museums and institutions:
subjects:
Palazzo Strozzi, Verrocchio: Master of Leonardo (8th March–
14th July 2019) |
:
subjects:
Verrocchio: Sculptor and Painter of Renaissance Florence
at the National Gallery of Art, Washington (15th September 2019–12th
January 2020) |
:
Attributed works:
1. Putto with a dolphin, by Andrea del Verrocchio. c.1465–80. Bronze,
70.3 by 50.5 by 35 cm. (Palazzo Vecchio, Florence; exh. Palazzo Strozzi,
Florence, and National Gallery of Art, Washington).
Attributed works:
10. Ginevra de’ Benci, by Leonardo da Vinci. c.1474–78. Oil on panel,
38.1 by 37 cm. (National Gallery of Art, Washington).
Attributed works:
11. Bust of a young woman, by Andrea del Verrocchio. c.1465–70.
Marble, 47.3 by 48.7 by 23.8 cm. (Frick Collection, New York;
exh. Palazzo Strozzi, Florence, and National Gallery of Art,
Washington; photograph by Clarence Kennedy. 1930. Gelatin silver
print. The National Gallery of Art Library, Washington; exh. Study
Center, National Gallery of Art, Washington).
Attributed works:
12. Installation view of Verrocchio: Sculptor and Painter of Renaissance
Florence at the National Gallery of Art, Washington, 2019–20, showing
in the foreground (left) Putto with a dolphin, by Verrocchio and (right)
Putto posed on globe, attributed to Verrocchio. (Courtesy National
Gallery of Art, Washington).
Attributed works:
13. Lorenzo de’ Medici, probably after a model by Andrea del Verrocchio
and Orsino Benintendi. Possibly 1513–20. Polychrome terracotta, 65.8 by
59.1 by 32.7 cm. (National Gallery of Art, Washington).
Attributed works:
2. Installation view of Verrocchio, Master of Leonardo, at Palazzo
Strozzi, Florence, 2019, showing (left to right) Bust of a young woman,
by Desiderio da Settignano and Verrocchio’s Lady with flowers and
Bust of a young woman. (Courtesy Palazzo Strozzi, Florence).
Attributed works:
3. An ancient heroine, possibly Olympias, by Andrea del Verrocchio.
c.1460–65. Marble, 46 by 31 by 6.5 cm. (Castello Sforzesco, Milan;
exh. Palazzo Strozzi, Florence).
Attributed works:
4. Diagram of the incised lines evident on the painted surface and
in the X-radiograph of the Virgin Adoring the Christ Child (The
Ruskin Madonna), by Andrea del Verrocchio, possibly with Domenico
Ghirlandaio. c.1470–80. Tempera and oil on panel transferred to
canvas, 106.7 by 76.3 cm. (National Galleries of Scotland, Edinburgh;
diagram © Elizabeth Walmsley, 2019).
Attributed works:
5. Giuliano de’ Medici, by Andrea del Verrocchio. c.1475/78. Terracotta
with traces of polychromy, 61 by 66 by 28.3 cm. (National Gallery of
Art, Washington; exh. Palazzo Strozzi, Florence).
Attributed works:
6. Death of Francesca Pitti Tornabuoni, by Francesco di Simone
Ferrucci. c.1480. Marble, 45 by 170.5 by 13 cm. (Museo Nazionale del
Bargello, Florence; exh. Palazzo Strozzi, Florence).
Attributed works:
7. Young woman, by Andrea del Verrocchio. c.1470–75. Black chalk with
pen and brown ink and brush with brown ink and grey ash on paper,
outlines pricked for transfer, 40.8 by 32.7 cm. (Christ Church Picture
Gallery, Oxford; exh. Palazzo Strozzi, Florence).
Attributed works:
8. St Jerome, by Andrea del Verrocchio. c.1465–70. Tempera on paper
applied to panel, 40 by 26 cm. (Palazzo Pitti, Florence; exh. Palazzo
Strozzi, Florence, and National Gallery of Art, Washington).
Attributed works:
9. Virgin with the laughing Child, attributed to Leonardo da Vinci.
c.1472. Terracotta, 49 by 27 by 24.5 cm. (Victoria and Albert Museum,
London; exh. Palazzo Strozzi, Florence).
