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8 articles
Article
The Parisian career of the sculptor Jacques François Saly, 1749–53
11/2016 | 1364 | 158
Pages: 891-899
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Author:
Sørensen, Bent (Sørensen, Bent)
Subjects
artists:
Saly, Jacques-François-Joseph
dates:
1740-1749 / 1750-1759
patrons:
Poisson, Jeanne Antoinette, Marquise de Pompadour, 1721-1764
places:
Paris / France
subjects:
French sculpture / Marbles / Commissions / Biographies / Académie royale de peinture et de sculpture, Paris, France / Provenance / Patronage
Illustrations
Attributed works:
34. Emanuel Pinto de Fonseca, Grand Master of the Order of Malta, by Jacques François Joseph Saly. 1744 (National Museum of Archaeology, Valletta)
Attributed works:
35. Bust of a young girl, by Jacques François Joseph Saly. 1743-44 (Private collection, Paris)
Attributed works:
36. Faun holding a goat, by Jacques François Joseph Saly. 1750 (Formerly The Russian Academy of Fine Arts, St Petersburg; present whereabouts unknown)
Attributed works:
37. Faun holding a goat, by Jacques François Joseph Saly. 1751 (The J. Paul Getty Museum, Los Angeles)
Attributed works:
38. Hebe, by Jacques François Joseph Saly. 1751 (State Hermitage Museum, St Petersburg; photograph by Vladimir Terebenin)
Attributed works:
39. Fig.40 seen from the back
Attributed works:
40. Cupid testing one of his arrows, by Jacques François Joseph Saly. 1753 (Musée du Louvre, Paris)
Article
The Parisian career of the sculptor Jacques François Joseph Saly, 1749–53
11/2016 | 1364 | 158
Pages: 000-000
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Author:
Sørensen, Bent (Sørensen, Bent)
Letter
The Warwick Vase
10/2004 | 1219 | 146
Pages: 694
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Author:
Sørensen, Bent (Sørensen, Bent)
Subjects
print:
Vases
works:
Warwick Vase (Burrell Collection, Glasgow)
Short Notice
Piranesi, Grandjacquet and the Warwick Vase
11/2003 | 1208 | 145
Pages: 792-794
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Author:
Sørensen, Bent (Sørensen, Bent)
Subjects
artists:
Piranesi, Giovanni Battista
artists:
Grandjacquet, Antoine Guillaume
dates:
1700-1799
places:
England / France
subjects:
Roman (ancient) / Vases
subjects:
Conservation / Antiquities / Art market
works:
Warwick Vase (Burrell Collection, Glasgow)
Illustrations
Attributed works:
Letter with drawing of the stucco model for the Warwick Vase, by Giovanni Battista Piranesi. 1772. (The Pierpoint Morgan Library, New York).
Attributed works:
The other side of Fig.36. The Warwick Vase. Second-century Roman original with eighteenth-century reconstruction work, here attributed to Antoine Guillaume Grandjacquet, after a design by Giovanni Battista Piranesi. Marble, 294 cm. high (including pedestal). (The Burrell Collection, Glasgow).
Attributed works:
The Warwick Vase. Second-century Roman original with eighteenth-century reconstruction work, here attributed to Antoine Guillaume Grandjacquet, after a design by Giovanni Battista Piranesi. Marble, 294 cm. high (including pedestal). (The Burrell Collection, Glasgow).
Article
Panini and Ghezzi: the portraits in the Louvre 'Musical performance at the Teatro Argentina'
08/2002 | 1193 | 144
Pages: 467-474
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Author:
Sørensen, Bent (Sørensen, Bent)
Subjects
artists:
Panini, Giovanni Paolo
artists:
Ghezzi, Pier Leone
dates:
1700-1799
museums and institutions:
Musée du Louvre, Paris, France
places:
Italy / Rome
subjects:
Italian painting
subjects:
Portraits / Caricatures
Illustrations
Attributed works:
1. Musical Performance Given at the Teatro Argentina in Rome, by Giovanni Paolo Panini. c.1747-48. 204 by 247 cm. (Musée du Louvre, Paris).
