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Article
Friendship tokens: Jean-Baptiste Greuze’s paintings for Madame de Pompadour
05/2025 | 1466 | 167
Pages: 438–449
related names
Author:
Delaney, John K. (Delaney, John K.)
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Swicklik, Michael (Swicklik, Michael)
Subjects
dates:
Illustrations
Attributed works:
1. Simplicity, by Jean-Baptiste Greuze. 1759. Oil on canvas, 71.1 by 59.7 cm. (Kimbell Art Museum, Fort Worth; Bridgeman Images).
Attributed works:
10. Detail and IRR detail of Fig.4.
Attributed works:
11. Detail and IRR detail of Fig.4.
Attributed works:
12. Detail and IRR detail of Fig.4.
Attributed works:
13. Detail of the Livret of the Salon of 1761, illustrated and annotated by Gabriel de Saint-Aubin, p.25. (Bibliothèque nationale de France, département des Estampes et de la Photographie, Paris).
Attributed works:
14. Details of Figs.1 and 2.
Attributed works:
15. Detail and IRR detail of Fig.2.
Attributed works:
16. Detail and IRR detail of Fig.2.
Attributed works:
17. Detail and IRR detail of Fig.2.
Attributed works:
18. Detail and IRR detail of Fig.2.
Attributed works:
19. Carlos Fernando FitzJames-Stuart, Marquess of Jamaica, by François-Hubert Drouais. 1765. Oil on canvas, 72.4 by 60.3 cm. (Birmingham Museum of Art, Alabama).
Attributed works:
2. Simplicity, by Jean-Baptiste Greuze. Oil on canvas, 71.12 by 58.42 cm. (Sudeley Castle, Cheltenham).
Attributed works:
20. Portrait of Madeleine Barberie de Courteilles, by Jean-Baptiste Greuze. 1759. Oil on canvas, 77.4 by 63 cm. (Herzog Anton Ulrich- Museum, Braunschweig).
Attributed works:
21. Pompadour at her toilette, by François Boucher. 1750. Oil on canvas, 81.2 by 64.9 cm. (Harvard Art Museums, Fogg Museum; Bridgeman Images).
Attributed works:
22. The school mistress, by Jean-Baptiste Greuze. c.1765. Black chalk, pen and black ink, brush with black and brown ink washes on paper, 33 by 44.4 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images).
Attributed works:
3. Young shepherd holding a flower, by Jean-Baptiste Greuze. 1761. Oil on canvas, 72.5 by 59.5 cm. (Petit Palais-Musée des Beaux-Arts de la Ville de Paris).
Attributed works:
4. Hyperspectral false colour image of Fig.1.
Attributed works:
5. The Pink Drawing Room, Basildon Park. c.1909. Photograph. (National Trust).
Attributed works:
6. Detail and IRR detail of Fig.1.
Attributed works:
7. Detail and hyperspectral false colour image of Fig.1.
Attributed works:
8. Detail and hyperspectral false colour of Fig.1.
Attributed works:
9. Detail and hyperspectral false colour of Fig.1.
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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
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01/2025 | 1462 | 167
Pages: i-xvi
Subjects
Illustrations
Attributed works:
2417.Hypholoma, by Julien Alphonse Lignier (1872–1932). c.1925. Watercolour and ink on paper, 29.8 by 25.1 cm. VICTORIA MUNROE FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
A panel design with Cupid and Psyche, by Jules-Frédéric Bouchet (1799–1860). 1850. Watercolour with pen and ink and gouache, 30 by 20 cm. [NONESUCH GALLERY, LONDON/ Master Drawings New York]
Attributed works:
A woman and her son as Venus and Cupid, by Jacob van Loo (1614–70). c.1670. Oil on canvas, 87.5 by 77.5 cm. [GALERIE LOWET DE WOTRENGE, ANTWERP/Brafa]
Attributed works:
ATTRIBUTED TO GIOVANNI DA UD INE Udine, 1487 - Rome, 1560 A STUDY FOR THE FRESCO ON THE PILASTER BETWEEN THE SEVENTH & EIGHTH BAYS OF RAPHAEL'S DECORATIONS IN THE PAPAL LOGGIE AT THE VATICAN Pen & ink on laid paper 406 x 207 mm | 16 x 8 in ] [Nonesuch Gallery]
Attributed works:
Bahram Gur facing the dragon, by School of Muhammad Zaman. Central Iran, probably Isfahan, c.1675. Brush drawing, opaque pigments and gold on card, 16.2 by 25.1 cm (painting). [SAM FOGG, LONDON/Master Drawings New York]
