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7 articles
Exhibition Review
Art and Black Los Angeles 1960–1980. Los Angeles, New York and Williamstown
04/2013 | 1321 | 155
Pages: 293-294
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Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
dates:
2010-2019
dates:
1960-1979
museums and institutions:
Williams College Museum of Art, Williamstown, United States / Hammer Museum, Los Angeles, United States / MoMA PS1, New York, United States
places:
Williamstown / United States / New York / Los Angeles
subjects:
Reviews / Exhibitions / Modern Art / African American / Social history / Politics / Assemblages
Illustrations
Attributed works:
100. Untitled (Assemblage), by Noah Purifoy. 1967. Mixed media, 167.6 by 99.1 by 20.3 cm. (Corcoran Gallery of Art, Washington; exh MoMA PS1, New York).
Attributed works:
98. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. In foreground: Place for Nature, by Maren Hassinger. 2011. Mixed-media installation, dimensions variable. (Courtesy of the artist). In corner: Only love saves the day, by Senga Nengudi, 2011. Nylon and sand, dimensions variable. (Courtesy of the artist and Thomas Erben Gallery, New York). At right: The wine leading the wine, by David Hammons. c.1969. Body print on paper, 101.6 by 122.6 cm. (Hudgins Family Collection, New York; photograph by Matthew Septimus).
Attributed works:
99. Installation view of Now Dig This! Art and Black Los Angeles 1960-1980 at MoMA PS1, New York, 2012. Left to right: Lynch fragments, by Melvin Edwards (1963-66; welded steel, dimensions and collections variable); The lifted X, by Melvin Edwards (1965; steel, 165.1 by 114.3 by 55.9 cm.; Museum of Modern Art, New York); Birmingham totem, by Charles White (1964; ink and charcoal on paper, 181.5 by 101.8 cm.; High Museum of Art, Atlanta); and Black pope (Sandwich board man), by Charles White (1973; oil wash on board, 166.4 by 125.7 cm.; Museum of Modern Art, New York). (Photograph by Matthew Septimus).
Exhibition Review
Boldini. Ferrara (Giovanni Boldini nella Parigi degli Impressionisti)
12/2009 | 1281 | 151
Pages: 863-864
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Reviewer:
Rylands, Philip (Rylands, Philip)
Subjects
artists:
Boldini, Giovanni
dates:
2000-2009 / 2010-2019
museums and institutions:
Palazzo dei Diamanti, Ferrara, Italy / Sterling and Francine Clark Art Institute, Williamstown, United States
places:
Williamstown / United States / Italy / Ferrara
print:
Boldini, Giovanni
subjects:
Catalogues / Exhibitions
Reviewed Items
subjects:
Giovanni Boldini nella Parigi degli Impressionisti | institution: Palazzo dei Diamanti
Illustrations
Attributed works:
51. The washerwomen, by Giovanni Boldini. 1874. Canvas, 32.3 by 51.6 cm. (Private collection, courtesy of David Nisinson Fine Art, Bridgeport; exh. Palazzo dei Diamanti, Ferrara).
Attributed works:
52. Portrait of Henri Rochefort, by Giovanni Boldini. c.1881–82. Canvas, 61 by 50 cm. (Musée d’Orsay, Paris; exh. Palazzo dei Diamanti, Ferrara).
Exhibition Review
Claude Lorrain. San Francisco, Williamstown and Washington
05/2007 | 1250 | 149
Pages: 356-357
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Reviewer:
Standring, Timothy J. (Standring, Timothy J.; Standring, T. J.)
Subjects
artists:
Lorrain, Claude
dates:
2000-2009
museums and institutions:
California Palace of the Legion of Honor, San Francisco, United States / Sterling and Francine Clark Art Institute, Williamstown, United States / National Gallery of Art, Washington, United States
places:
Williamstown / United States / San Francisco / Washington DC
print:
Lorrain, Claude
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Claude Lorrain: the Painter as Draftsman. Drawings from the British Museum | institution: California Palace of the Legion of Honor , institution: National Gallery of Art , institution: Sterling and Francine Clark Art Institute
Illustrations
Attributed works:
65. The Tiber from Monte Mario looking southeast, by Claude Lorrain, c.1640–41. Brown wash, 18.5 by 26.8 cm. (British Museum, London; exh. National Gallery of Art, Washington).
