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20 articles
Article
Four wooden ceilings from the Torrijos Palace, Toledo
12/2023 | 1449 | 165
Pages: 1272–1289
related names
Author:
McSweeney, Anna (McSweeney, Anna)
Author:
Rosser-Owen, Mariam (Rosser-Owen, Mariam)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. Tile panel possibly from the Torrijos Palace. Attributed to Hernando de Loaysa, Talavera de la Reina, c.1600. Tin-glazed earthenware. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Attributed works:
19. Groundplan of the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 [1894], p.104; Biblioteca Nacional de España , Madrid).
Attributed works:
2. Opening page of the 1902 article on the Torrijos Palace, showing a plaster lintel above a door in the palace. (From ‘El Palacio de Torrijos’, Por Esos Mundos (April 1902), p.342; Victoria and Albert Museum, London).
Attributed works:
20. Exterior façade of the Torrijos Palace, showing the portal and one of the windows with a balcony. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.102; Biblioteca Nacional de España , Madrid).
Attributed works:
22. Staircase in the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.103; Biblioteca Nacional de España , Madrid).
Attributed works:
23. The groundplan shown in Fig.19, overlaid to show the location of the four ceilings, the main portal and the patio. (© Mariam Rosser-Owen). A. Ceiling from a room on the south-west side of Torrijos Palace, now in château de Villandry, Loire (Fig.12) B. Ceiling from a room on the north-west side of Torrijos Palace, now in the V&A (Fig.1) C. Staircase on the north-east side of Torrijos Palace (Fig.22) D. Ceiling from a room on the north-east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retamar (Fig.15) E. Ceiling from a room on the north-east side of Torrijos Palace, now in MAN (Fig.8) F. Portal on the east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retama (Fig.13) G. Courtyard of Torrijos Palace (Fig.4) H. Ceiling from a room on the south-east ceiling side of Torrijos Palace, now in Fine Arts Museums, San Francisco (Fig.5)
Attributed works:
25. The ceiling in Fig.8 shown in situ in the Torrijos Palace. Photograph, 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.344).
Attributed works:
27. The ceiling in Fig.12 shown in situ in the Torrijos Palace. Photograph. 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.346; Victoria and Albert Museum, London).
Attributed works:
29. Diagram of an interlace panel on a strapwork carpentry ceiling, by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
3. The ceiling shown in Fig.1 in situ in the Torrijos Palace. Photograph, 1905. (Victoria and Albert Museum, London, Archive, Central Inventory Register, 1905, MA/30/233).
Attributed works:
30. Diagram of cartabones by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
6. Plaster cast of the frieze originally below the ceiling shown in Fig.1, c.1910. Plaster, each section approx. 150 by 110 cm. (Victoria and Albert Museum, London).
Western art unattributed:
1. A ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; with modern plaster of Paris panels, width 6 m. (Victoria and Albert Museum, London).
Western art unattributed:
11. Friezes from the Torrijos Palace. c.1490. Plaster, 133 by 312 by 8 cm. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
12. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding, width approx. 5.5 m. (château de Villandry, Loire; photograph Frédéric Paillet).
Western art unattributed:
13. Portal from the Torrijos Palace. c.1490. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
14. Plinth for a statue of the Virgin on the altar of the chapel at Finca El Alamín, Santa Cruz del Retamar, made from part of the ceiling shown in Fig.15. Early sixteenth century, carved wood. (Photograph Peter Kelleher 2022).
Western art unattributed:
15. Ceiling from the Torrijos Palace. Early sixteenth century. Carved wood. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
16. Ceiling in the grandest room of the palace at Ocaña. 1475–80. Wood, probably pine, with painting and gilding. (Photograph Peter Kelleher 2022).
Western art unattributed:
17. Ceiling in the Throne Hall of the Comares Palace, Alhambra, Granada. 1350. Wood, including pine and cedar, with painting, 11.3 by 11.3 m. (Photograph Simon Lane).
Western art unattributed:
18. Portal of the Colegiata del Santísimo Sacramento, Torrijos. 1509–18. (Photograph Peter Kelleher 2022).
Western art unattributed:
21. Staircase in the palace at Ocaña. 1475–80. (Photograph Peter Kelleher 2022).
Western art unattributed:
24. Panel from a frieze in the Torrijos Palace. c.1490. Plaster, 38 by 55 by 4 cm. (Museo Santa Cruz, Toledo; photograph Mariam Rosser-Owen).
