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3 articles
Article
Friendship tokens: Jean-Baptiste Greuze’s paintings for Madame de Pompadour
05/2025 | 1466 | 167
Pages: 438–449
related names
Author:
Delaney, John K. (Delaney, John K.)
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Swicklik, Michael (Swicklik, Michael)
Subjects
dates:
Illustrations
Attributed works:
1. Simplicity, by Jean-Baptiste Greuze. 1759. Oil on canvas, 71.1 by 59.7 cm. (Kimbell Art Museum, Fort Worth; Bridgeman Images).
Attributed works:
10. Detail and IRR detail of Fig.4.
Attributed works:
11. Detail and IRR detail of Fig.4.
Attributed works:
12. Detail and IRR detail of Fig.4.
Attributed works:
13. Detail of the Livret of the Salon of 1761, illustrated and annotated by Gabriel de Saint-Aubin, p.25. (Bibliothèque nationale de France, département des Estampes et de la Photographie, Paris).
Attributed works:
14. Details of Figs.1 and 2.
Attributed works:
15. Detail and IRR detail of Fig.2.
Attributed works:
16. Detail and IRR detail of Fig.2.
Attributed works:
17. Detail and IRR detail of Fig.2.
Attributed works:
18. Detail and IRR detail of Fig.2.
Attributed works:
19. Carlos Fernando FitzJames-Stuart, Marquess of Jamaica, by François-Hubert Drouais. 1765. Oil on canvas, 72.4 by 60.3 cm. (Birmingham Museum of Art, Alabama).
Attributed works:
2. Simplicity, by Jean-Baptiste Greuze. Oil on canvas, 71.12 by 58.42 cm. (Sudeley Castle, Cheltenham).
Attributed works:
20. Portrait of Madeleine Barberie de Courteilles, by Jean-Baptiste Greuze. 1759. Oil on canvas, 77.4 by 63 cm. (Herzog Anton Ulrich- Museum, Braunschweig).
Attributed works:
21. Pompadour at her toilette, by François Boucher. 1750. Oil on canvas, 81.2 by 64.9 cm. (Harvard Art Museums, Fogg Museum; Bridgeman Images).
Attributed works:
22. The school mistress, by Jean-Baptiste Greuze. c.1765. Black chalk, pen and black ink, brush with black and brown ink washes on paper, 33 by 44.4 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images).
Attributed works:
3. Young shepherd holding a flower, by Jean-Baptiste Greuze. 1761. Oil on canvas, 72.5 by 59.5 cm. (Petit Palais-Musée des Beaux-Arts de la Ville de Paris).
Attributed works:
4. Hyperspectral false colour image of Fig.1.
Attributed works:
5. The Pink Drawing Room, Basildon Park. c.1909. Photograph. (National Trust).
Attributed works:
6. Detail and IRR detail of Fig.1.
Attributed works:
7. Detail and hyperspectral false colour image of Fig.1.
Attributed works:
8. Detail and hyperspectral false colour of Fig.1.
Attributed works:
9. Detail and hyperspectral false colour of Fig.1.
Article
Greuze’s greens: ephemeral colours, classical ambitions
03/2023 | 1440 | 165
Pages: 269-279
related names
Author:
Berrie, Barbara H. (Berrie, Barbara H.)
Author:
Delaney, John K. (Delaney, John K.)
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Swicklik, Michael (Swicklik, Michael)
Subjects
Illustrations
Attributed works:
1. A young woman praying at the altar of love [Votive offering to Cupid], by Jean-Baptiste Greuze. 1767. Oil on canvas. 145.5 by 113 cm. (Wallace Collection, London).
Attributed works:
10. Broken eggs, by Jean-Baptiste Greuze. 1756. Oil on canvas, 73 by 94 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
11. (Left) detail of Fig.3, showing the flower held by the shepherdess and (right) a false colour infra-red reflectance image of the same detail (red 1650 nm, green 1350 nm and blue 1000 nm).
Attributed works:
12. Colour wheel, possibly by André Félibien. Etching with hand colouring. (From C.B. [Claude Boutet?], Traité de la peinture en mignature, 2nd edn, The Hague 1708, image published between pp.154–55).
