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26 articles
Article
Lucchese patronage in Papal Avignon: the chapel of Carlo Spiafame in Notre-Dame-des-Doms
02/2025 | 1463 | 167
Pages: 96–114
related names
Author:
Nuttall, Geoffrey (Nuttall, Geoffrey)
Subjects
dates:
places:
Illustrations
Attributed works:
10. Vaults of the Spiafame Chapel, designed by Pierre Milhard and Guillaume de Lonay (?), Notre-Dame-des-Doms, Avignon. c.1412–18. (Courtesy the diocèse d’Avignon).
Attributed works:
11. Interior of the Spiafame Chapel, designed by Pierre Milhard and Guillaume de Lonay (?), Notre-Dame-des-Doms, Avignon. c.1418–23. (Courtesy the diocèse d’Avignon).
Attributed works:
12. Detail of a column and the Spiafame eagle, carved by Guillaume de Lonay(?). c.1418. (Notre-Dame-des-Doms, Avignon; with the kind permission of the diocèse d’Avignon).
Attributed works:
14. Tomb of the Spiafame family, by Guillaume de Lonay (?), Notre-Damedes- Doms, Avignon. 1418–23. (Courtesy the diocèse d’Avignon).
Attributed works:
15. Baptism of Christ with saints and members of the Landi family, by a follower of Giovannino dei Grassi. c.1400–05. Fresco. (Museo del Palazzo Farnese, Piacenza; Photo Scala, Florence).
Attributed works:
17. Road to Calvary, from the Grandes Heures of Jean de Berry, attributed to Jacquemart de Hesdin. c.1400. Illumination on vellum, 37.9 by 28.3 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
18. Detail of Baptism of Christ, by Thomas Patch after Spinello Aretino. 1772. Engraving. (British Museum, London).
Attributed works:
19. Detail of Baptism of Christ, from the Belles Heures of Jean de Berry, by the Limbourg Brothers. 1405–1408/1409. Illumination on vellum, 23.8 by 17 cm. (Met Cloisters, New York, object no.fol.211v).
Attributed works:
2. Detail of ground-plan of Notre-Dame-des-Doms, Avignon, showing the Spiafame Chapel (A), the narthex (B) and the porch (C). (From Plan de la cathédrale d’Avignon et ses dépendances, by E. Danjoy, Paris 1890; Archives Nationales, Paris).
Attributed works:
20. Entombment (Sielern Triptych), attributed to Robert Campin. c.1425. Oil on panel, 60 by 48.9 cm. (Courtauld Gallery, London).
Attributed works:
23. Virgin and Child with St Stephen and St Lucy, by Jacques Yverni. c.1425. Tempera and gold on panel and canvas, 163 by 200 cm. (Galleria Sabauda, Musei Reali di Torino; courtesy the Italian Ministry of Culture; Bridgeman Images).
Attributed works:
24. Crucifixion with the Virgin, Mary Magdalene, St Michael and donor presented by St Anthony Abbot, by Robin Favier and Jacques Yverni(?). 1415–25. Fresco. S. Antoine de Vienne. (© Yann Forget; Wikimedia Commons).
Attributed works:
25. Virgin of mercy with saints and scenes from the resurrection of Christ, by Jean Mirailhet. 1425. Face of the Virgin and the figures of St Cosmos and St Damien repainted by Ludovico Brea(?). c.1515. Tempera on panel, 260 by 219 cm. (Chapel of the Confraternity of the Pénitents Noirs, Nice).
Attributed works:
3. Spiafame Chapel with the porch of the cathedral to the right, north side of Notre-Dame-des-Doms, Avignon. 1412–23. (Photograph the author).
Attributed works:
7. Virgin and Child and standing saint, c.1360. Fresco. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Attributed works:
9. Map of Avignon, showing Notre-Dame-des-Doms (top circle), Livreé Albano (centre circle) and le Petit Paradis (bottom circle). (From Atlas van Loon, Amsterdam 1663, X).
Western art unattributed:
1. Baptism (the Spiafame Baptism). c.1422–28. Fresco. (Notre-Damedes- Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
13. The blocked north window of the Spiafame Chapel, Notre-Dame-des- Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
16. Detail of the Spiafame Baptism, showing Margarita di Cacherano della Rocca with her daughters, Agnes and Catherine, Notre-Damedes- Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
21. Detail of the Spiafame Baptism, showing the family at prayer, Notre-Dame-des-Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
22. Arms of the Caetani dell’ Aquila. c.1340. (Livrée Ceccano-Bibliothèque municipal, Avignon).
Western art unattributed:
4. Interior of Notre-Dame-des-Doms, Avignon, with the Spiafame Chapel on the left, looking towards the nave. (Courtesy the diocèse d’Avignon).
