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12 articles
Book Review
Piranesi and the Modern Age
11/2023 | 1448 | 165
Pages: 1239-1241
related names
Reviewer:
Minor, Heather Hyde (Minor, Heather Hyde)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Piranesi and the Modern Age By Victor Plahte Tschudi. 288 pp. incl. 81 col. + 25 b. & w. ills. (MIT Press, Cambridge MA, 2022), $49.95. ISBN 978–0–262–04717–3. | :
Illustrations
Attributed works:
4. The Gothic arch (pl.XIV from Carceri d’invenzione), by Giovanni Battista Piranesi. c.1749– 50. Etching and engraving, 49.4 by 63.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Kerensky ascending the Jordan Staircase, still from October: Ten Days that Shook the World, directed by Sergei M. Eisenstein, 1927.
Attributed works:
6. The drawbridge (pl. VII from Carceri d’invenzione), by Giovanni Battista Piranesi. Early 1770s. Etching with engraving, 54.2 by 40.6 cm. (Royal Academy of Arts, London).
Exhibition Review
The National Museum of Norway
10/2022 | 1435 | 164
Pages: 1028-1031
related names
Reviewer:
Saumarez Smith, Charles (Saumarez Smith, Charles; Smith, Charles Saumarez)
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Reviewed Items
subjects:
The National Museum of Norway From 11th June 2022 | :
Illustrations
Attributed works:
25. The National Museum, Oslo. (Photograph National Museum, Oslo).
Attributed works:
26. A gallery of decorative arts on the ground floor of the National Museum, Oslo. (Photograph National Museum, Oslo).
Attributed works:
27. One of the galleries of Scandinavian landscape painting on the first floor of the National Museum, Oslo. (Photograph National Museum, Oslo).
Book Review
Gerhard Munthe: Norwegian Pioneer of Modernism
07/2020 | 1408 | 162
Pages: 634-635
related names
Reviewer:
Paasche, Marit (Paasche, Marit)
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artists:
Reviewed Items
subjects:
Gerhard Munthe: Norwegian Pioneer of Modernism By Jan Kokkin. 296 pp. incl. 249 col. + b. & w. ills. (Arnoldsche, Stuttgart, 2019), €48. ISBN 978–3–89790–517–7. | :
Illustrations
Attributed works:
7. The fifth hall, by Gerhard Munthe. 1902–04. Oil on canvas, 62 by 128 cm. (National Museum of Art, Architecture and Design, Oslo).
Article
Van Gogh as mentally ill: his contested Oslo self-portrait
02/2020 | 1403 | 162
Pages: 88-101
related names
Author:
Meedendorp, Teio (Meedendorp, Teio)
Author:
Pilz, Kathrin (Pilz, Kathrin)
Author:
Tilborgh, Louis van (Tilborgh, Louis van)
Subjects
art literature:
art literature:
art literature:
art literature:
dates:
places:
Illustrations
Attributed works:
1. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 51.5 by 45.2 cm. (National Gallery, Oslo).
Attributed works:
10. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 40 by 31 cm. (Private collection).
Attributed works:
11. Madame Roulin and her baby, by Vincent van Gogh. 1888. Canvas, 63.5 by 51 cm. (Robert Lehman Collection, the Metropolitan Museum of Art, New York).
Attributed works:
12. Undergrowth, by Vincent van Gogh. 1889. Oil on canvas, 49 by 64.3 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
13. Image of Fig.1, superimposed with the X-radiograph, illustrating the initial outlines of the head, neck, shoulder, ear and lapel (with thanks to Heleen van Driel).
Attributed works:
14. Detail of the upper right edge of Fig.1, showing the paint to be less discoloured around the edges than in the picture plane.
Attributed works:
15. Micrograph of Fig.1 in raking light, showing the brushed texture of the paint in the lapel, partly flattened with a palette knife.
Attributed works:
16. Self-portrait as a ‘bonze’, by Vincent van Gogh. 1889. Oil on canvas, 61.5 by 50.3 cm. (Harvard Art Museums/Fogg Museum, Cambridge MA; bequest from the collection of Maurice Wertheim).
Attributed works:
17. Portrait of Peter Altenberg, by Max Oppenheimer. 1910. Whereabouts unknown. (From W. Michel: Max Oppenheimer, Munich 1911, p.3).
Attributed works:
18. The Arlésienne (Portrait of Marie-Julien Ginoux), by Vincent van Gogh. 1890. Oil on canvas, 60 by 50 cm. (Galleria Nazionale d’Arte Moderna, Rome).
Attributed works:
19. Entrance to a quarry, by Vincent van Gogh. 1889. Oil on canvas, 60 by 74.5 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
2. Self-portrait with bandaged ear and pipe, by Vincent van Gogh. 1889. Oil on canvas, 51 by 45 cm. (Private collection).
