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13 articles
Exhibition Review
Islanders: The Making of the Mediterranean Fitzwilliam Museum, Cambridge
05/2023 | 1442 | 165
Pages: 546-549
related names
Reviewer:
Stephenson, Roy (Stephenson, Roy)
Subjects
dates:
Reviewed Items
subjects:
Islanders: The Making of the Mediterranean Fitzwilliam Museum, Cambridge 24th February–4th June | :
Illustrations
Western art unattributed:
5. Aphrodite Anadyomene. Cyprus, c.300– 100 BC. Marble, height 116 cm. (Cyprus Museum).
Western art unattributed:
6. Astarte standing on an ingot. Cyprus, 1200–1100 BC. Copper alloy, height 9.9 cm. (Ashmolean Museum, Oxford).
Western art unattributed:
Fig.4. Finds at the Sanctuary of Agia Eirini, Cyprus. Photograph, c.1929. (Courtesy Världskulturmuseerna, Sweden).
Editorial
Stonehenge revisited
12/2014 | 1341 | 156
Pages: 791
Subjects
Illustrations
Attributed works:
Fig.I. Sunrise view of inner trilithons, Stonehenge, Wiltshire, by Paul Caponigro (Artist's collection)
Book Review
Pre-Classical: From Crete to Archaic Greece
09/1968 | 786 | 110
Pages: 486+491+524
related names
Reviewer:
Nicholls, Richard (Nicholls, Richard)
Subjects
places:
subjects:
Reviewed Items
subjects:
Pre-Classical: From Crete to Archaic Greece | author: Boardman, John
Book Review
Excavations at Gozlu Kule Tarsus. Vol.II
09/1957 | 654 | 99
Pages: 321
related names
Reviewer:
Bradford, John (Bradford, John)
Subjects
places:
subjects:
Reviewed Items
subjects:
Excavations at Gozlu Kule Tarsus. Vol.II | author: Goldman, Hetty
Article
Neolithic Symbols and the Purpose of Art in China
04/1943 | 481 | 82
Pages: 91-99+101
related names
Author:
Bulling, Anneliese (Bulling, Anneliese; Bulling, A.)
Subjects
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Non-western art unattributed:
Drawings (Partly Reconstructed) of Neolithic Pottery Symbols. Figures 1, 2, 3, 4, 5, 6, 7, 8, 11, 9, 10, 14, 12, 18, 13, 17, 15, 16, 20, 22, 21, 19
Non-western art unattributed:
Plate I. A-Kuei, Food Vessel. (Sir Neil Malcolm). Found at Hsin Ts'un near Hsün Hsien. Early Chou Period. Sun/Moon Symbols Alternating with Fire Spirals Symbol. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate I. B-T. L. V. or Cosmic Mirror. (Musee Guimet. Paris). Period of the Warring States (ca. 481-221 B. C.) Diameter 18.5 cm. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate I. C-Funerary Vase. Kansu. (Ostasiatiska Samlingarna, Stockholm). Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate I. D-Stone-Rubbing from Tomb of Wu Family, A. D. 148. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate II. A-Funerary Ware (Ming Ch'i). Clay Model of a Gate with Impressed Scenery and Patterns. Rosettes between Trees Are an Old Star- or Sun-Symbol in the Calendar Symbolism of Western Asia. (Musée Cernuschi, Paris). On This Gate Are Represented Also Rows of Gates Flanked by Trees and Birds. This Scene Might Stand for a Constellation Myth. The Stag Whose Head Adorns the Middle of the Gate Plays a Part in Autumn and Marriage Rites. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate II. B-Pillar from the Entrance to the Grave of Shen. Szchuan, Second Century, A. D. The Upper Part of This Pillar Imitates Wooden Beams and from One of the Beams Is Suspended the Symbol of the Emperor and the Solar Year, the "Pi" Disc. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate III. A-Carved Marble Slab. A. D. 114. 88 by 119 cm. (Baron von der Heydt, Lent to Victoria and Albert Museum). Another Performance of a Cosmological Myth. The Tree on the Left Is Probably the Joh-Tree, Whose Flowers Light the World before the Sun Rises; It Is Connected with the Moon. Jugglers, Dancers, Acrobats, Etc., Make It Plain That This Represents a Performance. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate III. B-Mirror, Bronze. End of the Han Period or Later. Sun, Moon and Star Symbols Are Replaced by Representations of King Mu and Hsi Wang Mu. This Strengthens Our Point That the Myth Takes Its Root in Neolithic Astronomical Imitation Plays and Can, Therefore, Replace the Sun, Moon and Star Symbols. Neolithic Symbols and the Purpose of Art in China
