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5 articles
Article
Two Ceiling Fragments from the Painted Chamber at Westminster Palace
08/1995 | 1109 | 137
Pages: 491-501
related names
Author:
Binski, Paul (Binski, Paul)
Author:
Liversidge, M. J. H. (Liversidge, M. J. H.; Liversidge, Michael)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
1. Interior of the Painted Chamber at Westminster Palace, Looking East, by William Capon. 1799. (Society of Antiquaries, London).
Attributed works:
5. Seraph from the Ceiling of the Painted Chamber at Westminster Palace. c.1263-66. Oak Plank, 45.3 by 42.5 cm. (British Museum, London).
Western art unattributed:
10. Photomacrograph in Raking Light Showing Square Patch under the Ground in the Left Wing of the Seraph in Fig.5.
Western art unattributed:
11. Ridge of the Original Border at the Right-Hand Bottom Corner in Fig.5.
Western art unattributed:
12. Bottom Right-Hand Corner of Fig.4. The V-Shape of the Original Border Lies inside the Curve of Later Paint, Which Follows the Outline of the Boss.
Western art unattributed:
13. Detail of Fig.5 Showing an Incision Ruled into the Wet Paint for the Aligning of a Patera.
Western art unattributed:
14. Drapery and Scroll of the Prophet in Fig.4, Modelled Wet-in-Wet.
Western art unattributed:
15. Right Side of the Seraph's Neck in Fig.5, Showing Paint over a Loss in the Preparation Layer. Incisions for the Halo are Drawn Both Free-Hand and with a Compass.
Western art unattributed:
16. Neckline of the Prophet Showing a Green Pentiment under Flesh.
Western art unattributed:
17. Halo of the Seraph in Fig.5, Worked in Relief.
Western art unattributed:
18. Cross-Section from the Right Edge of the Prophet in Fig.4. The Original Build-Up of Azurite, Then Lead White with Ultramarine Glaze, Lies under the Addition of Red Lead, Red Lead and Vermilion, Red Lake and Gold.
Western art unattributed:
19. Cross-Section Showing Green Underlayer Extending under the Cream-White of the Prophet's Drapery and Red Relief Decoration over It.
Western art unattributed:
2. Patera from the Ceiling of the Painted Chamber. Oak, 45 by 45 cm. (Sir John Soane's Museum, London).
Western art unattributed:
20. Cross-Section from the Seraph's Wing Showing the Two Layers of Blue Background under the Pink of the Feathers.
Western art unattributed:
21. Cross-Section from the Seraph's Left Hand in Fig.5 Showing an Azurite Underlayer with Some Black Particles under the Left Hand of the Seraph. The Flesh Layer Contains Vermilion in the Lead-White Matrix.
Western art unattributed:
22. Cross-Section from the Seraph's Halo, Showing Ground, Flesh Layer, Red-Lead, Lead-White and the Raised Decoration is a Mixture of Iron Oxide, Red-Lead and Vermilion and the Lead-White Coating on Top.
Western art unattributed:
23. Infra-Red Reflectogram of Fig.5 Showing Underdrawing and a Diagonal Line across the Face.
Western art unattributed:
24. X-Radiograph of Fig.4 with the Outline of the Patera Superimposed.
Western art unattributed:
3. Section Diagram of Planks Forming the Prophet Panel. (Hamilton Kerr Institute, Cambridge).
Western art unattributed:
4. Prophet from the Ceiling of the Painted Chamber at Westminster Palace. c.1263-66. Oak Plank, 45.3 by 42.5 cm. (British Museum, London).
Western art unattributed:
6. St John Preaching from the Moscow Apocalypse. (State Library, Moscow, MS H1678).
Western art unattributed:
7. The Mighty Angel with the Book from the Douce Apocalypse. (Bodleian Library, Oxford, MS Douce 180, fol.28v).
Western art unattributed:
8. Photomacrograph of a Drapery Fold in the Prophet Panel.
Western art unattributed:
9. Right Eye of the Prophet in Fig.4.
Short Notice
Two Portrait Medallions by Michael Rysbrack
12/1990 | 1053 | 132
Pages: 870-873
related names
Author:
Liversidge, M. J. H. (Liversidge, M. J. H.; Liversidge, Michael)
Subjects
dates:
places:
Illustrations
Attributed works:
65. Ben Johnson, by John Michael Rysbrack. Marble, 52 by 48 cm. (Broughton Castle, Oxfordshire).
Attributed works:
66. Inigo Jones, by John Michael Rysbrack. Marble, 50.8 by 48 cm. (Broughton Castle, Oxfordshire).
Attributed works:
67. Monument to Ben Jonson, by John Michael Rysbrack. 1723. (Westminster Abbey, London).
Attributed works:
68. Design for the Monument to Ben Jonson, Westminster Abbey, by James Gibbs. Ink and Grey Wash on Paper, 35.8 by 26 cm. (Ashmolean Museum, Oxford).