Western art unattributed:
5. Inscription above the entrance to the Spiafame Chapel flanked by the family’s coats of arms. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
6. Exterior wall of the Spiafame Chapel, looking towards the porch. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
7. Virgin and Child and standing saint, c.1360. Fresco. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
8. Detail of the Spiafame Baptism, showing the family at prayer before the baptism of Christ. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Article
Matteo Giovannetti, the painter and his work: an assessment in the light of recent restorations
01/2024 | 1450 | 166
Pages: 54–61
related names
Author:
Vingtain, Dominique (Vingtain, Dominique)
Subjects
dates:
places:
Illustrations
Attributed works:
2. St Martial, detail of a fresco by Matteo Giovannetti before and after restoration. 1344–45. Fresco. (Scene D, vault, chapel of St Martial, Papal Palace, Avignon; Consortio Arké).
Attributed works:
4. Vault of the chapel of St Martial, Papal Palace, Avignon, by Matteo Giovannetti. 1344–45. (Photograph Domenico Venturi).
Attributed works:
5. Vault of the chapel of St John, Papal Palace, Avignon, by Matteo Giovannetti. 1346–48. (Photograph Domenico Venturi).
Attributed works:
6. Detail of The beheading of John the Baptist, by Matteo Giovannetti. 1355. Fresco. (Chapel of St John, Chartreuse, Villeneuve-lès-Avignon; Bildarchiv Monheim GmbH; Alamy Stock Photo).
Attributed works:
7. Details of the face of St Martial at different stages of his life as depicted in the Papal Palace, Avignon. (© Dominique Vingtain; photographs Domenico Ventura).
Western art unattributed:
1. Section of the Tower of the Pope and Garderobe Tower, Papal Palace, Avignon.
Western art unattributed:
3. Ground plan of the Papal Palace, Avignon.
Article
Avignon around 1500: the workshop of Jean II Changenet
01/2024 | 1450 | 166
Pages: 44–53
related names
Author:
Elsig, Frédéric (Elsig, Frédéric)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Annunciation, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon).
Attributed works:
10. St Sebastian destroying the idols, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.6 by 54.6 cm. (Philadelphia Museum of Art).
Attributed works:
11. St Sebastian pierced by arrows, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.7 cm. (Philadelphia Museum of Art).
Attributed works:
12. St Sebastian cured by St Irene, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.5 by 55.2 cm. (Philadelphia Museum of Art).
Attributed works:
13. Death of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82.4 by 55.5 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
14. Intervention of St Sebastian during the plague in Rome, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.8 by 55.4 cm. (Walters Art Gallery, Baltimore; Bridgeman Images).
Attributed works:
15. St Sebastian before Diocletian and Maximian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 81.5 by 55.7 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images; Fine Art Images).
Attributed works:
16. Reconstruction of the Life of St Sebastian altarpiece in its opened state.
Attributed works:
17. Three prophets, by the Master of the Three Prophets (Josse Lieferinxe?). c.1500. Oil on panel, 61 by 95 cm. (Musée du Louvre, Paris).
Attributed works:
18. Crucifixion, by the Master of the Crucifixion of the Parliament of Burgundy (Henri Changenet?). c.1511–12. Oil on panel, 170 by 126 cm. (Bridgeman Images; Musée du Louvre, Paris).
Attributed works:
19. Crucifixion of the Parliament of Burgundy, by L. Gaultier. 1618. Engraving. (From H. Picardet: Remonstrances faictes en la cour de parlement de Bourgogne..., Paris 1618, p.248).
Attributed works:
2. St Michael, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 59 cm. (Musée du Petit Palais, Avignon; Bridgeman Images).
Attributed works:
20. Adoration of the Magi, Flight into Egypt and Assumption, by Giovanni Grassi (based on a design by Jean II Changenet). 1491–95 (conception) and 1500–01 (completion). Oil on panel, each panel 124 by 62 cm. (© Yvan Bourhis; Church of Saint-Jean-Baptiste, Gretz-Armainvilliers).
