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19 articles
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11/2018 | 1388 | 160
Pages: i–xxiv
Subjects
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Daniel Katz Ltd (dealers), London, Great Britain / Robilant and Voena, London, Great Britain / London Art Week / Galerie Neuse, Bremen, Germany / Stephen Ongpin Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Burzio, London, Great Britain / Brun Fine Art, London / Didier Aaron Ltd, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / Christie's, London / Rijksmuseum, Amsterdam, Netherlands / British Museum, London, Great Britain / Holburne Museum, Bath, Great Britain / Château de Fontainebleau, Fontainebleau, France / Harvey Miller Publishers, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Brimo de Laroussilhe, Paris, France / Fine Arts Paris / F. Baulme Fine Arts, Paris, France / Galerie Berès, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Talabardon & Gautier, Paris, France / Galerie de la Présidence, Paris, France / Galerie Canesso, Paris, France / Irish Art Review / Burlington Magazine / John Sandoe Books, London, Great Britain / Sotheby's, London, Great Britain / Guildhall Art Gallery, London, Great Britain / Cambi Aste, Genova, Italy / Peter Finer (antique arms), London, Great Britain / The Art Newspaper, London, Great Britain / Minerva Magazine / Sculpture Journal, Liverpool, Great Britain / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Adam Bray, London, Great Britain / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Timothy Newbery (frames), London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / The-saleroom.com / Chiswick Auctions, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm
subjects:
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09/2018 | 1386 | 160
Pages: i–xxiv
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Heickmann, Chemnitz. CASPAR DAVID FRIEDRICH (1774–1840) Bohemian Landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Bonhams, London. JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) Dolce far niente signed and dated ‘J.W.GODWARD.’07’ (lower left) oil on canvas 51.4 x 76.2cm (20 1/4 x 30in). £200,000 - 300,000 *]
Attributed works:
[Bonhams, London. SIR WINSTON SPENCER CHURCHILL O.M., HON. R.A. (1874-1965) The Riviera, a Sketch signed with initials ‘WSC’ (lower right) oil on canvas board 35.4 x 50.8 cm. (13 7/8 20 in.) Painted circa 1930 £100,000 – 150,000*]
Attributed works:
[British Art Fair, London. Apples and pears in a striped bowl, by Matthew Smith (1879–1959). 1952. Canvas, 45 by 61 cm. BROWSE AND DARBY, LONDON]
Attributed works:
[British Art Fair, London. Chariot, by Clive Barker (b.1940). 1974. Chrome-plated brass and bronze, 19 by 23 cm. WHITFORD FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Garden, W6, by Victoria Crowe (b.1945). Oil on board, 58.4 by 71.1 cm. JENNA BURLINGHAM FINE ART, KINGSCLERE, HAMPSHIRE]
Attributed works:
[British Art Fair, London. Helmet head 4, by Henry Moore (1898–1986). 1963. Bronze, 42 by 87 by 52 cm. GOODMAN FINE ART, LONDON]
Attributed works:
[British Art Fair, London. House by a lake, by Ivon Hitchens (1893–1979). 1940. Canvas, 20 by 30 cm. JONATHAN CLARK FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Los Angeles No.1, 2000, by R.B. Kitaj (1932–2007), 2000. Canvas, 121.9 by 121.9 cm. OFFER WATERMAN, LONDON]
Attributed works:
[British Art Fair, London. Pitchfork on green; pitchfork on pink, by Michael Craig-Martin (b.1941). 2003. Acrylic on canvas, 153 by 46 cm. BEAUX ARTS, LONDON]
Attributed works:
[British Art Fair, London. The governess, by Ambrose McEvoy (1878–1927). Canvas, 91.4 by 71.1 cm. MAAS GALLERY, LONDON]
Attributed works:
[British Art Fair, London. Three forms (extra eye), by Barbara Hepworth (1903–75). 1969. Bronze, 22.4 by 20.2 by 15.1 cm. OSBORNE SAMUEL, LONDON]
Attributed works:
[British Art Fair, London. Trio of bowls, by Lucy Rie (1902–1995). Glazed stoneware, various sizes. ASKEW ART, LONDON]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. ERCOLE SETTI (1530 –Modena –1618) A PROCESSION Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[Chiswick Auctions, London. MEDARDO ROSSO (ITALIAN, 1858-1928): ‘BAMBINA RIDENTE’ (BAMBINA CHE RIDE) A wax over plaster head Probably cast by the sculptor’s son, Francesco Rosso, from the original plaster model. Provenance: Sold to the Peridot Gallery, New York in 1959 by the sculptor’s daughter-in-law Clotilde Longoni Rosso. Thence by descent. Estimate £50,000 – 80,000]
Attributed works:
[Christie's, New York. POMPEO BATONI (1708–1787) Portrait of a lady, possibly Alexandrine Eftikhevna Demidoff, née Safonova (1745–1778), halflength, holding a wicker basket with flowers, 1775 (detail) oil on canvas $400,000–600,000]
Attributed works:
[Dulwich Picture Gallery, London. Jusepe de Ribera, Martyrdom of Saint Bartholomew (detail), 1644, Oil on canvas, Museu Nacional d'Art de Catalunya, Barcelona. ©Museu Nacional d'Art de Catalunya, Barcelona. 2018. Photo: Calveras/Mérida/Sagristà.]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Frieze Masters, London. Sebastiano del Piombo, Portrait of a Lady (detail), mid-1520s, The National Gallery, London. On loan from Longford Castle collection. © Private collection. Photography: John Bodkin.]
Attributed works:
[Galerie Michel Descours, Lyon. Pierre Peyron, The Death of Alcestis, or The Heroism of Conjugal Love, oil on canvas, 96 × 107 cm (37.8 × 42.1 in.)]
Attributed works:
[Hazlitt Holland-Hibbert, London. Barbara Hepworth Five Studies of a Girl, 1951 (detail) Oil and pencil on board]
Attributed works:
[La Biennale de Paris. Sailing downwind, by Charles Lapicque (1898–1988). 1952. Canvas, 116 by 89 cm. ART CUÉLLARNATHAN, ZURICH]
Attributed works:
[La Biennale Paris. Angel, attributed to Giuseppe Sanmartino (1720–93). 1750. Terracotta with glass inlay, 38 cm high. GALERIE SISMANN, PARIS]
Attributed works:
[La Biennale Paris. Mantel clock showing allegories of astronomy and history, by Jean-André Lepaute (1720–1789) and Jean-Baptiste Lepaute (1727–1802). c.1770. Chased, patinated and gilt bronze with a marble base, 68 by 80 by 28.5 cm. GALERIE DE LA PENDULERIE, PARIS]
Attributed works:
[La Biennale Paris. Shell VI, by Eva Vlčková. 2018. Glass, 33 cm high. GALERIE CLARA SCREMINI, PARIS]
Attributed works:
[La Biennale Paris. Still life with a basket of fruit, bouquet of flowers and exotic shells, by Balthasar van der Ast (1590–1656). Panel, 75 by 107 cm. GALERIA ANA CHICLANA, MADRID AND PARIS]
Attributed works:
[La Biennale Paris. Theatrum orbis terrarum, by Abraham Ortelius (1527–98). 1603 posthumous edition. Paper, bound in vellum, 46 by 29.7 cm. LIBRAIRIE CAMILLE SOURGET]
Attributed works:
[Peter Finer, London. A Pair of Flintlock Presentation Pistols by Nicholas-Noël Boutet, 1805. PROVENANCE: Private collection, Germany]
Attributed works:
[Robilant + Voena, London. John Chamberlain, Untitled, c. 1963, painted and chromium-plated steel, 54.6 x 48.3 x 58.4 cm. Lucio Fontana, Concetto spaziale, Attese, 1967, water-based paint on canvas, 80 x 65 cm. The Apollo Vescovali, 2nd century AD, marble, 166 cm (height). Andy Warhol, One Multicolored Marilyn (Reversal Series), 1979/86, acrylic and silkscreen ink on canvas, 45.7 x 35.2 cm.]