Attributed works:
Cluny’ and ‘Senlis’ vases, by René Lalique (1860–1945). c.1925. Moulded glass with bronze handles, height each 26 cm. [GALERIE BG ARTS, SAINT-OUEN SUR SEINE/Brafa]
Attributed works:
Composition, by Jacoba van Heemskerck (1876–1923). 1916. Woodblock print, 20 by 28 cm. [PERSPECTIVE FINE ART, AMSTERDAM/Master Drawings New York]
Attributed works:
Dancer in the café, by Jean Metzinger (1883– 1956). 1912. Ink and watercolour on paper, 45 by 37 cm. [GALERIE MARC JEAN-FRANÇOIS CAZEAU, PARIS/Brafa]
Attributed works:
Denial of St Peter, by Bartolomeo Manfredi (1582–1622). c.1618–20. Oil on canvas, 125 by 183 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/Brafa]
Attributed works:
Fox and hare on floral ground. Southern Netherlands, possibly Saint-Trond. 2nd quarter 16th century. Wool and silk, 103 by 236 cm. [DE WIT FINE TAPESTRIES, MECHELEN/BRAFA]
Attributed works:
Girl, by André Lhote (1885–1962). 1909–10. Oil on paper laid down on board, 48.8 by 31.8 cm. [DR NÖTH KUNSTHANDEL + GALERIE, ANSBACH/Brafa]
Attributed works:
GIUSEPPE MOLTENI (1800–1867) The Chimney Sweep, c. 1838 Recently acquired by the Galleria d’Arte Moderna, Milan [Robilant & Voena]
Attributed works:
Head of a bearded man, by Giuseppe Cesari, called Arpino (1568–1640). Pen and brown ink, 15.5 by 13 cm. [RATTON AND LADRIÈRE, PARIS/Master Drawings New York]
Attributed works:
José Álvarez Cubero (1768 – Priego de Cordoba – 1827) The composer Gioachino Rossini (1792–1868) Rome, c.1819–1827. 68 cm high [Desmet/Brafa]
Attributed works:
Monumental bed in Egyptomania style. by Louis Malard. 19th century. Walnut with polychromy, 271 by 232 by 260 cm. [GALERIE MARC MAISON, PARIS/Brafa]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam).[Abbott and Holder]
Attributed works:
Pair of staggering and pacing horses, attributed to Francesco Fanelli (1577–1653). 1625– 50. Bronze, black lacquer patina, height 15 cm. and 16.5 cm. [GALERIE DESMET, BRUSSELS/Brafa]
Attributed works:
Portrait of a woman seated under a tree, by John Hoppner (1758–1810). c.1780. Red and black chalks, 31.8 by 26.7 cm. [ABBOTT AND HOLDER, LONDON/Master Drawings New York]
Attributed works:
St Cecilia, by Edward Reginald Frampton (1872–1923). 1917. Watercolour and tempera on board, 73.7 by 120 cm. [THE MAAS GALLERY, LONDON/Master Drawings New York]
Attributed works:
TADDEO ZUCCARO (1529-1566) Design for a Pendentive with Saint Luke Pen and brown ink and brown wash, with touches of white heightening, and squared in red chalk, on blue paper. 147 x 142 mm. (5³⁄₄ x 5⁵⁄₈ in.) at greatest dimensions. A study for Taddeo Zuccaro’s most important surviving work, the fresco decoration of the Mattei Chapel in the Roman church of Santa Maria della Consolazione, painted between 1553 and 1556. An early preparatory study,this drawing depicts one of the four Evangelists painted by Zuccaro on the pendentives of the vault. [Stephen Ongpin]
Attributed works:
The Triumph of Silenus, by Jean- Baptiste Greuze (1725–1805). c.1760– 70. Pen and brown and black ink and grey wash, over an underdrawing in black chalk, laid down on an 18th century French mount, 53.8 by 37.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Master Drawings New York]
Attributed works:
The Triumph of David, from a Book of Hours, by the Berlin Master of Mary of Burgundy. Southern Netherlands, possibly Ghent, c.1480. Miniature on parchment, 15.3 by 11 cm. [ENLUMINURES, CHICAGO, PARIS AND NEW YORK/Master Drawings New York]
Attributed works:
Travellers on donkeys approaching a ruined city gate, by Bartolomé Esteban Murillo (1617–82). Pen and brown ink with brown wash, 21.4 by 13.5 cm. [CHRISTIE’S, NEW YORK/Master Drawings New York]
Attributed works:
Two Capucin monkeys, by Christophe Huet (1700–59). 1737. Oil on canvas, 45.4 by 56.4 cm. [COSTERMANS, BRUSSELS/BRAFA]
Western art unattributed:
Salver. Portugal, late 16th century. Silver, diameter 33 cm. [J. BAPTISTA, LISBON/Brafa]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
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Pages: ixx
Subjects
artists:
Illustrations
Attributed works:
An Italian pietre dure panel, representing the Harbour of Livorno, by the Grand Ducal workshops, Florence, after a design by Giuseppe Zocchi, Circa 1765-1770 (detail). [Sotheby's]
Attributed works:
And politically, by Monica Bonvicini (b.1965). 2020. Spray paint on paper mounted on aluminium, 153 by 103 cm. GALERIE KRINZINGER, VIENNA [Artissima]
Attributed works:
BERNARDO ZENALE (c. 1464–1526) Saint John the Baptist, standing full-length in a landscape, c. 1508–10 Recently acquired by the Castello Sforzesco, Milan [Robilant and Voena]
Attributed works:
Black beauty, by Koto Bolofo (b.1959). 2006. Photograph, 65 by 100 cm. IN CAMERA, PARIS [Paris Photo]
Attributed works:
Bust portrait of Elisabeth Alexandrovna Demidoff , née Countess Stroganoff (1779–1818), by Bertel Thorvaldsen (1770–1844). Probably sculpted in Rome, c.1810–12. White Carrara marble on black marble pedestal, 57 cm. with base. TREBOSC & VAN LELYVELD, PARIS [La Biennale]
Attributed works:
Dont I know you from somewhere, by Simnikiwe Buhlungu (b.1995). 2023. Handprinted silkscreen on doublesided satin, and stainless steel pole, 150 by 238 by 3 cm. ELLEN DE BRUIJNE PROJECTS, AMSTERDAM [Artissima]
Attributed works:
Europa sits on the back of the bull, by Andrea Appiani (1754–1817). 1784–86. Tempera on canvas, 190 by 135 cm. LAOCOON GALLERY, LONDON, AND W. APOLLONI, ROME [Amart]
Attributed works:
FRANCIS HARWOOD (c. 1726/1727-1783) Oliver Cromwell marble bust, signed and dated ‘F. Harwood Fecit 1759’ 24.3/4 in. (63 cm.) high, the bust Provenance: Sir Wyndham Knatchbull-Wyndham, 6th Baronet (1737-1763), Mersham-le-Hatch, Kent. [Christie's, Paris]
Attributed works:
French ‘lira oscillante’ model clock, by Mathieu le Jeune. Gilded bronze case with white marble base, 63 by 32 by 16 cm. TOP TIME MUSA, MILAN [Amart]
Attributed works:
Genealogical tree of the Ottoman dynasty with twenty-nine sultan portraits, attributed to Zenop Manas (active 19th century). Probably Vienna, reign of Sultan Mustafa IV, 1807–08. Oil on canvas, 99 by 68.5 cm. KENT ANTIQUES, LONDON [La Biennale]
Attributed works:
GIOVANNI BELLANDI (active 1608 – Milan – 1626) Allegory of Charity Terracotta. Height: 31.7 cm; Width: 37.7 cm; Depth: 4 cm [Ratton and Ladrière/La Biennale]
Attributed works:
Jacques-Edme Dumont (1761–1824) Love Showing Venus a Bee Sting Terracotta: h. 17 cm [Patricia Wengraf Ltd.]
Attributed works:
Lacquer secretary, by Adam Weisweiler (1746–1820). c.1790–95. Thuja wood, ebony, Japanese lacquer and chased-and-gilt bronze and griotte marble top, 126.5 by 70 by 34.5 cm. GALERIE LÉAGE, PARIS [La Biennale]
Attributed works:
LUIS DE MORALES Badajoz (1520–1586) PIETÀ Oil on panel, unframed: 31¾ x 22½ in. (80.8 x 57.2 cm.) Property from a Spanish Private Collection [Galeria Bernat]
Attributed works:
L’Origine des espèces, by Man Ray (1890–1976). 1935. Vintage gelatine silver print mounted on paper, 17.5 by 21.2 cm. SOPHIE SCHEIDECKER, PARIS [Paris Photo]
Attributed works:
m², by Andrea Francolino (b.1979). 2024. Earth dust and cement dust on paper on board, 115 by 115 cm. MAZZOLENI, TURIN AND LONDON [Artissima]
Attributed works:
Paysage acrobatique #5, by Claire Trotignon (b.1985). 2024. Vintage print collage and gouache on paper, 40 by 50 cm. GALERIE 8+4, PARIS [La Biennale]
Attributed works:
Penitent St Jerome, by Fiorenzo di Lorenzo (1440– c.1522). c.1490. Polychromed wood, 90 by 65 by 60 cm. MEARINI FINE ART, PERUGIA [Amart]
Attributed works:
