10. Psyche rescued by nymphs, by Jean-Baptiste-Marie Pierre. 1750. Canvas, 83.8 by 115.5 cm. (Birmingham Museums and Art Gallery).
Attributed works:
11. Venus disarming Cupid, by François Boucher. c.1751. Canvas, 130 by 93.5 cm. (Collection of Lynda and Stewart Resnick, Los Angeles).
Attributed works:
12. L’Amour désarmé, by Etienne Fessard, after François Boucher. 1761. Etching, with engraving, 40.2 by 26.6 cm. From A. Ananoff: Boucher, Lausanne and Paris 1976, II, p.76, no.375/1, fig.1097.
Attributed works:
13. Copy of Fig.11. (Photograph reproduced in T. Carr Howe, Jr.: Salt Mines and Castles: The Discovery and Restitution of Looted European Art, New York 1946, facing p.161).
Attributed works:
14. Detail of dove’s wing on the tacking strip of Fig.11. (Photograph by the author).
Attributed works:
6. Nymphs adorning Cupid, by Jean-Baptiste-Marie Pierre. Mid-1750s. Canvas, 89.5 by 134 cm. (Château de Menars).
Attributed works:
7. Cupid and Psyche, by Jean-Baptiste-Marie Pierre. Mid-1750s. Canvas, 89 by 134 cm. (Château de Menars).
Attributed works:
8. Installation view of Fig.6 at the Château de Menars. (Photograph by the author).
Attributed works:
9. Installation view of Fig.7 at the Château de Menars. (Photograph by the author).
Book Review
The Houses and Collections of the Marquis de Marigny.
2. Portrait of Le Marquis de Marigny, by Alexander Roslin. 1761. Canvas, 150 by 112 cm (Château de Versailles.)
Attributed works:
3. Portrait of Le Marquis de Marigny, by Louis Tocqué. Signed and Dated 1755. Canvas, 134.6 by 104.1 cm. (Château de Versailles.)
Attributed works:
6. Sketch of L.-M. Van Loo's Portrait of Louis XV, by Gabriel de Saint-Aubin, in the Artist's Copy of the Catalogue to the Salon of 1761. (Bibliothèque Nationale, Paris.)
Attributed works:
7. Sketch of Greuze's Portrait of the Dauphin, by Gabriel de Saint-Aubin, in the Artist's Copy of the Catalogue to the Salon of 1761. (Bibliothèque Nationale, Paris.)
Attributed works:
8. Sketch of Roslin's Portrait of Le Marquis de Marigny, by Gabriel de Saint-Aubin, in the Artist's Copy of the Catalogue to the Salon of 1761. (Bibliothèque Nationale, Paris.)