Attributed works:
[Venator & Hanstein, Cologne. M.E. Bloch. Ichthyologie. 12 parts in 6 vol. Berlin 1785-97. With 432 coloured copperplates.]
Western art unattributed:
[Galerie Sismann, Paris. APOSTLE Limestone, traces of polychromy and gilt Lorraine 1330–1340 H. 90 cm]
Exhibition Review
Napoleon: Power and Splendour. Virginia Museum of Fine Arts, Richmond
08/2018 | 1385 | 160
Pages: 676-678
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
art literature:
dates:
Illustrations
Attributed works:
15. General Armand-Samuel de Marescot with his wife, Cécile, his son, Antoine-Samuel, his daughter, Joséphine-Cécile, and his motherin-law, Marie-Charlotte d’Artis de Thiézac, by Fortuné Dufau. 1806. Canvas, 240 by 195 cm. (Private collection; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
16. Triumphal march of Napoleon to the Temple of Immortality, by Jean-Baptiste Regnault. 1804–05. Paper mounted on canvas, 52.4 by 93 cm. (Fralin Museum of Art, University of Virginia, Charlottesville; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
17. Etruscan Scroll Vase, called the Londonderry Vase. Sèvres Imperial Manufactory, after a design by Charles Percier and Alexandre-Théodore Brongniart père, decoration by Gilbert Drouet and Christophe-Ferdinand Caron. 1813. Hard-paste porcelain with polychrome enamel decoration, gilding and ormolu mounts, height 137.2 cm. (Art Institute of Chicago).
Exhibition Review
Charles Percier. New York and Fontainebleau
07/2017 | 1372 | 159
Pages: 583-584
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
71. A throne of verdure with flag, military trophies and the Tree of Liberty, set design for Le Triomphe de la République, by Charles Percier. 1792 (Musée de la Révolution française, Vizille)
Attributed works:
72. Desaix fountain, place Dauphine, Paris, by Charles Percier (Metropolitan Museum of Art, New York; exh. Château de Fontainebleau)
Attributed works:
73. Diverse antique and modern fragments drawn from nature in different cities of Italy and France, by Charles Percier. 1791 (Musée du Louvre, Paris; exh. Bard Graduate Center Gallery, New York)
Publication Received
Fate, Glory and Love in Early Modern Gallery Decoration: Visualizing Supreme Power: Galerie François Ier at Fontainebleau; Galleria Farnese in Rome; Galerie des Glaces at Versailles; and Karl XI’s Gallery in Stockholm. By Margaretha Rossholm Lagerlöf.
10/2016 | 1363 | 158
Pages: 832-833
Exhibition Review
Rosso Fiorentino in France. Fontainebleau
06/2013 | 1323 | 155
Pages: 428-430
related names
Reviewer:
Mulherron, Jamie (Mulherron, Jamie)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
82. Mars and Venus, by Rosso Fiorentino (Musée du Louvre, Paris; exh. Château de Fontainbleau)
Attributed works:
83. Battle of the Centaurs and Lapiths. Fontainbleau tapestry workshop, after a cartoon by Claude Baldouin after Rosso Fiorentino (Kunsthistorisches Museum, Vienna; exh. Château de Fontainbleau)
Attributed works:
84. Bacchus and Venus, by Rosso Fiorentino(?). (Musée nationale d'Histoire et d'Art, Luxembourg; exh. Château de Fontainbleau)
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05/2013 | 1322 | 155
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Bukowskis. Stockholm. Sweden. Bruno Liljefors. "Wild ducks". Grez-sur-Loing. 1887 (detail)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Jan Steen (Leiden 1626-1679). 'Easy come, easy go', the artist eating oysters in an interior (detail). Signed and dated 'Jan Steen / 1660' (lower left). Oil on canvas, 41 1/2 x 52 3/4 in (102.8 x 133.9 cm)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Furini. Florence, 1603-1646. Allegory of Peace. Oil on canvas, 84 x 70 cm (33 x 27 1/2 in)]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Jean-Honoré Fragonard. Landscape with a Youth by a Pond (detail)]
Attributed works:
[TATE Britain. London. Kurt Schwitters, En Morn, 1947]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A pair of small South German wheellock Puffers for a boy. Saxon, dated 1586. Overall length 31 cm. Barrel length 16 cm]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Florentine, circa 1500. Marsyas. 30.5 cm high.]