Attributed works:
21. Group of men, by the Master of the Three Prophets (Josse Lieferinxe?). c.1490–1500. Oil on panel. (Private collection).
Attributed works:
3. Marriage of the Virgin, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 80 by 60 cm. (Musées royaux des Beaux-Arts, Brussels).
Attributed works:
4. Visitation, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 37 by 45 cm. (Musée du Louvre, Paris).
Attributed works:
5. Circumcision, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 78 by 58.5 cm. (NPL – DeA Picture Library and G. Dagli Orti; Bridgeman Images; Musée du Petit Palais, Avignon).
Attributed works:
6. Adoration of the Christ Child, here attributed to Jean II Changenet. c.1485–90. Oil on panel, 38 by 47 cm. (Musée du Louvre, Paris).
Attributed works:
7. Reconstruction of the Life of the Virgin altarpiece in its opened (above) and closed (below) states.
Attributed works:
8. Assumption, here attributed to Jean II Changenet. c.1485–90. Oil on wood, 80 by 60 cm. (Musée du Petit Palais, Avignon).
Attributed works:
9. Pilgrims in front of the tomb of St Sebastian, here attributed to Jean II Changenet. c.1490–95. Oil on panel, 82 by 55 cm. (Galleria Nazionale di Palazzo Barberini, Rome; photograph Luisa Ricciarini; Bridgeman Images).
Article
Italians in Avignon in the late fourteenth century: in search of the painters
01/2024 | 1450 | 166
Pages: 38–43
related names
Author:
Castelnuovo, Guido (Castelnuovo, Guido)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Virgin of humility, by Simone Martini. 1341. Fresco. (Musée du Palais des Papes, Avignon; formerly in the porch of the cathedral, Notre-Damedes- Doms, Avignon; Bridgeman Images).
Attributed works:
2. Adoration of the Cross (Pérussis altarpiece), by an artist in the circle of Nicolas Froment. 1480. Three panels, each 138.4 by 58.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Anglic Grimoard kneeling before the Virgin and Child (from the Terrier of Anglic Grimoard), by Bernard of Toulouse and Marie. 1366–68. Illumination on parchment, 44.5 by 34.5 cm. (Archives départementales de Vaucluse, Avignon, MS 1.G.10, fol.unnumbered).
Attributed works:
4. Madonna della Misericordia, by Enguerrand Quarton. c.1452. Oil on panel, 66 by 187 cm. (Musée Condé, Chantilly; Bridgeman Images).
Attributed works:
5. Detail of Prophets, by Matteo Giovannetti. 1353. Fresco. (Great Audience, Papal Palace, Avignon; Bridgeman Images).
Western art unattributed:
6. A detail of the frescos in the Cardini Chapel, Saint-Didier, Avignon. c.1360–65. (Photograph Zoë Opačić).
Article
The Medieval Palace of the Commune in Avignon: a forgotten building
01/2024 | 1450 | 166
Pages: 30–37
related names
Author:
Balossino, Simone (Balossino, Simone)
Subjects
places:
Illustrations
Attributed works:
1. Map of Avignon. (From Atlas van Loon, Amsterdam 1663, X).
Attributed works:
10. Entrance porch of the cathedral of Notre-Dame-des-Doms, Avignon. (Photograph the author).
Attributed works:
2. Roman ruins underneath the former consuls’ palace, Avignon. (Photograph the author).
Attributed works:
3. Plan of consular palace and surrounding structures. (Based on archaeological survey undertaken by C. Markiéwicz, J.-M. Mignon and O. Keiser).
Attributed works:
4. Façade of the annex building, Avignon. (Photograph the author).
Attributed works:
5. Detail of Fig.1, showing the consular palace and surrounding structures.
Attributed works:
6. Detail of De la ville d’Avignon et par dela: Veüe de la Ville d’Avignon et des environs, by Étienne Martellange. 1608. Pen and brown ink with an India ink wash. (Bibliothèque nationale de France, Paris).
Attributed works:
7. Tympanum of the entrance portal of the communal tower, Avignon. Late 12th–early 13th century. Marble. (Musée du Petit Palais; Archivah and Alamy Stock Photo).
Attributed works:
8. Drawings of consular bullae. (From L. Blanchard: Iconographie des sceaux et des bulles des archives des bouches du Rhône, Paris 1860, pp.78–79).
