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113 articles
Article
Imagery by Raja Ravi Varma on Raj Silver
10/2022 | 1435 | 164
Pages: 976-985
related names
Author:
Dehejia, Vidya J. (Dehejia, Vidya J.)
Subjects
dates:
places:
Illustrations
Attributed works:
11. Tea service, designed and made by P. Orr & Sons. 1907. Silver, heights12 cm (teapot), 7.8 cm (sugar bowl) and 9.5 cm (cream jug). (Royal Ontario Museum, Toronto).
Attributed works:
12. Detail of the teapot in Fig.11, showing Lakshmi.
Attributed works:
13. Detail of the sugar bowl in Fig.11, showing Saraswati seated on a rock.
Attributed works:
14. Detail of the cream jug in Fig.11, showing Saraswati seated on a rock.
Attributed works:
15. Detail of the sugar bowl in Fig.11, showing Lakshmi.
Attributed works:
16. Detail of the teapot in Fig.11, showing Saraswati seated on a peacock.
Attributed works:
19. Detail of Fig.17 showing Vishvamitra and Shakuntala.
Attributed works:
2. Ahalya, by Raja Ravi Varma. c.1898. Chromolithograph, 35.6 by 25.4 cm. (Private collection).
Attributed works:
22. Kamsa-Maya, by Raja Ravi Varma. 1896. Oil on canvas, 168.1 by 116.8 cm. (Royal Gaekwad Collection, Lakshmi Vilas Palace).
Attributed works:
24. Birth of Shakuntala (Shakuntala Janm), after Raja Ravi Varma. c.1894. Chromolithograph, 49.8 by 34.8 cm. (Private collection).
Attributed works:
4. Temptress (Mohini), after Raja Ravi Varma. Undated chromolithograph, 49.8 by 34.8 cm. (Private collection).
Attributed works:
5. Design for a teapot in a Cutch Swamy work tea service, by the Oomersee Mawji silver workshop, Kutch. Late 19th or early 20th century. Pencil on paper, approx. 10 by 15 cm. (Private collection).
Attributed works:
6. Arjuna and Subhadra, Visvamitra and Menaka, Shakuntala writing a love-letter and Savitri pleading with Yama for Satyavan’s life, by the Oomersee Mawji silver workshop, Kutch, after Raja Ravi Varma. Late 19th or early 20th century. Pencil on paper, approx. 15 by 25 cm. (Private collection).
Attributed works:
7. Saraswati, by Raja Ravi Varma. c.1896. Chromolithograph, 69.2 by 49.8 cm. (Private collection).
Attributed works:
8. Lakshmi, by Raja Ravi Varma. c.1896. Chromolithograph, 70.8 by 49.8 cm. (Private collection).
Attributed works:
9. Saraswati seated on a peacock and Lakshmi standing in a lotus pond, by the Oomersee Mawji & Sons silver workshop, Kutch. Late 19th or early 20th century. Pencil on paper, approx. 10 by 15 cm. (Private collection).
Non-western art unattributed:
1. Vase depicting a woman with a basket. Indian, twentieth century. Silver, height 61 cm. (Private collection).
Non-western art unattributed:
10. The rear of the vase illustrated in Fig.3.
Non-western art unattributed:
17. Kamandalu. Indian, twentieth century. Silver, height 29 cm. (Victoria & Albert Museum, London).
Non-western art unattributed:
18. Detail of Fig.17 showing Vishvamitra and Menaka.
Non-western art unattributed:
20. Detail of Fig.17, showing Arjuna and Subhadra.
Non-western art unattributed:
21. Detail of Fig.17, showing Kamsa-Maya.
Non-western art unattributed:
23. Tea caddy. Indian, twentieth century. Silver, height 15 cm. (Private collection).
Non-western art unattributed:
3. Vase with a scene of a woman on a swing. Indian, twentieth century. Silver, height 61 cm. (Private collection).
Article
Nicolas Pineau as a designer of ornament prints
09/2022 | 1434 | 164
Pages: 864-873
related names
Author:
Laurenti, Aurora (Laurenti, Aurora)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Designs for table and consoles, by Jean Mariette, after Nicolas Pineau. c.1707–09. Etching, 20.5 by 26 cm. (From the series Nouveaux Desseins de Pieds de Tables et de Vases et Consoles de sculpture en bois Inventés par le Sieur Pineau sculpteur / a Paris chez Mariette rue S.Jacques aux colonnes d’Hercules, pl.1, in J. Mariette : Architecture à la mode, Paris 1709; Bibliothèque de l’Institut National d’Histoire de l’Art, Paris, collections Jacques Doucet; 4 est 420).
