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33 articles
Article
No sorrow like unto my sorrow: Philip the Bold, the Great Cross at Champmol and the Battle of Nicopolis
10/2024 | 1459 | 166
Pages: 997–1027
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
dates:
places:
Illustrations
Attributed works:
1. David and Jeremiah on the Well of Moses (base of the Great Cross), by Claus Sluter and workshop. 1395–1404. Asnières stone with traces of gilding and polychromy, height approx.5 m. from ground level. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
10. Detail of the Well of Moses, showing the scroll held by David. (Photograph the author).
Attributed works:
11. Detail of the Well of Moses, showing the scroll held by Jeremiah. (Photograph the author).
Attributed works:
12. Detail of the Well of Moses, showing the angel over the left shoulder of Jeremiah. (Photograph the author).
Attributed works:
13. Mourner from the tomb of Philip the Bold. Completed by 1411. Alabaster, height 41 cm. (Musée des Beaux-Arts, Dijon; photograph the author).
Attributed works:
14a–d. Details of the Well of Moses showing the scrolls held by (a) Zechariah, (b) Isaiah, (c) Daniel and (d) Moses. (Photographs the author).
Attributed works:
15. Crucifixion, fol.17 of the Biblia Pauperum. Northern Netherlands, c.1395–1400. Illumination on parchment. (British Library, London, Kings MS 5; Alamy Stock Photo).
Attributed works:
16. Ring with a portrait of John the Fearless. Paris, c.1410. Gold, agate(?), jet, emerald and ruby, 2.3 by 1.5 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; Jean-Gilles Berizzi).
Attributed works:
17. Detail of the Well of Moses, showing the angel between Daniel and Isaiah.
Attributed works:
19. Jeremiah and Peter, fol.2r of the Petites Heures of Jean de Berry. Paris, c.1375–90. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Lat.18014; photograph BnF).
Attributed works:
2. Daniel and Isaiah on the Well of Moses (base of the Great Cross). (Photograph the author).
Attributed works:
20. Prophet Micah, fol.29v of the Psalter of Jean de Berry by André Beauneveu. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.13091; photograph BnF).
Attributed works:
22a–c. Details of the Well of Moses, showing (a) David’s robe and tassels; (b) Daniel’s sleeves, robe and belt; and (c) Isaiah’s bag, belt and robe. (Photographs the author).
Attributed works:
23 a–c. Details of the Well of Moses, showing (a) Daniel, (b) Isaiah and (c) Jeremiah’s shoes. (Photograph the author).
Attributed works:
24. Detail of the Well of Moses, showing the pocket and hem on David’s robe. (Photograph the author).
Attributed works:
25. Detail of the Well of Moses, showing the pattern of Isaiah’s robe. (Photograph the author).
Attributed works:
27. Detail of the Well of Moses, showing the pseudo-Arabic script on edge of Jeremiah’s robe. (Photograph the author).
Attributed works:
28. Virgin and Child with Butterflies, attributed to Jean Malouel. c.1410. Oil on cloth, 107.5 by 80.9 cm. (Gemäldegalerie, Berlin).
Attributed works:
29. Portal of Chartreuse de Champmol, by Claus Sluter and workshop. 1389–98. Asnières stone. (Chartreuse de Champmol, Dijon).
Attributed works:
3. Reconstruction of two views of the Great Cross. (Drawings by Matilde Grimaldi; © the author).
Attributed works:
30. Detail of Fig.29, showing prophets on corbels below St John the Baptist.
Attributed works:
31. Detail of Fig.29, showing prophets on corbels below St Catherine.
Attributed works:
32 a–c. Details of the Well of Moses, showing the ermine on the robes of (a) David, (b) Jeremiah and (c) Zechariah. (Photograph the author).
Attributed works:
33. Trinity with the last communion and martyrdom of St Denis, by Jean Malouel and Henry Bellechose. Begun 1398, completed 1416. Oil on panel transferred to canvas, 162 by 211 cm. (Musée du Louvre, Paris; photograph RMN-Louvre; Tony Querrec).
Attributed works:
34. The crosses or ‘Montjoies’ of St Denis. French, 17th century. Ink on paper. (BnF Cabinet d’Estamps, Paris, Est. coll. Lallement de Betz, Vx 16 fol.115).
