Sonia Delaunay: Living Art.
Edited by Waleria Dorogova and Laura
Microulis. 540 pp. incl. numerous col. ills.
(Bard Graduate Center, New York, 2024),
$75. ISBN 978–0–30027–576–6. |
:
subjects:
Sonia Delaunay: Living Art
Bard Graduate Center, New York
23rd February–7th July |
:
Majolica Mania: Transatlantic
Pottery in England and the
United States, 1850–1915
Edited by Susan Weber, with Catherine
Arbuthnott, Jo Briggs, Eleanor Hughes,
Earl Martin and Laura Microulis.
3 vols, 1,008 pp. incl. 1,200 col. + b. & w.
ills. (Bard Graduate Center Gallery,
New York, and the Walters Art Museum,
Baltimore, with Yale University Press,
New Haven and London, 2021), $300.
ISBN 978–0–300–25104–3. |
:
Illustrations
Attributed works:
13. Pedestal
and jardinière,
by George
Jones & Sons,
Stoke-on-Trent.
Designed c.1880.
Earthenware with
majolica glazes
and metal, height
112.9 cm. (English
Collection).
Attributed works:
14. Peacock,
designed by Paul
Comoléra for
Minton & Co.
Designed c.1873,
made 1876.
Earthenware
with majolica
glazes, height
152 cm. (English
Collection).
Attributed works:
15. ‘Japonica’
teaware and jugs,
by D.F. Haynes &
Co., Chesapeake
Pottery,
Baltimore.
c.1882–86.
Earthenware
with majolica
glazes, sugar
bowl: 12.1 by
14.7 by 11 cm.;
creamer: 9 by
12 by 10 cm.;
teapot: 16 by 18.5
by 13 cm.; tall
jug: 18.4 by 15 by
11 cm.; and small
jug: 14 by 11 by
8.5 cm. (Private
collection).
Publication Received
Agents of Faith: Votive Objects in Time and Place. Edited by Ittai Weinryb
Agents of Faith: Votive Objects in Time
and Place
Edited by Ittai Weinryb. 352 pp. incl. numerous
col. ills. (Bard Graduate Center Gallery, New
York, and Yale University Press, New Haven and
London, 2018), $65. ISBN 978–0–300–22296–8. |
:
71. A throne of verdure with flag, military trophies and the Tree of Liberty, set design for Le Triomphe de la République, by Charles Percier. 1792 (Musée de la Révolution française, Vizille)
Attributed works:
72. Desaix fountain, place Dauphine, Paris, by Charles Percier (Metropolitan Museum of Art, New York; exh. Château de Fontainebleau)
Attributed works:
73. Diverse antique and modern fragments drawn from nature in different cities of Italy and France, by Charles Percier. 1791 (Musée du Louvre, Paris; exh. Bard Graduate Center Gallery, New York)
58. Installation view of the exhibition Salvaging the Past: Georges Hoentschel and French Decorative Arts at the Bard Graduate Center, New York, 2013
Western art unattributed:
59. View from the Salon du Bois towards the Salle de la Céramique, 1900. Photograph. (From an album entitled 'Le Pavillon de l'Union Centrale des Arts Décoratifs à l'Exposition Universelle de 1900, par G. Hoentschel, architecte' at the Musée des Arts décoratifs, Paris; exh. Bard Graduate Center, New York)
Western art unattributed:
60. Cabinet. French (Languedoc?), before 1879, with some earlier elements (Metropolitan Museum of Art, New York; exh. Bard Graduate Center, New York)
Publication Received
Dutch New York. Between East & West. The World of Margrieta van Varick
63. Thomas Hope, by William Beechey. 1798. Canvas, 221.6 by 168.9 cm. (National Portrait Gallery, London; exh. Victoria and Albert Museum, London).
Attributed works:
64. The Egyptian Room at Duchess Street, London, as partially recreated in the installation of the exhibition Thomas Hope: Regency Designer at the Victoria and Albert Museum, London, 2008.
Attributed works:
65. Steps to the Theatre of the Arts, by William Henry Bartlett and Penry Williams. 1825–26. Watercolour, 20.6 by 27.9 cm. (Archives Department, London Borough of Lambeth; exh. Victoria and Albert Museum, London).
Attributed works:
66. The Aurora Room at Duchess Street, London, as partially recreated in the
installation of the exhibition Thomas Hope: Regency Designer at the Victoria and Albert Museum, London, 2008.
Book Review
Lions, Dragons, & Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table