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04/2013 | 1321 | 155
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Browse & Darby. 19 Cork Street. London. Walter Richard Sickert (1860-1942). Le Rue de la Boucherie avec le chevet de l'Eglise, Dieppe, circa 1900-03.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Wright of Derby, A.R.A. (Derby 1734-1797). A view in Dovedale, Derbyshire; and A view of the Convent of San Cosimato and part of the Claudian Aquaduct near Vicovaro in the Roman Campagna. The first signed with initials and dated 'I.W.P. 1786' (lower left), oil on canvas, unlined 18 x 25 cm (45.7 x 63.5 cm)]
Attributed works:
[Christopher Mendez, London. Studies of the head of Saskia and others, by Rembrandt van Rijn (1606-69). 1936. Bartsch 365. 14.5 by 12.4 cm]
Attributed works:
[Emanuel von Bayer, London. Blonde girl, by Lucian Freud (1922-2011). 1985. Edition: 2/15. Signed. Etching on paper, 69.5 by 54.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Jusepe de Ribera. Jativa, 1591 - Naples, 1652. Portrait of Don Manuel de Zuniga y Fonseca, Count of Monterrey, robed as a Knight of Santiago. Oil on canvas, 121 x 86 cm (47 3/8 x 33 7/8 in)]
Attributed works:
[Glasgow Print Studio, New York. Irises, by Elizabeth Balckadder. 2012. Edition of 50. Etching, 69 by 48 cm]
Attributed works:
[Guy Peppiatt Fine Art. River wide House. 6 Manson’s Yard. Duke St., St. James’s. London Joseph Mallord William Turner, R.A. (1775-1851). A Limekiln at Britton Ferry, South Wales - Moonlight. Signed lower right, watercolour over traces of pencil. 19.5 by 27.3 cm (7 1/2 by 10 3/4 in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Walter Sickert. 1860-1942. Lady seated by a stove, circa 1921. Oil on canvas. 17 x 13 inches; 43.2 x 33 cm. Signed]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Alfons Walde, Nude, ca. 1925, Gouache on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Anna Mahler, Gustav Mahler, after 1946, plaster model, unique piece.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Anselm Kiefer, The raft of the Medusa, 2003, gouache on photographic paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele, Female nude lying on her side and leaning on one elbow, 1918, black charcoal on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Léon-François Comerre, Odalisque, oil on canvas.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Oskar Kokoschka, Nuda, 1913, charcoil and watercolour on paper.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Oskar Kokoschka. Flower still life, 1959, Oil on canvas.]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Richard Gerstl, Self-Portrait, 1906/07. Oil on canvas]
Attributed works:
[James Kinmont Fine Art, London. Blue Mandala, by Victor Pasmore, 1978. Edition of 90. Signed, numbered and dated. Etching and aquatint, 70 by 100 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Adriaen Thomasz Key (c. 1545 Antwerp - c.1589 Antwerp). Adoration oft the Magi. Oil on panel, 66 x 89 cm]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. Sir Thomas Lawrence PRA. Arthur Atherley. Oil on canvas. 24 1/2 x 20 inches. 610 x 510 mm. Painted 1792]
Attributed works:
[Marlborough Graphic, London. Women with bird II, by Quentin Blake. 2012. Edition of 30. Etching and aquatint, 35 by 31 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. John Constable. View of East Bergholt House (detail)]
Attributed works:
[TATE Britain. London. Kurt Schwitters. En Morn 1947]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1932. Osborne Samuel Ltd.]
Exhibition Review
Oudry. Fontainebleau and Versailles
04/2004 | 1213 | 146
Pages: 276-279
related names
Reviewer:
Bailey, Colin B. (Bailey, Colin B.; Bailey, Colin)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Animaux d'Oudry: collection des ducs de Mecklenbourg-Schwerin | institution: Château de Fontainebleau , institution: Musée National des Châteaux de Versailles et de Trianon
Illustrations
Attributed works:
65. Indian blackbuck, by Jean-Baptiste Oudry. 1739. 162 by 129 cm. (Staatliches Museum, Schwerin; exh. Musée national des châteaux de Versailles).
