100. Untitled (Assemblage), by Noah Purifoy. 1967. Mixed media, 167.6 by 99.1 by 20.3 cm. (Corcoran Gallery of Art, Washington; exh MoMA PS1, New York).
Attributed works:
98. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. In foreground: Place for Nature, by Maren Hassinger. 2011. Mixed-media installation, dimensions variable. (Courtesy of the artist). In corner: Only love saves the day, by Senga Nengudi, 2011. Nylon and sand, dimensions variable. (Courtesy of the artist and Thomas Erben Gallery, New York). At right: The wine leading the wine, by David Hammons. c.1969. Body print on paper, 101.6 by 122.6 cm. (Hudgins Family Collection, New York; photograph by Matthew Septimus).
Attributed works:
99. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. Left to right: Lynch fragments, by Melvin Edwards (1963-66; welded steel, dimensions and collections variable); The lifted X, by Melvin Edwards (1965; steel, 165.1 by 114.3 by 55.9 cm.; Museum of Modern Art, New York); Birmingham totem, by Charles White (1964; ink and charcoal on paper, 181.5 by 101.8 cm.; High Museum of Art, Atlanta); and Black pope (Sandwich board man), by Charles White (1973; oil wash on board, 166.4 by 125.7 cm.; Museum of Modern Art, New York). (Photograph by Matthew Septimus).