
Attributed works:
[CARLO ORSI – TRINITY FINE ART, LONDON. Wicker basket with peaches, jasmine, a rose and a carnation, by Fede Galizia (1578–1630). Panel, 33.7 by 47 cm.]
Attributed works:
[CHARLES RATTON & GUY LADRIÈRE. FRANÇOIS BOUCHER (1703 – Paris – 1770) A COTTAGE Red chalk, 20.5 x 33.7 cm]
Attributed works:
[Daxer and Marshall. Jan Steen, the Alchemist, 1668]
Attributed works:
[Daxer and Marshall. Peder Balke. The Troltindene Range, Norway, 1848]
Attributed works:
[DIDIER AARON & CIE, PARIS. Study for St Genevieve at prayer, by Pierre Puvis de Chavannes (1824–98). 1876. Charcoal with white highlights on paper, 55.5 by 45 cm.]
Attributed works:
[GALERIE ARNOLDI-LIVIE, MUNICH. Young Painter in his atelier, by Michel-Martin drolling (1786–1851). oil on canvas, 47 x 39 cm.]
Attributed works:
[GALERIE NEUSE, BREMEN. Beaker and cover depicting the death of the Swedish King Gustav Adolf in the Battle of Lützen, 1632, by Elias Adam (c.1669–1745). c.1707–11. Ivory with silver-gilt mounts. Height 29.5 cm.]
Attributed works:
[Galerie Neuse. Johann Speiss ( 1824 - c. 1891) Trophy for the Baden-Baden steeple chase in I ffezheim Signed and dated: J. Spiess. fecit Hofgraveur Mannheim 1863 Ivory, Height: 50 cm]
Attributed works:
[GALERIE PAUL PROUTÉ, PARIS. Venus, by Jan Van der Straet, known as Johannes Stradanus (1523–1605). c.1599. Black pencil, brown ink with white gouache highlights on paper, 18.2 by 12.5 cm.]
Attributed works:
[Galerie Paul Prouté.Maurice DENIS (1870 - 1943) Study for two apostels, charcoal, hightened with white on brown paper, 680 x 455 mm]
Attributed works:
[GALERIE ZLOTOWSKI, PARIS. The piano lesson, by Georges Valmier (1885–1937). 1922. Gouache on paper, 14.6 by 16.8 cm.]
Attributed works:
[GALERIEARNOLDI-LIVIE, MUNICH. Standing youth at a water source, by Ferdinand Hodler (1853–1918). 1900/01. Pen and brush with grey wash]
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Eustache Le sueur. Study for the Head of Saint Gervasius in the painting, ‘St Gervasius and St Protasius brought before Anastasius’, in the Musée du Louvre. (circa 1652), black and red chalk, heightened with white and yellow pastel: 195 x 146 mm (7½ x 5¾ in.) (actual size).
Attributed works:
[JEAN-LUC BARONI & MARTY DE CAMBIAIRE. Federico Zuccaro. Allegory of Gluttony, Study for a Section of the Cupola of the Duomo, Florence. (circa 1575-6), pen and brown ink and brown and pink wash, squared for transfer in red chalk: 166 x 306 mm. (6½ x 12 in.), (actual size detail).]
Attributed works:
[JEAN-LUC BARONI, LONDON, AND MARTY DE CAMBIAIRE, PARIS. Man with a top hat and walking stick, by Edouard Manet (1832–83). Pen and black ink wash with gouache highlights on beige paper, 25.7 by 8.8 cm.]
Attributed works:
[KUNSTHANDEL WIENERROITHER& KOHLBACHER, VIENNA. Standing female figure, by Egon Schiele (1890–1918). 1911. Gouache, watercolour and crayon on paper, 44.7 by 31.5 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[LULLO PAMPOULIDES, LONDON. Hercules on the pyre, by Guillaume Coustou (1677–1746). c.1702–03. Terracotta, 40 by 27 cm.]
Attributed works:
[Lullo Pampoulides. Domenico Fetti | Melancholy | Circa 1618 | Oil on canvas | 149.7 x 112.8 cm.]
Attributed works:
[MULLANY HAUTE EPOQUE FINE ART, LONDON. St Francis, by Pedro Roldán (1624–99). c.1660–70. Wood with original polychrome and gilding, 81 by 45 by 40 cm.]