Attributed works:
35. Fol.64 of the Grandes Heures of Philip the Bold. 1370s. (Bibliothèque Royale de Belgique, Brussels, MS 11035–37).
Attributed works:
36. Fols.226v–227r of the Grandes Heures of Philip the Bold. 1370s. (Fitzwilliam Museum, Cambridge, MS 3-1954).
Attributed works:
37. Detail of the Well of Moses, showing the text in Jeremiah’s open book. (Photograph the author).
Attributed works:
38. Detail of the Well of Moses, showing the sunburst motif in tin relief moulding behind the angel between David and Moses. (Photograph the author).
Attributed works:
39. Detail of the Well of Moses, showing the remains of painted sunbursts around circular coats of arms on the pillar. (Photograph the author)
Attributed works:
4. View of the Chartreuse de Champmol, by Aimé Piron. 1686. (Portfueille de la Chartreuse; Bibliotheque Municipale, Dijon).
Attributed works:
40. The Well of Moses, by Emile Sagot. 1839. Engraving, 42 by 36 cm. (BnF Cabinet d’Estamps, Paris, Est.H 117 558 Va21 topographie).
Attributed works:
41. Oak, hawthorn and hops forming the vault in tower of Jean sans Peur, Hôtel d’Artois, Paris. 1408–11. (Photograph the author).
Attributed works:
42. Detail of the Well of Moses, showing the thistle on the corbel below Jeremiah. (Photograph the author).
Attributed works:
43. Votive reliquary of Charles the Bold, by Gerard Loyet. 1467–71. Gold and enamel, 53 by 32 by 17.5 cm. (Cathedral Treasury, Liège).
Attributed works:
44. Detail of the Well of Moses, showing showing the span of the well; the original viewing distance would be outside the brick walls. (Photograph the author).
Attributed works:
5. View of building constructed in 1638 around the Well of Moses. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
6. Massacre of the prisoners after the battle of Nicopolis, fol.607v of Chroniques de Froissart, Bruges, c.1460. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.2646).
Attributed works:
7. Payment of the ransom to Bayezid, fol.267v of the Passages oultremer de Sébastien Mamerot by Jean Colombe. c.1474–75. Illumination on parchment. (Bibliothèque nationale de France, Paris, S Fr.5594).
Attributed works:
8. Detail of the Well of Moses, showing the book and scroll held by Jeremiah. (Photograph the author).
Attributed works:
9. Pietà, by Enguerrand Quarton. c.1450. Oil on panel, 163 by 219 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; René-Gabriel Ojeda).
Western art unattributed:
18. Tile showing sheep sheltering under a tree. Burgundian, c.1385–90. Glazed terracotta with engobe decoration, 13 by 13 cm. (Germolles Chateau; photograph the author).
Western art unattributed:
21. Detail of the Calvary of Philip the Bold showing Christ at the column with prophets. Paris, 1403. Gold, enamel and precious stones. (Cathedral Treasury, Esztergom; photograph Attila Mudrák).
Book Review
Bonifacio de’Pitati
09/2024 | 1458 | 166
Pages: 974-6
related names
Reviewer:
Nichols, Tom (Nichols, Tom)
Subjects
dates:
Reviewed Items
subjects:
Bonifacio de’Pitati By Philip Cottrell and Peter Humfrey. 463 pp. incl. 200 col. + b. & w. ills. (ZeL Edizioni, Ponzano Veneto, 2023), €120. ISBN 978–88– 87186–27–7. | :
Illustrations
Attributed works:
1. Virgin and Child with saints, by Bonifacio de’Pitati. c.1527. Oil on panel, 155 by 205 cm. (Musée du Louvre, Paris).
Attributed works:
2. Judgment of Solomon, by Bonifacio de’Pitati. 1533. Oil on canvas, 180 by 309 cm. (Gallerie dell’Accademia, Venice).
Short Notice
A new document for Luca della Robbia and his Portuguese patron Afonso of Braganza, 1st Marquis of Valença
02/2024 | 1451 | 166
Pages: 156–159
related names
Shorter Notice by:
Aimi, Francesca (Aimi, Francesca)
Subjects
dates:
Illustrations
Attributed works:
1. Resurrection, by Luca della Robbia. 1442–45. Glazed terracotta, 200 by 260 cm. (Florence Cathedral; Bridgeman Images).
