By using this website you agree to our Cookie policy

Search

18 articles
Article
Orazio and Artemisia Gentileschi and ‘Judith and her maidservant’ in Oslo
07/2019 | 1396 | 161
Pages: 532-543
related names
Author:
Ford, Thierry (Ford, Thierry)
Author:
Gram Bischoff, Nina (Gram Bischoff, Nina)
Author:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.4.
Attributed works:
10. Virgin and Child, by Orazio Gentileschi. 1609. Canvas, 98.5 by 75 cm. (National Museum of Art of Romania, Bucharest).
Attributed works:
11. Weaning Virgin, by Artemisia Gentileschi. c.1611. Canvas, 131 by 91 cm. (Galleria Corsini, Rome).
Attributed works:
12. Opposite Susanna and the Elders, by Artemisia Gentileschi. 1610. Canvas, 170 by 119 cm. (Graf von Schönborn, Schloss Weissenstein, Pommersfelden).
Attributed works:
13. David and Goliath, by Orazio Gentileschi. 1607–08. Canvas, 185.5 by 136 cm. (National Gallery of Ireland, Dublin).
Attributed works:
14. Virgin and Child, by Orazio Gentileschi. c.1614–15. Canvas, 99.5 by 85 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
14. Virgin and Child, by Orazio Gentileschi. c.1614–15. Canvas, 99.5 by 85 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
15. Portrait of a lady, by Agnolo Bronzino. c.1550. Panel, 109 by 85 cm. (Galleria Sabauda, Turin).
Attributed works:
16. Lucretia, by Artemisia Gentileschi. c.1612. Canvas, 100 by 77 cm. (Private collection).
Attributed works:
17. Judith slaying Holofernes, by Artemisia Gentileschi. 1620–21. Canvas, 199 by 162.5 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
18. Detail of Fig.4, showing Judith’s hair and ornamentation.
Attributed works:
19. Micro-graph of Fig.4, showing the helical decoration of Athena’s helmet on Judith’s brooch.
Attributed works:
2. Opposite left Judith and her maidservant with the head of Holofernes, by Orazio Gentileschi. 1612. Canvas, 132 by 100 cm. (Private collection).
Attributed works:
20. Detail of Fig.17, showing the arc of blood and Judith’s bracelet.
Attributed works:
3. Opposite right Judith and her maidservant with the head of Holofernes, by Artemisia Gentileschi. c.1613–14. Canvas. 114 by 93.5 cm. (Palazzo Pitti, Florence).
Attributed works:
4. Judith and her maidservant with the head of Holofernes, here attributed to Artemisia Gentileschi. c.1611–12. Canvas. 136 by 159 cm. (National Museum of Art, Architecture and Design, Oslo).
Attributed works:
5. Judith with the head of Holofernes, by Artemisia Gentileschi. c.1609. Canvas, 129 by 96.3 cm. (Lemme Collection).
Attributed works:
6. Judith slaying Holofernes, by Artemisia Gentileschi. c.1612. Canvas, 158.8 by 125.5 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
7. X-radiograph of Fig.4 (National Museum of Art, Architecture and Design, Oslo).
Attributed works:
8. Detail of Fig.4, showing Judith holding the sword, with infra-red detail showing dark indentation lines.
Attributed works:
9. Detail of Fig.7, showing a change in the positioning of the thumb.
Advertisements
Advertisements July 2010 (front)
07/2010 | 1288 | 152
Pages: s.p.
