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75 articles
Article
Reaching the Buddhist paradise: early images of Buddhas and bodhisattvas in Koguryŏ
06/2024 | 1455 | 166
Pages: 554–569
related names
Author:
Perrin, Ariane (Perrin, Ariane)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Inscribed Buddhist triad, provenance unknown, attributed to Koguryŏ. 563 CE. Gilded bronze, height 17.5 cm. (Kansong Art Museum).
Attributed works:
2. Plan of the under-structure of Changchuan tomb no.1, Ji’an, Jilin province, China. Koguryŏ period, mid-5th century CE. (From Chosŏn yujŏk yumul togam / The Illustrated Book of Ruins and Relics of Korea, Pyongyang 1990 (hereafter Chosŏn), VI, p.73, fig.93; redrawn by the author).
Attributed works:
3. Layout of murals of the north wall of the front chamber of Changchuan tomb no.1, Ji’an, Jilin province, China, showing four bodhisattvas, the Green Dragon and apsaras. Koguryŏ period, mid-5th century CE. (From Chosŏn, VI, p.72, fig.91).
Attributed works:
4. East ceiling of the front chamber of Changchuan tomb no.1, Ji’an, Jilin province, China, showing an enthroned Buddha, tomb occupants and apsaras. Koguryŏ period, mid-5th century CE. (From Chosŏn, VI, p.74, fig.97).
Attributed works:
5. Restored image of the west wall of the main chamber of the Susanni tomb near Namp’o, North Korea, showing a Yaksha–Atlas figure. Koguryŏ period, mid-5th century CE. (From Ch’ŏnsang-ŭi munyang yesul: Koguryŏ kobun pyŏkhwa / Celestial motifs: Ancient Tomb Murals of the Koguryŏ Dynasty, Taejŏn 2020, p.282).
Attributed works:
6. Ceiling corners of the front chamber of Changchuan tomb no.1, Ji’an, Jilin province, China, showing Yaksha–Atlas figures, and newborn male and female figures in lotus flowers. Koguryŏ period, mid-5th century CE. (From Chosŏn, VI, p.82, fig.105).
Attributed works:
7. Right wall of the second chamber of the Sanshi (Three Chambers) tomb, Ji’an, Jilin province, China, showing a Yaksha–Atlas figure and two Black Warriors. Koguryŏ period, mid-5th century CE. (From Chosŏn, VI, p.68, fig.85).
Non-western art unattributed:
10. Buddha and bodhisattvas on the south wall of Yungang cave no.10, Datong, Shanxi province, China. Northern Wei period, 470–94 CE. (From Li Zhiguo: Yungang shiku (Yungang caves), Beijing 1995, p.92, fig.73).
Non-western art unattributed:
11a and b. Seated Buddha (mandorla missing), found at Ttuksŏm, Seoul area. First half of the 5th century CE. Gilded bronze, height 4.9 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
12. Seated Buddha, found at the Wŏno-ri temple site, P’yŏngwŏn county, north of Pyongyang area, South P’yŏngan province, North Korea. Koguryŏ period, sixth century CE. Clay, height 17 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
13a and b. Standing bodhisattva, found at Wŏno-ri temple site, P’yŏngwŏn county, South P’yŏngan province, North Korea. Koguryŏ period, sixth century. Clay, height 19.5 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
14. Seated Buddha, found near Hwangju, North Hwanghae province, North Korea. soapstone (National Museum of Korea, Seoul).
Non-western art unattributed:
15. Buddhist stele. Chinese, Late Northern Wei period. (Zhucheng Museum, Shandong).
Non-western art unattributed:
16. Fragment of mould, found south of Pyongyang at T’osong-ni, Taedong county, South P’yongan province, North Korea. Koguryo period, sixth century. Clay. (National Museum of Korea, Seoul).