Western art unattributed:
26. Section of the frieze from the ceiling shown in Fig.8. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Western art unattributed:
28. Exterior of the ceiling shown in Fig.8. (Photograph Peter Kelleher 2022).
Western art unattributed:
4. Courtyard of the Torrijos Palace. Photograph, c.1904. (Instituto del Patrimonio Cultural de España, Ministerio de Cultura y Deporte, VN-10440).
Western art unattributed:
5. Ceiling from the Torrijos Palace. c.1490. Wood, including pine and walnut, with painting and gilding, width 5.72 m. (Museum of the Legion of Honor, San Francisco; Fine Arts Museums of San Francisco).
Western art unattributed:
7. Panel from the original frieze below the ceiling shown in Fig.1. c.1490. Plaster, 29.5 by 58 by 5.5 cm. (Victoria and Albert Museum, London).
Western art unattributed:
8. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; 5.5 by 5.5 m. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
9. Lintel and doorway from the Torrijos Palace. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Article
George I’s Kensington Palace: the sculptural dimension
11/2023 | 1448 | 165
Pages: 1196-1205
related names
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
dates:
media:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Summer from Four Seasons, by Camillo Rusconi. c.1695. Marble, height (without pedestal) 74.9 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
10. Flora, by John van Nost II or Robert Pitt. 1724. Gilded lead, height 159 cm.; 11. Apollo, by John van Nost II or Robert Pitt. 1724. Gilded lead, height 165 cm.; 12. Mercury, by J.M. Rysbrack. 1724. Gilded lead, height 167 cm.; 13. Diana, by J.M. Rysbrack. 1724. Gilded lead, height 173 cm. (All © 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
14. Roman Marriage, by J.M. Rysbrack. 1723. Marble, 195 by 155 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
15. John Michael Rysbrack, by John Faber the Younger after John Vanderbank. 1734. Mezzotint, 35.4 by 25.2 cm (sheet). (National Portrait Gallery, London).
Attributed works:
16. Flora, by Sigismondo Betti. c.1710–30. Pencil drawing on paper, 57 by 48 cm. (Eton College Library, Windsor; reproduced by permission of the Provost and Fellows of Eton College).
Attributed works:
17. The Cupola Room, Kensington Palace. Photograph. c.1930. (© Historic Royal Palaces).
Attributed works:
18. Hermes Andros / Farnese, attributed to Andrew Carpenter. 1724. Lead, height 78 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
19. ‘Archimedes’, by Hubert Le Sueur. c.1637–38. Bronze, height 41 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
2. Kensington Palace: the King’s Gallery, by Charles Wild. 1816. Watercolour with touches of bodycolour over etched outlines, 19.8 by 25 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
20. Detail of Fig.7, showing a bust over the fireplace.
Attributed works:
21. Bust of an unknown woman. Early seventeenth century. Bronze, height 71 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
3. The King’s Gallery, Kensington Palace, looking east, with the paintings hung as in George I’s time, with Camillo Rusconi’s Four Seasons on the window piers. (© Historic Royal Palaces).
Attributed works:
4. Kensington Palace: Queen Caroline’s Drawing Room, by Charles Wild. c.1816. Pen and ink with watercolour and bodycolour, over pencil, 20.3 by 25 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
5. A Roman statue, by Elisha Kirkall. 1720s. Mezzotint, 36.5 by 21.5 cm. (British Museum, London).
Attributed works:
6. Kensington Palace: the Great Staircase, by Charles Wild. 1819. Pen and ink with watercolour and bodycolour, over etched outlines, 25.2 by 20.2 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
7. Kensington Palace: the Cupola Room, by Richard Cattermole. c.1817. Pen and ink with watercolour and bodycolour, over pencil, 20.4 by 25.3 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
8. Bacchus, by J.M. Rysbrack. 1724. Gilded lead, height 170 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Attributed works:
