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51 articles
Article
Friendship tokens: Jean-Baptiste Greuze’s paintings for Madame de Pompadour
05/2025 | 1466 | 167
Pages: 438–449
related names
Author:
Delaney, John K. (Delaney, John K.)
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Swicklik, Michael (Swicklik, Michael)
Subjects
dates:
Illustrations
Attributed works:
1. Simplicity, by Jean-Baptiste Greuze. 1759. Oil on canvas, 71.1 by 59.7 cm. (Kimbell Art Museum, Fort Worth; Bridgeman Images).
Attributed works:
10. Detail and IRR detail of Fig.4.
Attributed works:
11. Detail and IRR detail of Fig.4.
Attributed works:
12. Detail and IRR detail of Fig.4.
Attributed works:
13. Detail of the Livret of the Salon of 1761, illustrated and annotated by Gabriel de Saint-Aubin, p.25. (Bibliothèque nationale de France, département des Estampes et de la Photographie, Paris).
Attributed works:
14. Details of Figs.1 and 2.
Attributed works:
15. Detail and IRR detail of Fig.2.
Attributed works:
16. Detail and IRR detail of Fig.2.
Attributed works:
17. Detail and IRR detail of Fig.2.
Attributed works:
18. Detail and IRR detail of Fig.2.
Attributed works:
19. Carlos Fernando FitzJames-Stuart, Marquess of Jamaica, by François-Hubert Drouais. 1765. Oil on canvas, 72.4 by 60.3 cm. (Birmingham Museum of Art, Alabama).
Attributed works:
2. Simplicity, by Jean-Baptiste Greuze. Oil on canvas, 71.12 by 58.42 cm. (Sudeley Castle, Cheltenham).
Attributed works:
20. Portrait of Madeleine Barberie de Courteilles, by Jean-Baptiste Greuze. 1759. Oil on canvas, 77.4 by 63 cm. (Herzog Anton Ulrich- Museum, Braunschweig).
Attributed works:
21. Pompadour at her toilette, by François Boucher. 1750. Oil on canvas, 81.2 by 64.9 cm. (Harvard Art Museums, Fogg Museum; Bridgeman Images).
Attributed works:
22. The school mistress, by Jean-Baptiste Greuze. c.1765. Black chalk, pen and black ink, brush with black and brown ink washes on paper, 33 by 44.4 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images).
Attributed works:
3. Young shepherd holding a flower, by Jean-Baptiste Greuze. 1761. Oil on canvas, 72.5 by 59.5 cm. (Petit Palais-Musée des Beaux-Arts de la Ville de Paris).
Attributed works:
4. Hyperspectral false colour image of Fig.1.
Attributed works:
5. The Pink Drawing Room, Basildon Park. c.1909. Photograph. (National Trust).
Attributed works:
6. Detail and IRR detail of Fig.1.
Attributed works:
7. Detail and hyperspectral false colour image of Fig.1.
Attributed works:
8. Detail and hyperspectral false colour of Fig.1.
Attributed works:
9. Detail and hyperspectral false colour of Fig.1.
Article
A medal of the Sun King by Claude I Ballin
05/2024 | 1454 | 166
Pages: 441–445
related names
Author:
Jouvet, Ludovic (Jouvet, Ludovic)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Louis XIV, by Henri de Villers after Claude I Ballin. 1754 (after a wax of 1672). Uniface bronze, diameter 165 mm. (with frame). (Private collection).
Attributed works:
2. Louis XIV, by Jean Warin. 1665. Marble, height 106 cm. (Château de Versailles).
Attributed works:
3. Abraham Simon, by Georges Vertue after G. Kneller. First half of the 18th century. Red chalk and wash on paper, 16 by 13.1cm. (British Museum, London).
Attributed works:
4. Louis XIV, by Robert Nanteuil. 1664. Engraving, 40.2 by 31.5 cm. (plate). (Bibliothèque nationale de France, Paris).
Attributed works:
5. Ferrante Loffredo, Marquess of Trevico. French, mid-16th century. Wax on glass, diameter 10 cm. (Frick Collection, New York).