Attributed works:
20. Peter Altenberg, by Oskar Kokoschka. 1909. Oil on canvas, 76 by 71.5 cm. (Private collection, courtesy of Neue Gallery, New York).
Attributed works:
3. Armand Roulin, by Vincent van Gogh. 1888. Oil on canvas, 65 by 54 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
4. Self-portrait, by Edvard Munch. 1886. Oil on canvas, 33 by 24.5 cm. (National Museum, Oslo).
Attributed works:
5. and 6. Photograph of Fig.1 and its reverse, with an annotation by Eugène Blot: ‘Portrait de Van Gogh / oreille mutilée’. c.1909. (Cassirer-Archive, Zurich).
Attributed works:
7. Portrait of Vincent van Gogh, formerly attributed to Van Gogh. 1925– 28. Oil on canvas, 59.1 by 47.5 cm. (National Gallery of Art, Washington).
Attributed works:
8. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 57.8 by 44.5 cm. (National Gallery of Art, Washington).
Attributed works:
Opposite 9. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 65 by 54 cm. (Musée d’Orsay, Paris).
Article
Orazio and Artemisia Gentileschi and ‘Judith and her maidservant’ in Oslo
07/2019 | 1396 | 161
Pages: 532-543
related names
Author:
Ford, Thierry (Ford, Thierry)
Author:
Gram Bischoff, Nina (Gram Bischoff, Nina)
Author:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.4.
Attributed works:
10. Virgin and Child, by Orazio Gentileschi. 1609. Canvas, 98.5 by 75 cm. (National Museum of Art of Romania, Bucharest).
Attributed works:
11. Weaning Virgin, by Artemisia Gentileschi. c.1611. Canvas, 131 by 91 cm. (Galleria Corsini, Rome).
Attributed works:
12. Opposite Susanna and the Elders, by Artemisia Gentileschi. 1610. Canvas, 170 by 119 cm. (Graf von Schönborn, Schloss Weissenstein, Pommersfelden).
Attributed works:
13. David and Goliath, by Orazio Gentileschi. 1607–08. Canvas, 185.5 by 136 cm. (National Gallery of Ireland, Dublin).
Attributed works:
14. Virgin and Child, by Orazio Gentileschi. c.1614–15. Canvas, 99.5 by 85 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
14. Virgin and Child, by Orazio Gentileschi. c.1614–15. Canvas, 99.5 by 85 cm. (Fogg Art Museum, Cambridge MA).
Attributed works:
15. Portrait of a lady, by Agnolo Bronzino. c.1550. Panel, 109 by 85 cm. (Galleria Sabauda, Turin).
Attributed works:
16. Lucretia, by Artemisia Gentileschi. c.1612. Canvas, 100 by 77 cm. (Private collection).
Attributed works:
17. Judith slaying Holofernes, by Artemisia Gentileschi. 1620–21. Canvas, 199 by 162.5 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
18. Detail of Fig.4, showing Judith’s hair and ornamentation.
Attributed works:
19. Micro-graph of Fig.4, showing the helical decoration of Athena’s helmet on Judith’s brooch.
Attributed works:
2. Opposite left Judith and her maidservant with the head of Holofernes, by Orazio Gentileschi. 1612. Canvas, 132 by 100 cm. (Private collection).
Attributed works:
20. Detail of Fig.17, showing the arc of blood and Judith’s bracelet.
Attributed works:
3. Opposite right Judith and her maidservant with the head of Holofernes, by Artemisia Gentileschi. c.1613–14. Canvas. 114 by 93.5 cm. (Palazzo Pitti, Florence).
Attributed works:
4. Judith and her maidservant with the head of Holofernes, here attributed to Artemisia Gentileschi. c.1611–12. Canvas. 136 by 159 cm. (National Museum of Art, Architecture and Design, Oslo).
Attributed works:
5. Judith with the head of Holofernes, by Artemisia Gentileschi. c.1609. Canvas, 129 by 96.3 cm. (Lemme Collection).
Attributed works:
6. Judith slaying Holofernes, by Artemisia Gentileschi. c.1612. Canvas, 158.8 by 125.5 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
7. X-radiograph of Fig.4 (National Museum of Art, Architecture and Design, Oslo).
Attributed works:
8. Detail of Fig.4, showing Judith holding the sword, with infra-red detail showing dark indentation lines.
Attributed works:
9. Detail of Fig.7, showing a change in the positioning of the thumb.
Book Review
Dahl und Friedrich. Romantische Landschaften, B. Kuhlmann-Hodick, G. Spitzer, E. Haverkamp and B. Sørensen, eds.