9. Ceres, by J.M. Rysbrack. 1724. Gilded lead, height 193 cm. (© 2023 HM King Charles III; Royal Collection Trust).
Book Review
Cuirs dorés, ‘Cuirs de Cordoue’: un art européen
03/2023 | 1440 | 165
Pages: 342-343
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
Reviewed Items
subjects:
Cuirs dorés, ‘Cuirs de Cordoue’: un art européen By Jean-Pierre Fournet. 384 pp. incl. 537 col. + 40 b. & w. ills. (Éditions d’art Monelle Hayot, Saint-Rémy-en-l’Eau, 2019), £97. ISBN 979–10–96561–04–9. | :
Illustrations
Western art unattributed:
5. Detail of a gilt leather panel. Netherlands, late 17th century. 75 by 65 cm. (Skoklosters Castle, Sweden).
Article
Cross-cultural diplomacy: a Safavid shield in the Medici armoury
10/2022 | 1435 | 164
Pages: 968-975
related names
Author:
Rokhgar, Negar Sarah (Rokhgar, Negar Sarah)
Subjects
dates:
places:
styles:
Illustrations
Attributed works:
4. Detail of the painted ceiling in the Sala dell’Armeria (Room 21), Gallerie degli Uffizi, Florence, depicting a Persian soldier by Ludovico Buti. 1588–89. (Photograph the author).
Attributed works:
6. Medusa, by Caravaggio. 1595–98. Oil on canvas applied on a wooden shield, 60 by 55 cm. (Gallerie degli Uffizi, Florence).
Non-western art unattributed:
1. Shield. Persia, late 16th century. Gold damascened steel, Indian cane, silk, mother-of-pearl, leather and velvet, diameter 64.5 cm. (Museo Nazionale del Bargello, Florence).
Non-western art unattributed:
2. Detail of Fig.1, showing figures serving food to an authority on a higher seat.
Non-western art unattributed:
3. Detail of Fig.1, showing men on horseback and on foot using spears and arrows to hunt lions.
Non-western art unattributed:
5. Silk fragment with a figured motif. Yazd, Persia, late 16th or early 17th century. Silk lampas, 70.5 by 36 cm. (Museo Nazionale del Bargello, Florence).
Non-western art unattributed:
7. Shield. Persia, 17th century. Indian cane covered with silk, metal umbo painted in black with golden arabesque engravings and originally embellished with turquoises and other precious stones, 20 by 62 cm. (Palazzo Ducale, Venice).
Non-western art unattributed:
8. Tray with a scene of lovers in a pavilion. Gujarat, late 16th or early 17th century. Mother-of-pearl and lacquer on wood, diameter 43.5 cm. (Aga Khan Museum, Toronto).
Exhibition Review
Gold
09/2022 | 1434 | 164
Pages: 910-912
related names
Reviewer:
Wright, Alison (Wright, Alison)
Subjects
dates:
Reviewed Items
subjects:
Gold British Library, London 20th May–2nd October | :
Illustrations
Attributed works:
7. Qur’an of Sultan Uljaytu. 1310–11. Colour on gold leaf on parchment, 57 by 40 cm. (British Library, London, Or 4945, fol.1v–2r).
Attributed works:
8. Chapter 8 from the Lotus Sutra. Japan, 1636. Gold and silver ink on indigo-dyed paper, 27.5 by 57.5 cm. (British Library, London, Or 13926).
Attributed works:
9. Detail from the Carmina regia (‘Address of the City of Prato to Robert of Anjou’), showing Robert of Anjou enthroned. Tuscany, c.1335–40. Colour and gold on parchment, 48 by 34 cm. (British Library, London, Royal MS 6 E.IX, fol.10v).
Article
Medieval and Renaissance enamels and other works of art in the Wyvern Collection
04/2022 | 1429 | 164
Pages: 374-379
related names
Author:
Westermann-Angerhausen, Hiltrud (Westermann-Angerhausen, Hiltrud; Angerhausen, Hiltrud Westermann-)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
4. Badge of St Margaret. Probably eastern France, second half of the fifteenth century. Alloy of gold and copper, 5.9 by 4 cm. (The Wyvern Collection).
Attributed works:
6. Horn, by Léonard Limosin. Limoges, 1538. Enamel painted on copper with silver fittings, mounted on a cow’s horn, length 30.5 cm. (The Wyvern Collection).