Attributed works:
6. Louis XIV, by Francesco Bertinetti. 1672. Uniface bronze, diameter 140 mm. (Musée du Louvre, Paris).
Attributed works:
7. Claude Ballin orfèvre, by Jacques Lubin. c.1675–1700. Etching and engraving, 25.1 by 19.5 cm. (British Museum, London).
Attributed works:
8. Louis XIV, by Jean Warin. 1665. Gold, diameter 100 mm. (Bibliothèque nationale de France, Paris).
Attributed works:
9. Louis XIV, after Claude I Ballin. 1750–1800 (after a wax of 1672). Uniface bronze, diameter 165 mm. (Musée du Louvre, Paris).
Book Review
Louis XV: passions d’un roi
05/2024 | 1454 | 166
Pages: 508–510
related names
Reviewer:
Vogtherr, Christoph Martin (Vogtherr, Christoph Martin)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Louis XV: passions d’un roi Edited by Yves Carlier and Hélène Delalex. 496 pp. incl. 458 col. + b. & w. ills. (In Fine Éditions d’Art, Paris, 2022), €49. ISBN 978–2–38203–076–9. | :
Illustrations
Attributed works:
1. Floorplan of the telescope pavilion, château de la Muette. 1756. Pen, ink and red wash on paper. (Archives nationales, Paris).
Attributed works:
2. Louis XV, by Arnaud Vincent de Montpetit. 1774. Oil on canvas, 74 by 61.2 cm. (Musée national des châteaux de Versailles et de Trianon, Versailles).
Attributed works:
3. Project for the throne of Louis XV, by Sébastien- Antoine Slodtz and Paul-Ambroise Slodtz. 1752. Pen, ink and wash highlights over black pencil, 67.1 by 47.2 cm. (Bibliothèque nationale de France, Paris).
Book Review
All Walks of Life. A Journey with the Alan Shimmerman Collection: Meissen Porcelain Figures of the Eighteenth Century
01/2024 | 1450 | 166
Pages: 98–99
related names
Reviewer:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
collectors and dealers:
Reviewed Items
subjects:
All Walks of Life. A Journey with the Alan Shimmerman Collection: Meissen Porcelain Figures of the Eighteenth Century By Meredith Chilton and Vanessa Sigalas, with contributions by André van der Goes, Jennifer Mass and Aaron Shugar. 672 pp. incl. 713 col. ills. (Arnoldsche, Stuttgart, 2022), £75. ISBN 978–3–89790–641–9. | :
Illustrations
Attributed works:
5. Dancing Mezzetin and L’Indifferent, modelled by J.J. Kändler. Meissen, c.1738–40, decorated after 1802. Hard-paste porcelain, heights 18.1 and 19 cm. (Shimmerman Collection; photograph Melissa Shimmerman).
Article
Roubiliac and Sprimont: a friendship revisited
06/2023 | 1443 | 165
Pages: 601–611
related names
Author:
Murdoch, Tessa (Murdoch, Tessa)
Subjects
dates:
museums and institutions:
places:
styles:
Illustrations
Attributed works:
1. Louis-François Roubiliac, attributed to François Xavier Vispré. c.1760. Pastel on paper mounted on canvas, 62.2 by 54.6 cm. (Yale Center for British Art, New Haven CT).
Attributed works:
10. Head of a laughing child, after a model attributed to Louis-François Roubiliac. 1746–49. Chelsea porcelain, 19.7 by 16.7 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Persia and Macedonia (Greece) from the Temple of the Four Monarchies clock, by Louis-François Roubiliac. c.1738. Bronze, height 30 cm. each. Wet collodion negative by John Wesley Livingston. 1875. (Royal Collection Trust; © 2023 His Majesty King Charles III).
Attributed works:
12. Chaldea (Assyria) and Rome from the Temple of the Four Monarchies clock, by Louis-François Roubiliac. c.1738. Bronze, height 30 cm. each. Wet collodion negative by John Wesley Livingston. 1875. (Royal Collection Trust; © 2023 His Majesty King Charles III).
