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79 articles
Supplement
Recent acquisitions at the Fine Arts Museums of San Francisco
12/2021 | 1425 | 163
Pages: 1221-1236
related names
Compiler:
Campbell, Thomas P. (Campbell, Thomas P.)
Subjects
subjects:
Illustrations
Attributed works:
1. Penumbra, by Frank Bowling (British, b.Guyana, 1934). 1970. Acrylic and spray paint on canvas, 227 by 697.9 cm. © 2021 Artists Rights Society (ARS), New York / DACS, London. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2019.72.
Attributed works:
12. Moritz-Wilhelm, Duke of Saxe-Zeitz, by Willem van Mieris (Dutch, 1662–1747). 1705. Oil on copper panel, 10.8 by 8.3 cm. Bequest of Margaret Kaplan; inv. no.2020.32.2.
Attributed works:
13. Madame de Narbonne, by François-Hubert Drouais (French, 1727–75). 1769. Oil on canvas, 71.1 by 55.9 cm. Gift of Lady Alexander of Weedon in honour of Martin Chapman; inv. no.2020.2.
Attributed works:
14. An evening landscape, by Samuel Palmer (British, 1805–81). c.1880. Transparent and opaque watercolour over graphite on paper, 21 by 44.1 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2020.3.
Attributed works:
15. Isabella and the pot of basil, by William Holman Hunt (English, 1827–1910). 1867–68. Oil on canvas, 60.6 by 38.7 cm. Museum purchase, Yvonne Cappeller 1992 Trust Fund, Grover A. Magnin Endowment Bequest Income Fund, Roscoe and Margaret Oakes Endowment Income Fund and generous donations from Lucy Young Hamilton, Margaret and William R. Hearst III, Jessica and Jason Moment, Lisa Sardegna and David Carrillo, and Diane B. Wilsey; inv. no.2021.31.
Attributed works:
15. Isabella and the pot of basil, by William Holman Hunt (English, 1827–1910). 1867–68. Oil on canvas, 60.6 by 38.7 cm. Museum purchase, Yvonne Cappeller 1992 Trust Fund, Grover A. Magnin Endowment Bequest Income Fund, Roscoe and Margaret Oakes Endowment Income Fund and generous donations from Lucy Young Hamilton, Margaret and William R. Hearst III, Jessica and Jason Moment, Lisa Sardegna and David Carrillo, and Diane B. Wilsey; inv. no.2021.31.
Attributed works:
16. The birthday, by William Holman Hunt (English, 1827–1910). 1868. Oil on canvas, 102.9 by 72.7 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund and Grover A. Magnin Endowment Bequest Income Fund; inv. no.2019.33.
Attributed works:
17. Baluster vase and cover with AR monogram, attributed to Johann Caspar Ripp (1681–1726). Meissen Factory (est.1710), Meissen, c.1725–30. Hard-paste porcelain with underglaze blue decoration, 41.3 by 21.5 cm. Gift of Malcolm D. Gutter; inv. no.2015.66a–b.
Attributed works:
20. Figure. Luba artist, Democratic Republic of Congo, 19th century. Wood, metal and fibre, 26 by 5.1 by 4.8 cm. Gift of Richard Schelle; inv. no.2019.1.
Attributed works:
21. Rêve au coin du feu (Dreaming by the fireside), model by Camille Claudel (French, 1864–1943), executed by François Pompon (French, 1855–1933). 1899. Marble, 22.2 by 31.8 by 24.8 cm. Gift of Marie-Joséphe de Touzalin Dunaway; inv. no.2018.88.
Attributed works:
23 22 24 22. in pursuit of Venus [infected], by Lisa Reihana (New Zealander, b.1964). 2015–17. Ultra HD video, colour, 7.1 sound, duration 64 minutes, 250 by 400 cm. Fine Arts Museums of San Francisco and Los Angeles County Museum of Art, acquired jointly with funds provided by the Phyllis C. Wattis Fund for Major Accessions, the Fine Arts Museums Foundation and the Los Angeles County Museum of Art Collectors Committee; inv. no.2019.21. Image courtesy the artist, New Zealand at Venice and Artprojects.
Attributed works:
23. Jar, by Maria Martinez (American, San Ildefonso, 1887–1980) and Julian Martinez (American, San Ildefonso, 1879–1943). c.1930–39. Earthenware, 17.8 by 22.9 by 22.9 cm. Gift of Ardelle Southworth; inv. no. 2017.11. Courtesy www.antiqueamericanindianart.com.
Attributed works:
24. Basket, by Elizabeth Hickox (American and Karuk / Wiyot, 1872–1947). c.1915. Wild grape root, myrtle shoots, maidenhair fern and porcupine quills, 15.9 by 18.7 cm. Purchased with funds from the friends of AOA, the AOA Docent Fund and in memory of Leroy C. Cleal; inv. no.2019.65a–b.
Attributed works:
25. Sky cathedral’s presence I, by Louise Nevelson (American, 1899–1988). 1959–62. Painted wood and found objects, 271.8 by 305.1 by 54.6 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2017.50. © Estate of Louise Nevelson / Artists Rights Society (ARS), New York.
Attributed works:
26. Black and white one-stroke waterfall, by Pat Steir (American, b.1940). 1992. Oil on canvas, 440.7 by 230.5 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2018.30. Courtesy the artist.
Attributed works:
27. Katsura, by Kay Sekimachi (American, b.1926). 1971. Dyed nylon monofilament; 4-layer and tubular weaves on an 8-harness loom, 109.2 by 38.1 by 33 cm. Foundation purchase, George and Dorothy Saxe Endowment Fund; inv. no.2016.7. Courtesy the artist.