Non-western art unattributed:
17. Seated Buddha. Korea, Three Kingdoms period. Gilded bronze, height 8.8 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
18. Inscribed mandorla, found at Ch’ungju, North Ch’ungch’ong province, South Korea. 536 or 596 CE. Gilded bronze, height 12.4 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
19. Inscribed standing Buddha, found at Uiryong, South Kyongsang province (Silla territory), South Korea. 539 CE. Gilded bronze, height 16.2 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
20. Inscribed mandorla, found in P’yongch’on area, Pyongyang, North Korea. 551 CE, Gilded bronze, height. 22 cm. (Korean Central History Museum of Pyongyang).
Non-western art unattributed:
21. Inscribed Buddhist triad (pedestal missing), found at Koksan, in Hwanghae province, North Korea. 571. Gilded bronze, height 15.5 cm. (Ho am Art Museum, Leeum).
Non-western art unattributed:
22. Buddhist triad with three bodhisattvas, found in Kangwŏn province, South Korea. Three Kingdoms period, presumably sixth century CE. Gilded bronze, height 8.7 cm, pedestal diameter 3.3 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
23. Buddhist triad (bodhisattva and two arhats), found at Ch’unch’on, Kangwon province, South Korea. Koguryo or Silla, presumably second half of sixth century. Gilded bronze, height 8.8 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
24. Inscribed plaque, found in Omae-ri, Sinp’o city, South Hamgyong province, North Korea. Gilded bronze, 41.5 by 18.5 cm. (Korean Central History Museum of Pyongyang).
Non-western art unattributed:
25a and b. Inscribed Buddhist triad, found on Mount Puso, near Puyo, in South Ch’ungch’ong province, South Korea. Gilded bronze, height 8.5 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
26a and b. Inscribed standing bodhisattva, found in Hongsong county, South Ch’ungch’ong province, central western Korea. Gilded bronze, height 16.4 cm. (National Museum of Korea, Seoul).
Non-western art unattributed:
27. Inscribed standing bodhisattva. Northern Wei period, 525 CE. Gilded bronze. (© Minku Kim; Linshu Museum, Shandong).
Non-western art unattributed:
28. Standing bodhisattva. Gilded bronze, height 22.8 cm. (Gyeongju National Museum).
Non-western art unattributed:
29. Buddhist triad. Korea, Three Kingdoms period. Gilded bronze, height 15.5 cm. (Donation of Lee Kun-hee). (National Museum of Korea, Seoul).
Non-western art unattributed:
30a and b. Inscribed standing Buddha. Korea, Three Kingdoms period. Gilded bronze, height. 7.7 cm. (Donation of Lee Kun-hee). (National Museum of Korea, Seoul).
Non-western art unattributed:
8. North wall of the front chamber of Changchuan tomb no.1, Ji’an, Jilin province, China, showing bodhisattvas turned towards the Buddha. Koguryŏ period, mid-5th century CE. (© Icomos Korea).
Non-western art unattributed:
9. West niche of the front chamber of the Kamsin tomb, near Namp’o city, North Korea, showing a seated figure. Koguryŏ period, late 5th century CE. (National Museum of Korea, Seoul).
Book Review
French Gothic Ivories: Material Theologies and the Sculptor’s Craft
06/2024 | 1455 | 166
Pages: 650–651
related names
Reviewer:
Speakman, Naomi (Speakman, Naomi)
Subjects
dates:
Reviewed Items
subjects:
French Gothic Ivories: Material Theologies and the Sculptor’s Craft By Sarah M. Guérin. 334 pp. incl. numerous col. + b. & w. ills. (Cambridge University Press, 2022), £90. ISBN 978–1–316–51100–8. | :
Illustrations
Attributed works:
2. Descent from the cross, central part of Deposition. c.1260–70. Ivory, height 20 cm. (Musée du Louvre, Paris; Bridgeman Images).
