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Article
Claude the Enchanted: Interpretations of Claude in England in the Earlier Nineteenth-Century
12/1969 | 801 | 111
Pages: 733-740
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related names
Author:
Pace, Claire (Pace, Claire)
Subjects
artists:
Lorrain, Claude
artists:
Constable, John
artists:
Palmer, Samuel
dates:
1800-1849
places:
England / France
sources:
Baldinucci, Filippo
sources:
Ruskin, John
sources:
Hazlitt, William, 1778-1830
subjects:
French painting / Critical Reception
subjects:
British painting / Prints
subjects:
Landscapes (visual works) / Sources
subjects:
Romanticism / Nature
subjects:
Literature
subjects:
Keats, John
subjects:
Visual sources
subjects:
Arcadia (pastoral)
Illustrations
Attributed works:
25. Pastoral Landscape, by Claude Lorrain (LV15). c.1636. Canvas, 52 by 41 cm. (National Gallery, London No.58.)
Attributed works:
26. Copy of Claude's Pastoral Landscape Illustrated in Fig.25, by John Constable. Canvas, 53.4 by 44.5 cm. (Art Gallery, New South Wales.)
Attributed works:
27. 'The Enchanted Castle', after Claude's Landscape with Psyche and the Palace of Amor (LV162). Engraving (1780 and 1782) by Vivarès, Finished by Woollett.
Attributed works:
28. 'Evening of the Roman Empire', after Claude's Pastoral Landscape with the Arch of Titus (LV82). Engraving (1772) by Hearne and Woollett. Photo: Witt Collection.
Attributed works:
29. Hagar and the Angel, by Claude Lorrain (LV106). Canvas Mounted on Panel, 52 by 44 cm. (National Gallery, London No.61.)
Attributed works:
30. Detail from Seaport with the Embarkation of St Ursula (LV54), by Claude Lorrain. Canvas, 113 by 149 cm. (National Gallery London, No.30.)