Subjects
subjects:
Illustrations
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Louis Le Nain (circa 1593-1648). Les Trois Ages. Circa 1643. Oil on canvas, 50 x 61 cm. (19 1/2 x 24 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano near Rome, 1578 - Rome, 1644. Lot and his Daughters Fleeing from Sodom. Oil on canvas, 78 x 117 cm (30 11/16 x 46 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Sir Edwin Landseer RA (1802-1873). View of Powerscourt, Ireland. Oil on panel, 26 x 35.5 cm (10 1/4 x 14 in)]
Attributed works:
[Philip Mould. 29 Dover Street. London. Tiziano Veccelio, called Titian (1485/9-1576). Portrait of a Venetian Admiral. Oil on canvas. 34 7/8 x 30 1/4 inches, 88.6 by 77 cm. Painted c.1570. Sketched by Sir Anthony Van Dyck when in Italy, c.1623 [British Museum].]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Pieter Isaaczs (1569-1625). Madonna and Child with adoring Saints and God the Father. Oil on panel, 180 x 128 cm]
Western art unattributed:
[Fortuna Fine Arts, Ltd., 984 Madison Avenue. New York. A Bronze Figure of Apollo with Silver and Copper Inlays on Original Base Roman, 1st century AD; Height: 10 3/4 inches (27.3 cm)]
Advertisements
Advertisements June 2010 (front)
06/2010 | 1287 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
artists:
collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Agnew's, Exhibiting at Tryon Gallery, 7 Bury Street, St. James's. The launch of a galleon, by Teodoro Filippo di Liagno called Filippo Napoletano (1587-1629). Pen and brown ink and brown wash over black chalk, 29.2 by 53.4 cm]
Attributed works:
[Agnew's. Cupid and Psyche, by Benjamin West (1738-1820). Oil on canvas, 137.8 by 142.9 cm]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Leon de Troy (French, 1857-1955). Head of an African Man. Circa 1880. 19 1/2 x 15 3/8 inches (49.5 x 39 cm)]
Attributed works:
[Ben Elws Fine Art. Portrait of a young artist, attributed to Anne-Louis Girodet de Roussy-Trioson (1767-1824). Oil on canvas, 33.5 by 21.5 cm]
Attributed works:
[Bonhams. The head of a bearded man, a sketch for 'the visitation', by Federico Barocci (c.1526-1612). Oil on paper, laid down on canvas, 39.5 by 31.25 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Peter Paul Rubens (Siegen 1577 - 1640 Antwerp). Portrait of a commander, three-quarter-length, being dressed for battle. Oil on panel. 48 1/4 x 38 3/8 in. (122.6 x 98.2 cm)]
Attributed works:
[Deborah Gage. The Holy family in the carpenter's shop, by Bartolomé Estaban Murillo (1618-82). Signed: Bar.me Murillo. Oil on canvas, 214.5 by 166.5 cm]
Attributed works:
[Derek Johns Ltd. Sylvia freed by Amyntas, by Willem van Mieris (1662-1747). Oil on panel, 37 by 44 cm]
Attributed works:
[Dickinson, London and New York. Citrons at verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso and dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Wall decorations, by François-Joseph Bélanger (1744-1818). c. 1785-89.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano near Rome, 1578 - Rome, 1644. A Shipyard. Oil on canvas, 74,5 x 98,5 cm (29 5/16 x 38 3/4 in). One of a pair (with The Capture of Troy)]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Os. Middelharnis 1744 - 1808 The Hague. Still Life with Pineapples and Grapes. Oil on wood: 68.4 x 49.2 cm (26.9 x 19.3 inches). Signed and dated at bottom right: J Van Os f. 1776]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Barbara Hepworth 1903-1975. Two Forms (Maori), 1965. Carved slate on original black painted wooden base. Height: 13 1/2 inches; 34.3 cm]
Attributed works:
[Hazlitt-Holland Hibbert, London. Writing piece 'Well', by Anthony Caro. b.1924. Steel, 50.8 by 59.1 by 14 cm]
Attributed works:
[James Harvey, London. Equestrian portrait of George Burrows on his grey, by James Seymour (1702-52). Signed with monogram and dated 1746, lower left. Oil on canvas, 101.6 by127 cm]
Attributed works:
[Jean-Luc Baroni, 7-8 Mason's Yard. Studies of acrobats and a satyr, by Marco Marchetti called Marco da Faenza (1528-88). Bears number lower right corner: 52. Pen and brown ink and wash, 25.2 by 16.6 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jean-Auguste-Dominique Ingres (Montauban 1780-1867 Paris). Study of a Male Nude, Standing, with his Arms Crossed. Signed lower left: Ingres. Black chalk, 446 by 260 mm]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The death of St. Sebastian (?), by Paolo Farinati (1524-1606). Numbered in white chalk, lower right: 16. Black chalk, pen and brown ink, brown wash, heightened with white on yellow-ochre prepared paper, 35 by 46 cm.]
Attributed works:
[London International Fine Art Fair. Ducan Grant - Still Life with Bust of Virginia Woolf.]
Attributed works:
[MacConnal-Mason, London. La conciergerie, by Christopher Richard Wynne Nevinson (1889-1946). Signed. Oil on canvas, 50.8 by 61 cm]
Attributed works:
[N. & I. Franklin, London. A set of four Victorian etched crystal claret jugs with cast silver-gilt mounts. Made by John Figg of London, c.1875.]