Exhibition Review
Journey into Crystal
01/2024 | 1450 | 166
Pages: 65–68
related names
Reviewer:
Rosser-Owen, Mariam (Rosser-Owen, Mariam)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Journey into Crystal Musée de Cluny, Paris 26th September 2023– 14th January 2024 | :
Illustrations
Western art unattributed:
5. Object in the form of a bay leaf. France, Palaeolithic (Solutrean). Rock crystal, 5.8 by 4 by 2 cm. (Musée d’Archéologie nationale, Saint- Germain-en- Laye; exh. Musée de Cluny, Paris).
Western art unattributed:
6. Aiguière in the form of a dragon. The Sarachi workshop, Milan, late 16th century. Rock crystal with gold and enamel, 26.5 by 31.3 by 9.8 cm. (Musée du Louvre, Paris; exh. Musée de Cluny, Paris).
Western art unattributed:
7. Reliquary coffer. Northern France (?), c.1200, incorporating a tenth-century Egyptian rockcrystal vessel. Rock crystal, gilded silver and gemstones, 11.3 by 14.8 by 9.7 cm (Musée de Cluny, Paris).
Article
Giambologna’s ‘Andromeda’: a new model?
11/2021 | 1424 | 163
Pages: 1010-1019
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of the sculpture illustrated in Fig.2.
Attributed works:
10. Standing figure of Morgante, model by Giambologna, cast attributed to Antonio Susini, c.1580–90. Bronze, height 13 cm. (Victoria and Albert Museum, London).
Attributed works:
11. The sculpture illustrated in Fig.2.
Attributed works:
12. Woman with her arms raised, perhaps Andromeda, attributed to Giambologna. c.1570–80. Bronze, height 14 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
13. Abduction of a Sabine woman, by Giambologna. 1579. Bronze, height 99 cm. (Museo e Real Bosco di Capodimonte, Naples).
Attributed works:
14. Andromeda, attributed to Giovan Battista Pieratti. c.1637. Marble. (Vasca dell’Isola, Boboli Gardens, Florence).
Attributed works:
2. Woman with her arms raised, perhaps Andromeda, the model here attributed to Giambologna, the cast here attributed to Antonio Susini, c.1580–90. Bronze, height 14.3 cm. (Anglesey Abbey, Cambridgeshire; National Trust; photograph Clarissa Bruce).
Attributed works:
3. The sculpture illustrated in Fig.2, shown from behind.
Attributed works:
4. Crouching woman, looking upwards, by Giambologna. c.1560–80. Bronze, height 9.7 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
5. Standing woman, drying herself after the bath, by Giambologna. c.1560– 80. Bronze, height 13.5 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
6. Seated bagpiper, model by Giambologna, cast by Antonio Susini. c.1580–1600. Bronze, gilded, height 10.5 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
7. Standing peasant, resting on his staff, by Giambologna, c.1580–1600. Bronze, height 13 cm. (Museo Nazionale del Palazzo di Venezia, Rome).
Attributed works:
8. The sculpture illustrated in Fig.4, photographed from the front.
Attributed works:
9. Crouching Venus, after an original by Doidalsas. c.100–200 AD. Marble, height 125 cm. (Museo Archeologico Nazionale, Naples).
Article
Avatars of Antiquity II: Drapery as metaphor
12/2020 | 1413 | 162
Pages: 1056-1071
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 41 by 27.5 cm. (Royal Academy of Arts, London).
Attributed works:
10. Draped female torso, from the Acropolis, Xanthos. 470–460 BC. Marble, height 123.8 cm. (British Museum, London).
Attributed works:
11. Rebecca at the well, by Nicolas Poussin. 1648. Oil on canvas, 118 by 199 cm. (Musée du Louvre, Paris).
Attributed works:
12. Detail from Paul preaching at Athens, by Raphael. c.1516. Body colour on paper mounted on canvas, whole canvas 320 by 390 cm. (Royal Collection, on loan to the Victoria and Albert Museum, London).
Attributed works:
13. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 27.6 by 27.1 cm. (Royal Academy of Arts, London).
