Networking the Bloc: Experimental Art
in Eastern Europe 1965–1981
By Klara Kemp-Welch. 480 pp. incl. 36 col. + 198
b. & w. ills. (MIT Press, Cambridge MA, 2019),
£40. ISBN 978–0–262–03830–0. |
:
Illustrations
Attributed works:
8. Identification program (1 of 5), by Géza
Perneczky. 1971. Gelatin silver print, 29.7
by 21 cm. (Courtesy the artist and Chimera-
Project Gallery, Budapest).
Book Review
Giorgio de Chirico: Catalogo Generale. Volume 2: 1910–1975; Volume 3: 1913–1976; and Volume 4: 1913–1975. Edited by Fondazione Giorgio e Isa de Chirico
Giorgio de Chirico: Catalogo Generale
Edited by Fondazione Giorgio e Isa de Chirico.
Volume 2: 1910–1975. 520 pp. incl. approx.
500 col. + b. & w. ills. (Maretti Editore, Imola,
2015), £275. ISBN 978–889–885–559–9.
Volume 3: 1913–1976. 472 pp. incl. 475 col.
+ b. & w. ills. (Maretti Editore, Imola, 2016),
£275. ISBN 978–8–898–85578–0.
Volume 4: 1913–1975. 512 pp. incl. 451 col.
+ 475 b. & w. ills. (Maretti Editore, Imola, 2018),
£275. ISBN 978–88–9397–000–6. |
:
Illustrations
Attributed works:
8. School of gladiators: the fighting, by Giorgio
De Chirico. 1928. Oil on canvas, 160 by 240
cm. (Casa Museo Boschi Di Stefano, Milan;
Bridgeman Images).
Radical Women: Latin American Art, 1960–1985, at the Hammer Museum, Los Angeles (then at the Brooklyn Museum, New York). |
:
Illustrations
Attributed works:
96. Detail of Autorretrato, estructura, informe, 9.6.1972 (Self-portrait, structure, report, 9.6.1972), by Teresa Burga.1972. (M HKA/ Collection Flemish Community; exh. Hammer Museum, Los Angeles).
Attributed works:
97. Still from Me gritaron negra (They shouted black at me), by Victoria Santa Cruz. 1978 (OTA-Odin Teatret Archives; exh. Hammer Museum, Los Angeles).
Attributed works:
98. Photograph from the Tableaux vivant series, by Yolanda López. 1978 (Courtesy Yolanda M. López; exh. Hammer Museum, Los Angeles).