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6 articles
Article
A ‘David and Goliath’ by Artemisia Gentileschi rediscovered
03/2020 | 1404 | 162
Pages: 188-195
related names
Author:
Chaplin, Tracey (Chaplin, Tracey)
Author:
Gillespie, Simon (Gillespie, Simon)
Author:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
Illustrations
Attributed works:
1. David with the head of Goliath, by Artemisia Gentileschi. c.1639. Oil on canvas, 202 by 137 cm. (Private collection).
Attributed works:
10. X-radiograph of Fig.1. 2019. (Courtesy AAR and Simon Gillespie Studio).
Attributed works:
11. Fig.1 shown before treatment. 2018.
Attributed works:
12. Infra-red photograph of Fig.1. 2019. (Courtesy AAR and Simon Gillespie Studio).
Attributed works:
13–16. Details of Fig.1, photographed in raking light to show the incisions on (clockwise from top left) David’s heel; David’s left foot; David’s right hand; and David’s neck. (Courtesy Simon Gillespie Studio).
Attributed works:
17–20. Cross-section of a paint sample from David’s waistcoat photographed at x200 magnification, fragmented into an upper part, showing evidence of red lake, angular blue/grey smalt, lead white and ochre, shown in reflected white light (top left); and UV light (top right); and a lower part, showing evidence of blue smalt grains from the overlying paint layer, shown in reflected white light (bottom left); and UV light (bottom right). (Courtesy Tracey D. Chaplin).
Attributed works:
2. Detail of Birth of St John the Baptist, by Artemisia Gentileschi. 1635–36. Oil on canvas, 184 by 258 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
21. Artemisia Gentileschi’s signature as it was discovered during cleaning. (Courtesy Simon Gillespie Studio).
Attributed works:
22. Detail of a false colour rendering of Fig.1, showing Artemisia’s signature on David’s sword. (Courtesy Simon Gillespie Studio).
Attributed works:
23. Detail of an infra-red photograph of Fig.1, showing Artemisia’s signature on David’s sword. (Courtesy AAR and Simon Gillespie Studio).
Attributed works:
3. Self-portrait as the Allegory of Painting, by Artemisia Gentileschi. 1626–30. Oil on canvas, 93 by 74.5 cm. (Galleria Nazionale d’Arte Antica in Palazzo Barberini, Rome)
Attributed works:
4. David with the head of Goliath, by Domenico Fetti. 1614–15. Oil on canvas, 160 by 112 cm. (Gemäldegalerie, Dresden).
Attributed works:
5. Detail of Fig.1, showing David’s face.
Attributed works:
6. Detail of Esther before Ahasuerus, by Artemisia Gentileschi. 1627–28. Oil on canvas, 208.3 by 273.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Bathsheba, by Artemisia Gentileschi. 1635–40. Oil on canvas, 265 by 219 cm. (Formerly Gosford House, East Lothian).
Attributed works:
8. Allegory of painting, by Artemisia Gentileschi. c.1639. Oil on canvas, 98.6 by 75.2 cm. (Hampton Court Palace, Royal Collection Trust; © Her Majesty Queen Elizabeth II 2020).
Attributed works:
9. Black-and-white photograph of Fig.1. 1975. (Courtesy Sotheby’s, London).
Article
Orazio and Artemisia Gentileschi and ‘Judith and her maidservant’ in Oslo
07/2019 | 1396 | 161
Pages: 532-543
related names
Author:
Ford, Thierry (Ford, Thierry)
Author:
Gram Bischoff, Nina (Gram Bischoff, Nina)
Author:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.4.
Attributed works:
10. Virgin and Child, by Orazio Gentileschi. 1609. Canvas, 98.5 by 75 cm. (National Museum of Art of Romania, Bucharest).
Attributed works:
11. Weaning Virgin, by Artemisia Gentileschi. c.1611. Canvas, 131 by 91 cm. (Galleria Corsini, Rome).
Attributed works:
12. Opposite Susanna and the Elders, by Artemisia Gentileschi. 1610. Canvas, 170 by 119 cm. (Graf von Schönborn, Schloss Weissenstein, Pommersfelden).