Pierre Legros ii (Paris, 1666–1719, Rome) Danaë and the Eagle; Leda and the Swan [Daniel Katz Gallery] A pair of bronze statuettes Rome, circa 1700 26.5 and 28.5 cm high
Attributed works:
Pink curtains II, by Kourtney Roy (b.1981). 2024. Photograph, 60 by 90 cm. LES FILLES DU CALVAIRE, PARIS [Paris Photo]
Attributed works:
Portrait of a Florentine noblewoman, by Alessandro Allori (1535–1607). 16th century. Oil on panel, 59 by 45.5 cm. TORNABUONI ARTE-ARTE ANTICA, FLORENCE [Amart]
Attributed works:
Portrait of Comte Lancelot Turpin de Crissé, by Josef Anton Kuriger or Couriguer (1750–1834). c.1785. Multicoloured wax on cardboard-wood, presented in its original frame and protective case, 30.5 by 24.5 cm. DIDIER AARON, PARIS AND NEW YORK [La Biennale]
Attributed works:
Preparatory sketch for the funerary monument of the painter André-Corneille Lens, by Gilles-Lambert Godecharle (1750–1835). 1822. Cream-coloured patinated terracotta, 44 by 23 by 10 cm. JACQUES LEEGENHOEK, PARIS [La Biennale]
Attributed works:
Rhinocerus, by Albrecht Dürer (1471–1528). 1515. Woodcut, 21.1 by 29.7 cm. H. H. RUMBLER, FRANKFURT [La Biennale]
Attributed works:
Sin placa, by Jhonatan Pulido (b.1988). 2022. Oil on canvas, 51 by 41 cm. ALMA PEARL, LONDON [Artissima]
Attributed works:
Study for caryatid #001, by Mari Katayama (b.1987). 2023. Photograph, 180 by 120 cm. SUZANNE TARASIEVE, PARIS [Paris Photo]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [Burlington Magazine]
Attributed works:
White Andronicos, by Carmen Dionyse (1921–2013). 2000. Stoneware, 65 by 36 by 22 cm. RICHARD SALTOUN, LONDON, ROME AND NEW YORK [Artissima]
Attributed works:
‘Mexique’ bookcase, by Charlotte Perriand (1903–99). 1952. Enamelled aluminium and wood, 160 by 181.6 by 32.3 cm. JOUSSE ENTREPRISE, PARIS [La Biennale]
Non-western art unattributed:
Huamanga stone lion. Peru, 17th century. Andean alabaster, 13 by 19 cm. DARIO GHIO, MONACO [Amart]
Western art unattributed:
Course de roller. Angleterre. Tirage argentique d’époque. 1930. Photograph, 15 by 21 cm. LUMIÈRE DES ROSES, MONTREUIL [Paris Photo]
Western art unattributed:
FRENCH, LIMOGES, CIRCA 1210 EUCHARISTIC DOVE Gilt and champlevé enamelled copper, set with glass and rock crystal cabochons 21.5 by 26 cm. [Erik Bizet]
Western art unattributed:
Hermes de Pio- Clementino. Italy, 17th century. Wood, 130 by 40 by 40 cm. DESMET FINE ART, BRUSSELS [La Biennale]
Western art unattributed:
Roman mosaic depicting a crane in a vegetal setting, probably discovered in El Djem, Tunisia, in 1913. 3rd–4th century CE. Coloured marble tesserae, 85 by 85 cm. GALERIE DAVID GHEZELBASH, PARIS [La Biennale]
Article
‘The swing’ by Jean-Honoré Fragonard: new hypotheses
05/2024 | 1454 | 166
Pages: 446–469
related names
Author:
Jackall, Yuriko (Jackall, Yuriko)
Subjects
dates:
museums and institutions:
sources:
styles:
Illustrations
Attributed works:
1. Les hazards heureux de l’escarpolette, by Nicolas Delaunay after Jean-Honoré Fragonard. 1782. Etching and engraving. 62.1 by 45.0 cm. (sheet). (Cleveland Museum of Art).
Attributed works:
10. Menacing Cupid, by Étienne-Maurice Falconet. 1757. Marble, height 185 cm. (Rijksmuseum, Amsterdam).
Attributed works:
11. Detail of Fig.2, showing the woman gesturing on the swing.
Attributed works:
12. The Neapolitan gesture, by Jean-Baptiste Greuze. 1757. Oil on canvas, 73 by 94.3 cm. (Worcester Art Museum; Bridgeman Images).
Attributed works:
13. The sale of cupids, by Joseph-Marie Vien. 1763. Oil on canvas, 116 by 141 cm. (Château de Fontainebleau; Bridgeman Images).
Attributed works:
14. Duthé lying down, by Lié-Louis Périn-Salbreux. 1778. Oil on canvas, 65 by 75.8 cm. (Musée des beaux-arts, Reims).
Attributed works:
15. Detail of The well-loved mother, by Jean Massard after Jean- Baptiste Greuze. 1775. Engraving with etching on laid paper. (National Gallery of Art, Washington).
