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115 articles
Article
Fragments of a Ferrarese sketch by Donatello
11/2024 | 1460 | 166
Pages: 11401151
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Author:
Scansani, Marco (Scansani, Marco)
Subjects
artists:
Donatello
dates:
1450-1469
museums and institutions:
Palazzo Schifanoia, Ferrara, Italy
places:
Ferrara
subjects:
Italian sculpture / Terracotta / Fragments / Reliefs / Sketches / Studies (visual works) / Thieves / Mary, Virgin: Death
Illustrations
Attributed works:
1. Funeral of the Virgin, by Donatello. Photograph taken before 1921. (Formerly Museo Schifanoia, Ferrara).
Attributed works:
10. Feast of Herod, by Donatello. c.1435. Marble, 50 by 71.3 by 5 cm. (Palais des Beaux-Arts de Lille).
Attributed works:
11. Detail of the Descent from the Cross scene on the Passion Pulpit, by Donatello. c.1461–66. Bronze. (S. Lorenzo, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
12. Detail of the Ascension scene on the Resurrection Pulpit, by Donatello. c.1461–66. Bronze. (S. Lorenzo, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
13. Detail of Fig.14. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
14. St Stephen and St Lawrence, by Donatello. c.1435–40. Polychromed terracotta, 215 by 180 cm. (Old Sacristy, S. Lorenzo, Florence)
Attributed works:
14. St Stephen and St Lawrence, by Donatello. c.1435–40. Polychromed terracotta, 215 by 180 cm. (Old Sacristy, S. Lorenzo, Florence)
Attributed works:
15. Detail of Dancing and festive putti from the Holy Girdle Pulpit, by Donatello. 1434–38. Marble. (Museo dell’Opera del Duomo, Prato).
Attributed works:
16. Side view of Fig.3.
Attributed works:
17. Detail of a putto from the Cavalcanti Annunciation, by Donatello. c.1433–35. Terracotta. (S. Croce, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
18. Feast of St George, Allegory of the month of April, by Francesco del Cossa. c.1470. Fresco. (Salone dei Mesi, Museo Schifanoia, Ferrara).
Attributed works:
19. Madonna with Child and five angels, by Donatello. c.1455–60. Terracotta with traces of paint, 21.5 by 15.5 by 4.2 cm. (Bode-Museum, Berlin).
Attributed works:
2. Funeral of the Virgin, here attributed to Donatello. 1450. Terracotta, 33 by 24.5 by 2 cm. (Private collection).
Attributed works:
20. David with the head of Goliath, from a model by Donatello. Cast c.1460–65 after a wax model by Donatello c.1455. Bronze, height 37 cm. (Bode-Museum, Berlin).
Attributed works:
3. Evangelist, here attributed to Donatello. 1450. Terracotta, 33 by 33 by 9 cm. (Private collection).
Attributed works:
4. Acephalous figure (perhaps an Evangelist?), here attributed to Donatello. 1450. Terracotta, 25 by 20 by 4 cm. (Private collection).
Attributed works:
5. Fig.1 and Fig.2 placed side by side.
Attributed works:
6. Detail of the Pentecost scene on the Resurrection Pulpit, by Donatello. c.1461–66. Bronze. (S. Lorenzo, Florence; photograph Fondazione Federico Zeri, Bologna).
Attributed works:
7. Resurrection of Drusiana, by Donatello. 1435–40. Polychrome stucco, diameter approx. 215 cm. (Old Sacristy, S. Lorenzo, Florence).
Attributed works:
8. Detail of Fig.7. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
9. Pietà, by Donatello. c.1450–53. Marble, 36.5 by 30.5 by 4.5 cm. (S. Gaetano, Padua).
Article
Michelangelo’s Bruges Madonna: its patron, material and meaning
11/2024 | 1460 | 166
Pages: 1123–1139
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Author:
Nuttall, Paula (Nuttall, Paula)
Subjects
artists:
Michelangelo
buildings:
Bruges / Rome
buildings:
Church of Our Lady, Bruges, Belgium
dates:
1500-1509
patrons:
Moscron family / Moscron, Jan II ((c.1460/70–1522)
sources:
Condivi, Ascanio / Vasari, Giorgio
subjects:
Patrons / Patronage / Payments / Italian sculpture / Marble / Mary, Virgin: and Child / Mary, Virgin: and Child: Enthroned / Christian iconography / Iconography / Sketches / Tabernacles / Altarpieces / Retables
Illustrations
Attributed works:
1. The Bruges Madonna in situ in the Chapel of the Holy Sacrament, Church of Our Lady, Bruges. (Photograph the author).
Attributed works:
10. Virgin and Child, by Benedetto da Maiano. Before 1497, completed 1575. Marble, height 140 cm. (Oratorio della Misericordia, Florence).
