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03/2025 | 1464 | 167
Pages: i-xl
Subjects
Illustrations
Attributed works:
A young man, by Claude Hoin (1750–1817). 1802. Pastel on paper mounted on canvas, 39 by 31 cm. [DIDIER AARON & CIE, PARIS AND NEW YORK/Tefaf]
Attributed works:
Adoration of the shepherds, attributed to Girolamo Ticciati (1676–1744). c.1700. Modelled terracotta, 41 by 97 cm. [Alessandro Cesati, Milan. Stand 171/ Tefaf]
Attributed works:
Albrecht Duerer. Virgin and child with the pear. 1511. Engraving. Meder 33 a. Est. 15,000 € [Venator and Hansen]
Attributed works:
Allegorical portrait of a young man, by Mirabello Cavalori (1520–72). 1565–70. Oil on canvas, 182 by 105 cm. [Trinity Fine Art, London. Stand 361/ Tefaf]
Attributed works:
Allegory on iron forge, by David Vinckboons (1576–c.1632). c.1613. Pen and brown ink, brush and brown ink, brown wash, heightened with white, gold ink framing lines on green prepared paper, 13.8 by 13.1 cm. [ONNO VAN SEGGELEN, ROTTERDAM/Salon du Dessin]
Attributed works:
AUGUSTE RODIN (1840-1917) Despair, Conceived 1886-1887, this example modelled c.1900 Signed A. Rodin, Plaster with shellac, 7 1/4 x 3 1/4 x 5 in, 18.6 x 8.6 x 13 cm Provenance Charles Delanglade, Marseille, a gift from the artist, c. 1900 [Willoughby Gerrish]
Attributed works:
Black nude, by Georges Dorignac (1879– 1925). Black chalk and black watercolour on paper, 56 by 43 cm. [GALERIE DE BAYSER, PARIS/Tefaf]
Attributed works:
Charity, by Lorenzo Bartolini (1777– 1850). 1846. Marble, height 184 cm. [Walter Padovani, Milan. Stand 126/Tefaf]
Attributed works:
Charles CORDIER (Cambrai 1827-1905 Alger) Mauresque d’Alger chantant Before 1870 Life size bust H. 74 cm [Univers du Bronze]
Attributed works:
Console table, attributed to Giuseppe Maria Bonzanigo (1745–1820). c.1790. Painted and microcarved parcel gilt walnut with grey Valdieri marble top, 95 by 151 by 66 cm. [Burzio, London. Stand 157/ Tefaf]
Attributed works:
Honoré Daumier (French, 1808–1879) THE BEER DRINKERS (LES BUVEURS DE BIÈRE), circa 1860 Signed: h. Daumier (lower left) Oil on panel, 10¼ by 12⅛ in. (26 by 30.7 cm.) [Gallery 19c]
Attributed works:
Imperial vase fuseau, painted with a portrait miniature of Caroline Murat (1782–1839), by Antoine-Charles Le Guay (1762–1846) and Antoine Beranger (1785–1867) for Sèvres Porcelain Manufactory. 1810–12. Hard-paste porcelain, enamels, gold, height 54.5 cm. [Camille Leprince, Paris. Stand 182/Tefaf]
Attributed works:
Interior of a harem, by Francesco Hayez (1791–1882). 1840. Oil on canvas, 84 by 108 cm. [Antonacci Lapiccirella Fine Art, Rome. Stand 318/Tefaf]
Attributed works:
JACQUES-ÉMILE BLANCHE (1861–1942) Portrait of Georges de Porto-Riche (1849–1930), 1889 Recently acquired by the Musée d’Orsay, Paris [Robilant and Voena]
Attributed works:
JAMES BARRY (1741 Cork – 1806 London), Self-portrait, c.1802. Inscribed in pen and ink “Barry Fecit / James Barry Esq. late P.P.+ R.A. of / the Royal Academy and member of Clementine Academy at Bologna”. Mezzotint. Size of sheet: c.46 x 34.8 cm. [Emanuel von Baeyer/Tefaf]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The Triumph of Silenus Pen and brown and black ink and grey wash, over an underdrawing in black chalk. Inscribed J. B. Greuze at the lower right. 538 x 378 mm. (21¹⁄₈ x 14⁷⁄₈ in.) [Stephen Ongpin]
Attributed works:
JOHN CHEERE (1709–1787) Samson Slaying a Philistine Bronzed lead 48 cm (19 in.) high 54 cm (21¼ in.) high, overall [Tomasso]
Attributed works:
JUSEPE DE RIBERA (c.1630) An Apostle Oil on canvas, 76 x 62 cm [Giammarco Cappuzzo Fine Art]
Attributed works:
JUSEPE DE RIBERA Xàtiva 1591 – Naples 1652 SAINT ANDREW THE APOSTLE Naples 1630 Oil on canvas. 71.8 x 63.5 cm [Galeria Bernat]
Attributed works:
Kankamkankami, by Rover Thomas Joolama (1926–98). 1990. Natural earth pigment and brush gum on linen, 90 by 180 cm. [D’Lan Contemporary, Melbourne. Stand 431/Tefaf]
Attributed works:
Lady Mary Sadleir, née Lorymer, by Mary Beale (1633–99). 1685. Oil on canvas, 76.2 by 63.5 cm. [The Weiss Gallery, London. Stand 346/Tefaf]
Attributed works:
Laurent Delvaux (Ghent 1696 – Nivelles 1778) BOZZETTO OF HERCULES MODEL FOR THE STATUE IN THE PALACE OF CHARLES-ALEXANDRE DE LORRAINE IN BRUSSELS Terracotta and traces of gilding Brussels, 1768 [Desmet]
Attributed works:
LOMBARD SCHOOL Circa 1500 God the Father Pen and brown ink on green-washed paper, 14 x 21 cm. [Charles Ratton and Guy Ladrière]
Attributed works:
London night scene, by Émile Claus (1849–1924). 1915. Conté crayon on paper, 12.3 by 18.3 cm. AMBROISE DUCHEMIN, PARIS/Salon du Dessin]
Attributed works:
Lucas CRANACH le Jeune (att. à), Maurice, duc de Saxe - vers 1545/50 © Reims, Musée des Beaux-Arts. Photo : Corentin Le Goff. Design : Olivier Andreotti (Toluca Studio) [Salon du dessin]
Attributed works:
MICHEL ANGUIER (1612–1686) Farnese Hercules 57 cm (22½ in.) high Terracotta [Tomasso]
Attributed works:
Mick Namarari Tjapaltjarri, Wallaby Sign for Men and Women, 11972 [D'Lan Contemporary/Tefaf]
Attributed works:
no speaking is left in me, by Edmund de Waal (b.1964). 2013. Fourteen porcelain vessels on aluminium shelf, 31 by 100 by 24.3 cm. [Piano Nobile, London. Stand 463/Tefaf]
Attributed works:
On the edge of Fontainebleau forest, by Alfred Sisley (1839–99). 1868. Oil on canvas, 96.8 by 86.4 cm. [C19 Gallery, Westlake TX. Stand 328/Tefaf]
Attributed works:
Portrait of a Capuchin Friar, by Giacomo Ceruti, called Il Pitocchetto (1698–1767). c.1730. Oil on canvas, 93 by 78 cm. [Galerie Canesso, Paris and Milan. Stand 360/Tefaf]
Attributed works:
Portrait of a woman, facing left, by Monogrammist I.S. (active 1651–58). c.1630s. Oil on canvas laid onto panel, 34 by 27 cm. [Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
Project for a painted mural n°2, by Luigi Spazzapan (1889–1958). 1923. Tempera on paper applied to Masonite, 24 by 35 cm. [BOTTEGANTICA, MILAN/Salon du Dessin]
Attributed works:
Punchinello and his family spinning fl ax, by Giovanni Domenico Tiepolo (1727–1804). c.1790–1800. Pen and brown ink and wash, over an underdrawing in black chalk, 34.5 by 46.4 cm. [Stephen Ongpin Fine Art, London. Stand 603/Tefaf] Nicholas Hall Fine Art, New York. Stand 363/Tefaf]
Attributed works:
SÈVRES (France)- Manufacture Impériale de Porcelaine Déjeuner “TêTes De Madones D’après Raphaël” à fond d’or et Motifs De rosaces Peinture par Marie-Victoire jaquotot (1772-1855), circa 1813 Porcelaine dure, émaux, or, métal doré Au dos des pièces, références d’inventaires du Musée du Louvre (alors renommé musée Napoléon) [Camille Leprince]
Attributed works:
Still life with terracotta Púcaros, by Josepha Ayalla (1630–84) and Baltazar de Óbidos (1604–74). c.1670. Oil on canvas, 24.6 by 30.4 cm. [Rafael Valls, London. Stand 333/Tefaf]
Attributed works:
Study of a seated shepherd, by Parmigianino (1503–40). c.1524–27. Pen and brown ink on paper, 15.8 by 11.8 cm. [GALERIE TERRADES, PARIS/Tefaf]
Attributed works:
The Calling of Saints Peter and Andrew by Robert Edge Pine (1730–1788) [Darnley Fine Art]
Attributed works:
The virgin, by Adolfo Wildt (1868–1931). 1925. Marble, 33.8 by 29 cm. [Stuart Lochhead Sculpture, London. Stand 108/Tefaf]
Attributed works:
Three hamlets, two villages, by Boris Kosarev (1897–1994). 1921. Watercolour on paper, 24 by 19 cm. [JAMES BUTTERWICK, LONDON/Salon du Dessin]
Attributed works:
Tiger, by Eugène Delacroix (1798–1863) and Frédéric Chopin (1810–49). Pen and brown ink on a music stave, 5.5 by 22 cm. [GALERIE ÉRIC COATALEM, PARIS/Tefaf]
Attributed works:
TIZIANO VECELLIO, CALLED TITIAN Madonna and Child with St. Mary Magdalene oil on canvas 104.7 × 93 cm; 411/4 × 365/8 inches [Trinity Fine Art/Tefaf]
Attributed works:
Triumph of David, from a Book of Hours, by the Master of Mary of Burgundy. Ghent, c.1480. Tempera on parchment, 15.3 by 11 cm. [Les Enluminures, New York, Chicago and Paris. Stand 216/Tefaf]
Attributed works:
Two people, by Wifredo Lam (1902–82). 1978. Watercolour and pastel on paper, 30.5 by 47.5 cm. [GALERIE TRAITS NOIRS, PARIS/Salon du Dessin]
Attributed works:
View of Antibes, by Henri Edmond Cross (1856–1910). 1908. Watercolour on paper, 17.4 by 24.6 cm. [GALERIE DE LA PRÉSIDENCE, PARIS/Tefaf]
Attributed works:
Woman on a balcony, by Maurice Denis (1870–1943). 1893. Watercolour and Indian ink on paper, 17.5 by 13 cm. [GALERIE BERÈS, PARIS/Salon du Dessin]
Attributed works:
Woman with a blue bow (Isabelle Lemonnier), by Édouard Manet (1832–83). c.1876–79. Pastel (and oil?) on canvas, 55 by 46 cm. [David Tunick Inc., New York. Stand 371/Tefaf]
Attributed works:
Yakov Chernikhov (1889–1951) From the series Aristografiya (1920s) Gouache on paper, 28 x 23.8 cm [James Butterwick]
Non-western art unattributed:
A Gujarati chest, India, 2nd half of the 16th century. Teak, black mastic, mother-of-pearl and shellac with gilt copper fi ttings, 39 by 64 by 38 cm. [São Roque, Lisbon. Stand 179/Tefaf]
Non-western art unattributed:
A Safavid blue and white charger. Iran, 17th century. Fritware decorated in underglaze cobalt blue, diameter 48.2 cm. [Amir Mohtashemi, London. Stand 251/Tefaf]
Non-western art unattributed:
A Sino-Portuguese Ming Saint Peter  Southern China, Ming Dynasty,  17th century Gilt wood Height.: 62  cm Provenance: Private collection, France [São Roque]
Non-western art unattributed:
Large futabana (two-flower) vase with butterfly handles. Edo period. Bronze, height 33.5 cm. [Joost van den Burgh, London. Stand 156/Tefaf]
Non-western art unattributed:
LIMESTONE RELIEF FROM THE TOMB OF MENTUEMHAT Late Dynastic Period 25th–26th Dynasty, c. 650 BC Length 25 cm [Rupert Wace]
Western art unattributed:
A medallion of Aphrodite. Hellentistic, c.2nd–1st century BCE. Gold, diameter 4.9 cm. [Kallos Gallery, London. Stand 504/Tefaf]
Western art unattributed:
After a model by Michelangelo (1475-1564), Crucified Christ, bronze, c. 1560-1570, height: 25.5 cm [Stuart Lochhead Sculpture]
Western art unattributed:
FONTANA workshop, URBINO A trilobed basin, bacile bronzo a tre angoli, decorated with four scenes of Joseph’s history in Egypt from the Figure del Vecchio testamento by bernard salomon Circa 1565-1575 Tin-glazed earthenware Measurements: 47 x 45 x 5 cm [Camille Leprince]
Western art unattributed:
Renaissance cup in the form of a Gothic pointed shoe. South Germany, 1567. Leather, copper, fi re-gilt and engraved, 10 by 18 cm. [Georg Laue Kunstkammer, Munich. Stand 204/Tefaf]
Western art unattributed:
Salver from King D. Fernando II collection         Iberian colonial,  17th century Silver Dim.:  37.8 × 38 × 4cm Weight: 114g [São Roque]
Western art unattributed:
Tric-trac tableman : Battle scene Cologne, circa 1150 Walrus ivory, traces of red paint Diameter : 5.5 cm; Depth : 1.2 cm. [Brimo de la Roussilhe]
Article
The elder sisters of the ‘The Campbell sisters’: William Gordon Cumming’s patronage of Lorenzo Bartolini
02/2025 | 1463 | 167
Pages: 126–153
related names
Author:
Stevens, Timothy (Stevens, Timothy)
Author:
Wood, Lucy (Wood, Lucy)
Subjects
dates:
Illustrations
Attributed works:
1. The Campbell sisters dancing a waltz, by Lorenzo Bartolini. Here dated 1817–18. Marble, height 170 cm; height of plinth, 92 cm. (National Galleries of Scotland, Edinburgh, and the Victoria and Albert Museum, London).