Attributed works:
9. Tympanum of the entrance portal of S. Zeno Maggiore, Verona. c.12th century. (Photograph Frank Buffetrille; Bridgeman Images).
Article
Two music theory manuscripts reunited: book illumination in the circle of Matteo Giovannetti
01/2024 | 1450 | 166
Pages: 16–29
related names
Author:
Manzari, Francesca (Manzari, Francesca)
Author:
Stoessel, Jason (Stoessel, Jason)
Subjects
dates:
places:
Illustrations
Attributed works:
13. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.52r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Attributed works:
18. Detail of Miracle of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St Martial, Papal Palace, Avignon).
Attributed works:
20. Detail of Sacrifice of Zacharias, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St John, Papal Palace, Avignon).
Attributed works:
21. Angel of the Annunciation, by Matteo Giovannetti. c.1345. Oil on wood transferred to canvas. (Musée du Louvre, Paris; Scala, Florence).
Attributed works:
Emanuele III, Naples, MS V A 14, fol.49r).
Western art unattributed:
1. Leaves from the Naples manuscript, showing Lady Music and God in Majesty. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fols.46v–47r).
Western art unattributed:
10. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.21v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
11. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.31r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
12. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.88r).
Western art unattributed:
14. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.78r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
15. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.78v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
16. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.110v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
17. Leaf from the Liber Regulae. (Archivio di Stato, Rome, MS 3193, fol.202v; MIC).
Western art unattributed:
19. Detail of Miracle of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Chapel of St Martial, Papal Palace, Avignon).
Western art unattributed:
2. Leaf from the Naples manuscript, showing a seated lion holding in its paws the head of an ox. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.48r).
Western art unattributed:
22. Our Lady of the Annunciation, by Matteo Giovannetti. c.1345. Oil on wood transferred to canvas. (Musée du Louvre, Paris; Scala, Florence).
Western art unattributed:
3. Detail of Fig.1, showing one of the lions supporting the throne of Lady Music. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.47r).
Western art unattributed:
4. Detail of Fig.1, showing the lion as a symbol for the Evangelist Mark. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.46v).
Western art unattributed:
5. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.1r).
Western art unattributed:
7. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.1r; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
8. Leaf from the Milan manuscript. (Biblioteca Ambrosiana, Milan, MS D 5 inf., fol.1v; Veneranda Biblioteca Ambrosiana/Mondadori Portfolio Fotoriproduzione).
Western art unattributed:
9. Leaf from the Naples manuscript. (Biblioteca Nazionale Vittorio Emanuele III, Naples, MS V A 14, fol.18v).
Article
Avignon as 'nova Roma'
01/2024 | 1450 | 166
Pages: 5–15
related names
Author:
Bolgia, Claudia (Bolgia, Claudia)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Chamber of the Stag, Papal Palace, Avignon. 1343. (Photograph Domenico Ventura).
Attributed works:
11. Detail of the Stefaneschi polyptych, showing the Crucifixion of St Peter, by Giotto. c.1320. Tempera on panel. (Pinacoteca Vaticana, Vatican City; Bridgeman Images).
Attributed works:
13. Crucifixion of St Peter, copy of a detail in the lost fresco cycle in the atrium of Old St Peter’s, Rome (Biblioteca Apostolica Vaticana, MS A64ter (Grimaldi Album), fol. 39).
Attributed works:
14. Duke Stephen in Rome, imploring St Peter to absolve his sins, by Matteo Giovannetti. 1344–45. Fresco. (Scene M, south wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
15. Detail of Fig.14, showing Stephen, Duke of south-west France, receiving absolution from St Peter.
Attributed works:
16. Vault of the chapel of St John, Papal Palace, Avignon, by Matteo Giovannetti. 1346–48. (Photograph Domenico Ventura).
Attributed works:
17. Alpinianus cures the sick by imposing on them the sudarium of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Scene U, south wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
18. Detail of Fig.17, showing the imposition of the sudarium.
Attributed works:
2. Detail of the ceiling of the Chamber of the Stag, showing the she-wolf with her twins and the hen with her chicks. 1343. (Papal Palace, Avignon; photograph Fabrice Lepeltier).