Attributed works:
28. Untitled (Compass series), by Jay DeFeo (American, 1929–89). 1979. Charcoal and oil pastel on paper, 35.6 by 27.9 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2016.6.1. © Jay DeFeo Foundation / Artists Rights Society (ARS), New York.
Attributed works:
29. Him and her hold the root, by Lonnie Holley (American, b.1950). 1994. Rocking chairs, pillow and root, 115.6 by 185.4 by 77.5 cm. Museum purchase, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection; inv. no.2017.1.27. © Lonnie Holley / Artists Rights Society (ARS), New York.
Attributed works:
30. Blood and meat: survival for the world, by Thornton Dial (American, 1928–2016). 1992. Braided carpet rope, metal, electrical wire, screen, textile, enamel paint and Splash Zone compound on plywood, 165.1 by 241.3 by 27.9 cm. Museum purchase, American Art Trust Fund, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection; inv. no.2017.1.7. © 2021 Estate of Thornton Dial / Artists Rights Society (ARS), New York.
Attributed works:
31. Carolina interior, by Romare Bearden (American, 1911–88). 1970. Collage of various papers, fabric, paint, ink and graphite on paperboard, 33 by 40 cm. Museum purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no. 2019.4. © Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), New York.
Attributed works:
32. Quilt, by Rosie Lee Tompkins (American, 1936–2006) and Irene Bankhead (American, b.1925). 1996. Velvet, velveteen, velour, faux fur, panne velvet, backed with cotton gauze; pieced, quilted, 188 by 148.6 cm. Museum Purchase, Textile Arts Council Endowment Fund; inv. no.2019.53.1. Courtesy the Estate of Rosie Lee Tompkins (Effie Mae Howard).
Attributed works:
33. Lincoln, Lonnie, and me – a story in 5 parts, by Carrie Mae Weems (American, b.1953). 2012. Video installation and mixed media, 335.3 by 457.2 by 1066.8 cm. Museum purchase, in honour of the Friends of New Art; inv. no.2017.49. © Carrie Mae Weems; courtesy the artist and Jack Shainman Gallery, New York.
Attributed works:
34. Birth hood, by Judy Chicago (American, b.1939). 1965–2011. Sprayed automotive lacquer on car hood, 109 by 109 by 10.9 cm. Foundation purchase, Wattis Endowment Income Fund; inv. no.2020.26.2. © Judy Chicago / Artists Rights Society (ARS), New York.
Attributed works:
35. Jacket, by Junya Watanabe (Japanese, b.1961) for Comme des Garçons (Japanese, est.1973). Fall 2015, Ready-to-wear. Polyester knit (jersey). Gift of Norah and Norman Stone; inv. no.2020.18.8.
Attributed works:
36. Woman’s evening jacket, by Vivienne Westwood (British, b.1941). Spring / Summer 2007. Cotton, metallic thread, sequins, rhinestones, onyx, coral; complex weave, embroidery (chain, buttonhole, and couched stitches) and stones. Gift of Christine Suppes in honour of Jill D’Alessandro; inv. no.2017.75.17. Woman’s evening gown and belt, by Vivienne Westwood (British, b.1941). Spring / Summer 2013. Silk, cotton; satin, printed plain-weave lining. Gift of Christine Suppes in honour of Jill D’Alessandro; inv. no.2017.75.16a–b.
Attributed works:
37. Exomind (Deep water), by Pierre Huyghe (French, b.1962). 2017/2020. Concrete cast with wax hive and bee colony, 72 by 60 by 79 cm. Foundation purchase, Wattis Acquisition Endowment Fund. Courtesy the artist and Marian Goodman Gallery.
Attributed works:
38. Outstretched, by Wangechi Mutu (Kenyan, b.1972). 2019. Paper pulp, wood glue, charcoal, pigment and feathers, 91 by 162 by 75 cm. Museum purchase, Jay D. and Clare C. McEvoy Endowment Income Fund; inv. no.2021.32. © Wangechi Mutu.
Attributed works:
39. White guise, by Alison Saar (American, b.1956). 2018–19. Colour woodcut, relief printing and paint on shellac-stained mulberry paper, 139.7 by 69.9 cm. Museum purchase, Achenbach Foundation for Graphic Arts Endowment Fund; inv. no.2019.60.Courtesy the artist and LA Louver; photograph Jorge Bachmann.
Attributed works:
6. Frame depicting the Five Senses and the Doria coat-of-arms, by Balthasar Martines (active Genoa, 16th century). c.1565–1575. Embossed silver, silver gilt and enamelled gold with modern mirror, 33.5 by 25.5 cm. Museum purchase, European Decorative Arts Trust Fund, Gift of Bank of America by exchange; inv. no.2020.25.
Attributed works:
7. Vanitas, by Andrés Deleito (Spanish, active 1656–63). c.1660. Oil on canvas, 107 by 155.5 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund; inv. no.2018.3.
Attributed works:
8. St Matthew with two angels (design for a lunette), by Bernardino di Betto di Biagio, called Pintoricchio (Italian, c.1456–1513). c.1485–90. Pen and brown ink and brown wash over traces of black chalk, ruling and compass work on laid paper, 24.9 by 28.9 cm. Foundation purchase, Phyllis C. Wattis Fund for Major Accessions; inv. no.2021.1.
Attributed works:
9. Lansdowne vase, by Giovanni Battista Piranesi (Italian, 1720–78). Rome, c.1770. Marble with ancient fragments, 49.5 by 39.4 by 28.1 cm. Gift of Joseph and Deborah Goldyne; inv. no.2020.39.1a–b.