Attributed works:
10. Eliza Maria, Lady Gordon Cumming, by George Sanders. 1838. Photogravure by Emery Walker, after a painting of 1838. (From C.F. Gordon Cumming: Memories, Edinburgh 1904, facing p.38).
Attributed works:
11. Lady Charlotte Campbell and John Campbell of Islay, thought to be by George Sanders. c.1796. Oil on board(?); each 13.6 by 10.5 cm. (framed individually and mounted together on velvet in a gilded wood frame, not shown). (Private collection; photograph Marc Hindley).
Attributed works:
12. Altyre House, Morayshire, by Constance Frederica Gordon Cumming. After a drawing of before 1854. (From C.F. Gordon Cumming: Memories, Edinburgh 1904, facing p.52).
Attributed works:
13. Sofa table, by George Bullock. c.1815–18. Veneered in rosewood with brass marquetry and lacquered brass mounts, 70.6 by 172.5 by 91.3 cm. (Walker Art Gallery, National Museums Liverpool).
Attributed works:
14. Model for The Campbell sisters dancing a waltz, by Lorenzo Bartolini. Plaster, height 167 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900337755).
Attributed works:
16. Bust of a man (left), here identified as Walter Frederick Campbell, and bust of a woman (right), here identified as Lady Charlotte Campbell (later Bury), both by Lorenzo Bartolini. c.1817–18. Marble, height 74 cm. (left) and 82 cm. (right). (Present location unknown; photograph Christie’s, London).
Attributed works:
17. Model for the bust in Fig.16 (left), by Lorenzo Bartolini. Plaster, height 61 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900382892).
Attributed works:
18. Model for the bust in Fig.16 (right), by Lorenzo Bartolini. Plaster, height 63 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900382921, as ‘Marchioness of Londonderry’).
Attributed works:
19. Fig.16 (left) on its pedestal, supplied by Lorenzi Bartolini. Marble, pedestal height 107 cm. (Present location unknown; photograph Christie’s, London).
Attributed works:
2. Eliza Maria (née Campbell), Lady Gordon Cumming, by Lorenzo Bartolini. 1817–18. Marble, height with socle 81.5 cm. (Private collection; photograph Cara Willoughby).
Attributed works:
20. Fig.2 on its pedestal, supplied by Lorenzi Bartolini. Marble, pedestal height 106 cm. (Private collection; photograph Cara Willoughby).
Attributed works:
21. Design for a vase and columnar pedestal, inscribed (top left) ‘15’, by Lorenzo Bartolini’s workshop. Pen and ink on paper, 26 by 18.4 cm. (Museo Civico, Prato, inv no.1035).
Attributed works:
22. Model for the bust of Eleanora Campbell (Fig.3), by Lorenzo Bartolini. 1817. Plaster, height 64 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900382923).
Attributed works:
23. Model for a bust, probably Eliza Gordon Cumming (Fig.2), by Lorenzo Bartolini. 1817. Plaster, height 46.5 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900750676).
Attributed works:
24. Model for a statue of a child, possibly Penrose Gordon Cumming, by Lorenzo Bartolini. 1818. Plaster, height 101 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900337775).
Attributed works:
26. Model for a bust of Madame de Staël, by Lorenzo Bartolini. 1816. Plaster, height 78 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900742880).
Attributed works:
28. Model for a statue of Venus, formerly with a figure of Cupid, by Lorenzo Bartolini. c.1817. Plaster, height 158 cm. (Gipsoteca Bartolini, Accademia, Florence; Catalogo generale dei Beni Culturali, no.0900337748).
Attributed works:
29. Lorenzo Bartolini’s receipt for 484 francesconi for the items in Sir William Gordon Cumming’s third commission, dated 12th June 1818 and annotated by Sir William with individual prices and the total, including his second commission. (National Library of Scotland, Dep.175, Box 128; see Appendix 3.4).
Attributed works:
3. Eleanora Campbell (later Countess of Uxbridge), by Lorenzo Bartolini. 1817–18. Marble, height with socle 78 cm. (Private collection; photograph Cara Willoughby).
Attributed works:
4. Side view of Fig.2. (Photograph Cara Willoughby).
Attributed works:
5. Side view of Fig.3. (Photograph Cara Willoughby).
Attributed works:
6. Eliza Maria Campbell. c.1815. Possibly watercolour on ivory, 9 by 8 cm. (Private collection; photograph Marc Hindley).
Attributed works:
7. Eliza Maria, Lady Gordon Cumming, by Henry Raeburn. 1817. Oil on canvas, 76.2 by 63.5 cm. (Present location unknown; courtesy of the Witt Library, Courtauld Institute of Art, London).
Attributed works:
8. Charles Cumming (later Cumming Bruce) in Turkish dress, by Andrew Geddes. 1817. Oil on panel, 64.1 by 53.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
9. Sir William Gordon Cumming, by George Sanders. 1838. Photogravure by Emery Walker, after a painting of 1838. (From C.F. Gordon Cumming: Memories, Edinburgh 1904, facing p.136).
Attributed works:
Opposite 15. Detail of Fig.1.
Western art unattributed:
27. Venus and Cupid. Roman, partly mid-2nd century CE, restored 1584. Marble, height 182 cm. (Gallerie degli Uffizi, Florence; photograph Gabinetto Fotograficao).
Supplement
Recent acquisitions (2007–2023) of European sculpture at the Victoria and Albert Museum, London
11/2023 | 1448 | 165
Pages: 1261-1268
Subjects
subjects:
Illustrations
Attributed works:
1. Candle-bearing angels, by Benedetto da Rovezzano. London, c.1524–29. Cast copper, above: height 108 cm. (A.3-2015); overleaf, left to right: heights 101 cm. (A.1-2015), 103 cm. (A.2-2015) and 106 cm. (A.4-2015). Purchased with the support of the National Heritage Memorial Fund, Art Fund, a gift in memory of Melvin R. Seiden, the Friends of the V&A, the Ruddock Foundation for the Arts, the American Friends of the V&A, Demirjian Family, Sam Fogg, Michael and Stark Ward, Sir Nicholas Coleridge CBE and Lady Coleridge, Mr Crispin Odey, Miss Grace Patricia Hills, Fortuna Fine Arts, Ltd., Mrs Tiqui Atencio Demirdjian and Mr Ago Demirdjian, Old Possum’s Practical Trust, Madeleine Fagandini, Mr Oliver John St John Heaton, Ida Carrara, The John Armitage Charitable Trust, Mr Peter Goodwin, Susan Hughes through Legacy10, Mark and Liza Loveday, Fred Rowley and many generous donors thanks to a major public appeal in 2014, A.1-2015, A.2-2015, A.3-2015 and A.4-2015.