Attributed works:
2. Ascension, by Luca della Robbia. 1446–51. Glazed terracotta, 200 by 260 cm. (Florence Cathedral; Bridgeman Images).
Attributed works:
3. Madonna della Misericordia with Sts Peter and Benedict, by Andrea della Robbia or follower. c.1490. Glazed terracotta, 260 by 233 cm. (S. Maria in Gradi, Arezzo).
Letter
A Classical source for Michelangelo’s Florence ‘Pietà’
02/2024 | 1451 | 166
Pages: 112–113
related names
Author:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
dates:
Illustrations
Attributed works:
1. Studies from the Antique with rams’ heads, barbarian trophies and figures of Victory, by the workshop of Giovanni Battista Piranesi. c.1755–65. Red and black chalk on paper, 46.7 by 37.4 cm. (Morgan Library and Museum, New York).
Attributed works:
2. Pietà, by Michelangelo. 1553. Marble, height 277 cm. (Museo dell’ Opera del Duomo, Florence; Bridgeman Images).
Attributed works:
3. Detail of Fig.1, showing a fallen Amazon supported by a companion in a Phrygian cap.
Attributed works:
4. Mould-made pottery lamp decorated with an Amazon assisting a fallen comrade, here reproduced in reverse. Roman (Italy), c.40–75. Terracotta, 10.4 by 8.2 cm. (British Museum, London).
Article
Avignon around 1500: the workshop of Jean II Changenet
01/2024 | 1450 | 166
Pages: 44–53
related names
Author:
Elsig, Frédéric (Elsig, Frédéric)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Annunciation, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon).
Attributed works:
10. St Sebastian destroying the idols, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.6 by 54.6 cm. (Philadelphia Museum of Art).
Attributed works:
11. St Sebastian pierced by arrows, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.7 cm. (Philadelphia Museum of Art).
Attributed works:
12. St Sebastian cured by St Irene, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.2 cm. (Philadelphia Museum of Art).
Attributed works:
13. Death of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.4 by 55.5 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
14. Intervention of St Sebastian during the plague in Rome, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.8 by 55.4 cm. (Walters Art Gallery, Baltimore; Bridgeman Images).
Attributed works:
15. St Sebastian before Diocletian and Maximian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.5 by 55.7 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images; Fine Art Images).
Attributed works:
16. Reconstruction of the Life of St Sebastian altarpiece in its opened state.
Attributed works:
17. Three prophets, by the Master of the Three Prophets (Josse Lieferinxe?). c.1500. Oil on panel, 61 by 95 cm. (Musée du Louvre, Paris).
Attributed works:
18. Crucifixion, by the Master of the Crucifixion of the Parliament of Burgundy (Henri Changenet?). c.1511–12. Oil on panel, 170 by 126 cm. (Bridgeman Images; Musée du Louvre, Paris).
Attributed works:
19. Crucifixion of the Parliament of Burgundy, by L. Gaultier. 1618. Engraving. (From H. Picardet: Remonstrances faictes en la cour de parlement de Bourgogne..., Paris 1618, p.248).
Attributed works:
2. St Michael, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon; Bridgeman Images).
Attributed works:
20. Adoration of the Magi, Flight into Egypt and Assumption, by Giovanni Grassi (based on a design by Jean II Changenet). 1491–95 (conception) and 1500–01 (completion). Oil on panel, each panel 124 by 62 cm. (© Yvan Bourhis; Church of Saint-Jean-Baptiste, Gretz-Armainvilliers).
Attributed works:
21. Group of men, by the Master of the Three Prophets (Josse Lieferinxe?). c.1490–1500. Oil on panel. (Private collection).
Attributed works:
3. Marriage of the Virgin, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 80 by 60 cm. (Musées royaux des Beaux-Arts, Brussels).
Attributed works:
4. Visitation, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 37 by 45 cm. (Musée du Louvre, Paris).
Attributed works:
5. Circumcision, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 78 by 58.5 cm. (NPL – DeA Picture Library and G. Dagli Orti; Bridgeman Images; Musée du Petit Palais, Avignon).
Attributed works:
6. Adoration of the Christ Child, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 38 by 47 cm. (Musée du Louvre, Paris).