Attributed works:
10. Detail of Fig.1 with Figure Identified Here as the Marquis de Paulmy.
Attributed works:
11. Antoine-Réne de Voyer d'Argenson, marquis de Paulmy (Centre), by Pier Leone Ghezzi. Pen and Brown Ink, 27 by 17.5 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
12. Emmanuel Armand de Vignerod du Plessis de Richelieu, duc d'Agenois, later duc d'Aiguillon and Louis-Marie-Florent, comte du Châtelet-Lomont, later duc du Châtelet, by Giovanni Paolo Panini. Black Chalk, 19.7 by 12.5 cm. (British Museum, London).
Attributed works:
13. Emmanuel Armand de Vignerod du Plessis de Richelieu, duc d'Agenois, later duc d'Aiguillon, by Pier Leone Ghezzi. Pen and Brown Ink, 11.4 by 7.6 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
14. Louis-Marie-Florent, comte du Châtelet-Lomont, later duc du Châtelet, by Pier Leone Ghezzi. Pen and Brown Ink, 11.6 by 7.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
2. Detail of Fig.1 Showing M. Binet.
Attributed works:
3. Monsieur Binet, by Pier Leone Ghezzi. Pen and Brown Ink, 27.5 by 20 cm. (Bibliothèque Nationale, Paris).
Attributed works:
4. Detail of Fig.1 with Joseph Digne and Abbé Pierre-Antoine Romelot.
Attributed works:
5. Joseph Digne, by Pier Leone Ghezzi. Pen and Brown Ink, 27.5 by 20 cm. (Bibliothèque Nationale, Paris).
Attributed works:
6. Detail of Fig.1 with Jean-François de Troy.
Attributed works:
7. Jean-François de Troy, by Pier Leone Ghezzi. Pen and Brown Ink, 27.8 by 19.7 cm. (Bibliothèque nationale, Paris).
Attributed works:
8. Detail of Fig.1 with Abbé Emeric Brulon.
Attributed works:
9. Abbé Emeric Brulon and Abbé Jean Bouget, by Pier Leone Ghezzi. Pen and Brown Ink, 27.5 by 20 cm. (Bibliothèque nationale, Paris).
Short Notice
Two Overlooked Drawings by Piranesi for S. Giovanni in Laterano in Rome
07/2001 | 1180 | 143
Pages: 430-433
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Author:
Sørensen, Bent (Sørensen, Bent)
Subjects
artists:
Piranesi, Giovanni Battista
buildings:
Basilica di San Giovanni in Laterano, Rome, Italy
dates:
1700-1799
places:
Italy / Rome
subjects:
Italian architecture / Architectural drawings / Drawings
Illustrations
Attributed works:
24. Tavola Undecima: Plan of Piranesi's Project for the Sanctuary of S. Giovanni in Laterano, by Giovanni Battista Piranesi's Workshop. Pen and Brown Ink over Pencil, Brown and Grey Wash, 89 by 56.2 cm. (Avery Architectural Library, Columbia University, New York).
Attributed works:
25. Tavola Decimterza: Transverse Sectional View of Piranesi's Project for the Sanctuary of S. Giovanni in Laterano Facing West, by Giovanni Battista Piranesi's Workshop. Pen and Brown Ink over Pencil, Brown and Grey Wash, 93.3 by 62 cm. (The Hermitage Museum, St Petersburg).
Attributed works:
26. Tavola Duodecima: Transverse Section Showing Piranesi's Projected West Wall of the Transept of S. Giovanni in Laterano with the Papal Altar and Baldacchino, by Giovanni Battista Piranesi's Workshop. Pen and Brown Ink over Pencil, Brown and Grey Wash, 56.7 by 88.5 cm. (Avery Architectural Library, Columbia University, New York).
Attributed works:
27a (Left) and 27b. Figure Studies, by Giovanni Battista Piranesi. Brown Ink, 34 by 41.6 cm. (École nationale supérieure des Beaux-Arts, Paris; London Art Market 1960, Photograph Witt Library, Courtauld Institute, London).