Attributed works:
10. Lady Elizabeth Finch, by Henrietta Finch. 1741. Marble, height with socle 70 cm. Purchased partly using funds from Hildburgh Bequest, A.1-2013.
Attributed works:
11. Ranieri Tommasi, by Michele Enrico van Lint. 1801. Terracotta, height 27 cm. Purchased with the generous help of David and Sarah Kowitz, A.1-2017.
Attributed works:
12. Satyr and nymph, by David Le Marchand. c.1696–1700. Ivory, 9.5 by 10 cm. Gift from Sir John Lewis, A.1-2021.
Attributed works:
13. Caesar invading Britain, by John Deare. 1796. Marble, 87.5 by 164 by 17 cm. Purchase funded by the Vladimir Caruana and Ivan Booth Bequest, A.10-2011.
Attributed works:
14. The Campbell sisters dancing a waltz, by Lorenzo Bartolini. c.1821–22. Marble, height 170 cm. Purchased jointly with the National Galleries of Scotland, with the assistance of the National Heritage Memorial Fund, and Art Fund, in memory of A.V.B. Norman, A.8-2015.
Attributed works:
15. Medal of C.A. Ionides, by Alphonse Legros. 1881. Bronze, diameter 9 cm. Purchased from the collection of Dr Julian Demetriadi, great-great-grandson of C.A. Ionides, A.1-2018.
Attributed works:
16. Gorilla defeating a gladiator, by Emmanuel Frémiet. 1876. Terracotta, height 82 cm. Purchased with support from V&A Members, and the Captain H.B. Murray and Dr W.L. Hildburgh bequests, A.8-2017.
Attributed works:
17. Emmeline Pankhurst, by Arthur George Walker. c.1929. Ivory, height 26.6 cm. Given by J.H.J. Lewis OBE A.2-2016.
Attributed works:
18. Cleopatra dying, by Henri-Joseph-Francois de Triqueti. 1859. Ivory, bronze and marble, height 38 cm. Purchased with support from the Robert H. Smith Family Foundation, Art Fund, Henry Moore Foundation, W.L. Hildburgh Bequest, The Crescent Trust, Bowman Sculpture, Daniel Katz MBE, Horn Bequest and The Decorative Arts Society 40th Anniversary Fund, A.1-2022.
Attributed works:
19. Mask of Hanako, type E study, by Auguste Rodin in collaboration with Jean Cros. 1912. Pâte-de-verre, height 22 cm. This work was acquired through the Acceptance in Lieu Scheme and its acceptance settled £36,500 of tax, C.19-2023.
Attributed works:
2. Cristo Vivo, attributed to Giovanni Battista Bissoni. c.1625–50. Ivory figure on an ebonised pearwood cross with silver terminals and a base of pink Sicilian jasper, height 72.5 cm. (figure), and 158 cm. (with cross and base). Given by Mr Nicholas and Mrs Angela Mullany, A.3-2023.
Attributed works:
20. The dreamer, by Mary Buchanan. 1910. Bronze, height 30 cm. Purchased from Christie’s South Kensington, 2015, A.9-2015.
Attributed works:
21. Moon cow, by Ron Dutton. 1984. Bronze, height 10.1 cm. Purchased from the artist, A.9-2011.
Attributed works:
22. Bow wave, by Halima Cassell MBE. 2012. Carrara marble, red crayon and shellac, height 86.3 cm. Purchased with the support of the Robert H. Smith Family Foundation in memory of Clarice Smith and Michelle Smith, A.5-2023.
Attributed works:
23. Wrestling oil BP, by Sokari Douglas Camp CBE. 2018. Steel, acrylic paint and gold leaf, height 60 cm. Purchased from the artist via October Gallery, 2023, A.2-2023.
Attributed works:
24. Souvenir 4 (Princess Alexandra), by Hew Locke OBE. 2019. Parian ware, mixed media, height 52 cm. Purchased from the artist via Hales Gallery, 2022, A.3-2022.
Attributed works:
25. Echoes of amphora: column vessel I/20, by Eleanor Lakelin. 2020. Wood, height 128 cm. Purchased with support from the Ruddock Foundation for the Arts, A.2-2020.
Attributed works:
3. Virgin and Child, by Maria Faydherbe. 1630–40. Alabaster, height 40 cm. Purchased with the assistance of the Hildburgh bequest and the Murray bequest, A.31-2013.
Attributed works:
5. Head of a dog. Possibly Italy, c.1600. Bronze, height 10 cm. Given by Christine and Guy Ladrière in honour of Paul Williamson, A.1-2016.
Attributed works:
8. Crouching Venus, by John I Nost. 1702. Marble, height with its original marble plinth 122 cm. Purchased with the support of the Hugh Phillips Bequest, A.5-2012.
Western art unattributed:
4. Sunday Christ. England, c.1500. Alabaster, 39 by 12 by 4 cm. Acquired with funds from the Hildburgh Bequest and contributions from Mr John Studzinski CBE and Sir Paul and Lady Ruddock, A.1-2010.
Western art unattributed:
6. Fragment from an epitaph. Southern Germany, c.1540–70. Solnhofen limestone, 45 by 42 cm. Given by the Marie-Louise von Motesiczky Charitable Trust, A.1-2019.
Western art unattributed:
7. Mourning Virgin. Southern Germany, 17th century. Ivory, height 23 cm. Given by Mr Nicholas and Mrs Angela Mullany, A.4-2023.
Western art unattributed:
9 Model for an altarpiece, possibly by a sculptor working in the circle of Ercole Ferrata. c.1660–80. Terracotta, 96.5 by 58.5 cm. Given by Count Andrew S. Ciechanowiecki, PhD, FSA, A.1-2007.