Attributed works:
11. Detail of the Barbadori Altarpiece, by Filippo Lippi. 1438. Tempera on panel. (Musée du Louvre, Paris).
Attributed works:
12. Detail of Fig.2. (Photograph the author).
Attributed works:
13. Virgin and Child, by Gentile da Fabriano. 1425. Fresco. (Orvieto Cathedral; photograph Jeff Cotton).
Attributed works:
14. Detail of Fig.13, showing left hands of the Virgin and Child. (Photograph Jeff Cotton).
Attributed works:
15. Detail of Fig.2, showing the hands of the Virgin and Child. (Photograph the author).
Attributed works:
16. Virgin and Child, by Tino da Camaino. 1320–21. Marble, height 78 cm. (Museo Nazionale del Bargello, Florence; Bridgeman Images).
Attributed works:
18. Studies for the Apostles, Battle of Cascina, the Bruges Madonna and an architectural element, by Michelangelo. c.1503–04. Black chalk, dark brown ink, pen and lead point on paper, 27.3 by 26.2 cm. (Galleria degli Uffizi, Florence).
Attributed works:
19. Detail of Fig.18 (top right of sheet), showing a study for the Bruges Madonna.
Attributed works:
2. Madonna and Child (the Bruges Madonna), by Michelangelo. 1504–05. Marble, height 128 cm. (Church of Our Lady, Bruges; Bridgeman Images).
Attributed works:
20. Detail of Fig.18 (centre of sheet), showing a study for the Bruges Madonna.
Attributed works:
21. Detail of Fig.18 (top of left-hand edge), showing a study for the Bruges Madonna.
Attributed works:
22. Detail of Fig.18 (centre and bottom of left-hand edge), showing studies for the Bruges Madonna.
Attributed works:
23. Three studies of nude men and the Virgin and Child, by Michelangelo. c.1504–05. Black chalk, dark and light brown ink, pen and lead point on paper, 31.5 by 27.7 cm. (British Museum, London).
Attributed works:
24. Tomb of Pieter Moscron. 1829, with original sixteenth-century brass coats-of-arms. (Chapel of the Holy Sacrament, Church of Our Lady, Bruges; photograph Brit Vanraepenbusch).
Attributed works:
25. Detail of Fig.23, showing a study for the Bruges Madonna.
Attributed works:
26. Detail of Fig.1, showing the Moscron coat-of-arms, here attributed to Joost Aerts and Jan de Smet. c.1558–65. (Photograph the author).
Attributed works:
27. Detail of Fig.1, showing the 17th-century swag above the central niche. (Photograph the author).
Attributed works:
3. Margaret of York and Mary of Burgundy kneeling before a white statue of St Anne, fol.2v of the Register of the Guild of St Anne, by Circle of Vienna Master of Mary of Burgundy. c.1476. Gold and bodycolour on vellum, height 33 cm. (Royal Collection Trust; © Royal Collection Enterprises Limited, 2024; Bridgeman Images).
Attributed works:
4. White Virgin of Jean de Berry. French, c.1400. Marble, height 146 cm. (Bourges Cathedral; Alamy Stock Photo).
Attributed works:
5. Detail of a cast of the Bruges Madonna, showing the different treatment of the front and back of the base. 1871. Plaster. (Victoria and Albert Museum, London; photograph the author).
Attributed works:
6. Detail of Fig.2, showing the chisel marks on the base. (Photograph the author).
Attributed works:
7. Detail of Fig.2, seen from the left. (Photograph the author).
Attributed works:
8. Detail of Fig.2. (Photograph the author).
Attributed works:
9. Detail of Judith and Holofernes, by Donatello. c.1456. Bronze. (Palazzo Vecchio, Florence; Photo Scala, Florence).
Western art unattributed:
17. Our Lady of Leuven. Netherlandish, 13th century (reworked 1442). Polychromed and gilded wood and rock crystal, height 160 cm. (Church of St Peter, Leuven).