Attributed works:
16. Detail of Fig.2, showing the older man and the dog.
Attributed works:
17. Detail of Portrait of a young woman, by Jean-Honoré Fragonard. 1770s. Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
18. Detail of Woman with a dog, by Jean-Honoré Fragonard. c.1769. Oil on canvas. (Metropolitan Museum of Art, New York).
Attributed works:
19. The drunken Silenus, accompanied by nymphs and satyrs, by Willem Panneels after Peter Paul Rubens. 1632. Etching, 14.7 by 15.3 (trimmed sheet). (Metropolitan Museum of Art, New York).
Attributed works:
2. The swing, by Jean-Honoré Fragonard. 1767. Oil on canvas, 81 by 64.2 cm. (Wallace Collection, London).
Attributed works:
20. Coresus sacrificing himself to save Callirhoe, by Jean-Honoré Fragonard. 1765. Oil on canvas, 309 by 400 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
21. Photomicrograph of The swing (taken near area of foliage in lower left). Photograph taken with a Leica M60 stereomicroscope at 20x magnification by painting conservator Martin Wyld.
Attributed works:
22. Detail of The confessional, by Pierre-Étienne Moitte after Pierre- Antoine Baudouin. 1777. Etching and engraving. (Bibliothèque nationale de France, Paris).
Attributed works:
23. Photomicrograph of The swing (taken in lower-left foliage). Photograph taken with a Leica M60 stereomicroscope at 20x magnification by painting conservator Martin Wyld.
Attributed works:
24. The swing, by Jean-Honoré Fragonard. 1775–80. Oil on canvas, 215.9 by 185.5 cm. (National Gallery of Art, Washington).
Attributed works:
25. The good mother, by Jean-Honoré Fragonard. c.1773–79. Oil on canvas, 49 by 39 cm. (Private collection; Bridgeman Images).
Attributed works:
26. Detail of Fig.24, showing the positions of the figural group.
Attributed works:
27. Rest on the flight into Egypt, by Jean-Honoré Fragonard. 1781. Pen, black chalk and brown washes highlighted with watercolour on paper, 42.2 by 34 cm. (Musée du Louvre, Paris).
Attributed works:
28. L’armoire (The wardrobe), by Jean-Honoré Fragonard. 1778. Brown ink over black chalk, 34 by 46.5 cm. (Hamburger Kunsthalle).
Attributed works:
29. Le verrou (The bolt), by Jean-Honoré Fragonard. 1778. Red chalk, brush, brown ink, touches of pen and brown ink, pen and brown ink framing line, 24 by 36.5 cm. (Courtesy Christie’s, New York).
Attributed works:
3. Detail of Fig.2, showing the younger man.
Attributed works:
30. Les hazards heureux de l’escarpolette, by Nicolas Delaunay after Jean-Honoré Fragonard. 1782. Etching and engraving, 38.8 by 30.4 cm. (Artstor).
Attributed works:
31. La bonne mère, by Nicolas Delaunay after Jean-Honoré Fragonard. 1779. Etching, 67.8 by 53.6 cm (sheet). (Metropolitan Museum of Art, New York).
Attributed works:
32. Portrait of François-Marie Ménage de Pressigny. Oil on canvas, 60.5 by 49 cm. (Courtesy Galerie Noblesse des grands siècles, Paris / Valérie Pagé).
Attributed works:
33. La bascule (The see-saw), by Jean-Honoré Fragonard. c.1752. Oil on canvas, 120 by 94.5 cm. (Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
34. Detail of Le billet doux, by Nicolas Delaunay after Nicolas Lavreince. 1778. Etching and engraving. (National Gallery of Art, Washington).
Attributed works:
4. Detail of The swing, showing layers of yellow varnish partially removed.
Attributed works:
5. Blonde odalisque, by François Boucher. 1752. Oil on canvas, 59 by 73 cm. (Alte Pinakothek, Munich).
Attributed works:
6. Woman urinating, by François Boucher. 1760s. Oil on canvas, 51.5 by 40.5 cm. (Private collection).
Attributed works:
7. Le Matin (Morning), by Pierre-Antoine Baudouin. c.1767. Gouache over traces of graphite, paper pasted onto board, 25.9 by 19.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. The rising, by Jean-Honoré Fragonard. 1770. Oil on canvas, 74 by 59 cm. (© Los Angeles County Museum of Art; collection of Lynda & Stewart Resnick, Los Angeles).
