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195 articles
Exhibition Review
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain
05/2025 | 1466 | 167
Pages: 494–7
related names
Reviewer:
Thomas, Greg (Thomas, Greg)
Subjects
Reviewed Items
subjects:
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain Estorick Collection, London 15th January–11th May | :
Illustrations
Attributed works:
13. Madrigale veneziano (Venetian madrigal) from Aeromusiche d’alfabeto in libertà: Marinetti Crali Cenisi, by Tullio Crali. 1944. (Private collection; exh. Estorick Collection, London).
Attributed works:
14. ishtar’s descent, by Dom Sylvester Houédard. 1971. Typed page 29.7 x 21 cm. (Courtest Lisson Gallery, London; exh. Estorick Collection, London).
Attributed works:
15. Untitled, by Dom Sylvester Houédard. 1967. Newspaper cuttings, fabric and PVC plastic, 35.7 by 33.7 cm. (Courtesy Lisson Gallery, London; exh. Estorick Collection, London).
Book Review
Kay Sage and Yves Tanguy: Ring of Iron, Ring of Wool
05/2024 | 1454 | 166
Pages: 521–523
related names
Reviewer:
McAra, Catriona (McAra, Catriona)
Subjects
art literature:
museums and institutions:
styles:
Reviewed Items
styles:
Kay Sage and Yves Tanguy: Ring of Iron, Ring of Wool Edited by Victoria Noel-Johnson and Marzina Marzetti. 176 pp. incl. 120 col + b. & w. ills. (Skira, New York, 2023), £48. ISBN 978–88–572–5061–8. | :
Illustrations
Attributed works:
15. Unicorns came down to the sea, by Kay Sage. 1948. Oil on canvas, 92.1 by 71.8. cm. (Philadelphia Museum of Art).
Attributed works:
16. Aux aguets le jour, by Yves Tanguy. 1939. Oil on canvas, 40.6 by 30.5 cm. (Private collection).
Attributed works:
17. Ring of iron, ring of wool, by Kay Sage. 1947. Oil on canvas, 137.2 by 97.2 cm. (Mint Museum, Charlotte).
Article
Denis Wirth-Miller’s studio collection
09/2023 | 1446 | 165
Pages: 976-87
related names
Author:
Günther, Katharina (Günther, Katharina)
Subjects
dates:
places:
Illustrations
Attributed works:
1 and 2. Denis Wirth-Miller’s studio, Wivenhoe. 2014. (Photographs Ben Harrison).
Attributed works:
10. Study for ‘Dog in movement’, by Denis Wirth-Miller. c.1953. Oil on canvas. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
11. Dog; walking; mastiff. Dread, by Eadweard Muybridge. (From E. Muybridge: Animal Locomotion, Philadelphia 1887, plate 704).
Attributed works:
12. Dog, by Francis Bacon. 1952. Oil on canvas, 198.1 by 137.2 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Tate Britain, London).
Attributed works:
13. Part of the floor of Francis Bacon’s studio at 7 Reece Mews, London. 1998. Photograph by Perry Ogden. (© The Estate of Francis Bacon. All rights reserved, DACS / Artimage 2023).
Attributed works:
14. Francis Bacon working material, torn-out page, folded, attached to support and inserted in plastic bag, of ‘Pugilist. Striking a blow’ from E. Muybridge: The Human Figure in Motion, London 1901 (possibly), plate 63. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; Dublin City Gallery The Hugh Lane).
Attributed works:
15. Detail of Fig.14, showing the folded page and two merged frames.
Attributed works:
16. Study from the Human Body (Man Turning on Light), 1973, by Francis Bacon. 1973. Oil and alkyd paint on canvas, 200.6 by 148.4 cm. (© The Estate of Francis Bacon. All rights reserved, DACS 2023; photograph Perry Ogden; private collection).
Attributed works:
3. Denis Wirth-Miller, working material, page from Maxick (Max Sick): Muscle Control or Body Development by Will-Power, London 1949, pp.93– 94, Wivenhoe 112, 22 by 13.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
4. Denis Wirth-Miller, working material, cut and mounted blackand- white photographic reproduction showing two United Nations soldiers in a trench, from S. Simmons: ‘Pusan Beach–Head’, Picture Post (5th August 1950), p.15, no.724v. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
5. Denis Wirth-Miller, working material, fragment of a page, mounted on carboard, showing a single frame from the series ‘The Walk’, ‘Some phases in the Walk of a Dog from series 14’, from E. Muybridge: Animals in Motion, London 1899, p.63, Wivenhoe 49, 15.5 by 15.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco) .
Attributed works:
6. Denis Wirth-Miller, working material, cut-out image mounted on cardboard, from ‘The Defense of Europe’, TIME: The Weekly Newsmagazine, Atlantic Overseas Edition 55:2 (April 1950), p.15, Wivenhoe 106, 25 by 18 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
7. Walking man, by Denis Wirth-Miller. c.1954. Oil on canvas, 130 by 99 cm. (© The Estate of Denis Wirth-Miller; private collection).