Attributed works:
13. Floor-standing clock, by Charles Clay, with paintings by Jacopo Amigoni and sculptures by Louis-François Roubiliac and John Michael Rysbrack. 1740–43. Wood with gilded metal, silver and paint, height 85 cm. (Royal Collection Trust / © HM King Charles III 2023).
Attributed works:
14. Britannia, after a model here attributed to Louis-François Roubiliac. c.1746–48. Chelsea porcelain, 25.7 by 16.2 cm. (Errol Manners, London).
Attributed works:
2. Nicholas Sprimont with his wife, Ann, and sister-in-law Susannah Protin. 1759–62. Oil on canvas, 76.5 by 53.7 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Retrieving hound, after a model attributed to Nicholas Sprimont. 1749. Chelsea porcelain, 19.8 by 19.8 by 8.3 cm. (Victoria and Albert Museum, London).
Attributed works:
4. Paul Crespin. c.1726. Oil on canvas, 114 by 90 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Centrepiece. English, by Paul Crespin possibly in association with Nicholas Sprimont. 1740. Silver, 36 by 54.5 cm. (Toledo Museum of Art).
Attributed works:
6. Sauceboats with figures of Venus and Adonis, by Nicholas Sprimont. 1743–45. Gilded silver, 22.7 by 23.2 by 13 cm. (Royal Collection Trust; © 2023 His Majesty King Charles III).
Attributed works:
7. Design for a soup tureen for Thomas Coke, 1st Earl of Leicester, by Nicholas Sprimont. c.1744. Pen and black ink with brown ink wash on paper, 26 by 43.2 cm. (Victoria and Albert Museum, London).
Attributed works:
8. Girl in a swing, Charles Gouyn Factory, St James’s, London. 1749–59. Porcelain, 15.9 by 16.8 cm. (Victoria and Albert Museum, London).
Attributed works:
9. Trump, William Hogarth’s pug, after a model by Louis-François Roubiliac. 1747–50. Chelsea porcelain, 13.2 by 26.5 cm. (Victoria and Albert Museum, London).
Article
Portraits of the exiled Stuarts by Scottish painters
02/2023 | 1439 | 165
Pages: 141-152
related names
Author:
Corp, Edward (Corp, Edward)
Subjects
artists:
places:
Illustrations
Attributed works:
1. James III, by Francesco Trevisani. 1719. Oil on canvas, 97.8 by 74.6 cm. (Royal Collection Trust / © His Majesty King Charles III 2023).
Attributed works:
10. Queen Clementina, by William Mosman after Francesco Trevisani. c.1733. Oil on canvas, 72.4 by 60.8 cm. (Private collection).
Attributed works:
11. Prince Charles Edward Stuart, by William Mosman. 1740. Oil on canvas, 76.2 by 63.8 cm. (Scottish National Portrait Gallery, Edinburgh).
Attributed works:
12. James III, by Cosmo Alexander after Anton Raphael Mengs. 1752. Oil on canvas. (Private collection).
Attributed works:
13. Prince Charles Edward Stuart, by Cosmo Alexander after Maurice Quentin de La Tour. 1752. Oil on canvas, 77.5 by 74.9 cm. (Drambuie Collection, Edinburgh).
Attributed works:
14. Prince Charles Edward Stuart, by Katherine Read after Maurice Quentin de La Tour. 1748. Oil on canvas, 62.5 by 49 cm. (Private collection; © Christie’s Images; Bridgeman Images).
Attributed works:
2. Queen Clementina and Prince Charles Edward Stuart, by Girolamo Pesci. 1721. Oil on canvas, 157.6 by 116.8 cm. (Private collection).
Attributed works:
3. James III and Queen Clementina, by John Smibert after Girolamo Pesci. 1721. Oil on canvas. (Private collection).
Attributed works:
4. James III, by Antonio David after Martin van Meytens. 1730. Oil on canvas, 73.2 by 61 cm. (Pininski Foundation, Liechtenstein).
