John Dickson Batten:
Illustrations for Dante’s ‘Inferno’. By
Peter Hainsworth. 124 pp. incl. 48 col. ills (Panarc Publishing,
Ringwood, Hampshire, 2021) £20,
ISBN 978–19–161–5666–1. |
:
subjects:
Scaramuzza: Le tavole per
la Divina Commedia, with a
preface by Carlo Ossola and
texts by Vittorio Sgarbi, Lina
Bolzoni and Simone Verde. 316 pp.
incl. 283 col. + b. & w. ills.
(Allemandi, Turin, 2021), €50.
ISBN 978–88–422–2544–7. |
:
subjects:
Visions of Heaven: Dante and
the Art of Divine Light, by Martin
Kemp. 240 pp. incl. 122 col. ills. (Lund
Humphries, London, 2021), £45.
ISBN 978–18–482–2467–4. |
:
subjects:
Dante: The Invention of Celebrity, Ashmolean
Museum, Oxford. (17th September 2021–
9th January 2022) |
:
subjects:
An Ancient and
Honourable Citizen of Florence: The Bargello and Dante, Museo Nazionale
del Bargello, Florence (21st April–31st July 2021). |
:
subjects:
Dante a Verona, Museo di Castelvecchio, Verona and elsewhere (2020-21) |
:
subjects:
Dante e la cultura del Trecento a Mantova, Museo di Palazzo Ducale, Mantua (15th October 2021–9th January
2022), |
:
subjects:
Dante: La visione dell’arte, Musei
San Domenico, Forlì (30th April–11th July 2021) |
:
subjects:
Inferno, Scuderie del Quirinale, Rome (15th October 2021–9th January 2022). |
:
subjects:
Un splendor mi
squarciò il velo: Dante illustrato: dal codice 3285 a Scaramuzza, Complesso
Monumentale della Pilotta, Parma (20th November 2021–13th February
2022). |
:
Illustrations
Attributed works:
1. Virgil, by the Master of Campionese. c.1220. Red Verona marble,
124 by 73 by 40 cm. (Musei Civici, Mantua; Bridgeman Images; exh.
Musei San Domenico, Forlì).
Attributed works:
2. Frontispiece of Purgatory, from the Divine Comedy by Dante, copied
by Francesco di ser Nardo da Barberino, illuminated by the Master of
the Dominican Effigies. 1337. (Codex Trivulsiano 1080, fol.36r; Archivio
Storico Civico e Biblioteca Trivulziana, Milan; exh. Museo Nazionale del
Bargello, Florence).
Attributed works:
3. Dante Alighieri, by Andrea del Castagno. c.1450. Fresco transferred
to canvas, 247 by 153 cm. (Galleria degli Uffizi, Florence; exh. Musei san
Domenico, Forlì).
Attributed works:
4. That is the man who went to Hell and came back, by Francesco
Saverio Altamura. 1860–65. Oil on canvas, 88 by 203 cm. (Museo dell’
Ottocento, Pescara; exh. Galleria d’Arte Moderna ‘Achille Forti’, Verona).
Attributed works:
5. Cope of Pope Boniface VIII. Opus cyprense, second half of the 13th
century. Red silk and gold thread, 140 by 325 cm. (Chapter of the
Cathedral Basilica, Anagni; exh. Musei San Domenico, Forlì).
Attributed works:
6. Tree of Life, by Pacino di Buonaguida. 1310–15. Tempera on panel, 248
by 170 cm. (Galleria dell’Accademia, Florence; exh. Museo Nazionale del
Bargello, Florence).
Attributed works:
7. Dante in Oxford, from The Poet’s Corner, by Max Beerbohm, London
1904. Lithograph, 37 by 28 cm. (Ashmolean Museum, Oxford).
Attributed works:
8. Antaeus, by John Dickson Batten. 1897–1900. Pen-and-ink on paper,
18.4 by 27.7 cm. (Lady Margaret Hall, Oxford; courtesy the Principal and
Fellows of Lady Margaret Hall, Oxford).
Leonardo da Vinci Rediscovered.
By Carmen C. Bambach. Four vols,
2,350 pp. incl. 1,319 col. + b. & w. ills.
(Yale University Press, New Haven
and London, 2019), 400. ISBN
978–03–00–19195– |
:
subjects:
Leonardo da Vinci: Self, Art and
Nature. By François Quiviger. 224 pp.
incl. 60 col. + 10 b. & w. ills. (Reaktion,
London, 2019), 15.95. ISBN 978–17–89–
14070–5 |
:
subjects:
Leonardo: Der Mann, der alles
wissen wollte. By Bernd Roeck,
429 pp. incl. 72 col. + 32 b. & w. ills.
(Verlag C.H. Beck, Munich, 2019),
€28. ISBN 978–3–406–73509–7. |
:
subjects:
Leonardo’s Paradox:
Word and Image in the Making of
Renaissance Culture. By Joost Keizer.
232 pp. incl. 40 col. + 25 b. & w. ills.
(Reaktion, London, 2019), 25 |
:
subjects:
Leonardo da Vinci, Musée du Louvre,
Paris, 24th October 2019–24th
February 2020. |
:
Illustrations
Attributed works:
1. The nude Mona Lisa, by a follower of Leonardo da Vinci. Early
sixteenth century. Charcoal, black chalk, and white heightening on
paper, with later reworking in brown gouache or tempera, pricked for
transfer, 74.8 by 54 cm. (Musée Cond , Chantilly; Bridgeman Images).
Attributed works:
2. Installation view of ‘Leonardo da Vinci’ at the Musée du Louvre, Paris.
2019. (Courtesy Musée du Louvre, Paris; photograph Antoine Mongodin).
Attributed works:
3. Reconstruction of the model used by Leonardo to produce the drawing
in Fig.4, by Leticia Leratti. 2019. Clay and linen sheet, 75 by 70 by 25 cm.
(Courtesy Musée du Louvre, Paris; photograph Antoine Mongodin; exh.
Musée du Louvre, Paris).
Attributed works:
4. Drapery study for a seated figure, by Leonardo da Vinci. c.1475–82.
Tempera on linen, 19.6 by 15.3 cm. (Musée du Louvre, Paris).
Attributed works:
5 and 6. Installation views of ‘Leonardo da Vinci’ at the Mus e du
Louvre, Paris. 2019. (Courtesy Musée du Louvre, Paris; photograph
Antoine Mongodin).
Attributed works:
7. Studies of blood vessels and staircases, by Leonardo da Vinci. c.1506–
10. Pen with different shades of brown ink and red chalk on paper, 29.5 by
19.8 cm. (Royal Collection Trust / Her Majesty Queen Elizabeth II 2020).
Attributed works:
8. A reconstruction of the face of the young Leonardo, from Bernd
Roeck’s Leonardo: Der Mann, der alles wissen wollte (Verlag C.H.
Beck, Munich).