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12 articles
Article
Additions to Ter Brugghen in Italy: ‘Christ bound to the column’ and ‘St John the Baptist in the wilderness’
03/2025 | 1464 | 167
Pages: 229–41
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
sources:
Illustrations
Attributed works:
1. Christ bound to the column, here attributed to Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 282 by 199 cm. (Private collection).
Attributed works:
10. Sleeping Mars, by Hendrick ter Brugghen. c.1625/29. Oil on panel, 106.5 by 92.8 cm. (Centraal Museum, Utrecht).
Attributed works:
11. Crucifixion with the Virgin and St John, by Hendrick ter Brugghen. c.1625. Oil on canvas, 154.9 by 102.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Christ at the column, by Guido Reni. c.1604. Oil on canvas, 192.7 by 109 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Flagellation of Christ, by Agostino Ciampelli. c.1594–96. Fresco. (S. Prassede, Rome).
Attributed works:
14. Supposed fragment of the column of Christ’s flagellation. Black marble, height 63 cm. (S. Prassede, Rome).
Attributed works:
15. Calling of St Matthew, by Hendrick ter Brugghen. c.1617/18. Oil on canvas, 153.5 by 185 cm. (Musée de l’art moderne André Malraux, Le Havre).
Attributed works:
16. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistants. ?1610/19. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
17. Mucius Scaevola before Porsena, by Hendrick ter Brugghen, c.1618/19. Oil on canvas, 183 by 222 cm. (Private collection).
Attributed works:
18. Adoration of the shepherds, by Hendrick ter Brugghen. c.1612–14, or later. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London).
Attributed works:
19. St John the Baptist in the wilderness, here attributed to Hendrick ter Brugghen. 1610s. Oil on canvas, 64.5 by 86.5 cm. (Private collection).
Attributed works:
2. Flagellation of Christ, by Caravaggio. 1607/10. Oil on canvas, 286 by 213 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
20. Supper at Emmaus, by Hendrick ter Brugghen, ?1616. Oil on canvas, 160.3 by 188.3 cm. (Toledo Museum of Art).
Attributed works:
3. Denial of St Peter, by Hendrick ter Brugghen. 1620s. Oil on canvas, 132.3 by 178 cm. (Art Institute of Chicago).
Attributed works:
4. Denial of St Peter, by Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 288 by 190 cm. (Spier Collection, London).
Attributed works:
5. Christ before the High Priest Caiaphas, by Gerrit van Honthorst. c.1617/18. Oil on canvas, 272 by 183 cm. (National Gallery, London).
Attributed works:
6. Liberation of St Peter, by Gerrit van Honthorst. c.1616–18. Oil on canvas, 129 by 179 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1, showing Christ’s head.
Attributed works:
8. Detail of Fig.1, showing Christ’s loincloth.
Attributed works:
9. Dives and Lazarus, by Hendrick ter Brugghen. 1625. Oil on canvas, 168.2 by 207.3 cm. (Centraal Museum, Utrecht).
Exhibition Review
The Torlonia Marbles: Collecting Masterpieces
01/2021 | 1414 | 163
Pages: 56-59
related names
Reviewer:
Hornsby, Clare (Hornsby, Clare)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
The Torlonia Marbles: Collecting Masterpieces Villa Caffarelli, Musei Capitolini, Rome 14th October 2020– 29th June 2021 | :
Illustrations
Attributed works:
3. Installation view of The Torlonia Marbles: Collecting Masterpieces at Villa Caffarelli, Musei Capitolini, Rome, 2020. (Fondazione Torlonia / Electa / Bulgari; photograph Oliver Astrologo).
Western art unattributed:
1. Relief showing the Portus Augusti. After AD 204(?). Greek marble, 122 by 75 cm. (Collezione Torlonia; © Fondazione Torlonia; photograph Lorenzo De Masi; exh. Villa Caffarelli, Musei Capitolini, Rome).