Attributed works:
4. Section of the Tower of the Pope and Garderobe Tower, Papal Palace, Avignon.
Attributed works:
5. Ground plan of the Papal Palace, Avignon.
Attributed works:
6. Christ ordering St Peter to send St Martial to preach in Gaul and St Peter communicating Christ’s will to Martial and his disciples, by Matteo Giovannetti. 1344–45. Fresco. (Scene D, vault, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
7. Martial receives the staff from St Peter and Resurrection of Austriclianus, by Matteo Giovannetti. 1344–45. Fresco. (Scene C, vault, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
8. Chapel of St Martial, Papal Palace, Avignon, by Matteo Giovannetti. 1344–45. (Photograph Domenico Ventura).
Attributed works:
9. Christ showing to St Martial in a vision the martyrdom of St Peter and St Paul in Rome, by Matteo Giovannetti. 1344–45. Fresco. (Scene P, lunette, west wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Western art unattributed:
10. Crucifixion of St Peter. c.1277–80. Fresco. (Sancta Sanctorum, Rome).
Western art unattributed:
12. Rooster. Italian, 9th–12th century. Gilded bronze. (Museo Storico- Artistico del Tesoro di S. Pietro, Vatican City).
Western art unattributed:
3. Stone relief of the she-wolf with her twins, Maria Saal Cathedral. (Wikimedia Commons).
Article
Introduction
01/2024 | 1450 | 166
Pages: 4
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
places:
Illustrations
Attributed works:
Avignon, seen from the west, dominated by the Papal Palace. (Bridgeman Images).
Book Review
Simon de Châlons
10/2023 | 1447 | 165
Pages: 1154–1155
related names
Reviewer:
Cachaud, Céline (Cachaud, Céline)
Subjects
places:
Reviewed Items
subjects:
Simon de Châlons By Camille Larraz. 224 pp. incl. 217 col. + b. & w. ills. (Silvana Editoriale, Milan, 2022), €30. ISBN 978–88–366–5190–0. | :
Illustrations
Attributed works:
3. Doubting Thomas, by Simon de Mailly, called de Châlons. 1535. Oil on panel, 140 by 75 cm. (Musée du Louvre, Paris).
Article
Peregrinating Rome and Jerusalem in Enguerrand Quarton’s ‘Coronation of the Virgin’
05/2020 | 1406 | 162
Pages: 372-387
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.3, showing Rome.
Attributed works:
10. Calvary with a Carthusian monk, by Jean de Beaumetz. 1389–95. Oil on panel, 60 by 48.5 cm. (Mus e du Louvre, Paris).
Attributed works:
11. Map of Jerusalem. Twelfth century. Pen on parchment, 32.5 by 22.5 cm. (British Library, London; MS Cotton Tiberius E IV., fol.143r; Bridgeman Images).
Attributed works:
12. Map of Jerusalem, from Peregrinatio in Terram Sanctam by Bernhard von Breydenbach, by Erhard Reuwich. 1486. Handcoloured woodcut on vellum, 27 by 127 cm. (British Library, London; Bridgeman Images).
Attributed works:
13. Rome, from the Très Riches Heures de Duc de Berry, by the Limbourg brothers. Before 1416. Illumination on parchment, folio 29 by 21 cm. (Musée Condé, Chantilly; MS 65, fol.141v).
Attributed works:
14. Detail of Rome, from Cosmographia by Claudius Ptolomaeus, by Pietro del Massaio. c.1470–c.1480. Painting on parchment, folio 61 by 45 cm. (Bibliothèque nationale de France, Paris; MS Latin 4802, fol.133r.
Attributed works:
2. Detail of Fig.3, showing Jerusalem.
Attributed works:
3. Coronation of the Virgin, by Enguerrrand Quarton. 1453–54. Oil(?) and tempera on panel, 183 by 220 cm. (Musée Pierre de Luxembourg, Villeneuve-lès-Avignon).
Attributed works:
4. Detail of the Virgin of Chancellor Rolin, by Jan van Eyck. c.1435. Oil on panel, 66 by 62 cm. (Musée du Louvre, Paris).
Attributed works:
5. Detail of Fig.3, showing a square outside St Peter’s, Rome.
Attributed works:
6. Detail of Fig.3, showing S. Croce in Gerusalemme, Rome.
Attributed works:
7. Detail of Fig. 3, showing Jean de Montagnac and Antoine de Montagny at the tomb of the Virgin.
Attributed works:
8. Detail of Fig.3, showing the Crucifixion.
Attributed works:
9. Detail of Fig.9. showing Guillaume de Montjoie, Bishop of Bézier, at the tomb of Christ.
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