Exhibition Review
Late Michelangelo
07/2024 | 1456 | 166
Pages: 716–23
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Reviewer:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
artists:
Michelangelo / Venusti, Marcello / Condivi, Ascanio
dates:
2020-2030
subjects:
Italian drawing / Italian art / Renaissance art / Sketches / Studies (visual works) / Correspondence / Poetry / Christian iconography / Late works / Cartoons (working drawings) / Colonna, Vittoria / Cavalieri, Tommaso de'
subjects:
Architectural drawings
Reviewed Items
subjects:
Michelangelo: the last decades, British Museum, (2nd May–28th July). | :
Illustrations
Attributed works:
1. Christ on the Cross, by Michelangelo. c.1543. Black chalk on paper, 36.8 by 26.8 cm. (British Museum, London).
Attributed works:
10. Crucifixion with two figures, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 27.8 by 23.4 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
Attributed works:
2. Crucifixion, by Marcello Venusti. c.1545–60. Oil on panel, 88.9 by 28.8 cm. incl. frame, not shown here. (Campion Hall, Oxford; exh. British Museum, London).
Attributed works:
3. Annunciation, attributed to Michelangelo. c.1545–60. Black chalk on paper, 38.3 by 29.7 cm. (Morgan Library and Museum, New York; exh. British Museum, London).
Attributed works:
4. Annunciation, by Marcello Venusti. c.1545–60. Oil on wood, 45 by 30 cm. (Galleria Corsini, Rome; exh. British Museum, London).
Attributed works:
5. Study for the Porta Pia, by Michelangelo. 1561. Stylus, black chalk and brown wash, with lead white, on several conjoined pieces of paper, 44.2 by 28.2 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
6. Epifania, by Michelangelo. c.1550–53. Black chalk on 26 conjoined sheets, 234.6 by 173.7 cm. (British Museum, London).
Attributed works:
7. Epifania, by Ascanio Condivi. c.1550–53. Oil on panel, 240 by 187 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
8. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 41.2 by 28.5 cm. (British Museum, London).
Attributed works:
9. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1555–63. Black chalk and lead white on paper, 41 by 27.8 cm. (British Museum, London).
Article
A ‘crucifixion complex’: two newly discovered sketches attributed to Francis Bacon
03/2024 | 1452 | 166
Pages: 225–235
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Author:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
artists:
Bacon, Francis, 1909-1992 / Maistre, Roy de / Picasso, Pablo
collectors and dealers:
Sadler, Michael Ernest , Sir
dates:
1930-1939
museums and institutions:
Art Gallery of New South Wales, Sydney, Australia
subjects:
British art / British drawing / Sketches / Jesus Christ: Crucifixion
subjects:
Portraits / Triptychs
Illustrations
Attributed works:
1. Sketch, by Francis Bacon. c.1930. Pencil on tracing paper mounted on paper, 25.2 by 16.6 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin;).
Attributed works:
10. Studio Interior, by Francis Bacon. c.1936. Pastel and pencil on paper, 23.5 by 35 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
11. Sketch for triptych, here attributed to Francis Bacon. c.1933. Pencil. (Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
12. Three Studies for Figures at the Base of a Crucifixion, by Francis Bacon. 1944. Oil and pastel on fibreboard, each panel approx. 94 by 74 cm. (irregular). (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Tate).
Attributed works:
2. Two pencil sketches, here attributed to Francis Bacon. c.1933. Pencil on paper, 26 by 18.5 cm. (On the half-title page of A. Level: Picasso, Paris 1928; Art Gallery of New South Wales, Sydney; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
3. Sketch of a Biomorph, by Francis Bacon. c.1936. Black, blue and darkbrown ink on lined paper, 16.7 by 12.1 cm. (irregular). (Collection & Image © Hugh Lane Gallery; The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; Hugh Lane Gallery, Dublin).
Attributed works:
4. Abstraction from the Human Form, by Francis Bacon, c.1936. Medium and dimensions unknown. Destroyed by the artist. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024).
Attributed works:
5. Sketch for Portrait of M.E. Sadler [skull], here attributed to Francis Bacon. c.1933. Pencil and possibly wash. (Art Gallery of New South Wales; Roy de Maistre Archive MS2013.10 ARC342; National Art Archive, Gift of, Sydney; Roy de Maistre’s niece, Caroline de Mestre-Walker, 2013).
Attributed works:
6. Crucifixion [skeleton], by Francis Bacon. 1933. Oil on canvas, 62 by 48.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
7. ‘A candidate for Baptism’, detail of Baptism of Christ, by Piero della Francesca. (From R. Longhi: Piero della Francesca, Milan 1930).
Attributed works:
8. The Crucifixion [skull], by Francis Bacon. 1933. Oil on canvas, 111.5 by 86.5 cm. (© The Estate of Francis Bacon. All rights reserved, DACS; Artimage 2024; private collection).