Attributed works:
9. Detail of Fig.2, showing the gesture of the sculpture of Cupid.
Book Review
Jean-Baptiste Greuze et ses têtes d’expression: La fortune d’une genre
05/2023 | 1442 | 165
Pages: 569-571
related names
Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
Reviewed Items
subjects:
Jean-Baptiste Greuze et ses têtes d’expression: La fortune d’une genre By Yuriko Jackall. 320 pp. incl. 29 col. + 45 b. & w. ills. (CTHS and INHA, Paris, 2022), €38. ISBN 978–2–7355–0939–3. | :
Illustrations
Attributed works:
3. A woman (Madame Greuze) with a furtrimmed hood drawn over her head, detail from La Dame de Charité, by Jean Baptiste Greuze, above a sketch of the painting, by Jean Massard. 1772. Etching and engraving, 23.7 by 15.8 cm. (British Museum, London).
Article
Greuze’s greens: ephemeral colours, classical ambitions
03/2023 | 1440 | 165
Pages: 269-279
related names
Author:
Berrie, Barbara H. (Berrie, Barbara H.)
Author:
Delaney, John K. (Delaney, John K.)
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Swicklik, Michael (Swicklik, Michael)
Subjects
Illustrations
Attributed works:
1. A young woman praying at the altar of love [Votive offering to Cupid], by Jean-Baptiste Greuze. 1767. Oil on canvas. 145.5 by 113 cm. (Wallace Collection, London).
Attributed works:
10. Broken eggs, by Jean-Baptiste Greuze. 1756. Oil on canvas, 73 by 94 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
11. (Left) detail of Fig.3, showing the flower held by the shepherdess and (right) a false colour infra-red reflectance image of the same detail (red 1650 nm, green 1350 nm and blue 1000 nm).
Attributed works:
12. Colour wheel, possibly by André Félibien. Etching with hand colouring. (From C.B. [Claude Boutet?], Traité de la peinture en mignature, 2nd edn, The Hague 1708, image published between pp.154–55).
Attributed works:
13. Ange Laurent de la Live de Jully, by Jean-Baptiste Greuze. Probably 1759. Oil on canvas, 117 by 88.5 cm (National Gallery of Art, Washington; photograph taken before treatment).
Attributed works:
14. Detail of Fig.13, showing the chair after the cleaning of the painting in 2014–15, before retouching.
Attributed works:
15. Cross section from the horizontal gilded chair rail in Fig.13.
Attributed works:
16. Composite image showing (clockwise from top left): a post-cleaning, pre-retouching detail of Fig.13; a false-colour hyperspectral image of the same detail; and the XRF maps for the chemical elements potassium (K) and calcium (Ca).
Attributed works:
17. Images of a cross section with visible light (top) and with UV-blue illumination (bottom) taken from the light blue highlight on the back chair cushion of Fig.13.
Attributed works:
2. Filial piety, by Jean-Baptiste Greuze. 1763. Oil on canvas, 115 by 146 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
3. Simplicity, by Jean-Baptiste Greuze. 1759. Oil on canvas, 71.1 by 59.7 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
4. Young shepherd holding a flower, by Jean-Baptiste Greuze. c.1761. Oil on canvas, 72.5 by 59.5 cm. (Petit Palais, Paris; Bridgeman Images) .
Attributed works:
5. The village betrothal, by Jean-Baptiste Greuze. 1761. Oil on canvas, 92 by 117 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; René-Gabriel Ojeda).
Attributed works:
6. Girl with a dead canary, by Jean-Baptiste Greuze. 1765. Oil on canvas, 53.3 by 46 cm. (National Galleries of Scotland, Edinburgh; Bridgeman Images).
Attributed works:
7. A child with an apple, by Jean-Baptiste Greuze. c.1785. Oil on canvas, 40.6 by 32.1 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
8. Cross section of a paint sample taken from the clump of blue leaves at the bottom-left corner of Fig.1.
Attributed works:
9. Paint sample taken from the clump of blue leaves at the bottom-left corner of Fig.1 and viewed from the surface using reflected (left) and fluorescence (right) microscopy.