Attributed works:
[Offer Waterman, London. Landscape with river and temple, by Ivon Hitchens (1893-1979). c.1943. Oil on canvas, 44.5 by 77.5 cm]
Attributed works:
[Philip Mould Ltd. Self-portrait, by Anthony van Dyck (1599-1641). Oil on canvas, oval, 59.7 by 47.3 cm.]
Attributed works:
[Philip Mould. 29 Dover Street. London. Angelica Kauffmann (1741-1807). Portrait of a Lady, c.1780. Oil on canvas, 24 3/4 x 20 2/2 inches, 62.5 x 52 cm]
Attributed works:
[Sandra Cronan, London. A Tutti Frutti bracelet and pair of dress clips, set throughout with diamonds, carved emeralds, sapphires and rubies. Mounted in platinum. By Henri Picq. Paris, c. 1925.]
Attributed works:
[Stoppenbach & Delestre: 25 Cork Street. Le jongleur, by André Derain (1880-1954). Gouache on paper, 20.5 by 12.5 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Peasant woman with a young boy, by Francesco de Mura (1696-1782). Oil on paper, laid down on canvas, 37 by 51.2 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Baratta: The Statues from Palazzo Giugni rediscovered.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Putto, one of a pair modelled by Carlo Francesco Mellone, cast by the founder Giuseppe Fontana, Milan, 1718. Bronze. Height: 71 cm]
Attributed works:
[Whitfield Fine Art. The rest on the flight into Egypt, by Antonio de Bellis (c.1616.57). Oil on copper, 31 by 22 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Electress Elisabeth Auguste as Magnanimità. Pen, brownish blank ink, red chalk. 20 x 15.3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Glaucus and Scylla. Pen, brown ink, red chalk. 28,1 x 28,3 cm]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Pallas Athena with the Sculpture. Pen, brownish blank ink, red chalk 32,8 x 19,8 cm]
Non-western art unattributed:
[Russian, Eastern & Oriental Fine Art Fair. London. 'Bishamon' - Edo Period 18th century. Sydney Moss Ltd.]
Western art unattributed:
[Apter-Fredericks Ltd, London.A pair of George II burr walnut armchairs with shaped solid back splat and out-scrolling arms, with contemporary needlework drop-in seats, the legs headed by the Astley family crest of feathers and a ducal coronet, standing on carved hairy paw feet. English, c.1730]
Western art unattributed:
[London International FIne Art Fair. A pair of bronze and ormolu candelabras on marble plinths, M&J Duncan, East Essex.]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. A Marble Group of Three Satyrs Fighting a Serpent, Roman Imperial, circa 1st Century A.D.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. An Italian engraved ivory inlaid rosewood centre table made for the Duke of Urbino Francesco Maria II della Rovere (1549-1631), circa 1596.97]
Western art unattributed:
[Thomas Coulborn & Sons, Sutton Coldfield. Scarlet japanned secretaire. English, c.1730. Height: 206 cm. Width: 105 cm. Depth: 56 cm]
Western art unattributed:
[Tomasso Brothers, Leeds. Lucius Venus. Rome, 17th century. White marble and breccia africano. Height: 90 cm]
Advertisements
Advertisements March 2010 (front)
03/2010 | 1284 | 152
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, London. A Mameluke retrieving his lance (recto); Classical composition (verso), by Theodore Géricault (1791-1824). Pen and brown ink and sepia and traces of pencil (recto); Pen and brown ink and sepia over pencil (verso), 17 by 22 cm]
Attributed works:
[Agnews, London. Meleager presenting the head of the Calydonian boar to Atalanta, by Giovanni Battista Crosato (c.1697-1756). Oil on canvas, 81.3 by 99.1 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Benjamin West (1738 - 1820). Cupid and Psyche. Oil on canvas, 54 1/4 x 56 1/4 in (137.8 x 142.9 cm). Signed and dated 'B. West 1808']
Attributed works:
[Artur Ramon Art. Palla 25 CP 08002, Barcellona. Antonio d'Enrico, called Tanzio da Varallo (Alagna, Valsesia, 1575/80 - Varallo, 1635). Study of a kneeling figure half-lenth holding a cup. c. 1620. Red chalk with white chalk on paper washed pink, 200 x 150 mm (actual size)]
Attributed works:
[Artur Ramon, Barcelona. Mercury presents the young Bacchus to the nymphs, by Andrea Procaccini (1671-1734). Pen and brown ink over traces of black chalk, 11.7 by 16.8 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Victor Hugo (1802-1885). The tower of Saint-Romboult amidst an imaginary landscape. Signed and dated on verso. Ink, wash, charcoal and gouache on paper. 48 x 63 cm]
Attributed works:
[Arturo Cuellar, Zurich. Nude looking at her reflection in the water and a bather, by Carl Christian Vogel von Vogelstein (1788-1868). Signed and dated lower right: 'C. Vogel Rom, 1819'. Pencil, 21.7 by 17 cm]
Attributed works:
[Charles Beddington, London. Venice: the Grand Canal at the entrance to the Cannaregio with the Church of San Geremia and the Palazzo Labia, by Pietro Bellotti (1725 - c.1800). Oil on canvas, 113.5 by 139 cm]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Giovanni Francesco Barbieri, called il Guercino. Cento 1591 - 1666 Bologna, Two Warriors. Pen and brown ink and wash, 203 x 133 mm]
Attributed works:
[Dickinson, London. Deux Femmes, by Paul Gauguin (1848-1903). Signed and dated lower left: P. Gauguin 1902. Oil on canvas, 74 by 64.5 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. Audience of Cardinal Aldobrandini in the loggia of the Villa Belvedere in Frascati, by François-Marius Granet (1775-1849). c.1820. Signed lower left: GRANET / FRASCATI. Oil on canvas, 37 by 47 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Portrait of Marie Lecat, by Carle van Loo (1705-1765). One of a pair. Signed and dated 1743. Black chalk with white highlights, 47.6 by 33 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Frans Francken II (1581-1642), Markind, between vice and Virtue (detail), 1635, oil on panel, 143x211 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, il Guercino (1591-1666), Rinaldo and Armida, oil on canvas, 113x153 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano (Rome), 1578 - Rome, 1644. The Arrival of Cleopatra at Tarsus. Oil on canvas, 119 x 170 cm (46 7/8 x 66 15/16 in)]
Attributed works:
[Galerie Caotalem, Paris. Portrait of Jean Alaux, by Jean Auguste Dominique Ingres (1780-1867). Graphite, 16.5 by 12.9 cm]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Kessel the Elder. Antwerp 1626 - 1679 Antwerp. Sweetpeas, shells and butterflies. Oil on copper, 18.8 x 25 cm (7.4 x 9.8 inches). Signed at bottom left: "J.V. Kessel.fecit"]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Jean-Baptiste OUDRY. A Lacquered Stool with Books, Engravings and a Musette. Oil on canvas, H. 91 cm; L. 72 cm signed and dated 1742.]
Attributed works:
[Galerie Eric Coatem, Paris. A spaniel looking to the left, by Alexandre-François Desportes (1661-1743). Black chalk and oil on light brown paper, 31.9 by 26 cm]
Attributed works:
[Galerie G. Sarti. St. Jerome translating the Bible in the desert, by Marco Palmezzano (c.1459-1539). c.1537. Tempera on panel, 66.5 by 57.5 cm.]
Attributed works:
[Galerie Paul Prouté, Paris. A boat with figurehead, by Odilon Redon (1840-1916). Signed in pencil: 'Odilon Redon'. Watercolour, 15.3 by 24 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. Giovanni di Paolo (Siena, 1398-1482). The Virgin and Child between Saints Catherine of Alexandria, Dorothy and two Angels. Circa 1420. Tempera and gold on wood - 34.6 x 22.6 cm]
Attributed works:
[Hill-Stone. New York. Dominique-Louis-Fereol Papety (Marseille 1815-1849 Marseille). Greek Women at the Fountain. Drawing in black chalk, with watercolour washes and white heightening signed by the artist lower left. A study for the artist's most well-known work. omitting the central figure group. The painting at the Musée du Louvre, Paris, is dated to 1841; our study must have been produced shortly before. 287 x 337 mm (11 1/4 x 13 1/4 inches)]
Attributed works:
[Jean-Luc Baroni, London. Time and Truth, by Giovanni Battista Tiepolo (1696-1770). Pen and brown ink and brown wash over a sketch in black chalk, 22.3 by 21.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Herman van Swanevelt. Woerden 1603-1655 Paris. Landscape with the Finding of Moses. Oil on canvas, 43.5 by 55.2 cm. (17 1/4 by 21 3/4 in)]
Attributed works:
[Katrin Bellinger, Munich. Illustration for Ariost's 'Orlando Furioso', by Jean-Honoré Fragonard (1732-1806). Black chalk and brown ink with grey wash, 38.9 by 24.6 cm.]