Attributed works:
13. Ange Laurent de la Live de Jully, by Jean-Baptiste Greuze. Probably 1759. Oil on canvas, 117 by 88.5 cm (National Gallery of Art, Washington; photograph taken before treatment).
Attributed works:
14. Detail of Fig.13, showing the chair after the cleaning of the painting in 2014–15, before retouching.
Attributed works:
15. Cross section from the horizontal gilded chair rail in Fig.13.
Attributed works:
16. Composite image showing (clockwise from top left): a post-cleaning, pre-retouching detail of Fig.13; a false-colour hyperspectral image of the same detail; and the XRF maps for the chemical elements potassium (K) and calcium (Ca).
Attributed works:
17. Images of a cross section with visible light (top) and with UV-blue illumination (bottom) taken from the light blue highlight on the back chair cushion of Fig.13.
Attributed works:
2. Filial piety, by Jean-Baptiste Greuze. 1763. Oil on canvas, 115 by 146 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
3. Simplicity, by Jean-Baptiste Greuze. 1759. Oil on canvas, 71.1 by 59.7 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
4. Young shepherd holding a flower, by Jean-Baptiste Greuze. c.1761. Oil on canvas, 72.5 by 59.5 cm. (Petit Palais, Paris; Bridgeman Images) .
Attributed works:
5. The village betrothal, by Jean-Baptiste Greuze. 1761. Oil on canvas, 92 by 117 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; René-Gabriel Ojeda).
Attributed works:
6. Girl with a dead canary, by Jean-Baptiste Greuze. 1765. Oil on canvas, 53.3 by 46 cm. (National Galleries of Scotland, Edinburgh; Bridgeman Images).
Attributed works:
7. A child with an apple, by Jean-Baptiste Greuze. c.1785. Oil on canvas, 40.6 by 32.1 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
8. Cross section of a paint sample taken from the clump of blue leaves at the bottom-left corner of Fig.1.
Attributed works:
9. Paint sample taken from the clump of blue leaves at the bottom-left corner of Fig.1 and viewed from the surface using reflected (left) and fluorescence (right) microscopy.
Article
‘Portrait of a woman with a book’: a ‘newly discovered ­fantasy figure’ by Fragonard at the National Gallery of Art, Washington
04/2015 | 1345 | 157
Pages: 248-254
related names
Author:
Delaney, John K. (Delaney, John K.)
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Swicklik, Michael (Swicklik, Michael)
Subjects
dates:
Illustrations
Attributed works:
17. Young girl reading, by Jean-Honoré Fragonard (National Gallery of Art, Washington)
Attributed works:
18. Portrait of M. de La Bretèche, by Jean-Honoré Fragonard (Musée du Louvre, Paris)
Attributed works:
23. Portrait of a woman, formerly known as Marie-Madeleine Guimard, by Jean-Honoré Fragonard (Musée du Louvre, Paris)
Attributed works:
25. Cross-section of Young girl reading taken at 62.1 by 46.5 cm from the bottom left corner (area of the former feather)... . Sampling and initial analysis by Barbara Berrie. Final analysis and photograph by Michael Palmer
Attributed works:
26. Detail of Fig.7, showing Young girl reading
Attributed works:
27. Hypothetical simulation of the figure in the painting underlying Young girl reading, here designated Portrait of a woman with a book, developed using information obtained through the imaging techniques described in this study. Image by Becca Goodman and Denis Doorly
Attributed works:
28. Detail of the Catalogue de Tableaux et Marbres, by Gabriel Jacques de Saint-Aubin. 11th March 1776 (Philadelphia Museum of Art, John G. Johnson Collection)
Western art unattributed:
19. X-radiograph of Young girl reading obtained using Carestream System
Western art unattributed:
20. False-colour infra-red reflectogram
Western art unattributed:
21. Overlay of details from the X-radiograph and false-colour image showing that the noses, chins and foreheads in the two images align, demonstrating that the 'male' face of the X-radiograph and the 'female' face of the false-colour image are one and the same
Western art unattributed:
22. XRF element maps showing: 1) lead...; 2) iron oxide...; 3) mercury...
Western art unattributed:
24. Details showing 1) the feather behind the head of the current model in Young girl reading as seen in the equalised high-resolution colour image of the painting; 2) the same area seen through reflectance transformation imaging (RTI) showing the texture of the feature; 3) the feather in Portrait of M. de La Bretèche