Attributed works:
13. David and Goliath, by Orazio Gentileschi. 1607–08. Canvas, 185.5 by 136 cm. (National Gallery of Ireland, Dublin).
Attributed works:
14. Virgin and Child, by Orazio Gentileschi. c.1614–15. Canvas, 99.5 by 85 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
14. Virgin and Child, by Orazio Gentileschi. c.1614–15. Canvas, 99.5 by 85 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
15. Portrait of a lady, by Agnolo Bronzino. c.1550. Panel, 109 by 85 cm. (Galleria Sabauda, Turin).
Attributed works:
16. Lucretia, by Artemisia Gentileschi. c.1612. Canvas, 100 by 77 cm. (Private collection).
Attributed works:
17. Judith slaying Holofernes, by Artemisia Gentileschi. 1620–21. Canvas, 199 by 162.5 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
18. Detail of Fig.4, showing Judith’s hair and ornamentation.
Attributed works:
19. Micro-graph of Fig.4, showing the helical decoration of Athena’s helmet on Judith’s brooch.
Attributed works:
2. Opposite left Judith and her maidservant with the head of Holofernes, by Orazio Gentileschi. 1612. Canvas, 132 by 100 cm. (Private collection).
Attributed works:
20. Detail of Fig.17, showing the arc of blood and Judith’s bracelet.
Attributed works:
3. Opposite right Judith and her maidservant with the head of Holofernes, by Artemisia Gentileschi. c.1613–14. Canvas. 114 by 93.5 cm. (Palazzo Pitti, Florence).
Attributed works:
4. Judith and her maidservant with the head of Holofernes, here attributed to Artemisia Gentileschi. c.1611–12. Canvas. 136 by 159 cm. (National Museum of Art, Architecture and Design, Oslo).
Attributed works:
5. Judith with the head of Holofernes, by Artemisia Gentileschi. c.1609. Canvas, 129 by 96.3 cm. (Lemme Collection).
Attributed works:
6. Judith slaying Holofernes, by Artemisia Gentileschi. c.1612. Canvas, 158.8 by 125.5 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
7. X-radiograph of Fig.4 (National Museum of Art, Architecture and Design, Oslo).
Attributed works:
8. Detail of Fig.4, showing Judith holding the sword, with infra-red detail showing dark indentation lines.
Attributed works:
9. Detail of Fig.7, showing a change in the positioning of the thumb.
Article
Artemisia Gentileschi’s ‘Suffer the little children to come unto me’
12/2012 | 1317 | 154
Pages: 828-831
related names
Author:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
Illustrations
Attributed works:
2. Suffer the little children to come unto me, by Artemisia Gentileschi. c.1624-25. Canvas, 134.6 by 97.7 cm. (S. Carlo al Corso, Rome).
Attributed works:
3. Detail of Fig.2.
Attributed works:
4. Esther before Ahasuerus, by Artemisia Gentileschi. c.1626-29. Canvas, c.208.3 by 273.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. The innocence of Susanna recognised, by Valentin de Boulogne. c.1623-25. Canvas, 96 by 133 cm. (Musée du Louvre, Paris).
Western art unattributed:
1. Photograph of Fig.2, probably taken during restoration carried out after 1979. (Fototeca, Fondazione Zeri, Bologna, no.109531).
Book Review
Spadarino
01/2005 | 1222 | 147
Pages: 49-50
related names
Reviewer:
Gash, John (Gash, John)
Subjects
dates:
Reviewed Items
subjects:
Spadarino | reviewer: Gash, John , author: Papi, Gianni
Short Notice
A Portrait of Geronima Giustiniani at Nancy
11/2000 | 1172 | 142
Pages: 698-699
related names
Author:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
46. Portrait of Geronima Giustiniani, by a Painter Active in Rome, Possibly lo Spadarino. c. 1624-35. 62 by 48 cm. (Musée des Beaux Arts, Nancy).
Attributed works:
47. Portrait of Geronima Giustiniani, by Theodor Matham. Engraving, 30.2 by 20.8 cm. (From the Galleria Giustiniana, II, pl.4).
Short Notice
A New Portrait by Carlo Ceresa
07/1999 | 1156 | 141
Pages: 420
related names
Author:
Papi, Gianni (Papi, Gianni)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
39. Portrait of a Gentleman, by Carlo Ceresa. 62 by 52 cm. (Museo del Prado, Madrid).
Attributed works:
40. Venetian Magistrate, by Carlo Caresa. 82 by 70 cm. (Whereabouts Unknown).