Non-western art unattributed:
10. Charger. Iranian, Safavid period, possibly Mashhad, 17th century. Stone paste with underglaze blue decoration, diameter 39.4 cm. Gift of Phoebe Cowles; inv. no.2014.61.
Non-western art unattributed:
18. Man’s haori (jacket). Japan, c.1931. Stencil-printed silk (kata yuzen), 109.2 by 127 cm. Gift of Erik Jacobsen; inv. no.2015.84.15.
Non-western art unattributed:
19. Ritual vessel (aduno koro). Dogon artist, Mali, early 20th century. Wood, 41.9 by 132.7 by 23.5 cm. Gift of the Robert T. Wall Family; inv. no.2019.98.Photograph © Don Tuttle Photography 2010.
Non-western art unattributed:
2. Statuette of Seneb. Egyptian, Middle Kingdom, mid-Dynasty 12, c.1897–1839 BC. Painted wood (probably sycamore), height 27.6 cm. Estate of Virginia B. Landensohn; Ms Lisa Sardegna and Mr David A. Carrillo; Martin I. and Margaret J. Zankel and Herbert and Jan West; The Chickering Endowment; Friends of Ian White; The Michael Taylor Trust; Volunteer Council Acquisition Fund; Diane B. Wilsey; Charlotte and Rolf Scherman; Ancient Art Council; Dr and Mrs Bernard von Bothmer; Teresa Keller Tilden and Douglas Tilden; Sheila Wishek, in memory of Cathleen A. Keller; Ancient Art Trust Fund; Richard Benefield and John Kunowski; Gretchen Turner; Colin B. Bailey and Alan P. Wintermute; Elizabeth D. Moyer, PhD, and Michael C. Powanda, PhD; Rajnikant and Helen Desai, Eunice Baek and Thomas Garrity; Tim and Peggy Brown; Phoebe Cowles; Mrs George Hopper Fitch; Maurice W. Gregg; Anthony and Susan Hardy; Skot Jonz; Peter and Lindsay Joost; Arielle Kozloff in honour of Renée Dreyfus; Millicent and Megan Rutherford, John Klopacz and Richard Wilson, and Donald and Louise Heyneman in memory of John Rutherford; Françoise and Andrew Skurman; and additional donors; inv. no.2014.45.
Non-western art unattributed:
3. Relief with Ptolemy I Soter making an offering. Egyptian, Ptolemaic period, reign of Ptolemy I Soter, 305–282 BC, Limestone, height 33 cm. Museum purchase, Roscoe and Margaret Oakes Endowment Income Fund; Chickering Endowment Income Fund; You Lan Tang through the Ancient Art Council in honour of Dr Renée Dreyfus; Friends of Ian White Unrestricted Endowment Income Fund; Vivien Grey Gift for Unrestricted Acquisitions; Docent Council Commemorative Fund, Docent Training Class of 2018 and memorial funds from various Docents in memory of Ellen Harden, Clara Morrissey and Pauline Schwartz; Anthony and Susan Hardy; Volunteer Council Art Acquisition Fund; Diane B. Wilsey; Francesca Deering Howe and Thomas Carr Howe Endowment Income Fund; Lindsay and Peter Joost; Koret Foundation; Dr and Mrs Bernard von Bothmer in honour of Dr Dietrich von Bothmer; Berkeley Greek Club in memory of Professors Frederic Amory, J.K. Anderson, Gary Holland and Louis A. MacKay; Ancient Art Acquisition Fund; Mrs William Hamilton; Teresa Keller Tilden and Douglas Tilden; Gretchen Turner; Sheila Wishek; Elizabeth D. Moyer, PhD, and Michael C. Powanda, PhD; John Klopacz and Richard Wilson; Ellen Werner in memory of Klaus Werner; Laura Abbott in memory of J.K. Anderson; Eunice Baek and Thomas Garrity; Kathryn A. Burg; Phoebe Cowles and Robert Girard; Charlotte Scherman in memory of Dr Rolf Scherman; Jerry Wehage and Murray Storton in memory of Allen Branco; and additional donors and tribute funds; inv. no.2019.70.
Non-western art unattributed:
4. Codex-style plate with K’awiil, serpent, and other figures. Maya artist, Petén, Northern Guatemala, 680–750. Earthenware, diameter 30.5 cm. Gift of Gail and J. Alec Merriam; inv. no.2014.95.3.
Non-western art unattributed:
5. Architectural panel in the shape of a mihrab. Timurid, western Central Asia, second half of 14th century. Carved and glazed terracotta, height 55.5 cm. Museum purchase, Vivian Grey Fund for Unrestricted Acquisitions, and Friends of Ian White Restricted Endowment Income Fund; inv. no.2018.61.
Western art unattributed:
11. Talleyrand State Bed. France, probably Paris, c.1805. Carved and gilded wood with modern silk damask and passementerie, and an iron support, 356 by 208 by 163 cm. Museum purchase, Art Trust Fund in memory of Xavier Bonnet; inv. no.2019.61.
Book Review
Samuel Palmer: Shadows on the Wall, by William Vaughan
04/2017 | 1369 | 159
Pages: 324-325
related names
Reviewer:
Brown, David Blayney (Brown, David Blayney; Brown, David)
Subjects
artists:
subjects:
Illustrations
Attributed works:
55. The valley thick with corn, by Samuel Palmer. 1825 (Ashmolean Museum, Oxford)
Article
‘A mild, a grateful, an unearthly lustre’: Samuel Palmer and the moon
05/2012 | 1310 | 154
Pages: 330-336
related names
Reviewer:
Payne, Christiana (Payne, Christiana)
Subjects
artists:
subjects:
Illustrations
Attributed works:
27. Harvest moon (from the 1824 sketchbook), by Samuel Palmer. Brown ink with graphite, 11.6 by 18.9 cm. (British Museum, London).