Attributed works:
14. Drapery study for the kneeling handmaiden in Semiramis founding Babylon, by Edgar Degas. 1860–62. Graphite with lead-white body colour and blue wash on paper, 24.4 by 31.1 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Cymon and Iphigenia by Frederic Leighton. c.1884. Oil on canvas, 162.6 by 327.7 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
16. Drapery study by Leonardo. c.1475–82. Brown-grey wash and lead white on linen prepared with a pale grey ground, 220 by 139 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
17. Detail of Virgin and Child, by Masaccio. 1426. Egg tempera on wood, whole panel 134.8 by 73.5 cm. (National Gallery, London).
Attributed works:
18. The penitence of Mary Magdalene, by Charles Le Brun. 1655. Oil on canvas, 252 by 171 cm. (Musée du Louvre, Paris).
Attributed works:
19. Heliodorus driven from the Temple, by Eugène Delacroix. 1855–61. Mural, 751 by 485 cm. (Chapelle des Anges, Saint-Sulpice, Paris)
Attributed works:
2. Detail of an Antique mural painting of a dancer, by Filippo Morghen after Camillo Paderni. Engraving, 38 by 48 cm. (page). (From Le pitture antiche d’Ercolano e contorni, I, Naples 1757).
Attributed works:
20. Ariadne on Naxos, by G.F. Watts. 1867–75. Oil on canvas, 75 by 94 cm. (Guildhall Museum, London).
Attributed works:
21. Divine figures from the east pediment of the Parthenon, Athens, believed to represent Venus reclining on the lap of her mother, Dione, by Phidias or associate. 438–432 BC. Marble, length 233 cm. (British Museum, London).
Attributed works:
22. Captive Andromache, by Frederic Leighton. c.1888. Oil on canvas, 195.6 by 406.4 cm. (City Art Gallery, Manchester).
Attributed works:
23. Detail of the figure of Amor in the chimneypiece made for the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street, Manhattan, by Augustus Saint-Gaudens. c.1881–83. Limestone, height of chimneypiece 468.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
24. Dido receiving Aeneas and Cupid disguised as Ascanius, by Francesco Solimena. 1710. Oil on canvas, 207.2 by 310.2 cm. (National Gallery, London).
Attributed works:
3. One of the ‘attitudes’ of Lady Hamilton, by Tommaso Piroli after Friedrich Rehberg. Engraving, 26.9 by 20.8 cm. (From F. Rehberg: Drawings Faithfully Copied from Nature at Naples, n.p. 1794, fig.7).
Attributed works:
4. Veiled and masked dancer. Alexandria(?), c.100 BC. Bronze, height 20.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Detail of Two dancers, after Antonio Canova. 1799. Tempera on paper. (Casa Canova, Possagno).
Attributed works:
6. Hebe, by Antonio Canova. 1816–17. Marble with gilt metal, height 158 cm. (Pinacoteca Civica, Forlì).
Attributed works:
7. Veiled woman (Allegory of Purity), by Antonio Corradini. 1717–25. Carrara marble. (Museo del Settecento Veneziano, Ca Rezzonico, Venice).
Attributed works:
8. Hebe, by Bertel Thorvaldsen. 1819–23. Marble, height 152.2 cm. (Thorvaldsen Museum, Copenhagen).
Western art unattributed:
9. Kore, from the Temple of Hera, Samos. 570–60 BC. Marble, height 192 cm. (Musée du Louvre, Paris).
Book Review
Il Bresciano: Bronze-Caster of Renaissance Venice
11/2020 | 1412 | 162
Pages: 996-998
related names
Reviewer:
Warren, Jeremy (Warren, Jeremy)
Subjects
places:
subjects:
Reviewed Items
subjects:
Il Bresciano: Bronze-Caster of Renaissance Venice By Charles Avery. 224 pp. incl. 117 col. + 176 b. & w. ills. (Philip Wilson Publishers, London, 2020), £40. ISBN 978–1–78130–103–6. | :
Illustrations
Attributed works:
1. Doorknocker with a mask of Hypnos, dolphins and satyrs, attributed to Il Bresciano. c.1560–70. Bronze, 35.5 by 29 by 13 cm. (Victoria and Albert Museum, London).
