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16 articles
Editorial
Crossing borders
07/2021 | 1420 | 163
Pages: 567
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Subjects
art literature:
Burlington Contemporary
places:
Venezuela / Paraguay / Mexico / Brazil
subjects:
Latin American art
Book Review
Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth Century Latin American Art. By Alexander Alberro
01/2018 | 1378 | 160
Pages: 73
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Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
1900-1999
places:
Argentina / Brazil / Uruguay / Venezuela
styles:
Abstract art
subjects:
Latin American art
Illustrations
Attributed works:
8. Vibrating light (Lumière en vibration), by Julio le Parc. Installation photograph of Labyrinthe I at the Musée d’art moderne de la ville de Paris for the 1963 Paris Biennale. (Courtesy Le Parc Studio, Paris).
Exhibition Review
Caravaggio and his followers. Belo Horizonte, São Paulo and Buenos Aires
12/2012 | 1317 | 154
Pages: 873-874
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Reviewer:
Rowley, Neville (Rowley, Neville)
Subjects
artists:
Caravaggio, Michelangelo Merisi da
dates:
2010-2019
museums and institutions:
Museo Nacional de Bellas Artes de Buenos Aires (MNBA), Buenos Aires, Argentina / Museu de Arte de São Paulo, São Paulo, Brazil
museums and institutions:
Casa Fiat de Cultura, Nova Lima, Belo Horizonte, Brazil
places:
São Paulo / Brazil / Argentina / Buenos Aires / Nova Lima / Belo Horizonte
subjects:
Reviews / Exhibitions / Caravaggism / Italian painting
Illustrations
Attributed works:
61. Medusa, attributed to Caravaggio. c.1597-98. Canvas mounted on wood, 44.7 cm. (diameter). (Private collection; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
62. St John the Baptist feeding the lamb, attributed to Caravaggio. c.1600? Canvas, 78 by 122 cm. (Private collection; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Attributed works:
63. St Mary Magdalene in ecstacy, by Guido Cagnacci. c.1626-27. Canvas, 86 by 72 cm. (Galleria Nazionale d'Arte Antica di Palazzo Barberini, Rome; exh. Museo Nacional de Bellas Artes, Buenos Aires).
Article
The spirit of France: the 1940–46 exhibition of French art in the United States
08/2012 | 1313 | 154
Pages: 564-569
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related names
Author:
Yeide, Nancy H. (Yeide, Nancy H.)
Subjects
dates:
1930-1939 / 1940-1949
museums and institutions:
Museo Nacional de Bellas Artes de Buenos Aires (MNBA), Buenos Aires, Argentina / Salón Nacional de Bellas Artes, Montevideo, Uruguay / Museu Nacional de Belas Artes, Rio de Janeiro, Brazil / de Young Museum, San Francisco, United States / Los Angeles County Museum of Art, Los Angeles, United States / Metropolitan Museum of Art, New York, United States / Worcester Art Museum, Worcester, United States / Art Institute of Chicago, Chicago, United States / Portland Museum of Art, Portland, United States / National Gallery of Art, Washington, United States
places:
Buenos Aires / Argentina / Montevideo / Uruguay / Rio de Janeiro / Brazil / San Francisco / United States / Los Angeles / New York / Worcester (United States) / Chicago / Washington DC / Portland (United States)
print:
Exhibitions
subjects:
Exhibitions / French painting
Illustrations
Attributed works:
35. Skating, by Edouard Manet. 1877. Canvas, 92 by 71.7 cm. (Harvard Art Museums, Cambridge MA).
Attributed works:
39. Two young girls at the piano, by Auguste Renoir. 1892. Canvas, 111.8 by 86.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
40. Avenue at Chantilly, by Paul Cézanne. 1887. Canvas, 81.3 by 64.8 cm. (Toledo Museum of Art OH).
Western art unattributed:
36. Installation of the exhibition of French art at the National Gallery of Art, Washington, 1941.
Western art unattributed:
38. Visitors at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941, with Claude Monet’s Jetty at Le Havre (1868; private collection).
Western art unattributed:
7. Crowds at the opening of Masterpieces of French Art at the Art Institute of Chicago, April 1941. The large painting in the centre is The Hermitage at Pontoise (c.1867), by Camille Pissarro, lent by Justin K. Thannhauser, who later donated it to the Solomon R. Guggenheim Museum, New York. To its left is Edgard Degas’s Victoria Dubourg (c.1866–68; Toledo Museum of Art), lent by Paul Louis Weiller; to its right is Edouard Manet’s Autumn (1881), lent by the Musée des Beaux-Arts, Nancy.
Exhibition Review
London exhibitions (Lygia Pape). London
03/2012 | 1308 | 154
Pages: 211-213
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related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
Pape, Lygia
dates:
2010-2019
museums and institutions:
Serpentine Gallery, London, Great Britain / Pinacoteca do Estado de São Paulo, São Paulo, Brazil
places:
São Paulo / London / England / Brazil
print:
Pape, Lygia
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Magnetized Space | institution: Museo Nacional Centro de Arte Reina Sofía , institution: Museu de Arte de São Paulo , institution: Serpentine Gallery
Illustrations
Attributed works:
43. Untitled, Tecelares, by Lygia Pape. 1956. Woodcut on Japanese paper, 35 by 44.5 cm. (Courtesy of Projeto Lygia Pape, Rio de Janeiro; exh. Pinacoteca do Estado de São Paulo).