Attributed works:
10. Detail of Fig.9, showing rocailles with gadroons.
Attributed works:
11. ‘Agraffe en cartel’, by Jacques-François Blondel, after Nicolas Pineau, c. 1737. Etching. (From J.-F. Blondel and C.-A. Jombert: De la distribution des maisons de plaisance et de la décoration des édifices en général, pl.39, II Paris 1738, Paris, INHA, Collection Jacques Doucet, 4 RES 2 (2)).
Attributed works:
12. ‘Couronnement de Cheminée varié de deux façons, convenable pour une Chambre de parade’, by Jacques-François Blondel, after Nicolas Pineau. c.1737. Etching. (From J. Mariette and A.-C. d’Aviler: Cours d’Architecture, pl. 59d, Paris, 1738, ETH-Bibliothek Zürich, Rar 6836).
Attributed works:
13. Design for a chimneypiece, by Nicolas Pineau. c.1737. Red chalk on paper, 42.8 by 25.3 cm. (Musée des Arts Décoratifs, Paris, inv. no.29115).
Attributed works:
2. Designs for table and consoles, by Jean Mariette, after Nicolas Pineau. c.1707–09. Etching, 20.5 by 26 cm (From the series Nouveaux Desseins de Pieds de Tables et de Vases et Consoles de sculpture en bois Inventés par le Sieur Pineau sculpteur / a Paris chez Mariette rue S.Jacques aux colonnes d’Hercules, pl.6, in J. Mariette: Architecture à la mode, Paris 1709; Bibliothèque de l’Institut National d’Histoire de l’Art, Paris, collections Jacques Doucet; 4 est 420).
Attributed works:
3. Designs for torchères, by Jean Mariette, after Nicolas Pineau. c.1707–09. Etching, 20.5 by 26 cm. (From the series Nouveau desseins de Plaques, Consoles, Torcheres, et Médailliers de l’invention du S.r Pineau Sculpteur / A Paris chez JMariette rue S.Jacques aux Colonnes d’Hercules, pl.4; Bibliothèque de l’Institut National d’Histoire de l’Art, Paris, Jacques Doucet collections; RES 50).
Attributed works:
4. Three designs for cartouches by Antoine Herisset, after Nicolas Pineau. 1710–16? Etching, 28.7 by 22 cm. (From the series [Cartouches] a Paris chez Mariette rue S. Jacques aux colonnes d’Hercules, pl.1; Paris, INHA, Jacques Doucet collection, FOL EST 452).
Attributed works:
5. ‘Dessin de porte pour le cabinet de Samajesté [sic]’, by Nicolas Pineau. c.1718. Pencil, black and red chalk on paper, 25 by 13.5 cm. (Musée des Arts Décoratifs, Paris, inv. no.29124).
Attributed works:
6. Designs for chimneypieces, by Nicolas Pineau. c.1720–25? Black chalk on paper, 32 by 20.8 cm. (Musée des Arts Décoratifs, Paris, inv. nos.29098A and 29098B).
Attributed works:
7. ‘Dessein de Cheminée et de Lambris de l’invention du S.r Pineau’, by Jacques-François Blondel, after Nicolas Pineau. Engraving, 35.5 by 22.5 cm. (From the series Dessein de Cheminée pour un Cabinet dont la decorazion variée du Lambris est des plus riches / Mariette exc., pl.5, in J. Mariette: Architecture Françoise, III, Paris 1738; Ecole Nationale Supérieure des Beaux-Arts, Paris; Les 1803).
Attributed works:
8. ‘Decoration de Cheminée, accompagnee d’un riche lambris, propre pour une Gallerie/ A Paris chez Mariette rue S. Jacques aux Colonnes d’Hercules’, by Jacques-François Blondel after Nicolas Pineau. Engraving, 33 by 23 cm. (From the series Decoration de Cheminée pour un grand Apartement, pl.2, in J. Mariette: Architecture Françoise, III, Paris 1738; Paris, INHA, Jacques Doucet collection, FOL EST 452).