Attributed works:
2. Detail of a paschal candlestick, by Il Bresciano. 1563–65. Bronze, height 237 cm. (S. Maria della Salute, Venice; photograph Victoria Avery).
Book Review
Giambologna: Court Sculptor to Ferdinando I. By Alexander Rudigier and Blanca Truyols
03/2020 | 1404 | 162
Pages: 263-264
related names
Reviewer:
Diemer, Dorothea (Diemer, Dorothea)
Subjects
artists:
Reviewed Items
subjects:
Giambologna: Court Sculptor to Ferdinando I By Alexander Rudigier and Blanca Truyols. 376 pp. incl. 600 col. ills. (Paul Holberton, London, 2019),  50. ISBN 978–1–912168–14–9. | :
Book Review
The Culture of Bronze: Making and Meaning in Italian Renaissance Sculpture. By Peta Motture
02/2020 | 1403 | 162
Pages: 169-170
related names
Reviewer:
Avery, Charles (Avery, Charles)
Subjects
media:
places:
Reviewed Items
subjects:
The Culture of Bronze: Making and Meaning in Italian Renaissance Sculpture By Peta Motture. 288 pp. incl. 250 col. ills. (V&A Publishing, London, 2019), £35. ISBN 978–1–85177–965–9. | :
Exhibition Review
Andrea del Verrocchio in Florence and Washington
01/2020 | 1402 | 162
Pages: 4-13
related names
Author:
Röstel, Alexander (Röstel, Alexander )
Subjects
places:
Reviewed Items
subjects:
Palazzo Strozzi, Verrocchio: Master of Leonardo (8th March– 14th July 2019) | :
subjects:
Verrocchio: Sculptor and Painter of Renaissance Florence at the National Gallery of Art, Washington (15th September 2019–12th January 2020) | :
Illustrations
Attributed works:
1. Putto with a dolphin, by Andrea del Verrocchio. c.1465–80. Bronze, 70.3 by 50.5 by 35 cm. (Palazzo Vecchio, Florence; exh. Palazzo Strozzi, Florence, and National Gallery of Art, Washington).
Attributed works:
10. Ginevra de’ Benci, by Leonardo da Vinci. c.1474–78. Oil on panel, 38.1 by 37 cm. (National Gallery of Art, Washington).
Attributed works:
11. Bust of a young woman, by Andrea del Verrocchio. c.1465–70. Marble, 47.3 by 48.7 by 23.8 cm. (Frick Collection, New York; exh. Palazzo Strozzi, Florence, and National Gallery of Art, Washington; photograph by Clarence Kennedy. 1930. Gelatin silver print. The National Gallery of Art Library, Washington; exh. Study Center, National Gallery of Art, Washington).
Attributed works:
12. Installation view of Verrocchio: Sculptor and Painter of Renaissance Florence at the National Gallery of Art, Washington, 2019–20, showing in the foreground (left) Putto with a dolphin, by Verrocchio and (right) Putto posed on globe, attributed to Verrocchio. (Courtesy National Gallery of Art, Washington).
Attributed works:
13. Lorenzo de’ Medici, probably after a model by Andrea del Verrocchio and Orsino Benintendi. Possibly 1513–20. Polychrome terracotta, 65.8 by 59.1 by 32.7 cm. (National Gallery of Art, Washington).
Attributed works:
2. Installation view of Verrocchio, Master of Leonardo, at Palazzo Strozzi, Florence, 2019, showing (left to right) Bust of a young woman, by Desiderio da Settignano and Verrocchio’s Lady with flowers and Bust of a young woman. (Courtesy Palazzo Strozzi, Florence).