Attributed works:
9. Replica of Portrait of Michael Sadler, by Loris Rey. Bronze. (University College, University of Oxford).
Book Review
Luca Giordano: Maestro barocco a Firenze
03/2024 | 1452 | 166
Pages: 306–309
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Reviewer:
Volpi, Caterina (Volpi, Caterina)
Subjects
artists:
Giordano, Luca
buildings:
Palazzo Medici Riccardi, Florence, Italy
subjects:
Italian art / Sketches / Frescoes / Paintings
Reviewed Items
subjects:
Luca Giordano: Maestro barocco a Firenze Edited by Riccardo Lattuada, Giuseppe Scavizzi and Valentina Zucchi. 192 pp. incl. 105 col. + b. & w. ills. (Officina Libraria, Rome, 2023), €30. ISBN 978–88–336–7236–6. | :
Illustrations
Attributed works:
1. Installation view of Luca Giordano: Maestro barocco a Firenze at the Palazzo Medici Riccardi, Florence, 2023.
Attributed works:
2. Triumph of the Riccardi, detail of the Apotheosis of the Medici in the Galleria degli Specchi, Palazzo Medici Riccardi, by Luca Giordano. 1682–85. Fresco. (Palazzo Medici Riccardi, Florence).
Attributed works:
3. Apotheosis of the Medici, by Luca Giordano. 1682–85. Oil on canvas, 139 by 65.2 cm. (National Gallery London).
Exhibition Review
Rubens & Women
01/2024 | 1450 | 166
Pages: 75–79
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Reviewer:
Stighelen, Katlijne van der (Stighelen, Katlijne van der)
Subjects
artists:
Rubens, Peter Paul
dates:
2020-2030
media:
Paintings / Sketches / Drawings
museums and institutions:
Dulwich Picture Gallery, London, Great Britain
subjects:
Flemish art / Women
Reviewed Items
subjects:
Rubens & Women. By Ben van Beneden and Amy Orrock, with contributions by Jennifer Scott. 191 pp. incl. numerous col. ills. (Dulwich Picture Gallery, London, 2023), £19.95. ISBN 978–1–898519–49–2. | :
subjects:
Rubens & Women Dulwich Picture Gallery, London 27th September 2023– 28th January 2024 | :
Illustrations
Attributed works:
17. Study of a female nude (Psyche), by Peter Paul Rubens. c.1609–12. Black and white chalk on paper, 58.1 by 41.2 cm. (© HM King Charles III; Royal Collection Trust; exh. Dulwich Picture Gallery, London).
Attributed works:
18. Three of Diana’s nymphs undressing, by Peter Paul Rubens after Jacob Cornelisz Cobaert. c.1598–1600. Pen and brown ink over black chalk on paper, 17.2 by 14.7 cm. (British Museum, London; exh. Dulwich Picture Gallery, London).
Attributed works:
19. Birth of the Milky Way, by Peter Paul Rubens. 1636–38. Oil on canvas, 181 by 244 cm. (Museo Nacional del Prado, Madrid; exh. Dulwich Picture Gallery).
Book Review
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2)
04/2023 | 1441 | 165
Pages: 476-477
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Reviewer:
Sancho Lobis, Victoria (Sancho Lobis, Victoria)
Subjects
art literature:
Catalogues
artists:
Rubens, Peter Paul / and workshop
subjects:
Flemish painting / Studies (visual works) / Oil sketches / Sketches / Attributions
works:
Corpus Rubenianum
Reviewed Items
works:
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2) By Nico Van Hout. 2 vols, 680 pp. incl. 150 col. + 340 b. & w. ills. (Brepols, Turnhout, 2021), £212.50. ISBN 978–1–912554–65–2. | :
Illustrations
Attributed works:
4. Reconstruction of the original support of Head study of a young man, looking down to the left (private collection); and Head study of a young man, looking up (Musée du Louvre, Paris), both by Peter Paul Rubens, with indication of the horizontal joint and the saw lines.
Article
Delacroix in Morocco and Andalusia: rediscovered notebooks and drawings
03/2023 | 1440 | 165
Pages: 226-257
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Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
artists:
Delacroix, Eugène
dates:
1830-1839
museums and institutions:
Musée du Louvre, Paris, France / Musée Condé, Chantilly, France / Library of Congress, Washington, United States / Sotheby's, Paris, France
places:
Morocco / Andalusia / Tangier / Cádiz (province) / Seville / Meknès
subjects:
French art / Drawings / Sketchbooks / Notebooks / Studies (visual works) / Sketches
Illustrations
Attributed works:
1. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.26v; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
10. Woman of Tangier hanging laundry, by Eugène Delacroix. 1833. Lithograph, 19.3 by 25.7 cm. (Yale University Art Gallery, New Haven).