Attributed works:
66. Louis XV at the carrefour du Puits solitaire, forest of Compiègne, by Jean-Baptiste Oudry. 1739. 357 by 272 cm. (Musée national du châteaux de Fontainebleau)
Attributed works:
67. Three does watching two stags fighting, by Jean-Baptiste Oudry. 1734. 130 by 172.5 cm. (Formerly Staatlisches Museum, Schwerin; missing since the Second World War).
Attributed works:
68. A family of roe deer, by Jean-Baptiste Oudry. 1734. 130 by 172.5 cm. (Staatlisches Museum, Schwerin; exh. Musée national du château de Fontainebleau).
Attributed works:
69. Fox, by Jean-Baptiste Oudry. c.1741. Pastel on blue-green paper, 32 by 50.2 cm. (Private collection).
Article
Cellini's other Satyr for the Porte Dorée at Fontainbleau
08/2003 | 1205 | 145
Pages: 552-563
related names
Author:
Bassett, Jane (Bassett, Jane)
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
dates:
places:
Illustrations
Attributed works:
Detail of Fig.2.
Attributed works:
Detail of Fig.2. Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.6 cm. high. (J. Paul Getty Museum, Los Angeles).
Attributed works:
Detail of Fig.3. Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.6 cm. high. (J. Paul Getty Museum, Los Angeles).
Attributed works:
Detail of Fig.3. Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.6 cm. high. (J. Paul Getty Museum, Los Angeles).
Attributed works:
Detail of Fig.3; additional marks in red.
Attributed works:
Detail of Fig.3; additional marks in red.
Attributed works:
Detail of the Victory of Heraclius over Chosroes, by Piero della Francesca. c.1454-58. Fresco. (S. Francesco Arezzo). The detail shows a weapon corresponding to Cellini's description of a 'sferza con tre palle accommodata con certe catene'.
Attributed works:
Pair of Victories, after Benvenuto Cellini. c.1798. Plaster, 137 by 139 cm. (Musée du Louvre, Paris).
Attributed works:
Photograph of the Getty Satyr from the Windsor Castle Inventory of Bronzes, 1875-76.
Attributed works:
Photomontage of the Getty and Royal Collection bronzes with the full scale lunette of the Nymph (composite prepared by Michael Smith of the J. Paul Getty Museum).
Attributed works:
Porte Dorée, Château de Fontainbleau. (© Centre des monuments nationaux, Paris).
Attributed works:
Porte Dorée, Château de Fontainbleau. Lithograph from R. Pfnor: Monographie de Palais du Fontainbleau, Paris 1873, I, pl.XIV (© Centre des monuments nationaux, paris).
Attributed works:
Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.5 cm. high. (Royal Collection, London).
Attributed works:
Satyr, by Benvenuto Cellini. c. 1542. Bronze, 57.6 cm. high. (J. Paul Getty Museum, Los Angeles).
Attributed works:
Satyr, by Benvenuto Cellini. c.1542. Pen and brown ink with brown was over black chalk, 41.6 by 20.3 cm. (National Gallery of Art, Washington).
Attributed works:
The Getty Satyr (Fig 2) seen from the back.
Attributed works:
The Getty Satyr (Fig.2) seen from above.
Attributed works:
The Royal Collection Satyr (Fig 3) seen from the back.
Attributed works:
The Royal Collection Satyr (Fig.3) seen from above.
Attributed works:
The salle de Bal, Château de Fontainbleau. The chimney-piece incorporated bronze figures cast by Primaticcio in 1540 from the pair of ancient Roman marble satyrs then in the Della Valle collection in Rome (now in the Capitoline Museum, Rome). Primaticcio's casts were destroyed in 1792 but have since been replaced.
Attributed works:
X-radiograph of the Getty Satyr (Fig.2).
Attributed works:
X-radiograph of the Royal Collection Satyr (Fig.3).
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