Attributed works:
7. Reconstruction of the Life of the Virgin altarpiece in its opened (above) and closed (below) states.
Attributed works:
8. Assumption, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 60 cm. (Musée du Petit Palais, Avignon).
Attributed works:
9. Pilgrims in front of the tomb of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82 by 55 cm. (Galleria Nazionale di Palazzo Barberini, Rome; photograph Luisa Ricciarini; Bridgeman Images).
Exhibition Review
Dieric Bouts: Creator of Images
01/2024 | 1450 | 166
Pages: 68–70
related names
Reviewer:
Dyballa, Katrin (Dyballa, Katrin)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Dieric Bouts: Creator of Images. Edited by Peter Carpreau. 240 pp. incl. numerous col. ills. (Hannibal, Leuven, 2023), €55. ISBN 978–94–6466–681–6. Dutch edition: Dieric Bouts: Beeldenmaker. €49.95. ISBN 978–94–6466–666–3. | :
subjects:
Dieric Bouts: Creator of Images M Leuven 20th October 2023– 14th January 2024 | :
Illustrations
Attributed works:
10. Triptych of the Holy Sacrament, by Dieric Bouts. 1464–68. Oil on panel, centre panel (Last Supper), 183 by 152.5 cm.; left wing, top (Meeting of Abraham and Melchizedek), 87.5 by 76.2 cm., bottom (Feast of the Passover), 87.8 by 71.3 cm.; right wing, top (Gathering of the Manna), 87.6 by 70.6 cm., bottom (The Prophet Elijah in the desert), 88 by 71.2 cm. (St Peter’s Church, Leuven; exh. M Leuven).
Attributed works:
8. Betrayal of Christ, by a follower of Dieric Bouts. c.1470. Oil on panel, 105 by 68.4 cm. (Alte Pinakothek, Munich; exh. M Leuven).
Attributed works:
9. Installation view of Triptych of the descent from the Cross, by Dieric Bouts. c.1450–58 or 1464–68 (?). Oil on panel, centre panel (Descent from the Cross), 192.8 by 145.3 cm.; left panel (Crucifixion), 189 by 59.3 cm.; right panel (Resurrection), 188.5 by 59 cm. (Cabildo de la Capilla Real de Granada; exh. M Leuven).
Book Review
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2)
04/2023 | 1441 | 165
Pages: 476-477
related names
Reviewer:
Sancho Lobis, Victoria (Sancho Lobis, Victoria)
Subjects
art literature:
Reviewed Items
works:
Study Heads (Corpus Rubenianum Ludwig Burchard, 20.2) By Nico Van Hout. 2 vols, 680 pp. incl. 150 col. + 340 b. & w. ills. (Brepols, Turnhout, 2021), £212.50. ISBN 978–1–912554–65–2. | :
Illustrations
Attributed works:
4. Reconstruction of the original support of Head study of a young man, looking down to the left (private collection); and Head study of a young man, looking up (Musée du Louvre, Paris), both by Peter Paul Rubens, with indication of the horizontal joint and the saw lines.
Article
A boxwood ‘Calvary’ attributed to Claus Sluter
11/2022 | 1436 | 164
Pages: 1064-1077
related names
Author:
Scholten, Frits (Scholten, Frits)
Subjects
dates:
Illustrations
Attributed works:
1. Calvary, by Nikolaus Elscheidt. c.1868. Boxwood, height 62.8 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Detail of Fig.2, showing the base and acanthus scroll. (Photograph Frits Scholten).
Attributed works:
11. The portal of the Chartreuse de Champmol, by Claus (‘Claes’) Sluter and workshop. 1391–93. Limestone (pierre d’Asnières), height of figures 129 to 170 cm. (Photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
12. Weepers from the tomb of Philip the Bold, by Claus (‘Claes’) Sluter, Claus (‘Claes’) de Werve and workshop. c.1391–1410. Grenoble alabaster, white Carrara marble and black Dinant marble (limestone). (Musée des Beaux-Arts, Dijon; photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
13. The Great Cross (‘Well of Moses’), by Claus (‘Claes’) Sluter and workshop, 1395–1404. Limestone (pierre d’Asnières and pierre d’Ys), height 520 cm. (Chartreuse de Champmol, Dijon; photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
14. Detail of Fig.2 showing the Virgin Mary. (Photograph Renate Neder).
Attributed works:
15. Weeper from the Tomb of Philip the Bold, by Claus (‘Claes’) Sluter. Claus (‘Claes’) de Werve and workshop, c.1391–1410. Grenoble alabaster, height 42 cm. (Cleveland Museum of Art).