Attributed works:
[Moretti, London, Florence & New York. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints, by Giovanni di Paolo (1397-1482). Panel, 37.3 by 26.7 cm. (with the original frame).]
Attributed works:
[Otto Naumann, New York. The courtyard of the Doge's Palace, Venice, with the Scala dei Giganti and Saint Mark's Basilica beyond, by Michele Giovanni Marieschi (1710-43). Oil on canvas, 118.5 by 180.7 cm]
Attributed works:
[Rob Smeets, Geneva. Three heads of Children, by Giulio Cesare Procaccini (1574-1625). c.1620. Inscribed on verso in an old hand: 'Mad.a Sig.a (?) Falco'. Oil on panel, 26.4 by 35 cm.]
Attributed works:
[Sam Fogg, London. Creation of the world and expulsion from paradise, by Valentin Bousch (1514-41). 1531-1533. Stained glass from the Church of Saint Firmin at Flavigny-sur-Moselle, Lorraine. 289.5 by 76.2 cm]
Attributed works:
[The 25th London Original Print Fair. Royal Academy of Arts. Burlington House. Howard Hodgkin. Night Palm. 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Dieppe shop window, by Walter Richard Sickert (1860-1942). c. 1885. Watercolour, ink and gouache on paper, 26 by 32 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Antonio Susini (1558-1624) (After a model by Giambologna). The Fowler. Executed c. 1580-1600. Bronze. 31 cm high]
Attributed works:
[Triniy Fine Art, London & New York. Vidi, quod agnus aperuisset: the four horsemen of the Apocalypse and St. John the Evangelist in the background, by Luigi Sabatelli (1772-1850). Black chalk, pen and brown ink, 58.3 by 43.6 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Johann Strauss II. His last musical sketches, ca. 1899. Autograph manuscript, 61 pages.]
Advertisements
Advertisements February 2010 (front)
02/2010 | 1283 | 152
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Bernheimer/Colnaghi, Munich and London. Spring: a landscape with elegant company on a tree-lined road, by Joos de Momper the Younger (1564-1635). Oil on canvas, 128.6 by 188.9 cm]
Attributed works:
[Charles Beddington, London. King William III at Namur, by Jan Wyck (1652-1700). Oil on copper, 25.7 by 30.2 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Still life with a guitar, by Sebastiano Lazzari (active in Verona, second half on the 18th century). One of a pair. Oil on canvas, 49 by 62.5 cm]
Attributed works:
[French & Company, New York. A young man at a stone window playing a Theorbo, by Jacob van Oost (1601-71). Signed and dated on the ledge lower centre: I.V.OOST.F: 1646. Oil on canvas, 89 by 72.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Cornelis Cornelisz van Haarlem. Haarlem, 1562-1638. Portrait of a Man. Oil on wood panel. Oval, 50,6 x 38 cm (19 15/16 x 15 in). Inscribed on right "A[nn]° 158[?]7"]
Attributed works:
[Gallerie Canesso, Paris. The arrival of Cleopatra at Tarsus, by Agostino Tassi (1578-1644). Oil on canvas, 119 by 170 cm.]
Attributed works:
[Johnny van Haeften Ltd, London. Travellers with packhorses and wagons near a wooden bridge, by Philips Wouverman (1619-68). Signed in monogram, lower right. Oil on canvas, 49 by 55.5 cm]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Adriaen Coorte (active 1683 - in or after 1707). A Still Life of Fruit on a Stone Ledge. On canvas. Signed and dated lower right, A.Coorte,i688. 22 3/4 x 18 1/2 ins (57.5 x 46.3 cm)]
Attributed works:
[Johnny van Haeften, London. A posy of flowers on a marble ledge, by Rachel Ruysch (1664-1750). Signed, lower right: Rachel Ruysch. Oil on canvas, 33 by 26.4 cm.]
Attributed works:
[Moatti Fine Art, London. St. Paul and St. Barnabas in Lystra, by Willem van Nieulandt II (1584-1635). Signed and dated: GUIL. VAN NIEULANT 1614. Oil on panel, 67 cm by 97 cm.]
Attributed works:
[Noortman Master Paintings, Amsterdam. Paesants dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Signed lower left: J: Lingelbach. Oil on canvas, 109 by 90 cm.]