Exhibition Review
Albert Eckhout. Recife, Brasília and São Paulo
01/2003 | 1198 | 145
Pages: 59-62
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related names
Reviewer:
Buvelot, Quentin (Buvelot, Quentin)
Subjects
artists:
Eckhout, Albert
dates:
2000-2009
museums and institutions:
Museu de Arte de São Paulo, São Paulo, Brazil
places:
Brazil / São Paulo
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
67. Coconuts on a ledge, by Albert Eckhout. 1640s. 93 by 93 cm. (Nationalmuseet, Copenhagen; exh. Pinacoteca do Estado de São Paulo).
Attributed works:
68. Manioc on a ledge, by Albert Eckhout. 1640s. 93 by 93 cm. (Nationalmuseet, Copenhagen; exh. Pinacoteca do Estado de São Paulo).
Attributed works:
69. Tapuya man holding spears, a throwing board and a club, by Albert Eckhout. 1641. 272 by 161 cm. (Nationalmuseet, Copenhagen; exh. Pinacoteca do Estado de São Paulo).
Attributed works:
70. Tapuya woman carrying a basket with a severed foot, and holding a severed hand, by Albert Eckhout. 1641. 272 by 165 cm. (Nationalmuseet, Copenhagen; exh. Pinacoteca do Estado de São Paulo).
Attributed works:
71. Black woman holding a basket, with her child, by Albert Eckhout. 1641. 282 by 189 cm. (Nationalmuseet, Copenhagen; exh. Pinacoteca do Estado de São Paulo).
Attributed works:
72. Black man holding a spear, by Albert Eckhout. 1641. 273 by 167 cm. (Nationalmuseet, Copenhagen; exh. Pinacoteca do Estado de São Paulo).
Exhibition Review
The 1998 Bienal. São Paulo
01/1999 | 1150 | 141
Pages: 61-62
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related names
Reviewer:
Schubert, Karsten (Schubert, Karsten)
Subjects
dates:
1990-1999
places:
São Paulo / Brazil
subjects:
Exhibitions / Reviews
subjects:
São Paulo Art Biennial
Illustrations
Attributed works:
88. I Think I Call Her QM, by Ann Sofi Siden. 1998. Still from Film. (Exh. São Paulo Bienal).
Attributed works:
89. Cities on the Move - 2727 Kilometers Bottari Truck, by Kim Soo-Ja. 1997. Mixed Media. (Exh. São Paulo Bienal).
Short Notice
Frans Post and the Reversed Galilean Telescope
11/1986 | 1004 | 128
Pages: 805-807http://ims.burlington.org.uk/index.php?action=edit&id=13005&type=1&title=Frans+Post+and+the+Reversed+Galilean+Telescope&level=0§ion=1#
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related names
Author:
Whitehead, Peter J. P. (Whitehead, Peter J. P.)
Subjects
artists:
Post, Frans
dates:
1600-1699
places:
Netherlands / Brazil
subjects:
Dutch painting / Optics / Composition (artistic arrangement)
Illustrations
Attributed works:
30. Recording Sunspots with a Keplerian Telescope, from Scheiner's Rosa Ursina (1630).
Article
An Expensive Present: The Adam Screen in Rio de Janeiro
09/1984 | 978 | 126
Pages: 548-553
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related names
Author:
Kelly, Alison (Kelly, Alison)
Subjects
artists:
Adam, Robert, 1728-1792
artists:
Hardwick, Thomas, 1752-1829
buildings:
Zoo Entrance, Rio de Janeiro, Brazil
dates:
1800-1849
places:
England / Brazil
places:
Rio de Janeiro
subjects:
British architecture / Documents
Illustrations
Attributed works:
10. Entrance to Syon Park, by Robert Adam. 1773.
Attributed works:
11. Quinta da Boa Vista, Sao Cristovaõ, Drawn by Maria Graham, Engraved by Edward Finden.
Attributed works:
12. Entrance to the Zoo, Rio de Janeiro. (See Fig. 9).
Attributed works:
13. Entrance to Syon Park (See Fig. 10).
Attributed works:
9. Entrance to the Zoo, Rio de Janeiro, by Thomas Hardwick, after a Design by Robert Adam (1773) for Syon Park.
Letter
Frans Post and Brazil
12/1982 | 957 | 124
Pages: 761-762
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related names
Author:
Duparc, Frederik J. (Duparc, Frederik J.; Duparc, Frits J.)
Author:
Larsen, Erik (Larsen, Erik)
Subjects
artists:
Post, Frans
dates:
1600-1699
places:
Brazil / Netherlands
subjects:
Dutch painting / Colonial
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