10/2015 | 1351 | 157
Pages: 714
related names
Reviewer:
Schmid, F. Carlo (Schmid, F. Carlo)
Subjects
dates:
Illustrations
Attributed works:
40. Evening, by Caspar David Friedrich. 1824 (Private collection)
Exhibition Review
Nordic landscape painting. Helsinki, Stockholm, Oslo, Minneapolis and Copenhagen
10/2006 | 1243 | 148
Pages: 705-707
related names
Reviewer:
House, John (House, John; H., J.)
Subjects
dates:
Reviewed Items
subjects:
A Mirror of Nature: Nordic Landscape Painting 1840–1910 | institution: Ateneum Art Museum , institution: Minneapolis Institute of Arts , institution: Nasjonalmuseet for Kunst, Arkitektur og Design , institution: Nationalmuseum , institution: Statens Museum for Kunst
Illustrations
Attributed works:
42. Imatra in winter, by Akseli Gallen-Kallela. 1893. Canvas, 153 by 194 cm. (Ateneum Art Museum, Helsinki; exh. Nationalmuseum, Stockholm).
Attributed works:
43. A Danish coast: view from Kitnœs by the Roskilde Fjord, by Johan Thomas Lundbye. 1842–43. Canvas, 188.5 by 255.5 cm. (Statens Museum for Kunst, Copenhagen; exh. National-museum, Stockholm).
Attributed works:
44. Girls bathing (In the open air), by Anders Zorn. 1890. Canvas, 69 by 101 cm. (Ateneum Art Museum, Helsinki; exh. Nationalmuseum, Stockholm).
Short Notice
The provenance of Vincent van Gogh's 'Self-portrait' in Oslo
02/2006 | 1235 | 148
Pages: 113–116
related names
Author:
Lange, Marit Ingeborg (Lange, Marit Ingeborg)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
52. Self-portrait, by Vincent van Gogh. c.1888. 51 by 45 cm. (National Museum of Art, Oslo).
Attributed works:
53. Reverse of Self-portrait, by Vincent van Gogh. c.1888, showing labels and stock numbers on the stretcher.
Letter
Van Dyck and the motif of the broken column
05/2005 | 1226 | 147
Pages: 335
Supplement
Acquisitions of Modern Art by Museums: Supplement
02/1971 | 815 | 113
Pages: 115-120
Subjects
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artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
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museums and institutions:
places:
Illustrations
Attributed works:
53. Karl Muck and His Orchestra: The Cello Players, by Rolf Nesch. 1931. Etching, 50 by 33 cm. (Nasjonalgalleriet, Oslo.)
Attributed works:
54 Dancing, by Charles Demuth. Signed and Dated 1912. Water-Colour, 22.9 by 14.6 cm. (Boston Museum of Fine Arts.)
Attributed works:
55. Dancers, by Charles Prendergast. c.1915. Water-Colour and Gold Leaf on an Incised, Gessoed Panel, 58.4 by 78.8 cm. (Boston Museum of Fine Arts.)
Attributed works:
56. L'Eglise de Saint Jacques, Dieppe, by Walter Sickert. Signed. c.1900. Canvas, 56 by 48.4 cm. (Whitworth Art Gallery, Manchester.)
Attributed works:
57. Pembroke Coast, by J. D. Innes. Signed. Oil on Plywood, 31.8 by 38.1 cm. (National Museum of Wales, Cardiff.)
Attributed works:
58. Untitled, by Yves Tanguy. Signed and Dated 1952. Tempera on Paper, 74 by 62.5 cm. (Von der Heydt Museum, Wuppertal.)
Attributed works:
59. BOO/69, by Rasheed Araeen. Constructed relief. (Walker Art Gallery, Liverpool.)
Attributed works:
60. Landscape, by David Wild. Canvas. (Walker Art Gallery, Liverpool.)
Attributed works:
61. Amorpha, Figure for Two Colours II, by Frantisek Kupka. Signed. 1909-12. Canvas, 112 by 68.6 cm. (Cleveland Museum of Art.)
Attributed works:
62. Untitled, by Larry Poons. Completed 1969. Canvas, 342 by 229 cm. (Cleveland Museum of Art.)
Attributed works:
63. Needle Tower, by Kenneth Snelson. 1968. Aluminium and Steel; Height, 28 m. across the Base, 5.40 m. (Rijksmuseum Kröller-Müller, Otterlo.)
Attributed works:
64. Another View of the Needle Tower Illustrated in Fig.63.
Attributed works:
65. The Brake, by Phillip King. 1966. Fibreglass; Height, 213.5 cm. (Rijksmuseum Kröller-Müller, Otterlo.)
Attributed works:
66. Transparent Sculpture V, by Louise Nevelson. 1967. Plexiglass, 234 by 122 by 48 cm. (Rijksmuseum Kröller-Müller, Otterlo.)
Attributed works:
67. T.1966 - H.28, by Hans Hartung. 1966. Acrylic on Canvas, 50 by 130 cm. (Birmingham Museum and Art Gallery.)
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