Attributed works:
28. Designs for reredos (from the 1824 sketchbook), by Samuel Palmer. Brown ink with graphite, 11.6 by 18.9 cm. (British Museum, London).
Attributed works:
29. Late twilight, by Samuel Palmer. 1825. Brown ink and sepia mixed with gum arabic, 18.8 by 23.2 cm. (Ashmolean Museum, Oxford).
Attributed works:
30. A moonlight scene with a winding river, by Samuel Palmer. c.1827. Black and brown wash and watercolour, 26.7 by 18.1 cm. (Yale Center for British Art, New Haven).
Attributed works:
31. Moonlight: a landscape with sheep, by Samuel Palmer. c.1831–32. Indian ink and wash on card, 15.2 by 18.3 cm. (Tate, London).
Attributed works:
32. The harvest moon, by Samuel Palmer. 1833–34. Oil and tempera with graphite on paper laid down on panel, 22.1 by 27.7 cm. (Yale Center for British Art, New Haven).
Attributed works:
33. The harvest moon, by George Barret. c.1820. Watercolour, 22.5 by 31.4 cm. (Private collection).
Book Review
Mysterious Wisdom. The Life and Work of Samuel Palmer
05/2012 | 1310 | 154
Pages: 352-353
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
artists:
Reviewed Items
subjects:
Mysterious Wisdom. The Life and Work of Samuel Palmer | author: Campbell-Johnston, Rachel
Advertisements
Advertisements May 2012 (front)
05/2012 | 1310 | 154
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Bassenge. Erdener str. 5A. 14193 Berlin. Germany. Jan Lievens (1607 Leiden - 1674 Amsterdam). Landscape with Bathing Nymphs. Oil on canvas. 56.5 x 58 cm. 1655/1660]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Francisco de Zurbaran (Fuente de Cantos 1598 - 1664 Madrid). The Mystic Marriage of Saint Catherine of Alexandria, 1660-62. Oil on canvas, 121 by 102.7 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francis Cotes, R.A. (London 1726-1770). Portrait of Sir William Earle Welby, 1st Bt., and his first wife Penelope, playing chess (detail). Oil on canvas, 53 1/4 x 60 in. (135. x 152.5 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. John Constable, R.A. (1776-1837). Storm clouds over Hampstead (detail). Oil on milboard. 16 x 27 1/4 in. (40.6 x 69.2 cm)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Girolamo Mazzola Bedoli. Viadana, near Mantua, c.1500 - Parma, 1569. Portrait of a Man. Oil on canvas, 82 x 65.5 cm (32 1/4 x 25 3/4 in)]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London David Roberts, R.A. (1790-1864). The Giralda, Seville. Watercolour over pencil, 35 by 24.5 cm. (13 3/4 by 9 3/4in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth 1903-1975. Two Forms Pierced. 1961-2. White alabaster. Height: 11 inches; 29.2 cm. Unique]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Edward Dayes 1763-1804. The Triumph of Beauty. Oil on canvas. 50 x 36 inches. 1270 x 915 mm. Painted in 1799-1800. Exhibited: London, Royal Academy, 1800, no. 93]
Attributed works:
[Martyn Gregory. 34 Bury Street, St. James’s. London. Henry Fuseli, R.A. (1741-1825). A male nude figure, seated. Pen and brown ink, 8 1/2 x 7 ins. Verso: Studies of lovers, a kneeling female figure, and a chequerboard, pen and brown ink]
Attributed works:
[Martyn Gregory. 34 Bury Street, St. James’s. London. Jacques-Laurent Agasse (1767-1849). A wooded landscape. Pencil and watercolour, 20 1/2 x 24 1/2 ins. Verso: Studies of horses, pencil, pen and ink.]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NY 10021. Samuel Palmer - The Shearers ca. 1827-29. (Shoreham). Oil and tempera on panel, 20 3/8 by 28 inches.]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Lot 512. Alex Katz. Maine Cow. Sculpture, 2007]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. J.M.W. Turner. The Bridge at Vernon, from Vernonnet]
Attributed works:
[Yale Center for British Art. 1080 Chapel Street, New Heaven. Connecticut. Nikolaus von Heideloff, "Afternoon Dresses" from Gallery of Fashion (detail), October 1798, hand-colored aquatint. Yale Center for British Art, Paul Mellon Collection]
Advertisements
Advertisements March 2006 (Front)
03/2006 | 1236 | 148
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. Jean-Honore Fragonard (1732-1806). Melissa consoles Bradamante. Black chalk on brown wash, 15 1/2 x 10 1/2 in (391 x 270 mm)]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. The lion and his dog, by Nicolas Marechal (1753-1803). Black lead, pen and brown ink, brown wash, on a late 18th-century French mount, 9.4 by 14 cm]
Attributed works:
[Agnews, LTD, 43 Old Bond Street, London, W.1. Pause de midi au bord de la mare, by Henry-Joseph Harpignies (1819-1916). Canvas, 57 by 77.5 cm. Signed and dated 1886 lower left.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Naum Gabo. Monoprints.]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. Urania, by Joe Tilson. From 'The Nine Museus', 2005.]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Paul Cézanne (1839-1906). Nu aussi. Pencil and watercolour on paper (with extensive watermark), 44 x 31 cm]
Attributed works:
[Arturo Cuellar, Zurich. A nude study (for a stained glass window: St. Geneviève standing and holding a distaff, by Jean-Auguste Dominique Ingres (1780-1867). Pencil, 37.2 by 16.6 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A fine George III satinwood crossbanded and sycamore marquetry serpentine Commode, in the manner of John Cobb.]