Attributed works:
66. A group of trees, by Claude Lorrain, c.1640–45. Pen and brown ink with brown wash, 25.9 by 24 cm. (British Museum, London; exh. National Gallery of Art, Washington).
Exhibition Review
The Unknown Monet. London and Williamstown
05/2007 | 1250 | 149
Pages: 341-343
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Reviewer:
House, John (House, John; H., J.)
Subjects
artists:
Monet, Claude
dates:
2000-2009
museums and institutions:
Royal Academy of Arts, London, Great Britain / Sterling and Francine Clark Art Institute, Williamstown, United States
places:
Williamstown / United States / London / England
print:
Monet, Claude
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
The Unknown Monet: Pastels and Drawings | institution: Royal Academy of Arts , institution: Sterling and Francine Clark Art Institute
Illustrations
Attributed works:
40. Waterloo Bridge, by Claude Monet. c.1901. Pastel, 30.5 by 48 cm. (Triton Foundation, The Netherlands; exh. Courtauld Institute of Art Gallery, London).
Attributed works:
41. Etretat, the Needle Rock and Porte d’Aval, by Claude Monet. Here dated late 1860s. Pastel on tan paper, 40 by 23.5 cm. (Private collection; exh. Courtauld Institute of Art Gallery, London).
Exhibition Review
Winslow Homer. Williamstown
12/2005 | 1233 | 147
Pages: 848-850
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Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
Homer, Winslow
dates:
2000-2009
museums and institutions:
Sterling and Francine Clark Art Institute, Williamstown, United States
places:
Williamstown / United States
print:
Homer, Winslow
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Winslow Homer: Making art, Making History | institution: Sterling and Francine Clark Art Institute
Illustrations
Attributed works:
75. Undetown, by Winslow Homer. 1886. 75.7 by 121 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
76. Perils of the sea, by Winslow Homer. 1881. Watercolour over black chalk on paper, 37.1 by 53.3 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Attributed works:
77. West Point, Prout's Neck, by Winslow Homer. 1900. 76.4 by 122.2 cm. (Sterling and Francine Clark Art Institute, Williamstown).
Exhibition Review
The Bruyas Collection. San Francisco
04/2005 | 1225 | 147
Pages: 285-286
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Reviewer:
House, John (House, John; H., J.)
Subjects
collectors and dealers:
Bruyas, Alfred
dates:
2000-2009
museums and institutions:
Musée Fabre, Montpellier, France / Virginia Museum of Fine Arts, Richmond, United States / Sterling and Francine Clark Art Institute, Williamstown, United States / Dallas Museum of Art, Dallas, United States / California Palace of the Legion of Honor, San Francisco, United States
places:
United States / San Francisco / Richmond (United States) / Williamstown / Dallas
print:
Bruyas, Alfred
subjects:
Reviews / Exhibitions / Collections, Public / Collections, Private / French painting
Reviewed Items
subjects:
Bonjour, Monsieur Courbet! The Bruyas Collection from the Musée Fabre, Montpellier | institution: California Palace of the Legion of Honor
Illustrations
Attributed works:
97. Portrait of Baudelaire, by Gustave Courbet. c.1848. 53 by 61 cm. (Musée Fabre, Montpellier; exh. California Palace of the Legion of Honour, San Francisco).
Attributed works:
98. Alfred Bruyas in his study, by Edouard-Antoine Marsal. 1876. 61.6 by 48.5 cm. (Musée Fabre, Montpellier; exh. California Palace of the legion of Honor, San Francisco).
Exhibition Review
Mary Cassatt: The Color Prints. Williamstown
01/1990 | 1042 | 132
Pages: 72-73
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Reviewer:
Johnson, Deborah (Johnson, Deborah)
Subjects
artists:
Cassatt, Mary
dates:
1990-1999
museums and institutions:
Williams College Museum of Art, Williamstown, United States
places:
Williamstown / United States
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
87. The Letter, by Mary Cassatt. 1891. Drypoint and Aquatint. (Exh. Williams College Museum of Art, Williamstown).
Attributed works:
88. By the Pond, by Mary Cassatt. 1896. Drypoint and Aquatint. (Exh. Williams College Museum of Art, Williamstown).