Attributed works:
3. An ancient heroine, possibly Olympias, by Andrea del Verrocchio. c.1460–65. Marble, 46 by 31 by 6.5 cm. (Castello Sforzesco, Milan; exh. Palazzo Strozzi, Florence).
Attributed works:
4. Diagram of the incised lines evident on the painted surface and in the X-radiograph of the Virgin Adoring the Christ Child (The Ruskin Madonna), by Andrea del Verrocchio, possibly with Domenico Ghirlandaio. c.1470–80. Tempera and oil on panel transferred to canvas, 106.7 by 76.3 cm. (National Galleries of Scotland, Edinburgh; diagram © Elizabeth Walmsley, 2019).
Attributed works:
5. Giuliano de’ Medici, by Andrea del Verrocchio. c.1475/78. Terracotta with traces of polychromy, 61 by 66 by 28.3 cm. (National Gallery of Art, Washington; exh. Palazzo Strozzi, Florence).
Attributed works:
6. Death of Francesca Pitti Tornabuoni, by Francesco di Simone Ferrucci. c.1480. Marble, 45 by 170.5 by 13 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence).
Attributed works:
7. Young woman, by Andrea del Verrocchio. c.1470–75. Black chalk with pen and brown ink and brush with brown ink and grey ash on paper, outlines pricked for transfer, 40.8 by 32.7 cm. (Christ Church Picture Gallery, Oxford; exh. Palazzo Strozzi, Florence).
Attributed works:
8. St Jerome, by Andrea del Verrocchio. c.1465–70. Tempera on paper applied to panel, 40 by 26 cm. (Palazzo Pitti, Florence; exh. Palazzo Strozzi, Florence, and National Gallery of Art, Washington).
Attributed works:
9. Virgin with the laughing Child, attributed to Leonardo da Vinci. c.1472. Terracotta, 49 by 27 by 24.5 cm. (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence).
Article
An inventory of Lorenzo Ghiberti’s collection of antiquities
04/2019 | 1393 | 161
Pages: 274-299
related names
Author:
Carl, Doris (Carl, Doris)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Self-portrait, by Lorenzo Ghiberti, from the east doors of the Baptistery, Florence (the Doors of Paradise). 1425–52. Gilt bronze. (Museo dell’Opera del’Duomo, Florence; photograph Alamy).
Attributed works:
11. The goat Amalthea nursing Zeus, by Bertoldo di Giovanni and others. c.1490–95. Glazed terracotta relief, height 58 cm. (Villa Medici, Poggio a Caiano).
Attributed works:
14. Detail of the Moses relief from the east doors of the Baptistery, Florence (the Doors of Paradise), by Lorenzo Ghiberti. 1425–52. Gilt bronze, 79.5 by 79.5 cm. (Museo dell’Opera del’Duomo, Florence; Bridgeman Images).
Attributed works:
16. Reverse of a medal of Giovanna Tornabuoni, by Niccolò Fiorentino. c.1486. Bronze, diameter 7.9 cm. (National Gallery of Art, Washington).
Attributed works:
17. The Three Graces, by Raphael. c.1503–05. Panel, 17 by 17 cm. (Musée Condé, Chantilly; Bridgeman Images).
Attributed works:
18. Detail of Primavera, by Sandro Botticelli. c.1482. Panel, 203 by 314 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
19. Detail of Allegory of April, by Francesco del Cossa. Fresco. (Palazzo Schifanoia, Ferrara; Bridgeman Images).
Attributed works:
2. Portrait of Vittorio di Lorenzo Ghiberti, by Lorenzo Ghiberti, from the east doors of the Baptistery, Florence (the Doors of Paradise). 1425–52. Gilt bronze. (Museo dell’Opera del’Duomo, Florence; photograph Alamy).
Attributed works:
24. Nymph and putto and Man asleep on a bed, by Giovanni da Udine after designs by Raphael. 1516–19. Stucco reliefs. (Vatican Loggie, Rome).