Attributed works:
[Brame & Lorenceau, Paris. Flachen (der Maler) II, by Willi Baumeister. (1889-1955). Oil on paper laid on canvas, 55.5 by 38.6 cm. Signed lower left.]
Attributed works:
[Buccellati, Moscow. A selection of elegant goblets in silver, entirely hand-made, finely hand-embossed and chiselled.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. Faust in his study, by Rembrandt van Rijn. c. 1652. Etching, drypoint and burin, 20.9 by 16.2 cm]
Attributed works:
[Carlo Teardo, Milan. Jesus in the garden of Gethsemane, icon, Central Russia. Egg tempera on wood, 100 by 70 cm]
Attributed works:
[Charles Beddington Ltd. 16 Saville Row, London, W1S 3PL. A cockerel and two hens hanging from nails, by Jacob Biltius (1633-81). Oil on canvas, 99.5 by 77.8 cm. Signed: Je biltius fecit. (lower right: Jc in monogram).]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Johann-Ernst Heinsius (Hildburghaussen 1740-Orléans 1812). Little girl with a dog. Signed top right "Henrihette [sic] age de 3 ans" and initialled "J.H.Fecit".]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Fede Galizia (Milan 1578-1630). Peaches in a glass bowl with apples and a grasshopper (detail). Oil on panel. 12x16 3/4 in. (30.5 x 42.5cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Jean-Baptiste Siméon Chardin (Paris 1699-1779). A young Scholar Drawing (detail). Oil on panel. 7x6 in (18.5x16.5 cm)]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Joseph Mallord William Turner (London 1775-1851) Giudecca, La Donna della Salute and San Giorgio (detail). Oil on canvas. 24 x 36 in. (61 x 91.5cm).]
Attributed works:
[Connaught Brown, London. Mother playing with child on floor I, by Henry Moore (1898-1986). Ballpoint pen, charcoal, crayon and gouache, 21 by 29.5 cm. Signed.]
Attributed works:
[David Jones, 19 Kestrel Avenue, Herne Hill, London. Jacopo PALMA, called Palma il Giovane. Venice c. 1548-1628 Venice. Recto: St. John the Baptist kneeling on the ground. Verso: Keeling Christ. Black chalk. 175 x 110 mm]
Attributed works:
[David Jones, London. Frederick IV, Commander of Nuremburg delivering Frederick the Handsome to Louis of Bavaria, by Christian Bernhard Rode (1725-97). Red chalk on cream colored paper. Two sheets joined together, intended for transfer, 41.1 by 63.4 cm]
Attributed works:
[Dickinson, London & New York. Femme à la toilette, by Edgar Degas (1834-1917). Black chalk hightened with white on paper, 62 by 47 cm. With the stamped signature lower left: Degas.]
Attributed works:
[Didier Aaron & cie, Paris, New York & London. The paternal malediction: the punished son, by Jean-Baptiste Greuze (1725-1803). Pencil, grey and sepia ink and grey wash on black chalk, 24.5 by 36.5 cm. Signed lower left: JB Greuze]
Attributed works:
[Emmanuel von Baeyer, London. La Rascienne Honteuse, by Johann Rudolph [Hans Rudolf] Fussli (1737-1806). Etching, size of plate: 22 by 20.8 cm: size of sheet: 22.2 by 21 cm.]
Attributed works:
[Flavia Ormond Fine Arts. London. The genius of music in Italy, by Paul Baudry (1828-86). Black chalk heightened with white chalk on pinkish-brown paper, 34.1 by 25 cm. Signed with monogram: PB. Inscribed with black chalk: Opera.]
Attributed works:
[Gagosian Gallery. Silver Liz, by Andy Warhol. 1963. Synthetic polymer paint and silkscreen ink on canvas, 101.6 by 101.6 cm.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. St. Michael the Archangel slaying Satan, by Michael Willmann (1630-1709). Pen and brown ink and grey wash over black chalk. Verso: St. Michael the Arcangel slaying Satan. Pen and brown ink and grey wash over black chalk, heightened with white 22.3 by 16.2 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Fete by a Riverbank, by Giovanni Andrea Donducci, called Il Mastelletta (1575-1655). Oil on canvas, 99 by 120.5 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. The Martyrdom of Saint Euphemia. Oil on canvas, 192,5x223 cm (75x87 13/16in)]
Attributed works:
[Galerie de Bayser, 69, rue Ste Anne. Paris. Louis Léopold Boilly (171-1845) - Studies for the chess game, ca. 1815 - Black chalk with stamp - 22 x 35cm.]
Attributed works:
[Galerie de Bayser, Paris. Study for head of a horse, by Théodore Chasseriau (1819-56). Three crayons, 32.5 by 44.5 cm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Punchinello's wedding procession, by Giovanni Domenico Tiepolo (1727-1804). Ink and wash ink, 35.4 by 47.2 cm. Signed: Dom. Tiepolo f. Annotated:2]
Attributed works:
[Galleria Bosconi, Milan. Caprice, by Johann Antonn Eismann (c. 1613-94/98). Oil on canvas, 102 by 148 cm]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Antonio Gai (Venice, 1686-1769). Portrait of Doge Alvise Mocenigo II. Gilt carved wood, height 78 cm.]
