Au prisme du manuscrit: Regards sur
la littérature française du Moyen Âge
(1300–1550)
Edited by Sandra Hindman and Elliot Adam. 301
pp. incl. 112 col. + 3 b. & w. ills. (Brepols, Turnhout,
2019), £210. ISBN 978–2–503–56635–1. |
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Book Review
Arrayed in Splendour: Art, Fashion, and Textiles in Medieval and Early Modern Europe
Undressing Rubens: Fashion and Painting in Seventeenth-Century Antwerp
Arrayed in Splendour: Art, Fashion,
and Textiles in Medieval and Early
Modern Europe
Edited by Christoph Brachmann. 264 pp. incl.
111 col. + 3 b. & w. ills. (Brepols, Turnhout, 2019),
£85. ISBN 978–2–503–57965–8.
|
:
subjects:
Undressing Rubens: Fashion and
Painting in Seventeenth-Century
Antwerp
Edited by Abigail D. Newman and Lieneke
Nijkamp. 232 pp. incl. 136 col. + 3 b. & w. ills.
(Harvey Miller, London, 2019), £115.
ISBN 978–1–912554–22–5. |
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Article
E.K. Waterhouse’s unpublished El Greco catalogue raisonné
1. St Jerome, by El Greco. 1590–1600. Oil on canvas, 110.5 by 95.3 cm.
(Frick Collection, New York).
Attributed works:
2. E.K Waterhouse, by Annan. 1949. Bromide print, 207 by 15.4 cm.
(National Portrait Gallery, London).
Attributed works:
3. The disrobing of Christ, by the school of El Greco. Early
seventeenth century. Oil on canvas, 74.9 by 44.5 cm. (The Barnes
Foundation, Philadelphia).
Attributed works:
4. The Agony in the garden, by the school of El Greco. 1590s. Oil on
canvas, 102 by 131 cm. (National Gallery, London).
Attributed works:
5. The Agony in the garden, by El Greco. c.1610–12. Oil on canvas, 170 by
112.5 cm. (Museum of Fine Arts, Budapest).
Attributed works:
6. The purification of the Temple, by El Greco. c.1600. Oil on canvas,
41.9 by 52.4 cm. (Frick Collection, New York).
Attributed works:
7. Crucifixion with the Virgin Mary and St John the Evangelist, by
the workshop of El Greco. c.1600–10. Oil on canvas, 59.4 by 98.4 cm.
(Philadelphia Museum of Art).
Attributed works:
8. The concert of angels, by El Greco. c.1608–14. Oil on canvas, 115 by
217 cm. (National Gallery Alexandros Soutzos Museum, Athens).
Attributed works:
9. The Visitation, by El Greco. c.1610–14. Oil on canvas, 96.5 by 71.4 cm.
(Dumbarton Oaks Research Library and Collection, Washington).
Book Review
I rami smaltati detti veneziani del Rinascimento italiano. Volume 1: Atti del convegno internazionale di studi; and Volume 2: Corpus delle opere nelle collezioni pubbliche e private
I rami smaltati detti veneziani del
Rinascimento italiano. Volume 1: Atti
del convegno internazionale di studi;
and Volume 2: Corpus delle opere
nelle collezioni pubbliche e private
Edited by Françoise Barbe, Isabelle Biron,
Letizia Caselli and Marie-Elsa Dantan.
Two vols, 512 pp. incl. 1029 col. + b. & w. ills.
(Silvana Editoriale, Milan, 2018), £100.
ISBN 978–88–366–4239–7. |
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Book Review
Transatlantic Romanticism: British and American Art and Literature, 1790–1860. By Andrew Hemingway and Alan Wallach
64. The wind gods, detail from Neptune calming the Tempest on the Stage of Welcome, by Theodoor van Thulden after Rubens (From J.C. Gevartius: Pompa Introitus Ferdinandi Austriaci Hispaniarum infantis..., Antwerp 1641)
Publication Received
Examining Giovanni Bellini: An Art ‘More Human and More Divine’. Edited by Carolyn Wilson.