Attributed works:
9. ‘Décoration intérieure du côté de l’entrée de la galerie de l’Hôtel de Villars Le Roux invenit / Blondel sculpsit’, by Jacques-François Blondel after Nicolas Pineau. 1746. Etching, 33.7 by 23.5 cm. (From Plans et Décorations intérieures De La Galerie de l’Hôtél de Villars [. . .]; Paris, INHA, Collection Jacques Doucet, EST 469).
Article
The Empress Dowager Cixi’s Japanese screen and late Qing imperial cosmopolitanism
10/2021 | 1423 | 163
Pages: 886-897
related names
Author:
Rado, Mei Mei (Rado, Mei Mei)
Subjects
dates:
Illustrations
Attributed works:
1. Her Imperial Majesty, the Empress Dowager of China, by Yu Xunling. 1903. Photograph, hand-coloured gelatin silver print, 23.1 by 17.2 cm. (Museum of Fine Arts, Boston).
Attributed works:
10. Folding screen depicting peacocks among azalea bushes, by Iida & Co. (Takashimaya). Japan, c.1903. Silk embroidery, 152.4 by 304.8 cm. (From The Principal Exhibits to the Louisiana Purchase Exposition, St Louis, U.S.A., 1904 by S. Iida, “Takashimaya” Kyoto Japan; Takashimaya Historical Museum, Osaka).
Attributed works:
12. Folding screen depicting a white phoenix, pine tree and chrysanthemums. Japan, c.1895–1905. Embroidered silk, 230 by 552 cm., each panel 230 by 69 cm. (Palace Museum, Beijing).
Attributed works:
16. Woman’s coat, made by Iida & Co. (Takashimaya). Japan, c.1900–09. Silk embroidery on silk crêpe (Metropolitan Museum of Art).
Attributed works:
18. The Meiji Empress, Haruko, by Suziki Shin’ichi I and Maruki Riyō. 1889. Photograph, gelatin silver print signed by Empress Haruko, 27.5 by 20.5 cm. (Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Washington)
Attributed works:
2. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph, hand-coloured gelatin silver print. (Palace Museum, Beijing).
Attributed works:
3. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph from a glass plate negative, 24.1 by 17.8 cm. (Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Washington).
Attributed works:
4. The Kangxi Emperor in informal dress at his writing table. Late seventeenth century. Hanging scroll, ink and colour on silk, image 50.7 by 32 cm. (Palace Museum, Beijing).
Attributed works:
5. The Empress Dowager Tze His [Cixi], of China, by Katharine Carl. 1903. Oil on canvas with original camphor wood frame, canvas 297.2 by 173.4 cm. (Arthur M. Sackler Gallery, Smithsonian National Museum of Asian Art, Washington).
Attributed works:
6. Folding screen depicting peacocks among peonies, made by Iida & Co. (Takashimaya). Japan, c.1903. Silk embroidery and later ink and colour on paper, 268 by 456 cm. (Palace Museum, Beijing).
Attributed works:
7. Detail of Fig.6, showing the padded embroidery of the peonies’ petals. (Photograph the author).
Attributed works:
8. Detail of Fig.6, showing the subtle colour gradations and sheen of the peacock’s feathers. (Photograph the author).
Attributed works:
9. Detail of Fig.6, showing the Japanese inscription on the back of the frame. (Photograph the author).
Non-western art unattributed:
11. Wall hanging depicting a landscape. Japan, c.1895–1905. Yūzen-dyed velvet, image 176 by 116 cm. (Palace Museum, Beijing).
Non-western art unattributed:
13 and 14. Front and back of a woman’s informal court robe (chenyi). China, c.1905. Silk tapestry (kesi) with embroidery highlights. (Metropolitan Museum of Art, New York).
Non-western art unattributed:
15. Back of woman’s informal court robe (chenyi). China, c.1905. Silk tapestry (kesi), lined with squirrel and silver rat fur. (Palace Museum, Beijing).