Attributed works:
[Giovanni Sarti, Paris. Madonna and Child, by Giovanni Bellini (1433-35?-1516). Tempera on panel, 63.2 by 49 cm]
Attributed works:
[H. Blairman & Sons, London. A pair of fire dogs designed by Ernest Gimson (1864-1919). English, c. 1909. Manufactured by Alfred Bucknell. Polished wrought iron, each 67 by 30.5 by 53.5 cm.]
Attributed works:
[H.W. Fichter. Arndstrasse 49. 60325 Frankfurt/Main. Carl Philipp Fohr (1795 Heidelberg-1818 Rome). Ruins of the castle Tiefburg at Handschuhshein. Watercolour over ink on paper, 195 x 258 mm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Marco Ricci (1676-1729). Landscape with smoke rising from a Citadel. Pen and brown ink, 19.1 x 42 cm (7 1/2 x 6 1/2 in)]
Attributed works:
[Hill-Stone, Inc., New York. Sanson and Delilah, by Luca Cambiaso (1527-85). Pen and brown ink, 23.8 by 34.5 cm. Annotated at lower right: lucas Cangiogi fecit, and at the centre left edge: Cambiaso.]
Attributed works:
[Ilaria Quadrani. 305 East 61st Street, New York. Abraham van Strij (Dordrecht 1753.1826 Dordrecht). A young Boy seated on a Trunk, in profile to the right. Signed 'A van Strij'. Black chalk, pen and brown ink, brown wash. 10 7/8 x 9 inches (276 x 227 mm)]
Attributed works:
[Jean-Luc Baroni. London Punchinello riding a camel at the head of a caravan, by Giovanni Domenico Tiepolo (1727-1804). Pen and brown ink and wash over an underdrawing in black chalk, 35.6 by 47.4 cm. Signed at the lower centre: Dom. Tiepolo. f.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. JAN VAN ROSSUM (Born circa 1630, Holland). A bouquet of flowers on a stage ledge with a curtain to the left. On canvas. 28 3/4 x 23 1/4 in. x 73 x 59 cm. Signed and dated 1671, lower centre.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Mars and Venus surpraised by Apollo, by Hendrick de Clerck (1570-1629). Panel, 45.5 by 35.5 cm. Signed and indistinctly dated: 161....]
Attributed works:
[Karl & Faber. Amirplatz 3. 8033 Munchen. Germany. Rembrandt Harmensz van Rijn. Self portrait with raised sabre. Etching. (1634)]
Attributed works:
[La Stanzina, Milan. Under the Pergola, by Ludovico Tommasi. c. 1910. Oil on canvas, 27 by 36.5 cm.]
Attributed works:
[Lawrence Steigrad Fine Arts, New York. A still life of drinking vessels, a pineapple cup, a lemon, bread and two small books, by Sebastian Stoskopff (1597-1657). Oil on canvas, 49.3 by 55 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Elizabeth Siddal seated at an easel, by Dante Gabriel Rossetti. c. 1861. Sepia ink wash with pen and brush, 16.5 by 20 cm.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Thomas Frye. 1710-1762. An old man leaning on a staff. Black and white chalks on paper. 16 5/16 x 12 1/2 inches; 400 x 324 mm. Inscribed verso: MR TATE TO MR BATES. Executed circa 1760.]
Attributed works:
[Maison d’Art, Monte-Carlo. Construction of the bridge for the Festival of the Madonna della Salute, by Johann Richter (165-1745). Oil on canvas, 57 by 95 cm.]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Jesus returns to the temple with his parents, by Cosimo Rosselli (1440-1507). Panel, 96 cm. diameter.]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. At the gates, by Derek Mawudoku. 2005. Drypoint, edition of 6; plate: 34.5 by 49.8 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. An equestrian portrait of he Cardinal-Infante Ferdinand (1609-1641), with an extensive river landscape beyond, by Pauwels van Hillegaert (1506-1640). Oil on canvas, 162.3 by 157.8 cm.]
Attributed works:
[Robilant and Voena. London and Milan. The Lock at Dolo, by Giovanni Antonio Canal, il Canaletto (1697-1768). Oil on canvas, 31 by 45 cm]
Attributed works:
[Salander-O'Reilly. 20 East 79 Street, New York. Ana Maria Pacheco, Sculpture.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Sir William Nicholson. The Glass Bowl, 1920. Oil on canvas, 22 3/4 x 21 3/4 inches (58x55 cms). Signed and dated.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The mysterious garden, by Margaret Macdonald Mackintosh RSW (1864-1933). 1911. Watercolour and ink over pencil on vellum laid on original board, 45.1 by 47.7 cm. Signed and dated lower right.]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. The Skylark, by Samuel Palmer (1805-1881). Etching, printed in black ink on chine appliqué, 120 by 98 mm]
Attributed works:
[The London Original PrintsFair & Master Drawings. Royal Academy of Arts. Burlington Gardens. London. Bridget Riley, detail from Light Between 82-04 2004.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. FEDERICO ZUCCARO (c. 1541-1609). David Accepting Tribute from the Conquered Nations. Pen and brown ink, brown wash, heightened with white. Executed c. 1566. 325 x 264 mm. The drawing is preparatory for the ceiling of the chapel at the Villa Farnese, Caprarola.]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Five peasants in an interior, by Cornelis Dusart (1660-1704). Watercolour, gouache and black and red chalk on parchment, 25.8 by 31 cm. Signed and dated, lower right, in black ink: Corn: dusart fe. 1690]
Attributed works:
[Thomas Le Claire, Elbchausse 156. D-22605. Hamburg. Portrait of Thérèse Degas, Duchess Morbilli, by Edgar Degas (1834-1917). Charcoal and pencil, 27.7 by 21.7 cm. Verso: A study in pencil of St, George and the dragon. Studio stamp on recto and verso: (Lugt 657)]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Allée de peupliers, Vichy, by Jean-François Millet (1814-75). Pen and brown ink with watercolour, 13 by 19 cm. Marked with the artist's studio stamp, lower left: J.F.M (Lugt 1460).]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Jacob van der Ulft. Gorinchem 1621-1689 Noordwijk. The Ruins of a Church near Zandvoort, Inscribed, upper left, Ryuen tot Santvoort op zee. Brown wash with pen and brown ink over traces of black chalk, with brown ink, framing lines. 7 7/8 x 12 1/4 inches (202 x 310 mm)]
Attributed works:
[Whitfield Fine Art, London. Figures dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Oil on canvas, 90 by 109 cm. Signed lower left: J. Lingelbach.]