Advertisements
Advertisements (front)
06/2022 | 1431 | 164
Pages: i- xxix
Subjects
artists:
artists:
Illustrations
Attributed works:
A centaur abducting a nymph, by Giandomenico Tiepolo (1727– 1804). Pen and ink and watercolour on paper, 18.6 by 27 cm. [Maurizio Nobile, Bologna, Paris and Milan/Tefaf]
Attributed works:
A predella panel showing The Marriage of the Virgin, by Lippo Vanni (active c.1340–75). c.1345. Tempera on wood, 24.6 by 28.5 cm. [Brimo de Laroussilhe, Paris/Tefaf]
Attributed works:
Aimé-Jules Dalou (Paris 1838–1902) Bacchanale Plaster Diameter: 44  in. (114 cm.) [Agnews/Tefaf]
Attributed works:
Allegory of abundance, by Guiseppe Maria Mazza (1653–1741). c.1730. Terracotta, height 30 cm. Walter Padovani, Milan/Tefaf]
Attributed works:
Angelica Kauffman, Portrait of Marquise Orsola Priuli Maccarani. [Walter Padovani/Tefaf]
Attributed works:
Angelo de ROSSI (Genoa 1671 – Rome 1715) The Adoration of the Shepherds Executed in 1711 Original terracotta relief 54 x 50 x 11 cm Estimate : €300,000 / 500,000. [Camper Dabernat]
Attributed works:
Aphrodite. Roman. c.1st century AD. Marble, height 125 cm. [Galerie Chenel, Paris/Tefaf]
Attributed works:
Bacchanale or La Statue, by Paul Delvaux (1897–1994). 1967. Watercolour and ink on paper, 71 by 106 cm. [David Lévy, Brussels/Tefaf]
Attributed works:
Bartolomé Esteban MURILLO (Seville, 1617 - 1682) The Good Shepherd Oil on canvas. 165 x 112 cm In the same French private collection since 1764 [Aguttes]
Attributed works:
Bust of Lucrezia d’Este, by Antonio Canova (1757– 1822). 1821–22. Marble, height 42 cm. [Daniel Katz, London/Tefaf]
Attributed works:
Clockface from a longcase clock, by Thomas Mudge (1715–94). c.1758. Brass and silver in a mahogany case, height 195 cm. [TOBIAS BIRCH, EVESHAM/Masterpiece]
Attributed works:
Diamond cut egg, by David Nash (b.1945). 2020. Maple, 71 by 30 by 30 cm. ANNELY JUDA FINE ART, LONDON/Masterpiece]
Attributed works:
Effigy of Riccardo Rota, by Giovanni Da Nola (1478– 1559). c.1540–50. Marble, 129 by 60 by 43 cm. [Sam Fogg, London/Tefaf]
Attributed works:
Form, Forbabstufung, by Marina Apollonio (b. 1940). 1972. Acrylic on canvas, 70 by 70 cm. [The Mayor Gallery, London/Tefaf]
Attributed works:
Francesco SOLIMENA (Canale di Serino, 1657 - Naples, 1747) The triumph of Faith over Heresy through the intercession of Dominicans Canvas, 90 9/16 x 36 5/8 in. [Tajan]
Attributed works:
FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, 1746 – 1828, Bordeaux) Portrait of Don Juan López de Robredo, Embroiderer to King Carlos IV of Spain 1798-1799 Oil on canvas, 108.3 x 82.3 cm [Caylus/Tefaf]
Attributed works:
Fruit and leaves, by Matthew Smith (1879–1959). 1947. Oil on canvas, 38.1 by 61 cm. RICHARD GREEN, LONDON/Masterpiece]
Attributed works:
Funerary head of a woman. Southern Arabia, c.100 BC–100 AD. Calcite alabaster, height 28.3 cm. [Art Ancient, London/Tefaf]
Attributed works:
Georges de Porto- Riche, by JacquesÉmile Blanche (1861–1942). 1889. Oil on canvas, 100 by 65 cm. ROBILANT + VOENA, LONDON/Masterpiece]
Attributed works:
GIACOMO GINOTTI (1845–1897) Rome, c. 1877–1886 L’Emancipazione della schiavitù (The Emancipation of Slavery) White statuary marble, on a revolving Portasanta marble pedestal with octagonal foot 52 in. (132 cm.) high, the figure 83 in. (211 cm.) high, overall; 24 in. (61 cm.) diameter at foot Signed: ‘GINOTTI’ [Tomasso/Tefaf]
Attributed works:
GIOVANNI ANTONIO PELLEGRINI (Venice 1675 –1741) An unidentified allegory. Oil on canvas, 26 x 41 cm PROVENANCE: Private collection, England [Santa Tecla]
Attributed works:
Giovanni Battista Piamontini Faun with a Kid (detail) marble, height 152 cm, 60 in [Trinity Fine Art/Tefaf]
Attributed works:
GIOVANNI BATTISTA TIEPOLO (1696–1770) Allegorical Figures of Valour and Fame: The Apotheosis of a Warrior Pen and brown ink and brown wash, over an underdrawing in black chalk. 216 x 289 mm. (81⁄2 x 113⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Island of the Lights from Pinocchio, by Paula Rego (b.1935). 1996. Pencil, ink and watercolour on paper, 150 by 180 cm. PIANO NOBILE, LONDON/Masterpiece]