Attributed works:
28. Author's Reconstruction of the Architectural Drawing Drawn under (And at 180° to) the Figure Studies in Figs.27a and 27b. Transverse Section of Piranesi's Project for the Sanctuary of S. Giovanni in Laterano Facing East, by Giovanni Battista Piranesi's Workshop.
Attributed works:
29. Tavola Vigesimaterza: Project for Papal Altar in S. Giovanni in Laterano, by Giovanni Battista Piranesi's Workshop. Pen and Brown Ink over Pencil, Brown and Grey Wash, 90.6 by 59.4 cm. (Avery Architectural Library, Columbia University, New York).
Attributed works:
30. Project for the Reliquary for the Heads of Sts Peter and Paul in S. Giovanni in Laterano, by Giovanni Battista Piranesi. Pen and Brown Ink, 33.6 by 18.2 cm. (The Pierpont Morgan Library, New York).
Attributed works:
31. Project for the Reliquary for the Heads of Sts Peter and Paul in S. Giovanni in Laterano, by Giovanni Battista Piranesi. Pen and Brown Ink, 18 by 26.4 cm. (The Pierpont Morgan Library, New York).
Short Notice
An Unpublished Project by Piranesi for Clement XIII
08/2000 | 1169 | 142
Pages: 497-501
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Author:
Sørensen, Bent (Sørensen, Bent)
Subjects
artists:
Piranesi, Giovanni Battista
dates:
1700-1799
patrons:
Clement XIII, Pope, 1693-1769
places:
Italy / Rome
subjects:
Italian architecture / Unexecuted designs
Illustrations
Attributed works:
18. Piazza di Montecitorio, by Giovanni Battista Piranesi. 1762. Etching, 48.5 by 69.8 cm. (Bibliothèque nationale, Paris).
Attributed works:
19. Project for a Sculptural Group of Faith, Justice and ?Prudence, to Be Placed on the Antoninus Pius Base, by Giovanni Battista Piranesi. Pen and Brown Ink over Pencil, 31.6 by 29.5 cm. (Dayton Art Institute, Dayton, OH).
Attributed works:
20. The Antique Pedestal of the Column of Antoninus Pius, by Giovanni Battista Piranesi. 1762. Etching, 34 by 28 cm. (Bibliothèque nationale, Paris)
Attributed works:
21. Rovesci di Medaglie di Antonino e Faustina, by Giovanni Battista Piranesi (Detail from the Plate Colonna eretta in memoria dell'Apoteosi di Antonino Pio in Trafeo o sia magnifica colonna coclide di marmo, Rome [1779].
Attributed works:
23. Project for a Statue of Justice with the Antoninus Pius Base, by Giovanni Battista Piranesi. 1763. Pen and Brown Ink over Pencil, Brown and Grey Wash, 93.3 by 61.5 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
24. Project for the Altar with the Apotheosis of St Basil of Cappadocia in S. Maria del Priorato, Rome, by Giovanni Battista Piranesi. 1764. Pen and Brown Ink, 11.8 by 11.7 cm. (Pierpont Morgan Library, New York).
Attributed works:
25. Project for the Altar with the Apotheosis of St Basil of Cappadocia in S. Maria del Priorato, by Giovanni Battista Piranesi. 1764. Pen and Brown Ink over Pencil, 34 by 18.7 cm. (Kunstbibliothek, Berlin).
Western art unattributed:
22. Coin Commemorating the Apotheosis of the Empress Faustina. 1405 A. D. Bronze, 2.6 cm. (Bibliothèque nationale de France, Cabinet des Médailles, Paris).
Article
Some Sources for Piranesi's Early Architectural Fantasies
02/2000 | 1163 | 142
Pages: 82-89
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Author:
Sørensen, Bent (Sørensen, Bent)
Subjects
artists:
Piranesi, Giovanni Battista
dates:
1700-1799
places:
Italy
subjects:
Italian architecture / Prints
subjects:
Architectural drawings / Visual sources
Illustrations
Attributed works:
13. Sarcophagus with the Nine Muses, by Francesco Aquila. Engraving, 10.5 by 21.2 cm. Headpiece from p. 1 of P. A. Maffei: Raccolta di statue antiche e moderne, Rome [1704] (Bibliothèque Nationale, Paris).