Non-western art unattributed:
17. Vase (one of a pair). Japan, c.1895–1905. Cloisonné enamel (shippō), height 150 cm. (Palace Museum, Beijing).
Article
A pair of Qianlong imperial enamel painted glass vases in the Corning Museum of Glass
10/2020 | 1411 | 162
Pages: 832-839
related names
Author:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Author:
Xue, Shelly (Xue, Shelly)
Subjects
media:
Illustrations
Attributed works:
5. Details of the left-hand vase in Fig.1, showing the golden pheasants (left) and peonies (right).
Attributed works:
7. A golden pheasant, by Yu Sheng and Zhang Weibang. c.1750−61. Ink on paper, 41.9 by 43.9 cm. (Repr. The Birds of the Qing Court, Beijing 2014).
Non-western art unattributed:
1. Pair of vases decorated with golden pheasants and peonies. China, Qianlong mark and period (1736−96). Enamel-painted glass, height 16.2 cm. (The Corning Museum of Glass, NY).
Non-western art unattributed:
3. Box. China, Kangxi mark and period (1696−1722). Enamel-painted glass, 3.2 by 4.5 cm. (Kunstmuseum Den Haag).
Non-western art unattributed:
4. Detail of a Yu Huchan vase decorated with golden pheasants and peonies, Qianlong period (1736−96). Enamel-painted porcelain, height 16.3 cm. (Tian Jin Museum, Tianjin).
Non-western art unattributed:
6. Details of the right-hand vase in Fig. 1, showing the golden pheasants (left) and peonies (right)
Non-western art unattributed:
8. Detail of the right-hand vase in Fig.1, showing the calligraphy and seals.
Western art unattributed:
2. Bottle. Probably Saxony, c.1710−20. Engraved opaque white glass, height 10.8 cm. (The Corning Museum of Glass, NY).
Article
Piranesi, the Stowe Vase and the silver Buckingham Vases
06/2020 | 1407 | 162
Pages: 502-511
related names
Author:
Chambers Mills, Rosie (Chambers Mills, Rosie)
Subjects
collectors and dealers:
dates:
museums and institutions:
styles:
subjects:
Illustrations
Attributed works:
1. Buckingham Vase, marked by Paul Storr, London. 1811–12. Silver, 40 by 35.6 by 26.7 cm. Los Angeles County Museum of Art, purchased with funds provided by The Rosalinde and Arthur Gilbert Foundation, the family of Sir Arthur Gilbert, and Marilyn B. and Calvin B. Gross. (Photograph   Museum Associates/LACMA).
Attributed works:
10. Study of an altar, by Bernardino Ciferri. c.1710–30. Red chalk on paper, 30.3 by 28 cm. (British Museum, London).
Attributed works:
11. Her Majesty’s departure from Stowe House, from the Illustrated London News, 25th January 1845. Engraving. (Bridgeman Images).
Attributed works:
12. Marble vase from Hadrian’s Villa, by Henry Moses. Engraving. (Repr. Vorbilder für Fabrikanten und Handwerker, Berlin 1830, part 1, section 2, pl.23; Kupferstichkabinett, Staatliche Museen zu Berlin).
Attributed works:
13. Detail of the Innovo Vase, by Michael Eden. 2016. Coated nylon. 50.2 by 40.6 by 29.2 cm. Los Angeles County Museum of Art, gift of Viveca Paulin-Ferrell and Will Ferrell, Alice and Nahum Lainer, Shannon and Peter Loughrey, and Heidi Wettenhall and Said Saffari through the 2016 Decorative Arts and Design Acquisitions Committee (DA ). (  Michael Eden; photograph   Museum Associates/LACMA.
Attributed works:
2. The Stowe Vase (front), from Vasi, candelabri [. . .], by Giovanni Battista Piranesi, Rome 1778. Etching on paper, plate 57 by 37.5 cm.
Attributed works:
3. The Stowe Vase (side), from Vasi, candelabri [. . .], by Giovanni Battista Piranesi, Rome 1778. Etching on paper, plate 57 by 37 cm.
Attributed works:
4. The Stowe Vase. Rome, 2nd century BC. Marble, 119.4 by 101.6 by 76.2 cm. Los Angeles County Museum of Art, William Randolph Hearst Collection. (Photograph   Museum Associates/LACMA).
Attributed works:
5. Doncaster Race Cup, marked by Rebecca Emes & Edward Barnard. 1828. Silver with gilding, height 39.4 cm. (Temple Newsam House, Leeds Museums and Galleries).