Attributed works:
11. Mule-drivers of Tetuan, by Eugène Delacroix. 1832. Watercolour on paper, 25.2 by 32.5 cm. (Musée archéologique municipal, Laon).
Attributed works:
12. Mule-drivers of Tetuan, by Eugène Delacroix. 1833. Lithograph, 28.7 by 38.9 cm. (Clark Art Institute, Williamstown; Bridgeman Images).
Attributed works:
13. Study of muledrivers, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.20v; private collection).
Attributed works:
14. Study for ‘Mule-drivers of Tetuan’, by Eugène Delacroix. 1832. Graphite and pen on paper, 19.5 by 30.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Agence Bulloz).
Attributed works:
15. Study of Arab men, by Eugène Delacroix. 1832. Watercolour and graphite on laid paper, 21.1 by 28.9 cm. (National Gallery of Art, Washington).
Attributed works:
16. Studies of Arab men, by Eugène Delacroix. 1832. Graphite on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.16v and 17r; private collection).
Attributed works:
17. Study of doors, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.15r; private collection).
Attributed works:
18. Woman in a mantilla, by Eugène Delacroix. 1832. Watercolour over graphite on cream wove paper, 22 by 17 cm. (Location unknown, formerly in a private collection; from L’Art expressif au XIXe siècle français, Paris 1960).
Attributed works:
19. Interior of a building in Seville, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 20.6 by 16.4 cm. (Aubry sketchbook, fols.29v–30r; private collection).
Attributed works:
2. Front cover of Eugène Delacroix’s ‘English sketchbook’. 1825. 12 by 19.5 cm. (Musée national Eugène Delacroix, Paris).
Attributed works:
20. Le picador, by Eugène Delacroix. Watercolour and graphite on paper, 28.8 by 21.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
21. Bullfighters, by Eugène Delacroix. 1832(?). Graphite on paper, 18.1 by 22.4 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
22. Picador, by Antonio Carnicero. 1787–90. Hand-coloured etching, 17.7 by 28 cm. (From Colección de las principales suertes de una corrida de toros, pl.III; British Museum, London).
Attributed works:
23. Detail of a sketch of Sidi Kasem (fol.15r), by Eugène Delacroix. 1832. Graphite on paper. (Meknes notebook, fols.14v–15r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
24. Sketch of a horse slipping, by Eugène Delacroix. 1832. Graphite on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.13v; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
25. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.11v–12r; Orientalist Museum, Doha).
Attributed works:
26. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.12v–13r; Orientalist Museum, Doha).
Attributed works:
27. View en route to Zerhoun?, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 16 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
28. Study of figures in Morocco, by Eugène Delacroix. 1832. Graphite and brush on paper, 18.3 by 18.3 cm. (Morgan Library and Museum, New York).
Attributed works:
29. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.22r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
3. Dominican convent, Cadiz, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 15.2 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
30. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.23r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
31. Arab cavalry practicing a charge, by Eugène Delacroix. 1833. Oil on canvas, 60.5 by 74.5 cm. (Städel Museum, Frankfurt).
Attributed works:
32. Botzaris attacks the Turkish camp, by Eugène Delacroix. 1862. Oil on canvas, 65 by 73 cm. (Toledo Museum of Art).
Attributed works:
33. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.24v–25r; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
34. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.25v and 26r; Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
35. Sheet of studies from Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 20.4 by 25.7 cm. (Library of Congress, Washington).
Attributed works:
4. Christopher Columbus and his son at La Rábida, by Eugène Delacroix. 1838. Oil on canvas, 90.3 by 118 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
5. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.34r; private collection).
Attributed works:
6. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.31r; private collection).
Attributed works:
7. Woman of Tangier hanging laundry, by Eugène Delacroix. 1832. Graphite on paper, 18 by 23.1 cm. (Musée du Louvre, Paris; © RMNGrand Palais; Michel Urtado).
Attributed works:
8. Study of a doorway and Study of a woman hanging laundry, by Eugène Delacroix. 1832. Graphite and ink on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.8v and 9r; private collection).
Attributed works:
9. A woman bathing and her Moorish servant, by Eugène Delacroix. 1832. Watercolour and graphite on white wove paper, 16 by 18.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA).