Attributed works:
14. Detail, in Reverse Sense, of Vestiggi d'antichi Edificj, by Giovanni Battista Piranesi. Etching from the Prima parte di architetture e prospettive, Rome [1743].
Attributed works:
15. The plundering of palazzo Medici, by Pietro Santi Bartoli after Raphael. Engraving from the Suite Leonis X admirandae virtutis imagines (Bibliothèque Nationale, Paris).
Attributed works:
16. Detail, in Reverse Sense from the Mausoleo antico, by Giovanni Battista Piranesi. Etching from the Prima parte di architetture e prospettive, Rome [1743].
Attributed works:
17. Detail, in Reverse Sense of The Skeletons, by Giovanni Battista Piranesi. Etching from the Grotteschi. (1747-48).
Attributed works:
18. Two Roman Soldiers, by Giovanni Francesco Venturini after a Drawing by Giovanni Battista Galestruzzi, Reproducing a Façade Painting by Polidoro da Caravaggio' from Palazzo Milesi, Rome. Engraving (Bibliothèque Nationale, Paris).
Attributed works:
19. Detail of the Copper-Plate from the 'Abandoned Etching', by Giovanni Battista Piranesi. c. 1747-48 (Istituto Nazionale per la Grafica, Rome).
Attributed works:
20. The Triumph of Caesar, by Robert Van Audenaerd after Andrea Mantegna. Engraving (39.4 by 42 cm.) from C. Ivlii Cæsaris dictatoris trivmphi, Rome [1692].
Attributed works:
21. Detail of the Copper-Plate with the Abandoned Etching, by Giovanni Battista Piranesi. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
22. Magnificent Vase, by Jean Lepautre. Engraving, 32.3 by 23 cm. (Collection Edmond de Rothschild, Musée du Louvre, Paris).
Attributed works:
23. Detail of the Copper-Plate with the Abandoned Etching, by Giovanni Battista Piranesi (Istituto Nazionale per la Grafica, Rome).
Attributed works:
24. The Council of the Gods, by Nicolas Dorigny after Raphael. Engraving (39 by 68.5 cm.) from Psyches et Amoris nuptiae ac fabula a Raphaele Sanctio vrbinate Rome [1693] (Bibliothèque Nationale, Paris).
Attributed works:
25. Cabinet, by Jean Lepautre. Engraving, 21.4 by 14.6 cm. (Bibliothèque Nationale, Paris).
Attributed works:
26. Detail of the Copper-Plate with the Abandoned Etching, by Giovanni Battista Piranesi. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
27. Cabinet, by Jean Lepautre. Engraving, 21.4 by 14.6 cm. (Bibliothèque Nationale, Paris).
Attributed works:
28. Saltcellar with an Elaborate Border Decoration Showing Marine Personages, by Jean Lepautre. Engraving, 14.6 by 21.8 cm. (Bibliothèque Nationale, Paris).
Attributed works:
29. Detail of the Copper-Plate with the Abandoned Etching, by Giovanni Battista Piranesi. (Istituto Nazionale per la Grafica, Rome).
Attributed works:
30. Tritons and Hippocamps, by Jean Lepautre. Engraving, 11.3 by 43 cm. (Bibliothèque Nationale, Paris).
Attributed works:
31. Detail, in Reverse Sense, of The Tomb of Nero, by Giovanni Battista Piranesi. Etching from the Grotteschi.
Attributed works:
32. Ewer with Hercules Slaying Cacus, by Jean Lepautre. Engraving, 23.8 by 15.7 cm. (Bibliothèque Nationale, Paris).
Attributed works:
33. Ewer with a Triumph of Neptune, by Jean Lepautre. Engraving, 23.4 by 16 cm. (Bibliothèque Nationale, Paris).
Attributed works:
34. Montants à la romaine, by Jean Lepautre. Engraving, 22.4 by 14.8 cm. (Bibliothèque Nationale, Paris).