Western art unattributed:
2. Old man of Otricoli, 50 BC. Bust modern. Carrara marble, height 75 cm. (Collezione Torlonia; © Fondazione Torlonia; photograph Lorenzo De Masi; exh. Villa Caffarelli, Musei Capitolini, Rome).
Book Review
Phönix aus der Asche: Bildwerdung der Antike – Druckgrafiken bis 1869 / L’Araba Fenice: l’Antico visualizzato nella grafica a stampa fino al 1869
07/2020 | 1408 | 162
Pages: 632-634
related names
Reviewer:
Heinemann, Alexander (Heinemann, Alexander)
Subjects
art literature:
collectors and dealers:
Reviewed Items
subjects:
Phönix aus der Asche: Bildwerdung der Antike – Druckgrafiken bis 1869 / L’Araba Fenice: l’Antico visualizzato nella grafica a stampa fino al 1869 Edited by Ulrich Pfisterer and Cristina Ruggero. 440 pp. with 381 col. ills. (Michael Imhof Verlag, Petersberg, 2019), £53. ISBN 978–3–7319–0771–8. | :
Illustrations
Attributed works:
6. Reclining woman with a putto, from a second century AD funerary monument in the Giustiniani collection, by Cornelis Bloemart (also known as Bloemart II) after Giovanni Citosibio Guidi. 1635. Etching on paper, approx. 23 by 31 cm. (University Library, Heidelberg).
Article
A ‘David and Goliath’ by Artemisia Gentileschi rediscovered
03/2020 | 1404 | 162
Pages: 188-195
related names
Author:
Chaplin, Tracey (Chaplin, Tracey)
Author:
Gillespie, Simon (Gillespie, Simon)
Author:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
Illustrations
Attributed works:
1. David with the head of Goliath, by Artemisia Gentileschi. c.1639. Oil on canvas, 202 by 137 cm. (Private collection).
Attributed works:
10. X-radiograph of Fig.1. 2019. (Courtesy AAR and Simon Gillespie Studio).
Attributed works:
11. Fig.1 shown before treatment. 2018.
Attributed works:
12. Infra-red photograph of Fig.1. 2019. (Courtesy AAR and Simon Gillespie Studio).
Attributed works:
13–16. Details of Fig.1, photographed in raking light to show the incisions on (clockwise from top left) David’s heel; David’s left foot; David’s right hand; and David’s neck. (Courtesy Simon Gillespie Studio).
Attributed works:
17–20. Cross-section of a paint sample from David’s waistcoat photographed at x200 magnification, fragmented into an upper part, showing evidence of red lake, angular blue/grey smalt, lead white and ochre, shown in reflected white light (top left); and UV light (top right); and a lower part, showing evidence of blue smalt grains from the overlying paint layer, shown in reflected white light (bottom left); and UV light (bottom right). (Courtesy Tracey D. Chaplin).
Attributed works:
2. Detail of Birth of St John the Baptist, by Artemisia Gentileschi. 1635–36. Oil on canvas, 184 by 258 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
21. Artemisia Gentileschi’s signature as it was discovered during cleaning. (Courtesy Simon Gillespie Studio).
Attributed works:
22. Detail of a false colour rendering of Fig.1, showing Artemisia’s signature on David’s sword. (Courtesy Simon Gillespie Studio).
Attributed works:
23. Detail of an infra-red photograph of Fig.1, showing Artemisia’s signature on David’s sword. (Courtesy AAR and Simon Gillespie Studio).
Attributed works:
3. Self-portrait as the Allegory of Painting, by Artemisia Gentileschi. 1626–30. Oil on canvas, 93 by 74.5 cm. (Galleria Nazionale d’Arte Antica in Palazzo Barberini, Rome)
Attributed works:
4. David with the head of Goliath, by Domenico Fetti. 1614–15. Oil on canvas, 160 by 112 cm. (Gemäldegalerie, Dresden).
Attributed works:
5. Detail of Fig.1, showing David’s face.
Attributed works:
6. Detail of Esther before Ahasuerus, by Artemisia Gentileschi. 1627–28. Oil on canvas, 208.3 by 273.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Bathsheba, by Artemisia Gentileschi. 1635–40. Oil on canvas, 265 by 219 cm. (Formerly Gosford House, East Lothian).