Attributed works:
[Noortman. Van Eeghenstraat 82. Amsterdam. Johannes Lingelbach. Frankfurt-am-Main 1622 - 1674 Amsterdam. Peasants Dancing the Tarantella (detail). Oil on canvas: 109 x 90 cm. Signed.]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Thomas Fearnley. Fredrikshald (Norway) 1802 - 1842 Munich. A view of Lake Lucerne from Brumen, Mount Burkenstock and the Gotthard Massif Beyond. Oil on paper 24.5 by 34.5 cm. Signed with initials, inscribed and dated "Brunnen 24.Juny35"]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Jan Claudius de Cock (1667-1735). A pair of Figures representing Air and Fire. Both signed: J.C. de Cock. Inscribed: Ayer and Ignis. Terracotta 27 cm high (Air) and 26 cm high (Fire)]
Attributed works:
[Whitfield Fine Art, London. St. Sebastian, by Louis Finson (1580-1617). Oil on canvas, 133 by 91.5 cm]
Western art unattributed:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Circle of Titian, XVI century. The Sacrifice of Isaac. Black chalk, heightened with white, on blue-grey paper, 308 x 242 mm.]
Exhibition Review
Agostino Tassi
10/2008 | 1267 | 50
Pages: 713-714
related names
Reviewer:
Langdon, Helen (Langdon, Helen)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Agostino Tassi. Un Paesaggista tra immaginario e realtà | reviewer: Palazzo Venezia
Illustrations
Attributed works:
70. Festival of Calendimaggio on the Campidoglio, by Agostino Tassi. 1611. Canvas, 112 by 156 cm. (Private collection, Florence; exh. Palazzo Venezia, Rome).
Attributed works:
71. The miraculous draught of fishes, by Agostino Tassi. 1633. Canvas, 97 by 72 cm. (Private collection; exh. Palazzo Venezia, Rome).
Attributed works:
72. The arrival of Cleopatra at Tarsus, by Agostino Tassi. 1636–37. Canvas, 119 by 170.2 cm. (Galerie Canesso, Paris; exh. Palazzo Venezia, Rome).
Advertisements
Advertisements November 2006 (Front)
11/2006 | 1244 | 148
Pages: i-xx
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Alexander Gallery. 942 Madison Avenue, New York. Bernardino Nocchi. Four Evangelists. Modelli for Heavens Ceiling, Palazzo Vidani-Caffarelli, Rome, 1773-1774]
Attributed works:
[André Lemaire – Albéric Froisssart. 4, rue Drouot. Paris. Felicie de Fauveau (Livourne, 1799 - Florence, 1886). Hausse-col de la duchesse de Berry. Bronze doré. L.: 28,5 cm]
Attributed works:
[André Lemaire – Albéric Froisssart. 4, rue Drouot. Paris. Francis van Bossuit. (Bruxelles, 1635 - Amsterdam, 1692). Loth et ses filles. Bas-relief en ivoire. H.: 14,1 cm; L.: 22,6 cm; P.: 2,8 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: an important Regency mahogany, crossbanded and ebony marquetry four-sided Partners Desk. 191 cm wide, 125 cm deep, 79 cm high.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Alessandro di Filipepi, called Sandro Botticelli (Florence 1445? - 1510). The Madonna and Child. Oil and tempera on panel, arched. 39 3/8 x 25 5/8 (100x65.1 cm)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Albrecht Durer (1471-1528). Adam and Eve (B. 1; M. 1). Engraving, 1504, Meder IIIb (of IIId), a fine, evenly printed impression. P.252x194 mm.]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Rembrandt Harmensz. van Rijn (1606-1669). The Three Trees (B.212). Etching, engraving and drypoint, 1643, a fine impression. P. 213x279 mm, S. 219 x 286 mm.]
Attributed works:
[Fuondling Museum. 40 Brunswick Square - London. Saint Francis receiving the stigmata. Guercino.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano (Rome), 1578 - Rome, 1644. The Calling of Simon. Tondo (one of a pair). Oil on panel, diam. 58,5 cm]
Attributed works:
[Galerie Terrades. 8, rue d’Alger. Paris. Jean JOUVENET. Rouen, 1644 - Paris, 1717. L'Adoration de l'Agneau mystique. Oil on canvas, 129x96 cm]
Attributed works:
[National Gallery of Ireland. Exhibition. Muriel Brandt (1909-81), Procession Day (detail).]