Attributed works:
6. Detail of a design for a sauce tureen, from an album, ‘Designs for plate etc. by John Flaxman’, by Edward Hodges Baily, fol.16r. c.1820. Pencil and ink on paper, 51 by 31.4 cm. (Victoria and Albert Museum, London).
Attributed works:
7. Pair of wine coolers, marked by Benjamin Smith, London. 1814–15. Silver with gilding, each 36.7 by 34.3 by 24.8 cm. (Virginia Museum of Fine Arts, Richmond, gift of Rita R. Gans; photograph Katherine Wetzel).
Attributed works:
8. Wine cooler (one of four), marked by Barnard & Sons, London. 1828–29. Silver with gilding, 36.2 by 30.5 by 22.2 cm. (Minneapolis Institute of Art, Minneapolis).
Attributed works:
9. Wine cooler (one of a pair), marked by Barnard & Sons, London. torted the profile of the Stowe Vase to match the other vase, 1831–32. Silver with gilding, height 37 cm. (British Museum, London).
Short Notice
Ornament from China: sources for a garden folly design by Jean-Jacques Lequeu
03/2020 | 1404 | 162
Pages: 216-219
related names
Author:
Choi, Kee Il Jr (Choi, Kee Il Jr)
Subjects
dates:
media:
subjects:
Illustrations
Attributed works:
1. Details of the ‘jeu de bague chinois’ at Monceau, by Jean-Jacques Lequeu. c.1780. Ink on paper, 44.8 by 34.9 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
2. Design for a ring stand for the ‘jeu de bague’ at Chatou, by Jean-Jacques Lequeu. c.1780. Ink, wash and watercolour on paper, 21.9 by 18.2 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Design for the ‘jeu de bague’ at Chatou, by Jean-Jacques Lequeu. c.1780. Pencil on paper, 20.4 by 12.4 cm. (Bibliothèque nationale de France, Paris).
Non-western art unattributed:
4. Design for a ceramic sculpture of the Daoist immortal Lü Dongbin. Chinese, c.1770. Ink and watercolour on paper, 24.8 by 24.9 cm. (From Recueil de Vases Antiques. et Piéces [sic], tirés des Cabinets Chinois de l’Empereur Kien-Long., pl.8; private collection; photograph by Richard P. Goodbody).
Non-western art unattributed:
5. Design for a ceramic sculpture of a Daoist immortal. Chinese, c.1770. Ink and watercolour on paper, 24.8 by 24.9 cm. (From in Recueil de Vases Antiques. et Piéces [sic], tirés des Cabinets Chinois de l’Empereur Kien-Long., pl.12; private collection; photograph Richard P. Goodbody).
Article
Henry de Triqueti’s ‘Vase of dreams’
11/2019 | 1400 | 161
Pages: 924-933
related names
Author:
Dagorne, Richard (Dagorne, Richard)
Author:
Robinson, Alicia (Robinson, Alicia)
Subjects
dates:
media:
styles:
Illustrations
Attributed works:
1. The Albert Memorial Chapel, Windsor Castle, Berkshire, by George Washington Wilson. Albumen photographic print, 33.9 by 46.1 cm (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019).
Attributed works:
10. Ice bucket, designed by Jules Klagmann and executed by Jean- Valentin Morel and Henri Duponchel. c.1844. Cast and engraved silver, 38.5 by 29.5 cm. (Musée du Louvre, Paris; © RMN-Grand Palais).
Attributed works:
11. Vase of creation, by Antoine Vechte. 1848–61. Repoussé silver, 93 by 38 cm. (Musée du Louvre, Paris; © RMN-Grand Palais).
Attributed works:
12. Preparatory model for the young man’s dreams from the Vase of dreams, by Henry de Triqueti. c.1860. Patinated plaster, 28.5 by 32.5 cm. (Musée Girodet, Montargis).
Attributed works:
13. Vase, by Albert Carrier-Belleuse. Minton & Co., 1862. Bone china, painted and gilded, height 95.5 cm. (Victoria and Albert Museum, London).
Attributed works:
14. Vase and tripod, designed by Constant Sevin and made by Ferdinand Barbedienne. 1862. Gilt bronze and champlevé enamel, height 78.7 cm. (Victoria and Albert Museum, London).