Attributed works:
8. Allegory of painting, by Artemisia Gentileschi. c.1639. Oil on canvas, 98.6 by 75.2 cm. (Hampton Court Palace, Royal Collection Trust; © Her Majesty Queen Elizabeth II 2020).
Attributed works:
9. Black-and-white photograph of Fig.1. 1975. (Courtesy Sotheby’s, London).
Exhibition Review
Caravaggio and the Giustiniani. Rome and Berlin
07/2001 | 1180 | 143
Pages: 449-452
related names
Reviewer:
Cropper, Elizabeth (Cropper, Elizabeth; Cropper, E.)
Subjects
collectors and dealers:
dates:
museums and institutions:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
51. Portrait of Vincenzo Giustiniani, by Claude Mellan. 1631. Engraving. (Biblioteca Casanatense, Rome; Exh. Altes Museum, Berlin).
Attributed works:
52. Doubting Thomas, by Caravaggio. 1600-01. 107 by 146 cm. (Bildergalerie von Sanssouci, Potsdam; Exh. Altes Museum, Berlin).
Attributed works:
53. Beheading of John the Baptist, by Gerrit van Honthorst. 1618. 345 by 215 cm. (S. Maria della Scala, Rome; Exh. Altes Museum, Berlin).
Attributed works:
54. Amor Vincit Omnia, by Caravaggio. 1601-02. 156 by 113 cm. (Gemäldegalerie, Berlin; Exh. Altes Museum, Berlin).
Article
The Bassano 'Christ the Redeemer' in the Giustiniani Collection
12/2000 | 1173 | 142
Pages: 746-751
related names
Author:
Danesi Squarzina, Silvia (Danesi Squarzina, Silvia; Squarzina, Silvia Danesi)
Subjects
artists:
collectors and dealers:
collectors and dealers:
dates:
Illustrations
Attributed works:
14. Christ the Redeemer, Here Attributed to Michelangelo, with Later Interventions by a Seventeenth-Century Sculptor. Marble, 205 cm. High Without the Cross, 250 cm. with the Cross and Base (S. Vincenzo Martire, Bassano Romano).
Attributed works:
15. Detail of Fig.14 with the Perizoma.
Attributed works:
16. Detail of the Legs of Fig.14.
Attributed works:
17. Detail of the Left Arm and Hand of Fig.14.
Attributed works:
18. Christ the Redeemer in a Niche, by René Boyvin, after Rosso Fiorentino. Engraving, 24.4 by 12 cms. (Metropolitan Museum of Art, New York, Harrison Brisbane Dick Fund, 1932).
Attributed works:
19. Christ the Redeemer, by Raffaello da Montelupo. Marble, (Duomo, Orvieto).
Attributed works:
20. Tabernacle of the High Altar of S. Vincenzo Bassano, by Reinier van Persijn. 1637. Engraving from the Galleria Giustiniana, II, 1636-37.
Western art unattributed:
13. Façade of the Church of S. Vincenzo Martire, Bassano Romano.
Western art unattributed:
21. View of S. Vincenzo Martire, Bassano Romano. Engraving from the Galleria Giustiniania, II, 154.
Book Review
Le sculture della collezione Giustiniani. I. (Documenti. Xenia antiqua. Monografie, 5)
07/2000 | 1168 | 142
Pages: 449-450
related names
Reviewer:
Herklotz, Ingo (Herklotz, Ingo)
Subjects
collectors and dealers:
dates:
places:
subjects:
Reviewed Items
subjects:
Le sculture della collezione Giustiniani. I. (Documenti. Xenia antiqua. Monografie, 5) | author: Gallottini, Angela
Short Notice
Caravaggio: Another 'Lute Player'
07/1985 | 988 | 127
Pages: 450-452
related names
Author:
Wolfe, Karin (Wolfe, Karin)
Subjects
collectors and dealers:
collectors and dealers:
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
27. Lute Player, by Caravaggio. 94 by 119 cm. (Hermitage, Leningrad).
Attributed works:
28. Lute Player, after Caravaggio. 95 by 118.5 cm. (Formerly Collection the Duke of Beaufort, Badminton; Sold Sotheby's, 1969).
Letter
Caravaggio's 'Amore Vincitore'
11/1982 | 956 | 124
Pages: 704
related names
Author:
Enggass, Robert (Enggass, Robert)
Subjects
dates:
places:
subjects:
Article
The picture gallery of Vincenzo Giustiniani III: the inventory, part II
04/1960 | 685 | 102
Pages: 135-148+159
related names
Author:
Salerno, Luigi (Salerno, Luigi)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
17. Madonna and Saints, by Giovanni Francesco Bezzi, Known as Nosadella. (Oratorio di Santa Maria della Vita, Bologna.)
Attributed works:
2. Incredulity of St Thomas, by Caravaggio. Canvas, 107 by 146 cm. (Bildergalerie, Sanssouci, Potsdam.) Giustiniani Inv. No.II, 10.
Attributed works:
3. The Infant Moses before Pharaoh, by Giovanni Battista Ruggieri. Canvas, 113 by 162 cm. (Neues Palais, Potsdam.) Giustiniani Inv. No.II, 248.
Attributed works:
4. St Catherine, by Claude Vignon. Canvas, 125 by 90 cm. (Palazzo Giustiniani, Bassano di Sutri.) Giustiniani Inv. No.II, 241.
Attributed works:
5. St John the Baptist in the Desert, from the School of Caravaggio. Canvas, 135 by 105 cm. (Palazzo Giustiniani, Bassano di Sutri.) See under Giustiniani Inv. No.II, 130.
Attributed works:
6. Madonna, by Ludovico Carracci. Canvas, 39 by 29 cm. (Formerly Kaiser-Friedrich-Museum, Berlin; Disappeared.) Giustiniani Inv. No.II, 56.
Attributed works:
7. Holy Family, Copy after Annibale Carracci. Canvas, 99 by 78 cm. (Staatliche Museen, Berlin (East).) Giustiniani Inv. No.II, 104.
Attributed works:
A. St Agnes, by Annibale Carracci (?) Engraved by Landon, 1812. Giustiniani Inv. No.II, 54.
Attributed works:
B. Adoration of the Magi, Attributed to Baldassare Peruzzi. Engraved by Landon, 1812. Giustiniani Inv. No.II, 85.
Attributed works:
C. Holy Family with St Elizabeth and Infant St John, Attributed to Pellegrino Tibaldi. Engraved by Landon, 1812. Giustiniani Inv. No.II, 108.
Attributed works:
D. Madonna with Infant St John, Attributed to Scipione Pulzone. Engraved by Landon, 1812. Giustiniani Inv. No.II, 110.
Attributed works:
E. Dead Christ with two Angels, by Agostino Carracci (?). Engraved by Landon, 1812. Giustiniani Inv. No.II, 190.
Attributed works:
F. Baptism, from the Circle of Francesco Albani (?). Engraved by Landon, 1812. Giustiniani Inv. No.II, 203.
Attributed works:
G. Venus and Cupid, Attributed to Daniele da Volterra. Engraved by Landon, 1812. Giustiniani Inv. No.II, 208.
Attributed works:
H. Rest on the Flight, Attributed to Camillo Procaccini. Engraved by Landon, 1812, Giustiniani Inv. No.II, 242.
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