Theater of Operations: The Gulf
Wars 1991–2011
MoMA PS1, New York
3rd November 2019–1st March |
:
Illustrations
Attributed works:
28. Still from
Gulf War TV
War, by Michel
Auder. 1991,
edited 2017.
Hi8 video
and mini-DV
transferred to
digital video. 102
min. (Courtesy
the artist and
Martos Gallery,
New York; exh.
MoMA PS1, New
York).
Attributed works:
29. The fires
of Baghdad, by
Kareem Risan.
2003. Ink,
coloured pencil,
digital printing,
and collage on
paper; 13 folded
pages loose in
cover, in slipcase
32.5 by 59 cm.
(unfolded) (Azzawi
Collection,
London;
photograph
Anthony Dawton;
exh. MoMA PS1,
New York).
Attributed works:
30. Portrait of
Zain Habboo, by
Nuha Al-Radi.
1995. Painted
metal canister
and rock, 25.4
by 15.2 cm.
(Private
collection;
photograph Kris
Graves; exh.
MoMA PS1,
New York).
Exhibition Review
Bruce Nauman: Disappearing Acts. Museum of Modern Art and MoMA PS1, New York
100. Untitled (Assemblage), by Noah Purifoy. 1967. Mixed media, 167.6 by 99.1 by 20.3 cm. (Corcoran Gallery of Art, Washington; exh MoMA PS1, New York).
Attributed works:
98. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. In foreground: Place for Nature, by Maren Hassinger. 2011. Mixed-media installation, dimensions variable. (Courtesy of the artist). In corner: Only love saves the day, by Senga Nengudi, 2011. Nylon and sand, dimensions variable. (Courtesy of the artist and Thomas Erben Gallery, New York). At right: The wine leading the wine, by David Hammons. c.1969. Body print on paper, 101.6 by 122.6 cm. (Hudgins Family Collection, New York; photograph by Matthew Septimus).
Attributed works:
99. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. Left to right: Lynch fragments, by Melvin Edwards (1963-66; welded steel, dimensions and collections variable); The lifted X, by Melvin Edwards (1965; steel, 165.1 by 114.3 by 55.9 cm.; Museum of Modern Art, New York); Birmingham totem, by Charles White (1964; ink and charcoal on paper, 181.5 by 101.8 cm.; High Museum of Art, Atlanta); and Black pope (Sandwich board man), by Charles White (1973; oil wash on board, 166.4 by 125.7 cm.; Museum of Modern Art, New York). (Photograph by Matthew Septimus).
Exhibition Review
Architecture. New York (Young Architect's Program)
78. Model of Afterparty, the winning project of the 2009 MoMA/PS1 Young Architects Program, by Michael Meredith and Hilary Sample. 2009. (MOS, New Haven; exh. PS1, New York).
70. Yellow versus purple, by Olafur Eliasson. 2003. Colour-effect filter glass, floodlight, tripod, motor and wire, dimensions variable. (Tate, London; exh. P.S.1 Contemporary Art Center, New York)
Attributed works:
71. Model room, by Olafur Eliasson. 2003. Chipboard display cabinets and mixed-media models, maquettes and prototypes, dimensions variable. (Collection of the artist; exh. P.S.1 Contemporary Art Center, New York)
78. Autoritratto (Mi fuma il cervello), by Alighiero e Boetti. 1993–94. Cast bronze, fountain system and electric heating element, 188 by 91.4 by 73.6 cm. (Exh. Gladstone Gallery, New York)
Attributed works:
79. Detail of the installation Fabiola, by Francis Alÿs. 2007. Media and dimensions variable. (Dia Art Foundation; exh. Hispanic Society of America)
Attributed works:
80. Right You Are (If You Think You Are), by Francesco Vezzoli. Live performance at the Solomon R. Guggenheim Museum, New York, 27th October 2007. (Photograph courtesy Gagosian Gallery, New York)