Attributed works:
16. Detail of Fig.2, showing the Virgin Mary. (Photograph Renate Neder).
Attributed works:
17. Detail of Fig.11, showing the figure of St Catherine. (Photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
18. Detail of Fig.13, showing the faces of the Virgin and Child. (Photograph Frits Scholten).
Attributed works:
19. Detail of Fig.1, showing the face of the Virgin. (Photograph Renate Neder).
Attributed works:
2. Calvary, here attributed to Claus (‘Claes’) Sluter. c.1400. Boxwood, height 56 cm. (Rijksmuseum, Amsterdam; photograph Renate Neder).
Attributed works:
20. Detail of Fig.2, showing a side view of the arm of St John. (Photograph Renate Neder).
Attributed works:
21. Detail of Fig.2, showing St John. (Photograph Renate Neder).
Attributed works:
22. Detail of the face of the choir boy (Weeper no.1) from the tomb of Philip the Bold, by Claus (‘Claes’) Sluter, Claus (‘Claes’) de Werve and workshop. c.1391–1410. Carrara marble and gilding, figure height 38.5 cm. (Musée des Beaux-Arts de Dijon; photograph Frits Scholten).
Attributed works:
23. Detail of the figure of Jeremiah, from the base of the Great Cross (‘Well of Moses’) by Claus (‘Claes’) Sluter and workshop, 1395–1404. Limestone (pierre d’Asnières and pierre d’Ys), figure height 520 cm. (Chartreuse de Champmol, Dijon; photograph © Manuel Cohen).
Attributed works:
24. Yvain and the lion, detail of a capital of the fireplace in the Salle des gardes at Château de Germolles, by Claus (‘Claes’) Sluter and workshop, after c.1386–93. Limestone (pierre d’Asnières), height c.25 cm. (Photograph M. Pinette).
Attributed works:
25. Detail of the Annunciation to the Virgin from the left wing of the Crucifixion Retable, by Melchior Broederlam. c.1394–99. Oil on panel, length of wing 125 cm. (Musée des Beaux-Arts, Dijon; photo © Musée des Beaux-Arts de Dijon/Français Jay).
Attributed works:
26. Fragments of the legs of Christ, from the Great Cross (‘Well of Moses’), by Claus (‘Claes’) Sluter and workshop. 1395–1404. Limestone (pierre d’Asnières), height 59 cm. (Musée Archéologique, Dijon; photograph © Musée Archéologique de Dijon/François Perrodin).
Attributed works:
27. Detail of Fig 2, showing the underside of the base. (Photograph Frits Scholten).
Attributed works:
28. Detail of St Jerome in his study, from a Bible moralisée attributed to the Rohan Masters. c.1415. Pen and ink on vellum, 41.5 by 29 cm. (Bibliothèque nationale, Paris, inv. Ms.fr. 166, fol.A).
Attributed works:
29. The Burgundian lion preventing the Orléans wolf from seizing the French crown, from a manuscript of Justification by Jean Petit, attributed to the workshop of the Bedford Master. c.1409. Miniature on vellum, 19.3 by 14 cm. (Österreichische Nationalbibliothek, Vienna, inv. Cod. 2657, fol.1v).
Attributed works:
3. Detail of Fig.2, showing the figure of Christ. (Photograph Renate Neder).
Attributed works:
4. Side view of the sculpture illustrated in Fig.2. (Photograph Renate Neder).
Attributed works:
5. Christ as Man of Sorrows, by Frans Crabbe. c.1525. Engraving, hand-coloured and heightened with gold, 15.5 by 10.7 cm. (Rijksmuseum, Amsterdam).
Attributed works:
6. Calvary, by the Master of the Colmar Crucifixion (Hermann Schadeberg?). c.1410. Tempera on panel, 126 by 87 cm. (Unterlinden Museum, Colmar; photograph © Musée d’Unterlinden, Dist. RMN-Grand Palais / image Musée d’Unterlinden de Colmar).