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Advertising (front Matter)
09/2022 | 1434 | 164
Pages: i-xvi
Subjects
advertisements:
Illustrations
Attributed works:
10.8.75., by John Hoyland (1934–2011). 1975. Acrylic on canvas, 123 by 91.5 cm. [FREDERICK CHARLES ART, KENT. BIAF]
Attributed works:
A pair of vases with portraits of Clemens of Saxony and his sister Maria Josepha Amelia of Saxony, painted by Raffaele Giovine. 1822. Porcelain with gilt-bronze and polychrome, height 60 cm. [BRUN FINE ART, LONDON AND MILAN. BIAF]
Attributed works:
Alexander, Tsar of Russia, by Lorenzo Bartolini (1777– 1850). 1807. Marble, height 71 cm. [ROBERTO CAMPOBASSO, NAPLES. BIAF]
Attributed works:
Arturo Martini, Group of Soldiers (detail), 1933,34. Bronze with green patina, 68 x 42 x 42 cm [Walter Padovani, BIAF]
Attributed works:
Assassin 2, by Elisabeth Frink (1930–93). 1963. Bronze, 51 by 17 cm. [WILLOUGHBY GERRISH, LONDON AND YORKSHIRE. BIAF]
Attributed works:
Clifton Suspension Bridge, by Julian Trevelyan (1910–99). 1962. Oil on canvas, 76.5 by 91.5 cm. [FREYA MITTON ART, SOMERSET. BAF]
Attributed works:
Coffee pot with marks for the Sienese families of Sansedoni and Venturi Gallerani, by Adriano Haff ner (1703–68). c.1740. Embossed and chiselled silver, height 30 cm. [DARIO GHIO, MONTE CARLO. BIAF]
Attributed works:
DAVID BOMBERG (BRITISH 1890-1957) THE GARDEN AND TOWER OF THE SACRISTY, CUENCA CATHEDRAL Est. £200,000-300,000 (+ fees). [Dreweatts]
Attributed works:
Dorelia in a blue coat, by Augustus John (1878–1961). 1910. Oil on panel, 33 by 23.5 cm. [BROWSE & DARBY, LONDON. BAF]
Attributed works:
Filippo Pedrini San Pelegrino Laziosi 70x48,5 cm [Arte-Fact]
Attributed works:
Head of a prophet, by Giovanni di Balduccio (1290–1349). Marble, 31.5 by 14 by 43.5 cm. [ALESSANDRO CESATI, MILAN. BIAF]
Attributed works:
Head of an man wearing a turban, by Giovan Battista Tiepolo (1696–1770). Oil on canvas, 43.5 by 35.5 cm. [CARLO ORSI, MILAN. BIAF]
Attributed works:
Kronos, by Adamo Tadolini (1788– 1868). c.1830–50. Terracotta, 35 by 26 by 23 cm. [GALLERIA MARIETTA, FLORENCE. BIAF]
Attributed works:
Madonna and child, by the Master of 1310 (active, 1300–30). Tempera on wood with gold, 36.1 by 31.6 cm. [SALAMON GALLERY, MILAN. BIAF]
Attributed works:
Madonna and child, cast after a model by Girolamo Ticciati (1676–1744). c.1747–53. Red wax with a plaster support, 33.5 by 19.5 cm. [WALTER PADOVANI, MILAN, BIAF]
Attributed works:
May ’61, by Roger Hilton (1911–75). Oil on canvas, 63 by 76 cm. [JONATHAN CLARK FINE ART, LONDON. BIAF]
Attributed works:
Nowhere 2, by Robyn Denny (1930–2014). Acrylic on canvas, 163 by 120 cm. [NINE BRITISH ART, LONDON. BAF]
Attributed works:
Obituary: Francis Bacon, by Hugh Mendes (b.1955). 2021. Oil on linen, 30 by 20 cm. [CHARLIE SMITH, LONDON. BAF]
Attributed works:
Reclining nude, by Henry Moore (1898–1986). 1980. Bronze, 11 by 16.5 cm. [OSBORNE SAMUEL, LONDON. BAF]
Attributed works:
RUTILIO MANETTI 1571 - Siena - 1639 Allegory of the Four Seasons Oil on canvas 169 x 231 cm (661/2 x 91 in.)[Robilant and Voena]
Attributed works:
Self portrait, by Ronald Ossory Dunlop (1894–1973). c.1935. Oil on board, 37 by 29 cm. [CASTLEGATE HOUSE GALLERY, CUMBRIA. BIAF]
Attributed works:
The blue jug, by F.C.B. Cadell (1883–1937). 1925. Oil on canvas, 61 by 50.8 cm. [PORTLAND GALLERY, LONDON. BAF]
Attributed works:
The feast of Absalom, by Niccolò Tornioli (1606–51). Oil on canvas, 147.5 by 216.2 cm. [ROBILANT+VOENA, LONDON AND MILAN. BIAF]
Attributed works:
Tsar of Russia, by Lorenzo Bartolini (1777– 1850). 1807. Marble, height 71 cm. ROBERTO CAMPOBASSO, NAPLES Coff ee pot with marks for the Sienese families of Sansedoni and Venturi Gallerani, by Adriano Haff ner (1703–68). c.1740. Embossed and chiselled silver, height 30 cm. DARIO GHIO, MONTE CARLO St Jerome in penitence, by Girolamo Munziano (1532–92). Oil on canvas, 228 by 164 cm. [SANTA TECLA, PADUA. BIAF]
Attributed works:
Whiteleaf Hill, by John Nash (1893–1977). 1920. Pen and ink and watercolour on paper, 32.5 by 39.5 cm. [MOORE-GWYN FINE ART, LONDON. BIAF]
Western art unattributed:
Commode. Venice, c.1850. Wood, marble, bronze, gilt and lacquer, 147 by 84 by 60 cm. [ATTILIO CECCHETTO ANTIQUARIO, TREVISO. BIAF]
Exhibition Review
Romanticism. Gallerie d’Italia and Museo Poldi Pezzoli, Milan
02/2019 | 1391 | 161
Pages: 151-154
related names
Reviewer:
Hecker, Sharon (Hecker, Sharon)
Subjects
dates:
places:
Illustrations
Attributed works:
14. Nocturne in Capri, by Salvatore Fergola. 1843. Canvas, 106 by 131 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Gallerie d’Italia, Milan).
Attributed works:
15. Spartacus, by Vincenzo Vela. 1847–50. Marble, 206 by 72.5 by 90 cm. (Museo d’arte della Svizzera italiana, Lugano; photograph Museo Vincenzo Vela / Mauro Zeni; exh. Gallerie d’Italia, Milan).
Attributed works:
16. Meditation, by Francesco Hayez. 1851. Canvas, 92.5 by 71 cm. (Galleria d’Arte Moderna ‘Achille Forti’, Verona; exh. Gallerie d’Italia, Milan).
Attributed works:
17. Veiled Vestal, by Raffaele Monti. 1845. Marble, 48 by 25.5 by 27 cm. (Castle of Racconigi, Cuneo; exh. Gallerie d’Italia, Milan).
Article
Sassoferrato’s ‘Mater Salvatoris’ in SS. Trinità dei Pellegrini e Convalescenti, Rome
11/2018 | 1388 | 160
Pages: 946-949
related names
Author:
Gebhardt, Johannes (Gebhardt, Johannes)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Mater Salvatoris, by Sassoferrato. 1654. Panel, c.109 by 69 cm. (SS. Trinità dei Pellegrini e Convalescenti, Rome).
Attributed works:
2. The Chapel of the Virgin, SS. Trinità dei Pellegrini e Convalescenti, Rome, showing the place where Fig.1 is inserted, in front of a fresco of the Virgin. (Photograph the author, 2015).