Attributed works:
[Piasa. 5, rue Drouot. Paris. Jacques-Louis DAVID. (Paris 1748-Bruxelles 1825). Portrait of général baron Claude Marie Maunier Jacques Louis David's son in law. On its original canvas. 72,5 x 58 cm.]
Attributed works:
[Robert Simon, Fine Art. Satis House. Tower Hill Road. Tuxedo Park. New York. Bernardino di Betto di Biaggio, called il Pinturicchio (1454-1513). Virgin and CHild. Tempera and oil on panel, 20 1/4 x 16 inches (51.4 x 40.6 cm)]
Attributed works:
[Robilant – Voena. 38 Dover Street, London W1S 4LN. A View of Paestum, (detail). Antonio Joli.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Bernardo Bellotto (Venice 1722-1780 Warsow). Venice, A view of S. Giorgio Maggiore and the Bacino from the Molo [detail].]
Attributed works:
[The Burlington Magazine. Tomyris with the head of Cyrus, by Severo Calzetta da Ravenna. Early sixteenth century. Bronze, height 30.8 cm. (The Frick Collection, New York. Photographed by Michael Bodycomb).]
Attributed works:
[Trafalgar Galleries. 35 Bur Street, St. James’s. London. David Teniers the Elder (Antwerp 1582-1649). St. John the Baptist preaching to a group of elegant figures and horsemen in a wooded landscape. Oil on copper panel, 51.9 x 66.8 cm (20 1/4 x 26 1/4 inches)]
Attributed works:
[Yale Center for British art. 1080 Chapel Street. Canaletto, Westminster Bridge, with the Lord Mayor's Procession on the Thames (detail), 1747, Oil on canvas. Yale Center for British art, Paul Mellon Collection.]
Article
Towards a chronology of Agostino Tassi
07/2002 | 1192 | 144
Pages: 396-408
related names
Author:
Cavazzini, Patrizia (Cavazzini, Patrizia)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. Embarkation of a Queen, by Agostino Tassi. c.1615. c.60 by 75 cm. (Palazzo Rosso, Genoa).
Attributed works:
10. Embarkation of a Queen, by Claude Lorrain. c.1628. 76 by 105 cm. (Private Collection).
Attributed works:
11. Studies of Figures, by Agostino Tassi. c.1620. 20.6 by 39 cm. (Sotheby's, London, July 1989).
Attributed works:
12. Tancred Mourning in Front of Clorinda's Tomb, by Agostino Tassi. Early 1630s? 98 by 132 cm. (Private Collection).
Attributed works:
13. Detail of the Frieze in the Room of Moses, by Agostino Tassi and Collaborators. 1635. Fresco. (Palazzo Pamphilj, Rome).
Attributed works:
14. Detail of the Frieze in the Room of Moses, by Agostino Tassi and Collaborators. 1635. Fresco. (Palazzo Pamphilj, Rome).
Attributed works:
15. Detail of the Frieze in the Room of Moses, by Agostino Tassi and Collaborators. 1635. Fresco. (Palazzo Pamphilj, Rome).
Attributed works:
16. Rebecca and Eliezer, by Agostino Tassi. c.1635. Pen and Ink, 8.5 by 12.2 cm. (Département des Arts Graphiques, Musée du Louvre, Paris).
Attributed works:
17. Erminia and the Shepherd, by Agostino Tassi. c.1625. c.21 by 15 cm. (Sotheby's, London, 1964).
Attributed works:
18. Offerings at a Pagan Altar, by Agostino Tassi. c.1640. Pen and Ink, 14.2 by 18 cm. (Christie's, London, 1979).
Attributed works:
19. View of the Tiber with Castel S. Angelo, by Agostino Tassi. 1633. Pen and Ink with Wash, 23.4 by 34.2 cm. (Wadsworth Atheneum, Hartford, CT).