Attributed works:
7. Detail of Fig.2, showing the lioness and cubs. (Photograph Renate Neder).
Attributed works:
8. Detail of Fig.2, showing the angel. (Photograph Renate Neder).
Attributed works:
9. An angel with a branch of acanthus, from the Hours of René d’Anjou, by the Master of the Parement of Narbonne. c.1405–10. Miniature on vellum, 22 by 16.5 cm. (British Library, London, MS Egerton 1070, fol.94v).
Western art unattributed:
30. Crucifixion. Second half of the nineteenth century. Photograph by Ludwig Bosten. (From Sammlung mittelalterlicher Bildwerke [. . .] von Dr Franz Bock, 1894; Suermondt-Ludwig-Museum, Aachen, inv.SK-14).
Article
An ‘Allegory of Prudence’ attributed to Nicola Pisano’s workshop
11/2022 | 1436 | 164
Pages: 1126-1129
related names
Author:
Palozzi, Luca (Palozzi, Luca)
Author:
Vergani, Graziano A. (Vergani, Graziano A.)
Subjects
dates:
Illustrations
Attributed works:
16. Detail of Fig.18, showing Maturity.
Attributed works:
17. Detail of a king in the panel of The Elect, from a pulpit in Siena Cathedral depicting the Last Judgment, by Nicola Pisano and workshop. 1265–68. Marble. (© Lensini Foto, Siena).
Attributed works:
18. Allegory of Prudence, here attributed to Nicola Pisano and workshop. c.1265–70. Marble, 23.5 cm. by 12.4 cm. by 9.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Detail of Fig.18, showing Old Age.
Attributed works:
20. Detail of the Allegory of Prudence from the tomb of Peter of Verona in S. Eustorgio, Milan, by Giovanni di Balduccio Albonetti. 1339. Marble. (From La Cappella Portinari in Sant’Eustorgio a Milano, Milan 1963).
Attributed works:
21. Detail of Fig.18, showing Youth.
Attributed works:
22. Detail of Faith on a holy-water basin in S. Giovanni Fuorcivitas, Pistoia, by the Pisano workshop. c.1270. Marble. (From C. Gnudi: Nicola, Arnolfo, Lapo: l’arca di San Domenico in Bologna, Florence 1948).
Attributed works:
23. Detail of the Virgin from the panel Flight into Egypt, from a pulpit in Siena Cathedral, by Nicola Pisano and workshop. 1265–68. Carrara marble. (Photograph Kunsthistorisches Institut in Florenz-Max-Planck-Gesellschaft).
Attributed works:
24. Detail of St Cecilia from the cyborium of S. Cecilia in Trastevere, Rome, by Arnolfo di Cambio. 1293. Marble. (Archivio Fotografico Gallerie Vaticane, Rome).
Article
Moderno and Severo da Ravenna in the Duclaux collection, Angers
11/2022 | 1436 | 164
Pages: 1123-1125
related names
Author:
Lamouche, Emmanuel (Lamouche, Emmanuel)
Subjects
collectors and dealers:
dates:
museums and institutions:
Illustrations
Attributed works:
10. Hercules and the Nemean Lion, by Moderno (Galeazzo Mondella). c.1490–1505. Bronze, diameter 10.4 cm. (Musées des Beaux-arts d’Angers).
Attributed works:
11. Reproduction of Fig.10 in Trésor de numismatique et de glyptique, ou Recueil général de médailles, monnaies, pierres gravées, bas-reliefs tant anciens que modernes, Paris 1836, vol. XIX–XX, pl.X. (Bibliothèque Nationale de France, Paris).
Attributed works:
12. Young woman running with a shell and a candlestick, by the workshop of Severo da Ravenna (Severo Calzetta). After 1527. Bronze, height 22.1 cm. (with base), 18.4 cm. (without base), base diameter 12.8 cm. (Musées des Beaux-arts d’Angers).
Attributed works:
13. The back of the statue shown in Fig.12. (Photograph Centre de Recherche et de Restauration de Musées des France, Paris).
Attributed works:
14. Young woman running (now known as Thetis), by the workshop of Severo da Ravenna (Severo Calzetta). After 1527. Bronze, height 18.2 cm. (Cleveland Museum of Art).
Attributed works:
15. One side of the statue illustrated in Fig.12. (Photograph Centre de Recherche et de Restauration de Musées des France, Paris).
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