Attributed works:
15. Vase of the vintage, by Henry de Triqueti. 1839–44. Patinated bronze, height 108 cm. (Musée des arts décoratifs, Paris).
Attributed works:
16. Mother of Moses, by Henry de Triqueti. 1852. Terracotta, 21 by 35 cm. (Musée des Beaux-Arts, Orléans).
Attributed works:
17. Laura and Petrarch at the Fontaine de Vaucluse, by Henry de Triqueti. 1836. Lithographic stone, 20 by 30 cm. (Private collection).
Attributed works:
18. Laura and Petrarch, by Henry de Triqueti. 1836. Plaster, diameter 31.4 cm. (Musée Girodet, Montargis).
Attributed works:
19. Dante presented to Homer by Virgil, by Henry de Triqueti. 1836. Plaster, diameter 31 cm. (Musée Girodet, Montargis).
Attributed works:
2. Vase of dreams, by Henry de Triqueti. 1860. Chromolithograph, from J.B. Waring: Masterpieces of Industrial Art and Sculpture at the International Exhibition, London 1863. (Bridgeman Images).
Attributed works:
3. Sappho and Cupid, by Henry de Triqueti. c.1851. Ivory, height 64 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019).
Attributed works:
8. Preparatory drawing for the Vase of dreams, by Henry de Triqueti. c.1860. Pen and brown ink, 13 by 44.8 cm. (Ecole nationale supérieure des beaux-arts, Paris).
Attributed works:
9. Preparatory drawing for the Vase of dreams, by Henry de Triqueti. c.1860. Pencil, pen and black ink, with white chalk, 13 by 44.8 cm. (Ecole nationale supérieure des beaux-arts, Paris).
Attributed works:
Below left 4. Detail of the Vase of dreams, by Henry de Triqueti, showing the maiden’s dreams. Photograph. (© Victoria and Albert Museum, London).
Attributed works:
Below right 5. Detail of the Vase of dreams, by Henry de Triqueti, showing the young man’s dreams. Photograph. (© Victoria and Albert Museum, London).
Attributed works:
Bottom left 6. Detail of the Vase of dreams, by Henry de Triqueti, showing the man of productive labour’s dreams. Photograph. (© Victoria and Albert Museum, London).
Attributed works:
Bottom right 7. Detail of the Vase of dreams, by Henry de Triqueti, showing the man of intelligence’s dreams. Photograph. (© Victoria and Albert Museum, London).
Article
An inventory of Lorenzo Ghiberti’s collection of antiquities
04/2019 | 1393 | 161
Pages: 274-299
related names
Author:
Carl, Doris (Carl, Doris)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Self-portrait, by Lorenzo Ghiberti, from the east doors of the Baptistery, Florence (the Doors of Paradise). 1425–52. Gilt bronze. (Museo dell’Opera del’Duomo, Florence; photograph Alamy).
Attributed works:
11. The goat Amalthea nursing Zeus, by Bertoldo di Giovanni and others. c.1490–95. Glazed terracotta relief, height 58 cm. (Villa Medici, Poggio a Caiano).
Attributed works:
14. Detail of the Moses relief from the east doors of the Baptistery, Florence (the Doors of Paradise), by Lorenzo Ghiberti. 1425–52. Gilt bronze, 79.5 by 79.5 cm. (Museo dell’Opera del’Duomo, Florence; Bridgeman Images).
Attributed works:
16. Reverse of a medal of Giovanna Tornabuoni, by Niccolò Fiorentino. c.1486. Bronze, diameter 7.9 cm. (National Gallery of Art, Washington).
Attributed works:
17. The Three Graces, by Raphael. c.1503–05. Panel, 17 by 17 cm. (Musée Condé, Chantilly; Bridgeman Images).
Attributed works:
18. Detail of Primavera, by Sandro Botticelli. c.1482. Panel, 203 by 314 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
19. Detail of Allegory of April, by Francesco del Cossa. Fresco. (Palazzo Schifanoia, Ferrara; Bridgeman Images).
Attributed works:
2. Portrait of Vittorio di Lorenzo Ghiberti, by Lorenzo Ghiberti, from the east doors of the Baptistery, Florence (the Doors of Paradise). 1425–52. Gilt bronze. (Museo dell’Opera del’Duomo, Florence; photograph Alamy).