Attributed works:
3. Virgin in prayer (Mater dolorosa), by Sassoferrato. Canvas, 70 by 60 cm. (Pinacoteca Comunale, Cesena).
Attributed works:
4. Virgin in prayer with lowered gaze, by Sassoferrato. Canvas, 44 by 33 cm. (Pinacoteca Comunale, Cesena).
Exhibition Review
Lorenzo Bartolini. Florence and Prato
09/2011 | 1302 | 153
Pages: 631-632
related names
Reviewer:
Ward-Jackson, Philip (Ward-Jackson, Philip; Ward-Jackson, Phillip; Jackson, Philip Ward; Ward-Jackon, Philip)
Subjects
dates:
museums and institutions:
places:
places:
subjects:
Reviewed Items
subjects:
Lorenzo Bartolini, Beauty and Truth in Marble | institution: Galleria dell'Accademia
Illustrations
Attributed works:
96. Grape presser (Young Bacchus), by Lorenzo Bartolini. c.1820. Marble, 128 by 43 by 41 cm. (State Hermitage Museum, St Petersburg; exh. Galleria dell’Accad­emia, Florence).
Attributed works:
97. Nymph of the desert, by Lorenzo Bartolini (completed by Giovanni Duprè). c.1836–52. Marble, 90 by 125 by 67 cm. (Fondazione Magnani Rocca, Mamiano di Traversetolo, Parma; exh. Galleria dell’Accademia, Florence).
Short Notice
Bartolini and Verrocchio: a newly discovered portrait
12/2007 | 1257 | 149
Pages: 856-859
related names
Author:
Boomkamp, Margreet (Boomkamp, Margreet)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
61. Portrait of a woman, by Lorenzo Bartolini. 1820s. Marble, 68 cm. high. (Rijksmuseum, Amsterdam).
Attributed works:
62. Portrait of a woman, by Lorenzo Bartolini. 1820s. Plaster, 75 cm. high. (Galleria dell’Accademia, Florence).
Attributed works:
63. Portrait of a girl, by Lorenzo Bartolini. c.1830. Marble, 48 cm. high. (Rijksmuseum, Amsterdam).
Attributed works:
64. Princess Sophia Sherbatova, by Lorenzo Bartolini. 1825–30. Marble, 84 cm. high. (Magnani-Rocca Foundation, Mamiano di Traversetolo, Parma).
Attributed works:
65. Juliette Récamier, by Joseph Chinard. 1801–06. Marble, 80 cm. high. (Musée des Beaux-Arts, Lyon).
Attributed works:
66. Vendemmiatore, by Lorenzo Bartolini. 1816–20. Plaster, approx. 130 cm. high. (Galleria dell’Accademia, Florence).
Attributed works:
67. A woman with a bunch of flowers, by Andrea del Verrocchio. c.1475–80. Marble, 61 cm. high. (Museo Nazionale del Bargello, Florence).
Attributed works:
68. Portrait of a woman, by Lorenzo Bartolini. 1820s. Plaster, 77 cm. high. (Galleria dell’Accademia, Florence).
Attributed works:
69. A young woman with a rose, by Giovanni Bastianini. 1850–55. Plaster, 66 cm. high. (Galleria d’Arte moderna, Palazzo Pitti, Florence).
Advertisements
Advertisements June 1988 (Front)
06/1988 | 1023 | 130
Pages: ii-lii
Subjects
advertisements:
artists:
artists:
Illustrations
Attributed works:
Bust of Isaac Ware, by Louis-François Roubiliac. c.1741. Marble, Height 51.5 cm. (Detroit Institute of Arts)
Attributed works:
[Ader-Picard-Tajan, 12 rue Favart, Paris] Valentin de Boulogne St. John the Evangelist Canvas 97 × 134 cm From a Series of Paintings of the Four Evangelists
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Ubaldo Gandolfi 1728-1781 Deposition (Of Christ) Pen and Beige and Brown Ink and Wash on Light Beige Paper, 290 × 206 mm
Attributed works:
[Anthony Roth Fine Arts Ltd, 49 Maddox Street, London] Lorenzo Bartolini (1777-1850). Bust of Giambattista Nicolini (1792-1861). Marble, 30.5 cm. High (Excluding verde antico socle)
Attributed works:
[Arnoldi-Livie, Galeriestr. 2b, Munich] Giambattista Piazzetta Venice 1682-1754 Head of a Shepherd. Black Chalk, Traces of White Heightening on Faded Blue Paper. 36,5 × 28 cm.
Attributed works:
[Asprey, 165-169 New Bond Street, London] Emerald and Diamond Set Edwardian Tiara Convertible to a Necklet
Attributed works:
[Bernheimer, 32 St. George Street, London] A French Transitional Commode Louis XV/XVI Stamped RVLC JME (Roger Vandercruse, called Lacroix, Maître in 1755) Very fine flower marquetry: rosewood, palisander and maplewood veneered on oak. On four s-shaped legs, the straight rectangular body has three shallow drawers in the frieze and two deep drawers, sans traverse, below. Very rich ormolu mounts. Marble top, breche de Mont Cenis. Height: 88 cm Width: 128 cm Depth 57.5 cm
Attributed works:
[Browse & Darby, 19 Cork Street, London] Sickert, Canal Scene, Venice. Oil on Canvas, 18 × 15 Inches
Attributed works:
[Buch und Grafik Antiquariat Falk & Falk, Kirchgasse 38, Zurich] Robert de Vaugondy, G. Nouvel atlas portrait
Attributed works:
[C. John, 70 South Audley Street, London] An Excellent Royal Aubusson Tapestry Signed: Manufacture Royal D'Aubusson and by the Weaver F. Grellet. In pristine Condition. Circa 1750. Size: 9′2″ High × 7′4″ Wide (279cm × 223cm)
Attributed works:
[C.G. Boerner, Kasernenstraße, Dusseldorf] Adolph Menzel. Pencil. 210 × 133 mm. Monogrammed Lower Left: A. M. Study for Heinrich v. Kleist. Der Zerbrochene Krug. 1876/77.
Attributed works:
[Carré Rive Gauche - J&M Duptel, 20 rue de Beaune, Paris] A. Matignon - Sainte Cécile - 146 × 175 - H. S. T. - S. B. G.
Attributed works:
[Carré Rive Gauche - Guy Monégier du Sorbier, 18 rue de Beaune, Paris] "Jeune Fille Endormie" - marbre de A. Bartholome 1848-1928.
Attributed works:
[Carré Rive Gauche - Lyons-Coulemonde-Samson, 9 rue de Beaune, Paris] Jean Antoine Laurent 1763-1832 Jeune fille au dévidoir. Signé b. d. daté. Bois 35,3 × 27
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Matignon, Paris] Portrait of the Knight Riccardo Rota Marble, Venice 16th Century Workshop of the Lombardi Later Inscription
Attributed works:
[Chaucer Fine Arts, 45 Pimlico Road, London] Anton Raphael Mengs Aussig 1728-Rome 1779 The Penitent Magdalen Canvas, 108.7 × 86.8 cm.