Attributed works:
[Mullany Haute Epoque Fine Art. JOSÉ DE MORA (Baza 1642 – 1724 Granada) Head of Saint John the Baptist Terracotta, with original polychrome Spain, Granada, c. 1695 – 1724 H. 18.4 x W. 26.7 x D. 24.1 cm]
Attributed works:
[Museo Nacional del Prado. Francisco de Goya, José Álvarez de Toledo, marqués de Villafranca y duque de Alba (detalle), 1795. Madrid, Museo Nacional del Prado]
Attributed works:
[ONNO VAN SEGGELEN FINEARTS, ROTTERDAM. Happy company, by Pieter Jansz Quast (1605–47). Graphite and grey wash on vellum, 27.8 by 34.7 cm.]
Attributed works:
[Paolo Antonacci, Rome. Adolfo DE CAROLIS (1874 – 1928) Woman at the Fountain (The Muse Melete) Tempera, pencil and charcoal on paper, 1860 x 1470 mm]
Attributed works:
[Peter Finer. A Wheel-Lock Gun from the Cabinet d'Armes of Louis XIII of France, c. 1620-30]
Attributed works:
[REGINART COLLECTIONS, GENEVA. Summer evening, by Lyonel Feininger (1871–1956). 1933. Watercolour, pencil and ink on paper, 22.9 by 34.5 cm.]
Attributed works:
[ROB SMEETS OLD MASTER PAINTINGS, GENEVA. Study for a standing male figure, by Corrado Giaquinto (1703–66). Canvas, 66.5 by 50 cm.]
Attributed works:
[ROBILANT + VOENA, LONDON. A view of the piazzetta looking towards the Bacino and Isola di S. Giorgio, by Francesco Guardi (1712–93). Canvas, 58.5 by 68 cm.]
Attributed works:
[Robilant +,Voena. Jacopo Bassano, Penitent Saint Jerome, oil on canvas, 88 × 110 cm.]
Attributed works:
[SANTA TECLA Srl. GIROLAMO MUZIANO (Brescia 1532 – Rome 1592) Saint Jerome in the wilderness Oil on canvas, cm 228 x 164 (90 x 64½ in.)]
Attributed works:
[SANTA TECLA, PADUA. The Madonna in prayer, by Giovanni Battista Salvi, called Il Sassoferrato (1609–85). Canvas, 75.3 by 61.6 cm.]
Attributed works:
[SIMON C. DICKINSON LTD, LONDON. White feathers, by Kees van Dongen (1877–1968). c.1910–68. Canvas, 100 by 80 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. A standing halberdier, by Salvator Rosa (1615–73). c.1656/57. Pen and brown ink with brown wash on paper, 14.7 by 9 cm.]
Attributed works:
[STEPHEN ONGPIN FINE ART, LONDON. Jos Hessel in the drawing room at the Château des Clayes, by Édouard Vuillard, (1868–1940). Pastel on pink paper, 30.5 by 22.4 cm.]
Attributed works:
[Stephen Ongpin Fine Art. Thomas Gainsborough, R.A. (1727-1788) Wooded Landscape with Cattle and Goats Black and white chalk, with stumping, on buff paper. 229 x 294 mm. (9 x 11½ in.)]
Attributed works:
[TALABARDON& GAUTIER, PARIS. Two bathers, by Armand Séguin (1869–1903). c.1895. Charcoal, pen and ink on paper, 27.7 by 24.6 cm.]
Attributed works:
[TOMASSO BROTHERS FINE ART, LONDON AND LEEDS. The Lamentation over Christ, by Gerard David (c.1460–1523). Panel, 18 x 17.4 cm.]
Attributed works:
[Venator & Hanstein. Hieronymus. Leben der heiligen Altväter. Strasbourg 1482]
Attributed works:
[Walter Padovani. Antonio Minello, Apollo, overall height 68 cm]
Attributed works:
[Walter Padovani. Italy Mother of the Arts, by Pompeo Marchesi (1783–1858). White Carrara marble, 131 by 99 cm.]
Non-western art unattributed:
[The Maastricht Fine Art Open House. A lacquer plaque depicting St. Petersburg on the river Neva with the Winter Palace on the left and the Academy of Science on the right. Japan, Nagasaki, circa 1788.]
Western art unattributed:
[BACARELLI & BOTTICELLI. Allegory of Envy Florence, second half of 17th century Bronze, height 29 cm.]
Western art unattributed:
[CESATI WORKS OF ART, MILAN. Casket, Siena c.1340–50. Painted, gilded and punched wood, 19 by 24 by 14.5 cm.]
Western art unattributed:
[Dreweatts. A Northern Italian, probably Veronese, sculpted marble votive relief depicting the Crucifixion with the Virgin Mary and Saint John, late 13th/early 14th century, 66cm high, 43cm wide]
Western art unattributed:
[Tomasso Brothers. Roman, 50 BC – 50 AD Head of Cato Thasian Marble 42.5 cm (16¾ in.) high. 55.5cm high (21¾ in.), including the socle]
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