Attributed works:
69. Ben Jonson, after Abraham Blyenberch. 47 by 41.9 cm. (National Portrait Gallery, London).
Attributed works:
70. Inigo Jones, by Anthony van Dyck. Black Chalk on Paper, 24.5 by 20 cm. (Chatsworth, Derbyshire).
Article
W. Baylis: A Seventeenth-Century English Painter Identified
10/1986 | 1003 | 128
Pages: 728-731
related names
Author:
Liversidge, M. J. H. (Liversidge, M. J. H.; Liversidge, Michael)
Author:
Nelson-Cave, Wendy (Nelson-Cave, Wendy; Cave, Wendy Nelson-)
Subjects
dates:
places:
Illustrations
Attributed works:
16. Frances Compton (Mrs Hanford), by W. Baylis. Signed and Dated 1660. 75 by 61 cm. (Private Collection, England).
Attributed works:
17. Portrait of an Unknown Lady, Here Attributed to W. Baylis. 76.2 by 63.5 cm. (Private Collection, USA).
Attributed works:
18. Detail from Fig. 16. [Frances Compton (Mrs Hanford), by W. Baylis. Signed and Dated 1660. 75 by 61 cm. (Private Collection, England).]
Attributed works:
19. A Member of the Wakeman Family, by W. Baylis. Inscribed 'Sir George Wakeman Baronet'. 1659. 73.7 by 62.3 cm. (Private Collection, England).
Attributed works:
20. James Long, by W. Baylis. 1659. 76.2 by 63.7 cm. (Private Collection, England).
Attributed works:
21. Oliver Cromwell, after Robert Walker; Here Attributed to W. Baylis. 73.6 by 62.3 cm. (Private Collection, England).
Article
Six Etchings by William Marlow
08/1980 | 929 | 122
Pages: 547-551+553
related names
Author:
Liversidge, M. J. H. (Liversidge, M. J. H.; Liversidge, Michael)
Subjects
dates:
places:
places:
Illustrations
Attributed works:
10. View near Naples, by William Marlow. 1795. Etching, 11.9 by 17.7 cm. (British Museum).
Attributed works:
11. View near Naples, by William Marlow. 1795. Etching. 11.9 by 17.7 cm. (British Museum).
Attributed works:
12. View in the Bay of Naples with Vesuvius in the Distance, by William Marlow. 25.4 by 41.4 cm. (Collection the Duke of Northumberland, Alnwick Castle).
Attributed works:
13. View near Naples, by William Marlow. 76.2 by 104.1 cm. (Private Collection).
Attributed works:
2. View of Florence, by William Marlow. 1795. Etching, 12 by 17.9 cm. (British Museum).
Attributed works:
3. Florence from the River Arno, by William Marlow. 62.2 by 76.2 cm. (Present Whereabouts Unknown).
Attributed works:
4. View near Naples, by William Marlow. 1795. Etching, 11.8 by 17.6 cm. (British Museum).
Attributed works:
5. View near Naples, by William Marlow. Water-Colour, 29.4 by 47 cm. (British Museum).
Attributed works:
6. Civita Vecchia, by William Marlow. 1795. Etching, 11.6 by 17.7 cm. (British Museum).
Attributed works:
7. Civita Vecchia, by William Marlow. 1780. 50.8 by 74 cm. (Private Collection).
Attributed works:
8. Coast Scene near Naples, by William Marlow. Signed. Water-Colour, 51.7 by 79.1 cm. (Yale Center for British Art, New Haven).
Attributed works:
9. View near Naples, by William Marlow. 1795. Etching, 12 by 17.5 cm. (British Museum).
Short Notice
A Drawing for William Sheppard's Portrait of Thomas Killigrew
03/1969 | 792 | 111
Pages: 145+147
related names
Author:
Liversidge, M. J. H. (Liversidge, M. J. H.; Liversidge, Michael)
Subjects
dates:
subjects:
Illustrations
Attributed works:
49. Thomas Killigrew, by William Sheppard. Black Chalk Heightened with White on Buff Paper, 26.3 by 19.7 cm. (Private Collection, England.)
Attributed works:
50. Thomas Killigrew, by William Sheppard. Canvas, 124 by 98 cm. (National Portrait Gallery, London.)