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01/2023 | 1438 | 165
Pages: i-xii
Subjects
Illustrations
Attributed works:
A Very Rare and Important Marble Relief of the Resurrection of Christ Attributed to the Master of the Mascoli Altar Marble, Venice, Italy Second half of the 15th Century [Finch & Co]
Attributed works:
Avarice, by Pieter van der Heyden (c.1530–72) after Pieter Bruegel the Elder (c.1525–69). Engraving, 29.6 by 22.5 cm. [BELGIAN ANTIQUARIAN BOOKSELLERS ASSOCIATION (BBA), BRUSSELS, BRAFA]
Attributed works:
Crate table, by Gerrit Thomas Rietvelt (1888–1964). 1935. Wood and brass, height 63 cm. [GALERIE VAN DEN BRUINHORST, KAMPEN, BRAFA]
Attributed works:
Family group, by Henry Moore (1898– 1986). 1945. Bronze, height 18 cm. [OSBORNE SAMUEL GALLERY, LONDON, BRAFA]
Attributed works:
Gasparo Cairano Deposition Group (detail) alabaster 47,5 x 65 x 22,5 cm [Carlo Orsi]
Attributed works:
Giorgio Vasari Arezzo, 1511 – Florence, 1574 The Temptation of Saint Jerome Recently sold to a private collector Oil on panel, 165 x 117 cm [Moretti]
Attributed works:
GIUSEPPE MOLTENI 1800–1867 Portrait of Marchese Antonio Visconti Aimi (1798–1854) c. 1830–35 [Robilant and Voena].
Attributed works:
Green table, by Henri Hayden (1883–1970). 1917. Oil on canvas, 81 by 54 cm. [SIMON STUDER ART SA, GENEVA, BRAFA]
Attributed works:
Maisons au Quai Vert, Bruges, by Auguste Herbin (1882–1960). 1906. Oil on canvas, 53 by 64 cm. [STERN PISSARRO GALLERY, LONDON, BRAFA]
Attributed works:
Modigliani portrait from the artist’s   first creative period in Paris for sale [www.modigliani-portrait.com]
Attributed works:
Psycho-site, by Jean Dubuffet (1901–85). 1981. Acrylic on paper, 50 by 81 cm. [GUY PIETERS GALLERY, KNOKKE-HEIST, BRAFA]
Attributed works:
SIR PETER PAUL RUBENS The head of Saint John the Baptist presented to Salome Estimate $25,000,000–35,000,000 [Sotheby's, New York]
Attributed works:
The temptation of St Anthony, by Pieter Huys (1519–84). Oil on panel, 41.8 by 57.8 cm. [DE JONCKHEERE, GENEVA AND PARIS, BRAFA]
Non-western art unattributed:
Golden pheasant. China, Quinlong period (1736–95), c.1750–70. Porcelain with polychrome, height 35.5 cm. [GALERIE BERTRAND DE LAVERGNE, PARIS, BRAFA]
Non-western art unattributed:
Lega figure. Democratic Republic of Congo, early 20th century. Wood and pigments, height 29 cm. [DIDIER CLAES, BRUSSELS, BRAFA]
Western art unattributed:
Family portrait. Antwerp school, c.1620. Oil on canvas, 134.5 by 159 cm. [KLAAS MULLER, BRUSSELS, BRAFA]
Western art unattributed:
Large-leaf verdure depicting a stag and doe. Southern Netherlands, 1550– 1600. Wool and silk, 270 by 178 cm. [DE WIT TAPESTRIES, MECHELEN, BRAFA]
Western art unattributed:
Property of The Daughters of the Cross. 16th century. Oil on panel. An extraordinarily rare depiction of Leonardo’s La Cenacolo [Sloane Street Auctions]
Exhibition Review
Romanticism. Gallerie d’Italia and Museo Poldi Pezzoli, Milan
02/2019 | 1391 | 161
Pages: 151-154
related names
Reviewer:
Hecker, Sharon (Hecker, Sharon)
Subjects
dates:
places:
Illustrations
Attributed works:
14. Nocturne in Capri, by Salvatore Fergola. 1843. Canvas, 106 by 131 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Gallerie d’Italia, Milan).
Attributed works:
15. Spartacus, by Vincenzo Vela. 1847–50. Marble, 206 by 72.5 by 90 cm. (Museo d’arte della Svizzera italiana, Lugano; photograph Museo Vincenzo Vela / Mauro Zeni; exh. Gallerie d’Italia, Milan).