Attributed works:
Jean-Baptiste Greuze (1725–1805) The Head of a Young Girl Red and black chalk over stumped black chalk outline, heightened with white on prepared paper, 272 x 224mm [Christopher Bishop Fine Art/Tefaf]
Attributed works:
La Danse des Bacchantes – La Grande Vitrine Faune et Faunesse, by Maison Roux et Brunet and Léon Messagé (1842– 1901). 1890. Gilt-bronze and various woods, height 246 cm. Adrian Alan, London/Tefaf]
Attributed works:
LUCAS CRANACH I (1472–1553) The Nymph of the Spring oil on panel 32 ¼ x 47 ⅜ in. (82.1 x 120.5 cm.) £6,000,000–8,000,000. Christie's/Masterpiece]
Attributed works:
Monumental mixed metal exhibition vase, by Suzuki Chokichi Company. c.1882. Bronze, 91 by 43 cm. [STEVE SLY JAPANESE ART, BOURNEMOUTH/Masterpiece]
Attributed works:
Pierres number 2, by Alberto Magnelli (1888–1971). 1932. Oil on canvas, 168 by 100 cm. Applicat-Prazan, Paris/Tefaf]
Attributed works:
Suburbs of Amsterdam, by Jan Sluijters (1881–1957). 1907. Oil on canvas, 42 by 33.5 cm. [Daatselaar, Utrecht/Tefaf]
Attributed works:
The Mattias De Medici Blue Boys. Attributed to Jacopo Maria Foggini. Pair of polychrome lacca wood sculptures with glass eyes. Florence 1650s (Burzio/Tefaf]
Attributed works:
The sisters, by Augustus Edwin John (1878–1961). 1937. Oil on canvas, 76.2 by 63.5 cm. PHILIP MOULD, LONDON/Masterpiece]
Non-western art unattributed:
Egyptian canopic jar for Hena. Late Dynastic Period, c.664–525 BC. Alabaster, height 32.5 cm. GALERIE MALAQUAIS, PARIS/Masterpiece]
Non-western art unattributed:
Guro-Bete mask. Ivory Coast, 19th century. Wood, height 20.5 cm. [Serge Schoffel, Brussels/Tefaf]
Non-western art unattributed:
Skull of a Triceratops prorsus. Late Cretaceous period. Fossil, 170 by 115 by 150 cm. DAVID AARON, LONDON/Masterpiece]
Western art unattributed:
Altarolo with Madonna and Child and the Infant St John The Baptist Ebony, pietre dure, gilded bronze. 88 x 60 x 28 cm [Brun/Tefaf]
Western art unattributed:
Barocchetto period commode. Venice, 1720–70. Lacquered wood with gilding, height 90 cm. [Brun Fine Art, London/Tefaf]
Western art unattributed:
Detail of a cabinet incorporating 11 pietra dura, pietra tenere and pietra paesina tablets representing Tuscan landscapes. Cabinet and stand c.1720; plaques c.1690. Walnut and limestone, 170 by 111 by 56 cm. ANTHONY OUTRED, LONDON/Masterpiece]
Western art unattributed:
FRENCH, LATE 17TH / EARLY 18TH CENTURY Silenus After the Antique Bronze 38 cm (15 in.) high PROVENANCE Private collection, USA [Tomasso/Tefaf]
Exhibition Review
The Realm of the Senses: From Boucher to Greuze
05/2021 | 1418 | 163
Pages: 450-453
related names
Reviewer:
Michel, Christian (Michel, Christian)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
The Realm of the Senses: From Boucher to Greuze Musée Cognacq-Jay, Paris (dates to be announced) | :
Illustrations
Attributed works:
1. Study of a foot, by François Boucher. c.1751– 52. Pastel, 29.5 by 29 cm. (Mus e Carnavalet, Paris; exh. Musée Cognacq-Jay, Paris).
Attributed works:
2. Hercules and Omphale, by François Boucher. 1731–35. Oil on canvas, 90 by 74 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Musée Cognacq- Jay, Paris).
Attributed works:
3. Sleeping Venus, by François Boucher. c.1740. Oil on canvas, 36 by 49 cm. (Pushkin State Museum of Fine Arts, Moscow; exh. Musée Cognacq-Jay, Paris).
Attributed works:
4. L’armoire, by Jean Honoré Fragonard. 1778. Etching, 35 by 46 cm. (British Museum, London).
Book Review
The Eighteenth-Century French Paintings (National Gallery Catalogues). By Humphrey Wine
11/2019 | 1400 | 161
Pages: 971-972
related names
Reviewer:
Faroult, Guillaume (Faroult, Guillaume)
Subjects
museums and institutions:
Reviewed Items
subjects:
The Eighteenth-Century French Paintings (National Gallery Catalogues) By Humphrey Wine. 632 pp. incl. 440 col. ills. (Yale University Press, New Haven and London, 2018), £75. ISBN 978–1–85709–338–4. | :
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