Attributed works:
[Christie's, Park Palace, Monte Carlo, Monaco] Jean Auguste Dominique Ingres: Portrait of Madame Victor Baltard with Her Daughter Paule, Signed, Inscribed and Dated 'Rome 1836', Pencil, 306 × 228mm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Christoffel van Sichem (1546-1624) after Hendrick Goltzius (1558-1617) Portrait of a man with a Plumed Hat Woodcut, Hollstein 135
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Johann Rottenhammer. Munich 1564 - Augsburg 1625. Allegory of the Arts and Sciences. Pen and Wash. 398 × 321mm.
Attributed works:
[David Koester Gallery, Talstrasse 37, Zurich] Hendrik van Vliet (1611-Delft-1675) Panel, 34,5 × 30 cm, Signed
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Paul Baudry: Sketch for Salome in the Great Foyer of the Paris Opéra. Oil on Canvas, 132 × 47 cm.
Attributed works:
[Fischer Fine Art, 30 King Street, London] Giacomo Manzu 'Donna Appoggiata'
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Marc Charles Gabriel Gleyre (1806-1874) Head of Omphale Mine de Plomb on White Laid Paper 9 5/16 × 6⅞ inches (23.5 × 17.3cm), with a Rounded Top.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Alessandro Algardi (1598-1654) Bust of Pope Innocent X Terracotta, Painted White, Height 85 cm.
Attributed works:
[Galerie Gasparrini & Chaucer Fine Arts, via Fontanella Borgheses, Rome] Pietro da Cortona (1596-1669) 'Gli angeli segnano la fronte a coloro che devono essere illesi dai flagelli' Canvas, 95 × 198 cm. The Original Oil Sketch for One of the Mosaics in St Peter's
Attributed works:
[Galerie H. Odermatt-Ph. Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Odilon Redon (1840-1916): "Le Fumeur d'Opium." Huile sur toile. Signé en bas à droite "Odilon Redon." 27,5 × 22,5 cm - 10¾ × 8¾ in.
Attributed works:
[Galerie Patrice Bellanger, 198 boulevard Saint Germain, Paris] François Cressent (1663-?) Père de Charles Cressent, ébéniste du Régent Louis, Duc d'Orléans, Gouverneur du Dauphiné, fils du Régent. Terre cuite originale, vers 1720 Hauteur: 61 cm (avec socle)
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] William Burges Architect 1827-1881 A Design for Knightshayes, North Devon, 1869.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Jean-Léon Gérôme 1824-1904. Paul Baudry au travail. Black Chalk, 35.5 × 23cm. Signed and Inscribed à son ami Paul Baudry. Datable Circa 1875
Attributed works:
[Jean-Max Cassel, 15 Quai Voltaire, Paris] Andrea Camassei Bevagna 1602 - Rome 1648 The Death of Orpheus Oil on Canvas, 103 by 80 cm
Attributed works:
[John Davies Framing Ltd, 8 Bury Street, London] The View of Delft by J Vermeer Reproduced by Kind Permission of the Maurithuis, Den Haag. Frame - A Copy of a Combination Forward Moulding Ripple Frame Selected by the Maurithuis and Built to Their Specifications.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Sir Thomas Lawrence Oil Painting on Canvas. Portrait of an Officer. 36 × 28 Inches With Fine Antique Frame
Attributed works:
[Julius Böhler, Pacellistrasse 8, Munich] Madonna with Child and the Infant St. John. Relief in Terracotta, with Original Polychrome. From the Workshop of Benedetto da Maiano (1442-1497). 52 by 43 cm. In the Original Frame, 88,5 by 79,8 cm.
Attributed works:
[Kimbell Art Museum, Fort Worth, Texas] Nicolas Poussin, French, 1594-1665, Diana and Endymion (Detail), 1628, The Detroit Institute of Arts, Founders Society Purchase, Membership and Donations Fund
Attributed works:
[Lefevre, 30 Bruton Street, London] Picasso Etude Pour Saltimbanque, 1905, Carnet 24, p.35 - 5¾in × 3½in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Frank Auerbach J. Y. M. Seated VI 1983, oil on Canvas 26¼ × 28⅜ in./66.7 × 72.1 cm.
Attributed works:
[Oscar & Peter Johnson Ltd, 27 Lowndes Street, London] Girl with a Doll. A Portrait of Lilly, Daughter of J. Noble, Esq. by Sir John Everett Millais, PRA (1829-1896). Oil Painting; Signed with Monogram and Dated 1864 Inscribed on Labels on Reverse: (1) 'Lilly, Daughter of J. Noble, Esqre. 7 Cromwell Place, South Kensington' (2) 'Royal Academy Winter Exhibition 1898 Sir J. E. Millais, PRA Lilly, Daughter of J. Noble, Esq.' Canvas 35⅞ × 28¼ inches; Framed Exhibited: Royal Academy, 1864, No. 570
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Ommeganck
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] J. B. Robie
Attributed works:
[Phillips, 7 Blenheim Street, London] Joseph van Aken, "Elegant Figures at a Vegetable Sellers Stall," Oil on Copper, Size 39.5 cm × 52 cm - Estimate: £4,000-£6,000.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pablo Picasso, "Nature Morte à la pipe et au Tabac," oil on Canvas, 22 cm × 27 cm. Estimate: £230,000-£280,000.
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Sir William Orpen RA RHA NEAC (1878-1931). An Aran Islander - Oil on Canvas The Model Was Margaret Crilley, a Pupil of Orpen and Later the Wife of Harry Clarke the Stained Glass Artist.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jean-Baptiste Joseph Pater, 'Young Lady Resting'. Red Chalk on Paper, 6¾ by 10 Inches (17.1 by 25.4 cm)
Attributed works:
[Ronald A. Lee Plc, 1-9 Bruton Place, London] The cabinet was supplied to William Duckwoth in 1859, who was charged 250 guineas by the excellent Venetian view painter - E.W. Cooke (signed and dated 1859 and monogrammed into the frame). To add further interest we have also managed to purcahse the original pencils sketch for the frame and painting, from the artist's family.
Attributed works:
[Sam Fogg, 66 Highbury, London] A Franciscan Preaching. Master of the Budapest Antiphonary. Lombardy Mid 15th Century
Attributed works:
[Schuster Gallery, 14 Maddox Street, London] Sweert "Tulips" Florilegium, 1612. The Flowering Garden Florilegia 1600-1700
Attributed works:
[Sotheby's, 34-35 New Bond Street London] Eugène Delacroix, An Arab Horseman at the Gallop, Signed, Oil on Canvas, 54 by 45 cm. Estimate: £400,000-600,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine bronze group of Roger and Angelica by Ferdinando Tacca, Circa 1680-85, 42.5 cm (16¾ in.) High. Estimate: £30,000-40,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Nicolò dell'Abate, Apollo, Black Chalk and Pen and Brown Ink and Wash, Heightened with White, 26.5 by 17.6 cm. Estimate: £10,000-15,000
Attributed works:
[Spink & Son Ltd, King Street, London] Henry Lamb. Lord David Cecil.