Attributed works:
8. Denis Wirth-Miller, working material, fragment of a page mounted on cardboard, from TIME: The Weekly Newspaper Atlantic Overseas Edition (13th June 1949), p.16, Wivenhoe 174, 25.5 by 20.5 cm. (© The Estate of Denis Wirth-Miller; courtesy Francis Bacon MB Art Foundation / MB Art Collection, Monaco).
Attributed works:
9. Reconstitution of Francis Bacon’s studio at 7 Reece Mews, London, at Dublin City Gallery The Hugh Lane. (Photograph © Leonard de Selva; Bridgeman Images).
Exhibition Review
Surrealism Beyond Borders
06/2022 | 1431 | 164
Pages: 592-594
related names
Reviewer:
Richardson, Michael (Richardson, Michael)
Subjects
dates:
Reviewed Items
subjects:
Surrealism Beyond Borders Tate Modern, London 24th February–29th August | :
Illustrations
Attributed works:
1. A circus rider’s dream, by Yayoi Kusama. 1955. Gouache on paper, 74.9 by 64.5 cm. (Private collection; © Yayoi Kusama; courtesy David Zwirner, New York; Ota Fine Arts, Tokyo, Singapore and Shanghai; Victoria Miro, London and Venice; photograph Elisabeth Bernstein; exh. Tate Modern, London).
Attributed works:
2. The seven sons of Lautréamont (and his dutiful beautiful daughter), by Ted Joans, Heriberto Cogollo, Agustin Cárdenas, Jorge Camacho, Wifredo Lam, Roberto Matta, Hervé Télémaque and Joyce Mansour. 1970–79. Ink on paper with poem, 76.2 by 21.6 cm. (Private collection; © Ted Joans Estate; courtesy Laura Corsiglia; photograph Buddy Ratner; exh. Tate Modern, London).
Attributed works:
3. Ekrany (screens), by Erna Rosenstein. 1951. Oil on canvas, 48 by 64 cm. (© Muzeum Sztuki, Łódź; exh. Tate Modern, London).
Exhibition Review
Julie Manet: An Impressionist Heritage
03/2022 | 1428 | 164
Pages: 305-307
related names
Reviewer:
Thomson, Belinda (Thomson, Belinda)
Subjects
artists:
museums and institutions:
Reviewed Items
subjects:
Julie Manet: An Impressionist Heritage Musée Marmottan Monet, Paris 19th October 2021–20th March 2022 | :
Illustrations
Attributed works:
27. Julie Manet or Child with cat, by Pierre- Auguste Renoir. 1887. Oil on canvas, 65.5 by 53.5 cm. (Musée d’Orsay, Paris; exh. Musée Marmottan Monet, Paris).
Attributed works:
28. Julie Manet writing, by Ernest Rouart. Undated. Oil on canvas, 116.7 by 89.2 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
Attributed works:
29. Portraits of Jeannie at the piano and Paule listening to her, by Julie Manet. 1899. Oil on canvas, 90 by 90 cm. (Private collection; exh. Musée Marmottan Monet, Paris).
Book Review
British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries. By Matthew C. Potter
10/2019 | 1399 | 161
Pages: 886-887
related names
Reviewer:
Osborne, Margot (Osborne, Margot)
Subjects
places:
Reviewed Items
subjects:
British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries By Matthew C. Potter. 262 pp. incl. 12 col. + 38 b. & w. ills. (Routledge, London and New York, 2019), £115. ISBN 978–1–4724–2636–9. | :
Obituary
Hessel Miedema (1929–2019)
09/2019 | 1398 | 161
Pages: 795-796
related names
Author:
Taylor, Paul (Taylor, Paul)
Subjects
places:
Illustrations
Attributed works:
3. Hessel Miedema, photographed c.1968. (Photograph Tresoar; Frysk Histoarysk en Letterkundich Sintrum).
Obituary
Sir John Richardson (1924–2019)
09/2019 | 1398 | 161
Pages: 793-794
related names
Author:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. Pablo Picasso with John Richardson at Vauvenargues in 1959. (Photograph Jacqueline Picasso; courtesy Gagosian).
Book Review
History of the Royal Hibernian Academy of Arts. By John Turpin
09/2019 | 1398 | 161
Pages: 789-790
related names
Reviewer:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
museums and institutions:
places:
Book Review
The Tiger in the Smoke: Art and Culture in Post-War Britain. By Lynda Nead
06/2019 | 1395 | 161
Pages: 527
related names
Reviewer:
Jolivette, Catherine (Jolivette, Catherine)
Subjects
dates:
places:
Reviewed Items
subjects:
The Tiger in the Smoke: Art and Culture in Post-War Britain By Lynda Nead. 416 pp. incl. 190 col. + b. & w. ills. (Paul Mellon Centre for Studies in British Art, New Haven, published in association with Yale University Press, New Haven and London, 2017), £35. | :
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