Attributed works:
2. Shipyard among Classical Ruins, by Agostino Tassi. c.1617. 97 by 135 cm. (Finarte, Rome, 1985).
Attributed works:
20. Landscape with the Baptism of Christ, by Agostino Tassi. c.1635. 98 by 129 cm. (Galerie Canesso, Paris).
Attributed works:
21. Siege of a City, by Agostino Tassi. c.1643. 63 by 100 cm. (Galerie Canesso, Paris).
Attributed works:
3. A Shipyard, by Agostino Tassi. c.1610. Pen and Ink and Wash, 21.3 by 32 cm. (Norton Simon Museum, Pasadena).
Attributed works:
4. Coast View with Fishermen and Ship at Anchor, by Agostino Tassi. c.1620. (Private Collection).
Attributed works:
5. Detail of the Frieze in the Stanza delle Marine, by Agostino Tassi. c.1619. (Palazzo Pamphilj, Rome).
Attributed works:
6. Detail of the Frieze in the Stanza delle Marine, by Agostino Tassi. c.1619. (Palazzo Pamphilj, Rome).
Attributed works:
7. Project for a Frieze, by Agostino Tassi. Early 1630s. 13.5 by 20.5 cm. (Whereabouts Unknown).
Attributed works:
8. Nocturnal Landscape, by Agostino Tassi. Early 1620s. 24.5 by 33 cm. (Collezione Longhi, Florence).
Attributed works:
9. Embarkation of a Queen, by Agostino Tassi. c.1627. 98 by 168 cm. (Musée des Beaux-Arts, Nantes).
Article
New Documents for Cardinal Alessandro Peretti Montalto's Frescoes at Bagnaia
05/1993 | 1082 | 135
Pages: 316-327
related names
Author:
Cavazzini, Patrizia (Cavazzini, Patrizia)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
1. Villa Lante at Bagnaia Showing, at Left, the Casino Montalto.
Attributed works:
10. Detail of Fig.4, Showing Gloria by Marzio Ganassini.
Attributed works:
11. Loggia, Decorated by Agostino Tassi and Assistants. 1615. Fresco. (Casino Montalto, Bagnaia).
Attributed works:
12. Vault of the Loggia, by Agostino Tassi and Assistants. 1615. Fresco. (Casino Montalto, Bagnaia).
Attributed works:
13. Detail of Fig.3, Showing Diana, Here Attributed to Marzio Ganassini. (Casino Montalto, Bagnaia).
Attributed works:
14. Birth of the Virgin, by Marzio Ganassini. Fresco. (Chapel of the Virgin of Loreto, S. Maria in Aracoeli, Rome).
Attributed works:
15. Flight of Lot and His Daughters, the Landscape Attributed Here to Bartolomeo and Gisberto Fiammingo. 1614. Fresco. (Casino Montalto, Bagnaia).
Attributed works:
16. Scene from the Life of Alexander the Great, by Francesco Boneri, Called Cecco del Caravaggio. Fresco. (Entrance Hall, Casino Montalto, Bagnaia).
Attributed works:
17. Loggia, Showing Seascapes by Agostino Tassi. 1615. Fresco. (Casino Montalto, Bagnaia).
Attributed works:
18. Scenes from the Life of Moses. 1614. Fresco; Stuccowork by Lazzaro Solari. (Casino Montalto, Bagnaia).
Attributed works:
2. Frieze of the Main Salone, by Agostino Tassi and Assistants. 1613-14. Fresco. (Casino Montalto, Bagnaia).
Attributed works:
3. Ceiling of the Main Salone, by the Workshop of the Cavaliere d'Arpino, Marzio Ganassini and Others, with Stuccowork Probably by Marcantonio Bazzichelli. 1613. Fresco. (Casino Montalto, Bagnaia).
Attributed works:
4. Gloria, by Marzio Ganassini and Others; The Lunettes below Contain Landscapes by Agostino Tassi. 1614. Fresco. (Villa Lante, Bagnaia).
Attributed works:
5. Fama, by the Cavaliere d'Arpino and Others; The Lunettes below Contain Landscapes by Agostino Tassi. 1614. Fresco. (Villa Lante, Bagnaia).
Attributed works:
6. A Virtue, by Marzio Ganassini. 1615. Fresco. (Loggia of the Casino Montalto, Bagnaia).
Attributed works:
7. A Virtue, by Marzio Ganassini. 1615. Fresco. (Loggia of the Casino Montalto, Bagnaia).
Attributed works:
8. A Virtue, by Marzio Ganassini. 1615. Fresco. (Loggia of the Casino Montalto, Bagnaia).
Attributed works:
9. Liberalità, by Marzio Ganassini. 1615. Fresco. (Loggia of the Casino Montalto, Bagnaia).
Letter
An Addendum to Tassi
02/1980 | 923 | 122
Pages: 127
related names
Author:
Chiarini, Marco (Chiarini, Marco)
Subjects
artists:
dates:
places:
load more