Attributed works:
7. Head of the Virgin. Northern Spain, c.1270–1300. Wood, paint, gilding and gesso, height 59 cm. (The Wyvern Collection).
Attributed works:
8. Head of the mourning Virgin. France (Paris or Normandy), c.1530–40. Clear glass painted with stipple shading, leaded in a later setting, 13.5 by 11.5 cm. (The Wyvern Collection).
Western art unattributed:
1. Phylactery. Mosan, c.1160–70. Champlevé enamel on copper with gilding, vernis brun, rock crystal and gems on a wooden core, 22.5 by 22 cm. (The Wyvern Collection).
Western art unattributed:
2. Chrismatory. Anglo-Saxon, c.800, and Carolingian, late 9th century. Repoussé copper-alloy sheets with gilding and silver on an oak core, height 15.6 cm. (The Wyvern Collection).
Western art unattributed:
3. Plaque. England, c.1180–1200. Champlevé enamel on copper with gilding, height 5.7 cm. (The Wyvern Collection).
Western art unattributed:
5. Travelling chalice. Lower Rhine (probably Cologne), c.1240–50. Silver, parcel-gilt, with filigree, pearls and semi-precious stones, height 8.2 cm. (The Wyvern Collection).
Book Review
Intagli rococo : Professionalita  ed elaborazione del gusto negli interni del Palazzo Reale di Torino
03/2022 | 1428 | 164
Pages: 318-320
related names
Reviewer:
Zanuso, Susanna (Zanuso, Susanna)
Subjects
Reviewed Items
subjects:
Intagli rococò: Professionalità ed elaborazione del gusto negli interni del Palazzo Reale di Torino By Aurora Laurenti. 284 pp. incl. numerous col. ills. (Accademia University Press, Turin, 2020), €24. ISBN 978–88–319–7856–9. | :
Illustrations
Attributed works:
6. Detail of the Summer Apartment, Gabinetto del Pregadio, Palazzo Reale, Turin, showing carved and pastiglia decorations on the wall panelling and pier table, by Giovanni Luigi Bosso. 1738–40. (Royal Palace, Royal Museums, Turin; photograph Aurora Laurenti).
Exhibition Review
Emailler le verre à la Renaissance: Sur les traces des artistes verriers entre Venise et France
02/2022 | 1427 | 164
Pages: 188-189
related names
Reviewer:
Lhermite-King, Sylvie (Lhermite-King, Sylvie)
Subjects
dates:
Reviewed Items
subjects:
Émailler le verre à la Renaissance: Sur les traces des artistes verriers entre Venise et France Musée national de la Renaissance – Château d’Écouen 13th October 2021– 14th February 2022 | :
Illustrations
Western art unattributed:
5. Covered bowl showing the Triumph of Chastity. Venice, c.1500. Blue glass, polychrome enamels and gold, height 27.8 cm. (Musée du Louvre, Paris; exh. Musée national de la Renaissance – Château d’Écouen; © RMN-Grand Palais; photograph Franck Raux).
Western art unattributed:
6. Footed goblet known as the ‘Halberdiers’, French, mid- 16th century. Uncoloured glass and polychrome enamels, height 71.2 cm. (Musée du Louvre, Paris; exh. Musée national de la Renaissance – Château d’Écouen; © RMNGrand Palais; photograph Hervé Lewandowski).
Western art unattributed:
7. Cylindrical covered pot on a foot, Venetian style. Second half of the 16th century. Uncoloured glass, polychrome enamels and gold, height 25 cm. (Musée du Louvre, Paris; exh. Musée national de la Renaissance – Château d’Écouen; © RMN-Grand Palais; photograph Martine Beck- Coppola).
Article
The Apollo Coach by Cristoforo Schor
11/2020 | 1412 | 162
Pages: 938-945
related names
Author:
Arranz, Raúl Martinez (Arranz, Raúl Martinez)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. The Apollo Coach, designed and made in the workshop of Cristoforo Schor. 1697 with later alterations. Carved and gilded wood and iron, c.250 by 200 by 550 cm., without the shrine. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
10. Modello for a sculpture of Clytia, here attributed to the workshop of Cristoforo Schor. Terracotta, 42 by 21 by 18.5 cm. (Museo Nazionale del Palazzo di Venezia, Rome; © SSPSAE e per il Polo Museale della città di Roma).