Attributed works:
[Spink & Son Ltd, King Street, London] John Methuen (1650-1706) was the man responsible for the famous Methuen trade treaty signed between England and Portugal in 1703. Lord Chancellor and Speaker of the Irish House of Lords in 1697, he became Ambassador Extraordinary to Portugal in the year the treaty was signed. This set of eight silver salvers, engraved with his coat of arms, was almost certainly part of John Methuen's ambassadorial service; no comparable set of eight salvers is known. They were made in 1703 by Andrew Moore, the London silversmith who also made the spectacular silver table, hanging mirror and andirons which the City of London presented to William III. They are now at Buckingham Palace. Each salver measures 10⅛ inches (25.7 cms) in diameter, stands 2⅜ inches (6.1 cms) high and the total weight is 249 ounces 10 dwt. Your attention is drawn to the finely engraved coat of arms and the cut-card decoration round the detachable octagonal foot with screw fitting, a very rare feature.
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, New York] François Boucher. Head of Young Woman. Black Chalk, Heightened with White, on Cream Paper, 6 by 5⅛ Inches (152 by 130 mm.)
Attributed works:
[Thomas Le Clarie, Elbachaussee 156, Hamburg] François Boucher (1703 Paris 1770) 'Studies of a Male Nude' Red and White Chalk on Brown Paper. 35 × 30cm.
Attributed works:
[Wartski, 14 Grafton Street, London] Louis XV Gold Snuff-Box in a Chased Scrolling Cage Work Mount Set with Six Engraved Mother-of-Pearl Panels Encrusted with chinoiserie Scenes in burgau, Coral, Ivory, a Turquoise and Gold. The Cover Shows a Servant Offering tea to a Mandarin Seated upon His Throne. The Front Panel with a Kneeling Servant Working the Bellows on a Fire under a Steaming Tea-Kettle. The Other Panels, Engraved with Colonnading and Trees, Are Decorated with Palm, Pine and Banana Trees and Exotic Birds. By Barnabé Sageret, a Favourite Goldsmith of the King. Paris: 1749 3⅛ × 2¼ in × 1½ in. Sageret (1688-1758) began his career as an orfèvre privilégié, appointed by the King, of the Duc d'Orléans who had in turn been authorized to attach the goldsmith to his household. A gold snuff-box in the Louvre is set with similar panels on mother-of-pearl of the same date, also concerned with the ceremonial preparation and serving of tea. This box however was made much later by Vachette between 1809 and 1819.
Attributed works:
[Wildenstein, 147 New Bond Street, London] Sculpture by Medina-Campeny
Non-western art unattributed:
[Kyburg Limited, 39 Duke Street, London] A Unique Collection of Indian Drawings Illustrating the Production of Kashmir Shawls, Commissioned for the 1867 Paris Exposition
Non-western art unattributed:
[Michael B. Weisbrod, 987 Madison Avenue, New York] GILT BRONZE FIGURE OF A STRIDING DRAGON. Six Dynasties Period 3rd-6th century Height: 2⅛ in (5.2 cm). Length: 3½ in (8.8 cm)
Non-western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Canton H. 1.30 m
Western art unattributed:
[Antiquaires a Paris] Armchair Bernard Steinitz, Bureau Plat Aveline, Commode Jacques Perrin, Pedestals Aveline, Candelabras Didier Aaron, Painting Maurice Segoura, Clock Bernard Steinitz, Porcelain Vases Jacques Perrin, Gueridon Table Didier Aaron, Conversation Chair Michel Meyer.
Western art unattributed:
[Antiquaires a Paris] Armchair Jacques Perrin, Drum Table Maurice Segoura, Conversation Chair Michel Meyer, Boulle Cabinet Michel Meyer, Porcelain Vases Jacques Perrin, Clock Bernard Steinitz, Candelabras Didier Aaron, Carpet Aveline.
Western art unattributed:
[de Havilland, 48 Sloane Street, London] Cabinet of Break-Front Form, Satinwood Inlaid with Ebony, with Gilded Bronze Rosettes. Early Nineteenth Century. 4ft 2½in by 2ft 5in. Very Similar to the Cabinet in the V & A Collection, Given by Mr F Howard Reed, but with the Original Panelled Door.
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Directoire
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] French XVIIIth Century Gold H. 10 cm
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Galle
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Imp. Collection Weapons and Helmets (200 Pieces)
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Louis XIV Period
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] Nap. III Period H. 1.35 m
Western art unattributed:
[Palais des Beaux Arts, rue Royale 10, Brussels] XVIIIth Century
Western art unattributed:
[Pelham Galleries, 163 & 165 Fulham Road, London] An Outstanding Mid 17th Century Franco-Flemish Ebony Cabinet on Stand, the Interior Fitted with Drawers and a Central Tabernacle; Immaculate, Original Condition. Height: 74″ Width: 64″ Depth: 22″
Western art unattributed:
[Stephen Somerville Ltd at Bernheimer's, 32 St. George Street, London] Italian School 18th Century. Study of a Standing Male Figure Seen from Behind. Black Chalk Heightened with White on a Brown-Toned Paper. 431 × 284 mm.
Exhibition Review
Current and Forthcoming Exhibitions: Lorenzo Bartolini: Plaster Models and Drawings. Palazzo Pretorio, Prato
05/1978 | 902 | 120
Pages: 336+338-339+341
related names
Reviewer:
Kenworthy-Browne, John (Kenworthy-Browne, John; Browne, John Kenworthy-)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
113. 'The Children of Lady Bingham', by Lorenzo Bartolini. Before 1847. Plaster; Height, 76 cm.; Diameter, 90 cm. (Gipsoteca Bartoliniana, Florence).
Attributed works:
114. The Campbell Sisters Dancing a Waltz, by Lorenzo Bartolini. 1819-20. Plaster; Height, 161 cm. (Gipsoteca Bartoliniana, Florence).
Attributed works:
117. Elizabeth, Marchioness of Bristol, by Lorenzo Bartolini, c.1815-19. Plaster; Height, 75 cm. (Gipsoteca Bartoliniana, Florence).
Attributed works:
118. Franz Liszt, by Lorenzo Bartolini. Before 1845. Plaster; Height, 66 cm. (Gipsoteca Bartoliniana, Florence).
Attributed works:
119. Nymph with a Scorpion, by Lorenzo Bartolini. Before 1837. Plaster; Height, 90 cm.; Length, 124 cm. (Gipsoteca Bartoliniana, Florence).
Attributed works:
120. Maria Naryškina, Countess Gouriev, by Lorenzo Bartolini. 1820-21. Plaster; Height, 151 cm. (Gipsoteca Bartoliniana, Florence).
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