Non-western art unattributed:
[Giacomo Manoukian Noseda, Milan. Buddha. Chinese, 16th century. Wooden sculpture with traces of coloured paint.]
Western art unattributed:
[Kunstkammer Georg Laue, Munich. Amber figure of a Madonna with Child (detail). North German, probably Luebeck, c. 1550. Amber, 21.6 cm high.]
Publication Received
Samuel Palmer: the sketchbook of 1824
03/2006 | 1236 | 148
Pages: 212
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
artists:
dates:
Reviewed Items
subjects:
Samuel Palmer: the sketchbook of 1824 | editor: Butlin, Martin
Exhibition Review
Samuel Palmer. London and New York
01/2006 | 1234 | 148
Pages: 45-47
related names
Reviewer:
Butlin, Martin (Butlin, Martin; Butlin, Martin R. F.; Bultin, Martin)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Samuel Palmer: Visions of Landscape | institution: British Museum , institution: Metropolitan Museum of Art
Illustrations
Attributed works:
57. A rustic scene, by Samuel Palmer. 1825. Brown ink and sepia mixed with gum arabic, 17.9 by 23.5 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
Attributed works:
58. The curfew, or The Wilde Water'd Shore, by Samuel Palmer. Watercolour and gouache on London board, 50 by 71.1 cm. (Rijksmuseum, Amsterdam; exh. British Museum, London).
Attributed works:
59. The magic apple tree, by Samuel Palmer. c.1830. Brown ink, watercolour and gouache with gum arabic. 34.9 by 26 cm. (Fitzwilliam Museum, Cambridge; exh. British Museum, London).
Attributed works:
60. King Arthur's Castle, Tintagel, Cornwall, by Samuel Palmer. 1848–49. Watercolour, gouache, graphite, black chalk and brown ink on paper, 30.2 by 44.2 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
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Advertisements November 2005 (Front)
11/2005 | 1232 | 147
Pages: i-xviii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. BARTOLOMé ESTEBAN MURILLO (Seville 1618-1682). Christ the Man of Sorrows. Oil on canvas. 25 1/8 x 21 in. (63.8 x 53.3 cm.) £500,000-700,000]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Detail of a bronze of Plautilla, one of a pair of busts of Plautilla and Geta. By Pietro Cipriani, circa 1724. 18 in. (45.5 cm) high. £300,000-600,000 (the pair)]
Attributed works:
[European Masters And 19th century painting. 599 Broadway, New York. St. Francis, by Federico Barocci. c.1600-04. Oil on canvas, 89.9 by 78.4 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Simone Peterzano (Bergamo, c.1535-Milano, 1599) Angelica and Medoro. Oil on canvas, 154.8 x 194 cm (61x76 3/8)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Barbara Hepworth. 1903-1975. Sculpture with colour (Deep blue and Red), 1940. Painted plaster and sting. 5 1/2 inches, 14 cm high.]
Attributed works:
[John Spink exhibition at Colnaghi's, 15 Old Bond Street, London, W1. Windsor Castle from Fellows Eyot, 1811 - Francis Towne.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. GERARD DE LAIRESSE (Liege 1641-1711 Amsterdam). The expulsion of Heliodorus. On canvas. Signed and dated 1674. 35 x 30 3/8 in. 89 x 77 cm.]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Claude Lorrain. Landscape with the Rest if the Holy Family. Oil on canvas, 72,7 x 98,1 cm.]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. EDWARD HOPPER. Hotel Room, 1931.]
Attributed works:
[Partridge. 144-146 New Bond Street, London. W1S 2PF. Tim Fargher. S. Maria Della Salute, Early Morning,Venice, Oil on canvas, 129.5 x 119.3 cms (51x47 in)]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Jan Davidsz de Heem (1606-1684). A still Life of Bunches of Grapes hanging from a Nail, with numerous insects including a Bumble Bee, a Grasshopper, Beetles, a Red Admiral Butterfly, and a Silver Gilt embossed Cup and Cover and Glasses on a Ledge draped with a green velvet Cloth. Oil on canvas, 28 1/2 x 34 3/4 inches 72.3 x 88.1 cms). Signed.]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Ippolito Scarsella, called Lo Scarsellino. Deposition from the Cross, circa 1524-27. Oil on canvas, 86 by 55 inches (218.5 by 139.7 cm)]
Attributed works:
[Robert Reinhart. 112 White Cap Lane, New Port Coast. California. Roman capriccios of classical ruins with figures, by Leonardo Coccorante - Italian (1680-1750). Oil on canvas, 116.7 by 90.2 mm (46 by 35 1/2 in.)]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. John Robert Cozens. Fano on the Adriatic. Watercolour over traces of pencil. 25 by 37.5 cm; 10 by 15 in. Estimate: £ 25,000-40.000]
Attributed works:
[Stiebel. New York, Upper Eastside. Nicolas Bertin (1668-1736), "The Building of Noah's Ark".]