Attributed works:
16. Meditation, by Francesco Hayez. 1851. Canvas, 92.5 by 71 cm. (Galleria d’Arte Moderna ‘Achille Forti’, Verona; exh. Gallerie d’Italia, Milan).
Attributed works:
17. Veiled Vestal, by Raffaele Monti. 1845. Marble, 48 by 25.5 by 27 cm. (Castle of Racconigi, Cuneo; exh. Gallerie d’Italia, Milan).
Article
The Art of Conservation VIII: From Guizzardi to Cavenaghi: nineteenth-century Italian conservators
12/2016 | 1365 | 158
Pages: 968-978
related names
Author:
Bonsanti, Giorgio (Bonsanti, Giorgio)
Subjects
dates:
subjects:
subjects:
Illustrations
Attributed works:
29. Portrait of Giuseppe Guizzardi in 'ancient' dress, by Pelagio Palagi. 1807 (Collezioni Comunali d'Arte, Bologna)
Attributed works:
30. Self-portrait, by Giuseppe Molteni. c.1830 (Private collection, Florence)
Attributed works:
31. Photograph of the back of the panel of Raphael's Marriage of the Virgin (Galleria di Brera, Milan) with the structural restoration by the cabinetmaker Draghini supervised by Molteni in 1857-58
Attributed works:
32. Nativity, by Girolamo Romanino. c.1524. Photographed in 1939 with Molteni's restoration, removed in 1968 (National Gallery, London)
Attributed works:
33. Fig.32 in its present state
Attributed works:
35. Detail of Penitent St Benedict, by Agnolo Bronzino. c.1525 (Chiostro degli Aranci, Badia Fiorentina, Florence). In its present state after the strappo made by Giovanni Secco Suardo in 1864, with a clear impression of the canvas
Attributed works:
37. Il restauratore dei dipinti, volume I, by Giovanni Secco Suardi, 2nd edition, Milan 1894 (Biblioteca, Galleria degli Uffizi, Florence)
Attributed works:
38. Manuale del pittore restauratore, by Ulisse Forni. Florence 1866, with Forni's dedication to the sculptor Ulisse Cambi (Giorgio Bonsanti collection)
Attributed works:
39. Ettore Franchi's suggested outline of the Angel made in 1878 on the Coronation of the Virgin, by Lorenzo Monaco. 1414 (Galleria degli Uffizi, Florence; photograph Opificio delle Pietre Dure, Florence)
Attributed works:
40. St Gregory, by Antonello da Messina. 1473 (Museo Regionale, Messina) with the restoration by Luigi Cavenaghi (1912)
Attributed works:
41. Head of a female saint, by Cima da Conegliano. c.1510 (Museo Poldi Pezzoli, Milan) after the restoration by Cavenaghi (1890)
Attributed works:
42. Luigi Cavenaghi restoring Leonardo da Vinci's Last Supper in the refectory of S. Maria degli Angeli, Milan, by Riccardo Salvadori. 1908. From L'Illustrazione Italiana 35, II, no.41 (1908), p.343
Western art unattributed:
34. Giovanni Secco Suardo. c.1865 (Courtesy of Fondazione Secco Suardo, Lurano, Bergamo)
Western art unattributed:
36. A young woman saved from falling into a well. Lombard school, late fifteenth century. The first strappo of a mural painting by Giovanni Secco Suardo. c.1855 (Fondazione Secco Suardo, Lurano, Bergamo)
Short Notice
Eastlake and Molteni: The Ethics of Restoration
09/1974 | 858 | 116
Pages: 530-534
related names
Author:
Gould, Cecil (Gould, Cecil)
Subjects
art literature:
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
29. Detail from Madonna and Child Enthroned with Saints, by Garofalo (Before Restoration). (National Gallery, London No.671.)
Attributed works:
30. Detail from Madonna and Child Enthroned with Saints, by Garofalo (After Restoration). (National Gallery, London No.671.)
Attributed works:
31. Walk to Emmaus, by Altobello Melone (Before Restoration). (National Gallery, London No.735).
Attributed works:
32. Detail from Polyptych, by Girolamo Romanino (Before Restoration). (National Gallery, London No.297).
Attributed works:
33. Walk to Emmaus, by Altobello Melone (After Restoration). (National Gallery, London No.735).
Attributed works:
34. Detail from Polyptych, by Girolamo Romanino (After Restoration). (National Gallery, London No.297).