Exhibition Review
Edward Lear: Moment to Moment
11/2022 | 1436 | 164
Pages: 1130-1132
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Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
Lear, Edward
dates:
2020-2030
museums and institutions:
Ikon Gallery, Birmingham, Great Britain
subjects:
Victorian art / Travel / Sketches / Watercolours
Reviewed Items
subjects:
Edward Lear: Moment to Moment Ikon Gallery, Birmingham 9th September–13th November | :
Illustrations
Attributed works:
1. Amada, by Edward Lear. 7.25 a.m. 12th February 1867. Watercolour, pen and brown ink and graphite, 9.2 by 17.8 cm. (Yale Center for British Art, New Haven; exh. Ikon Gallery, Birmingham).
Attributed works:
2. Santa Maura, by Edward Lear. 6 p.m. 19th April 1863. Watercolour over pen and ink, 21 by 32 cm. (Private collection; exh. Ikon Gallery, Birmingham).
Attributed works:
3. The Forest of Bavella, Corsica, by Edward Lear. 7.10 a.m. 29th April 1868. Pen and ink and watercolour on buff paper, 63.5 by 80 cm. (Private collection; photograph Woolley and Wallis Salerooms Ltd; exh. Ikon Gallery, Birmingham).
Article
G.F. Watts’s ‘Satan’ and the Monte Cavallo ‘Horse tamers’
07/2022 | 1432 | 164
Pages: 664-671
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related names
Author:
Gustin, Melissa L. (Gustin, Melissa L.)
Subjects
artists:
Watts, George Frederic / Phidias
dates:
1840-1849
museums and institutions:
Watts Gallery, Compton , Great Britain
subjects:
British painting / Satan by GF Watts / Horse Tamers, Monte Cavallo, Rome / Casts (sculpture) / Greek (ancient) sculpture / Sketches / Drawings / Paintings
Illustrations
Attributed works:
1. Satan, by George Frederic Watts. 1847–48. Oil on canvas, 198.1 by 132.1 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
10. Study for Satan, by George Frederic Watts. c.1847–48. Pencil on paper, pasted into a scrapbook album, 16.6 by 11.3 cm. (Watts Gallery– Artists’ Village, Compton).
Attributed works:
11. Studies of a classical head in multiple views on the margin of a design for ‘Adam and Eve listening to an angel’, by George Frederic Watts. Pen and ink on paper, pasted into a historic scrapbook album, 12.5 by 17.8 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
12. Studies of nude riders on horseback, by George Frederic Watts. Before 1858. Pencil on paper, pasted into a historic scrapbook album, 22.9 by 18.5 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
13. Aurora, by George Frederic Watts. Plaster over metal armature, height 243 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
2. Fountain of Monte Cavallo in the Palazzo del Quirinale, Rome. 1860– 70. Albumen silver print, 33.3 by 46.2 cm. (The J. Paul Getty Museum, Los Angeles; courtesy the Getty Open Content Program).
Attributed works:
3. Cast after the head of the left Monte Cavallo horse tamer, called ‘Pollux’. 18th century. Plaster, height 147 cm. (Royal Academy of Arts, London).
Attributed works:
4. Cast after the head of the right Monte Cavallo horse tamer, called ‘Castor’. 18th century. Plaster, height 147 cm. (Royal Academy of Arts, London).
Attributed works:
5. Study after the Monte Cavallo horse tamers, by George Frederic Watts. c.1847–48. Pencil on paper, (sheet) 9 by 14.5 cm. (Watts Gallery– Artists’ Village, Compton).
Attributed works:
6. Study after the Monte Cavallo horse tamers, by George Frederic Watts. c.1844. Pencil on paper, (sheet) 7.5 by 11 cm. (Watts Gallery– Artists’ Village, Compton).
Attributed works:
7. Study after the Monte Cavallo horse tamers, by George Frederic Watts. c.1847–48. Pencil on paper, 9 by 14.5 cm (page). (Watts Gallery– Artists’ Village, Compton).
Attributed works:
8. Sketch of the reclining male figure now called Dionysus from the east pediment of the Parthenon, by George Frederic Watts. c.1847–48. Pencil on paper, (sheet) 9 by 14.5 cm. (Watts Gallery–Artists’ Village, Compton).
Attributed works:
9. Study for Satan, by George Frederic Watts. c.1847–48. Pencil on paper, pasted into a scrapbook album, 18.3 by 11.6 cm. (Watts Gallery– Artists’ Village, Compton).
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