Attributed works:
5. James III, possibly by Colin Erskine. 1732 or 1733. Oil on canvas, 76 by 63.5 cm. (Drambuie Collection, Edinburgh).
Attributed works:
6. James III, by William Mosman after Francesco Trevisani. 1733. Oil on canvas, 96 by 73 cm. (Private collection).
Attributed works:
7. Queen Clementina, by William Mosman after Francesco Trevisani. 1733. Oil on canvas, 96 by 73 cm. (Pininski Foundation, Liechtenstein).
Attributed works:
8. Queen Clementina, by Francesco Bertosi after Francesco Trevisani. 1735. Oil on canvas, 98 by 73 cm. (Scottish National Portrait Gallery, Edinburgh).
Attributed works:
9. Queen Clementina, here attributed to Antonio David. 1719 or 1720. Oil on copper, 25.8 by 19.4 cm. (Private collection).
Book Review
Intagli rococo : Professionalita  ed elaborazione del gusto negli interni del Palazzo Reale di Torino
03/2022 | 1428 | 164
Pages: 318-320
related names
Reviewer:
Zanuso, Susanna (Zanuso, Susanna)
Subjects
Reviewed Items
subjects:
Intagli rococò: Professionalità ed elaborazione del gusto negli interni del Palazzo Reale di Torino By Aurora Laurenti. 284 pp. incl. numerous col. ills. (Accademia University Press, Turin, 2020), €24. ISBN 978–88–319–7856–9. | :
Illustrations
Attributed works:
6. Detail of the Summer Apartment, Gabinetto del Pregadio, Palazzo Reale, Turin, showing carved and pastiglia decorations on the wall panelling and pier table, by Giovanni Luigi Bosso. 1738–40. (Royal Palace, Royal Museums, Turin; photograph Aurora Laurenti).
Short Notice
A family matter: new documents clarify a legal dispute involving Giambattista Tiepolo
09/2020 | 1410 | 162
Pages: 781-783
related names
Author:
Gabel, Esther (Gabel, Esther)
Subjects
dates:
Illustrations
Attributed works:
7. Detail from the Banquet of Cleopatra, by Giambattista Tiepolo, showing a self-portrait of the artist (centre). 1740s. Fresco. (Palazzo Labia, Venice; Scala Images).
Book Review
Raffinesse im Akkord: Meissener Porzellanmalerei und ihre Grafischen Vorlagen. By Claudia Bodinek, with contributions by Peter Braun, Tobias Pfeifer-Helke und Claudia Schnitzer
03/2020 | 1404 | 162
Pages: 266-268
related names
Reviewer:
Dawson, Aileen (Dawson, Aileen)
Subjects
Reviewed Items
subjects:
Raffinesse im Akkord: Meissener Porzellanmalerei und ihre Grafischen Vorlagen By Claudia Bodinek, with contributions by Peter Braun, Tobias Pfeifer-Helke und Claudia Schnitzer. 2 vols, 768 pp. incl. 1,394 col. + 34 b. & w. ills. (Michel Imhof Verlag, Munich, 2018),  135. ISBN 978–3–7319–0472–4. | :
Illustrations
Attributed works:
7. ‘Philis lors qu’a nos yeux le lapin tu caresse.’, by Marie-Jeanne Renard Dubos after Madeleine Fran oise Basseporte. c.1700. Engraving and etching, 20.9 by 15.2 cm. (Meissen Archive). Snuffbox, Meissen. c.1740. Gold and porcelain, diameter 7.6 cm. (Private collection).
Book Review
Pompeo Batoni: A Complete Catalogue of His Paintings. By Edgar Peters Bowron
02/2019 | 1391 | 161
Pages: 164-166
related names
Reviewer:
Loire, Stéphane (Loire, Stéphane)
Subjects
artists:
places:
Illustrations
Attributed works:
1. Genius and the Arts, by the workshop of Pompeo Batoni. c.1744. Canvas, 98.5 by 74 cm. (Location unknown).
Attributed works:
2. Francis Basset, 1st Baron of Dunstanville, by Pompeo Batoni. 1778. Canvas, 221 by 157 cm. (Museo Nacional del Prado, Madrid).
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