Attributed works:
28. Detail of a cassone panel, attributed to the Master of the Argonauts. 1444 or 1469. Panel. (Bode Museum, Berlin).
Attributed works:
29. Detail of the Resurrection relief on the north doors of the Baptistery, Florence, showing a sleeping soldier, by Lorenzo Ghiberti. 1414–24. Bronze, 65 by 57.5 cm. (Bridgeman Images).
Attributed works:
30. Hercules with a lion’s pelt, attributed to the Hercules Master, from the Porta della Mandorla, Florence Cathedral. c.1390–1400. Marble. (Photograph Sailko).
Attributed works:
5 Detail of A battle, by Bertoldo di Giovanni, showing a figure of Victory. c.1479. Bronze, 45 by 90 cm. (Museo Nazionale del Bargello, Florence; Bridgeman Images).
Western art unattributed:
10. Goat. Hellenistic, first–second century AD. Bronze, height 13.2 cm. (Museo Archeologico Nazionale, Florence).
Western art unattributed:
12. Portrait of an unknown woman, shown from three angles. Roman, c.AD 150. Bronze, height 36 cm. (Museo Archeologico Nazionale, Florence).
Western art unattributed:
13. Portrait of Faustina Maior. c.AD 105–140. Marble, height 63 cm. (Capitoline Museum, Rome).
Western art unattributed:
15. The Three Graces, Roman copy of a Hellenistic model. Marble. (Piccolomini Library, Siena).
Western art unattributed:
20. Roman relief mirrors depicting the Three Graces. First–second century AD. Bronze, diameter of each c.12.5 cm. (a) private collection, Paris; (b) State Hermitage Museum, St Petersburg; (c) Seattle Art Museum, Washington; (d) art market, Paris; (e) J. Paul Getty Museum, Los Angeles; (f) University of Toronto; (g) North Carolina Museum of Art, Raleigh; (h) formerly Bardo National Museum, Tunis; (i) art market, Basel; (j) Bavarian State Archaeological Collection, Munich.
Western art unattributed:
21. The Three Graces. Mirror, Roman, first–second century AD. Bronze, diameter 12 cm. (The Metropolitan Museum of Art, New York).
Western art unattributed:
22. The Bed of Polyclitus. Copy after the relief belonging to Lorenzo Ghiberti. Mid-sixteenth century. Marble, 34 by 50 cm. (Private collection).
Western art unattributed:
23. The Bed of Polyclitus. Here dated to the fifteenth century. Marble, height 46 cm. (Palazzo Mattei di Giove, Rome).
Western art unattributed:
25. Detail of a sarcophagus depicting the mourning of Meleager. Roman, second century AD. Marble. (Torno Collection, Milan; photograph Palazzo Montalto, Florence).
Western art unattributed:
26. Detail of a sarcophagus depicting Meleager’s corpse being carried home. Roman, fourth quarter of the second century AD. Marble. (Althorp House, Northamptonshire; originally Palazzo Sciarra, Rome).
Western art unattributed:
27. Above Detail of a sarcophagus, showing a nereid. Roman, late second– early third century AD. Marble. (Museo dell’Opera del Duomo, Siena).
Western art unattributed:
3. Family tree of the Ghiberti.
Western art unattributed:
4. The Gaddi torso. Hellenistic, second century BC. Marble, height 84.4 cm. (Galleria degli Uffizi, Florence).
Western art unattributed:
6. Victory. Late Hellenistic. Bronze, height 16.3 cm. (Walters Art Gallery, Baltimore).
Western art unattributed:
7. Hercules Pomarius. Etruscan, third–first century BC. Bronze, 7.3 by 8.7 by 7.2 cm. (Walters Art Gallery, Baltimore).
Western art unattributed:
8. Kairos. Roman, first century AD. Marble. (Formerly Palazzo Medici, Florence).
Western art unattributed:
9. Diskophoros, Roman copy of statue by Naukydes. Marble, height 178 cm. (Liebieghaus, Frankfurt).
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