Attributed works:
[The British Museum. London. Samuel Palmer. The Magic Apple Tree (1830)]
Attributed works:
[The National Gallery, London. Nicolaes Berchem, Landscape with Crab Catchers by Moonlight (detail)]
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Advertisements September 2005 (Front)
09/2005 | 1230 | 147
Pages: i-xx
Subjects
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[A. Pallesi & C. Rome. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Serpentin - Tanzerinnen, by Franz Von Stuck (Tettenweis 1863-Monaco 1928). Painted plaster, 62 by 100 cm.]
Attributed works:
[Adam Williams Fine Arts, Ltd. New York. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Rinaldo and Armida, by Paolo de Matteis (Salerno 1662-Naples 1728). Oil on canvas, 51.1 by 59.1 cm.]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1 JOHN MARTIN (1789-1854). Joshua commanding the sun to stand upon Gibeon, 1816. Oil on canvas, 150x231 cm (59 1/16 x 90 15/16 in)]
Attributed works:
[Caiati-Salamon. Milan. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. View of the Santa della Salute Church in Venice, by Francesco Zanin (active in Venice in the late 19th century). Oil in canvas, 113 by 114.5 cm]
Attributed works:
[Cesare Lampronti – Rome. XXIV Biennale - Florence, Palazzo Corsini. 30 September - 9 October 2005. Landscape of the ROman country side with passers-by and peasants, by Jan Frans Van Bloemen Orizzonte (Antwerp1662-Rome 1749). Oil on canvas, 122 by 176 cm.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. A recently rediscovered Penitent Magdalen, by JEAN FRANçOIS DE TROY (1679-1752). Oil on canvas, 46.5 x 38 cm.]
Attributed works:
[Derek Johns, Ltd. London. XXIV Biennale - Florence, Palazo Corsini. 30 September-9 October 2005. Crucifixion, by Maestro del Codice Squarcialupi (15th century). Tempera on panel on a gold background, 65,4 by 38.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Tiziano Vecellio, called Titian (Pieve di Cadore 1488/89-Venice 1576). Dian and her Nymphs Surprised by Actaeon. Oil on canvas, 55.2 x 66.5 cm (21 3/4 x 26 3/16 in)]
Attributed works:
[Galleria Carlo Orsi – Milan. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Portrait of a young woman with a fur cap, by Giandomenico Tiepolo. (Venice 1727-1804). Oil on canvas, 60 by 50 cm.]
Attributed works:
[Galleria Nella Longari. Milan. XXIV Biennale- Florence, Palazzo Corsini. 30 September-9 October 2005. Triton playing 'la bucina' astride a dolphin, attributed to Ercole Ferrata (active in Rome 1660-1680). White marble, 101 by 72 cm]
Attributed works:
[Grassi Studio. New York. XXIV Biennale - Florence, Palazzi Corsini. 30 September-9 October 2005. Madonna and Child by Pier Francesco Fiorentino (late 15th century). Tempera and gold on panel, 62. 5 by 43.5 cm.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. THE REVEREND THOMAS KERRICH (1748-1828). Portrait of the Artist. Black and white chalk on grey paper, 31 x 25.5 cm (12 x 10 in)]
Attributed works:
[Jean-Luc Baroni. London. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. L'alzaia, by Telemaco Signorini (1835-Florence-1901). Oil on canvas, 58.4 by 173.2 cm. Signed at lower right: TSignorini.]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Albrecht Kauw (Strassburg 1616-1681 Bern). Stillife with a Sitting Woman. Oil on canvas. 121x180 cm. Estimate on request. Auction 21 September 2005.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. SAMUEL PALMER. 1805-1881. Modern Rome during the Carnival. Watercolour. 16 x 22 inches; 406 x 572 mm. Signed, dated 1838 and inscribed 'Rome']
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Master of the Spinola Annunciation. Florentine painter, pupil of Giotto, active in the second decade of the 14th century. Nativity. Panel, 20.5x16.5 cm]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Holy family, by Giovanni Battista Naldini (1637-1591). Panel, 46 by 60 cm.]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland Raffaello Arcangelo SALIMBENI (Florence 1914-1991). Woman with a fan. Bronze cast from a lost wax. 1960. Height: 162 cm]
Attributed works:
[Trinity Fine Art, London. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Allegorical group of Charity, by Balthasar Permoser (Kammer 1651-Dresden 1732) and workshop. Sandstone, 157 cm high.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Andreas Cellarius, Hermonia macrocosmica. Amsterdam, 1708.]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. Peter de Wint (1784-1849). Still life with a wooden pail and earthenware vessels, Watercolours, 6x 7 1/4 inches.]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. CAMILLE PISSARRO. Flower Market in Paris (Quai de l'Horloge). Watercolour. Signed. 10.5 x 8.1 cm]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. HANS JEGGLI. Companion and Shield. Pen-and-indian ink with wash 1603. Signed, dated, etc. 22,5 x 16 cm.]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. MARTIN SCHONGAUER-CIRCLE. Christ's entry into Jerusalem. Brush drawing in brown with with gouache, darkgrey tinted ground, about 1500. 20,1 x 17,7 cm.]
Western art unattributed:
[Falanga Art Antica. Naples. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Writing table in rosewood and violet wood with 5 drawers, the top and sides decorated with geometric patterns. Naples, mid-18th century, 129 by 70 by 82 cm]
Western art unattributed:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. NORTH ITALIAN, mid fifteenth century. The Duke of Ferrara Missal Box. Red goatskin cuir bouilli and cuir ciselé, 20 x 19 x 5 cm.]
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