Attributed works:
2. The Apollo Coach photographed at the celebrations for the centennial of the declaration of the dogma of the Immaculate Conception, Toledo. 1954. (Archivo Municipal de Toledo, Colección Pareja).
Attributed works:
3. Detail of the coach in Fig.1, showing the rear frame. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
4. Detail of the coach in Fig.1, showing the rear frame and the supporting iron bars. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
5. Design for the rear frame of a coach with Apollo slaying the Python, by the workshop of Cristoforo Schor. c.1696–97. Ink and bistre on paper, 19.5 by 25.4 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
6. Design for a coach with figures of Justice and Abundance, by the workshop of Cristoforo Schor. c.1696–97. Black chalk, pen and black ink on paper, 19.7 by 20.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
7. Design for a carriage wheel with carved decoration of sunflowers, here attributed to the workshop of Cristoforo Schor. c.1696–97. Pencil and brown ink, lacquered in brown, on paper, 26.1 by 18.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/ Nationalmuseum).
Attributed works:
8. Detail of the coach in Fig.1, showing one of the back wheels. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
9. Detail of the coach in Fig.1, showing the sculpture of Clytia. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Article
Global mission iconography in the Jesuit Church in Innsbruck (1636–66)
08/2020 | 1409 | 162
Pages: 658-672
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. St Francis Xavier and the miracle of the crab. Second half of the seventeenth century. Oil on canvas. (Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck).
Attributed works:
10. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Bistre, graphite, wash and reddish and ochre pigments on paper, 16.2 by 21 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
11. Detail of Fig.5.
Attributed works:
12. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink and reddish pigment on paper, 43.4 by 29.8 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
13. Design for the Francis Xavier altar, by Bartolomäus von Opstal. c.1666. Black ink, reddish pigment and wash on paper, 42.2 by 24.1 cm. (Archives of the Jesuit College, Innsbruck).
Attributed works:
15. This illustration shows us the people and island which have been discovered by the Christian King of Portugal, by Johann Froschauer. 1505. Woodcut. (From A. Vespucci: Mundus Novus, Augsburg; Bridgeman Images).
Attributed works:
17. Detail of Fig.5.
Attributed works:
2. Vault of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Georg Braun and others. 1636. Stucco and gilding.
Attributed works:
4. Martyrdom of the Japanese saints Paul Miki, James Kisai and John de Goto, by Paul Pock. 1644. Oil on canvas, height 400 cm. (Church of the Holy Trinity, Innsbruck).
Attributed works:
5. Altar of the Chapel of St Francis Xavier, Church of the Holy Trinity, Innsbruck, by Bartholomäus von Opstal. 1666–68. Marble and gilded bronze, 690 by 400 cm. The altarpiece is Francis Xavier baptising an Indian nobleman, attributed to Heinrich Schönfeld. 1670. Oil on canvas, 250 by 175 cm.
Attributed works:
6. Detail of Fig.2, showing the map of India.
Attributed works:
7. A figure of the East Indies and adjacent islands. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1570. (Boston Public Library).
Attributed works:
8. A depiction of the islands of Japan. Hand-coloured engraving, 36 by 48.5 cm. From A. Ortelius: Theatrum Orbis Terrarum, Antwerp 1595. (Sanderus Antiquariaat, Ghent).
Attributed works:
9. Detail of Fig.2, showing the map of Japan.
Attributed works:
Xavierius’s dream of bringing help to the Indies, by Abraham van Diepenbeek. Engraving, 10.5 by 13.5 cm. (From Imago Primi Saeculi Societatis Iesu, Antwerp 1640).
Western art unattributed:
14. Design for the Francis Xavier altar. c.1666. Bistre, graphite and wash on paper. 44.9 by 30.9 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
16. Design for a sculpture of St Francis Xavier for the Francis Xavier Altar. c.1666. Graphite, black ink and wash on paper, 42 by 24 cm. (Archives of the Jesuit College, Innsbruck).
Western art unattributed:
3. Plan of the Jesuit (now the University) Church, Innsbruck. 1781. Ink and watercolour on paper, 73.5 by 52 cm. (Tiroler Landesarchiv).
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