Non-western art unattributed:
Plate III. C-Hu. Bronze Vessel. Height 37 cm. Period of the Warring States. (Chinese Government). Symbols Replaced by Representations of Performances, e. g., a Man Performs a Ritual Dance, Others Fight with Tigers and Wild Boars. Yao Shooting the Wild Boar and a Light between Two Pretenders for the Throne of Yü (See Lower Row) Are Recorded in the T'ien Wên. Neolithic Symbols and the Purpose of Art in China
Book Review
The Swedish Messenia Expedition
08/1939 | 437 | 75
Pages: 86-87
related names
Reviewer:
Thomas, Helen (Thomas, Helen)
Subjects
places:
Reviewed Items
subjects:
The Swedish Messenia Expedition | author: Valmin, M. Natan
Book Review
Rock-Paintings of North-West Cordoba
05/1932 | 350 | 60
Pages: 266-267
Subjects
places:
Reviewed Items
subjects:
Rock-Paintings of North-West Cordoba | author: Gardner, G. A.
Book Review
Excavations at Olynthus. Part I. The Neolithic Settlement
05/1930 | 326 | 56
Pages: 276
Subjects
Reviewed Items
subjects:
Excavations at Olynthus. Part I. The Neolithic Settlement | author: Mylonas, George E.
Article
Painted Neolithic Pottery in China
12/1925 | 273 | 47
Pages: 308-310
related names
Author:
Yetts, W. Perceval (Yetts, W. Perceval; Yetts, Walter Perceval; Yetts, W. Percival; Y., W. P.; Yetts, Perceval; Y., P.; Yetts, W. P.)
Subjects
places:
subjects:
subjects:
Illustrations
Non-western art unattributed:
Fig. 1. 1. Reconstruction from two fragments. Provenance not specified. Black painting upon red polished surface. Inner surface of vessel grey. 3-6 mm. thick. 2. Reconstruction from many fragments. From Chin Wang Chai. Colour same as No. 1. 5 mm. thick. 3. Reconstruction from one fragment. From Chin Wang Chai. Colour same as Nos. 1 and 2. Decoration painted in black and red upon encircling band of white slip. 4. Reconstruction from one fragment. Provenance not specified. Burnt red all through. Black line. Distinct wheelwork. 5-7 mm. thick. 5. Complete vessel. From Chin Wang Chai. Reddish-yellow all through. Design and inner side of rim painted in red. 3-4 mm. thick. 6. Nearly complete vessel. From Chin Wang Chai. Dark grey. Painting in red. Outside surface polished. 3-5 mm. thick.
Non-western art unattributed:
Fig. 2. Diagrams of characteristic Neolithic Chinese Pottery motives
Non-western art unattributed:
Fig. 3. Bird design combined with bands of symmetric pattern (examples found at Chen-Fan on the Kansu-Mongolian border)
Article
Painted Neolithic Pottery in Sĩstãn Discovered by Sir Aurel Stein
12/1925 | 273 | 47
Pages: 304-308
related names
Author:
Andrews, Fred H. (Andrews, Fred H.; Andrews, Frederick Henry; Andrews, F. H.)
Subjects
art literature:
places:
Illustrations
Non-western art unattributed:
Plate I. Painted Neolithic Pottery in Sĩstãn. Painted Neolithic Pottery in Sĩstãn Discovered by Sir Aurel Stein. Drawn by Fred H. Andrews. Scale Approximately 2/5
Non-western art unattributed:
Plate II. Painted Neolithic Pottery in Sĩstãn. Painted Neolithic Pottery in Sĩstãn Discovered by Sir Aurel Stein. Drawn by Fred H. Andrews. Scale Approximately 2/5, Except No. 89, of Which the Scale Is Approximately 1/6
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