Attributed works:
24. Nymph and putto and Man asleep on a bed, by Giovanni da Udine after designs by Raphael. 1516–19. Stucco reliefs. (Vatican Loggie, Rome).
Attributed works:
28. Detail of a cassone panel, attributed to the Master of the Argonauts. 1444 or 1469. Panel. (Bode Museum, Berlin).
Attributed works:
29. Detail of the Resurrection relief on the north doors of the Baptistery, Florence, showing a sleeping soldier, by Lorenzo Ghiberti. 1414–24. Bronze, 65 by 57.5 cm. (Bridgeman Images).
Attributed works:
30. Hercules with a lion’s pelt, attributed to the Hercules Master, from the Porta della Mandorla, Florence Cathedral. c.1390–1400. Marble. (Photograph Sailko).
Attributed works:
5 Detail of A battle, by Bertoldo di Giovanni, showing a figure of Victory. c.1479. Bronze, 45 by 90 cm. (Museo Nazionale del Bargello, Florence; Bridgeman Images).
Western art unattributed:
10. Goat. Hellenistic, first–second century AD. Bronze, height 13.2 cm. (Museo Archeologico Nazionale, Florence).
Western art unattributed:
12. Portrait of an unknown woman, shown from three angles. Roman, c.AD 150. Bronze, height 36 cm. (Museo Archeologico Nazionale, Florence).
Western art unattributed:
13. Portrait of Faustina Maior. c.AD 105–140. Marble, height 63 cm. (Capitoline Museum, Rome).
Western art unattributed:
15. The Three Graces, Roman copy of a Hellenistic model. Marble. (Piccolomini Library, Siena).
Western art unattributed:
20. Roman relief mirrors depicting the Three Graces. First–second century AD. Bronze, diameter of each c.12.5 cm. (a) private collection, Paris; (b) State Hermitage Museum, St Petersburg; (c) Seattle Art Museum, Washington; (d) art market, Paris; (e) J. Paul Getty Museum, Los Angeles; (f) University of Toronto; (g) North Carolina Museum of Art, Raleigh; (h) formerly Bardo National Museum, Tunis; (i) art market, Basel; (j) Bavarian State Archaeological Collection, Munich.
Western art unattributed:
21. The Three Graces. Mirror, Roman, first–second century AD. Bronze, diameter 12 cm. (The Metropolitan Museum of Art, New York).
Western art unattributed:
22. The Bed of Polyclitus. Copy after the relief belonging to Lorenzo Ghiberti. Mid-sixteenth century. Marble, 34 by 50 cm. (Private collection).
Western art unattributed:
23. The Bed of Polyclitus. Here dated to the fifteenth century. Marble, height 46 cm. (Palazzo Mattei di Giove, Rome).
Western art unattributed:
25. Detail of a sarcophagus depicting the mourning of Meleager. Roman, second century AD. Marble. (Torno Collection, Milan; photograph Palazzo Montalto, Florence).
Western art unattributed:
26. Detail of a sarcophagus depicting Meleager’s corpse being carried home. Roman, fourth quarter of the second century AD. Marble. (Althorp House, Northamptonshire; originally Palazzo Sciarra, Rome).
Western art unattributed:
27. Above Detail of a sarcophagus, showing a nereid. Roman, late second– early third century AD. Marble. (Museo dell’Opera del Duomo, Siena).
Western art unattributed:
3. Family tree of the Ghiberti.
Western art unattributed:
4. The Gaddi torso. Hellenistic, second century BC. Marble, height 84.4 cm. (Galleria degli Uffizi, Florence).
Western art unattributed:
6. Victory. Late Hellenistic. Bronze, height 16.3 cm. (Walters Art Gallery, Baltimore).
Western art unattributed:
7. Hercules Pomarius. Etruscan, third–first century BC. Bronze, 7.3 by 8.7 by 7.2 cm. (Walters Art Gallery, Baltimore).
Western art unattributed:
8. Kairos. Roman, first century AD. Marble. (Formerly Palazzo Medici, Florence).
Western art unattributed:
9. Diskophoros, Roman copy of statue by Naukydes. Marble, height 178 cm. (Liebieghaus, Frankfurt).
Exhibition Review
Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole’s Collection. Strawberry Hill, Twickenham
02/2019 | 1391 | 161
Pages: 148-151
related names
Reviewer:
Aldrich, Megan (Aldrich, Megan)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
11. Horace Walpole, by Joshua Reynolds. c.1756–57. Canvas, 127 by 110 cm. (Ragley Hall, Warwickshire; exh. Strawberry Hill, Twickenham).
Attributed works:
12. Catherine de Medici and her children, by the studio of François Clouet. 1561. Canvas, 198 by 137.2 cm. (Private collection; exh. Strawberry Hill, Twickenham).
Attributed works:
13. Installation view of Lost Treasures of Strawberry Hill in the Library, Strawberry Hill (Photograph Kilian O’Sullivan).
Article
A Renaissance bronze in Birmingham, the bailli de Breteuil and Luigi Valadier
11/2018 | 1388 | 160
Pages: 928-937
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
Illustrations
Attributed works:
10. Allegorical figure, by Jean-Robert Ango after a terracotta relief by François Berruer. 1767. Red chalk, 43.8 by 28.4 cm. (Marquis de Breteuil).
Attributed works:
11. The Callipygian Venus, by Jean-Robert Ango, after a marble statue attributed to Jean Louis Breton after a drawing by Laurent Guiard. 1765. Black chalk, 28.2 by 22 cm. (Marquis de Breteuil).
Attributed works:
12. A Furietti centaur, one of a pair, by Jean-Robert Ango, after bronze statuettes after the antique statues. c.1765–70. Black chalk, 28.4 by 22 cm. and 28.7 by 22 cm. (Marquis de Breteuil).
Attributed works:
13. Satyr holding grapes with panther, and Figure of a warrior, known as the Executioner, by Jean-Robert Ango, after bronze statuettes attributed to Massimiliano Soldani-Benzi and François Duquesnoy. 1765. Black chalk, 28.2 by 21.7 cm. (Marquis de Breteuil).
Attributed works:
14. Assemblage with a vase and a plaque depicting Henri IV, by Jean-Robert Ango, after a model attributed to Jacques-Laure Le Tonnelier, bailli de Breteuil and Luigi Valadier. c.1765–70. Red chalk, 47.5 by 34.8 cm. (Marquis de Breteuil).
Attributed works:
15. Seated Rome, by Luigi and Giuseppe Valadier. 1780–86. Hardstones, silver- and bronze-gilt, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
3. Jacques-Laure Le Tonnelier, bailli de Breteuil, by Louis Jacques Pilon. 1785. Plaster, height 87 cm. (Marquis de Breteuil).
Attributed works:
4. Boy riding upon a horse, by the workshop of Severo Calzetta (Severo da Ravenna). c.1510–30. The base is here attributed to the workshop of Luigi Valadier, Rome. c.1770–80. Bronze, marble and gilt-bronze, 18 by 22 cm. (Musée du Louvre, Paris).
Attributed works:
5. The salon of the bailli de Breteuil in Palazzo Malta, Rome, by Hubert Robert. c.1765. Red chalk, 34.9 by 48.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. Agrippina as Minerva, by Jean-Robert Ango, after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil).
Attributed works:
7. Figure of a boy (‘Souffleur de bulles de savon’), by Jean-Robert Ango after a bronze statuette, model by François Duquesnoy. c.1765–70. Red chalk, 21.7 by 18.8 cm. (Marquis de Breteuil).
Attributed works:
8. Detail from Antique vases and statuettes and a modern vase, by Jean-Robert Ango after antique models and a bronze model by Luigi Valadier, incorporating designs by François Duquesnoy. 1765. Black chalk. 27.5 by 43.5 cm. (Marquis de Breteuil).
Attributed works:
9. A dog, by Jean-Robert Ango after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Western art unattributed:
1. Boy riding upon a goat. Italian, probably Padua, early sixteenth century. The base is here attributed to the workshop of Luigi Valadier, Rome, c.1770–80. Bronze, marble and gilt-bronze, 21.7 by 22.1 cm. (Barber Institute of Fine Arts, University of Birmingham).
Western art unattributed:
2. Detail of Fig.1, showing the shell.
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