1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Joan Miró: Sculptures 1928–1982. Centro Botín, Santander
19. The Centro Botín, Santander, photographed from the Pareda Gardens, June 2017. (Photograph Belen de Beneto).
Attributed works:
20. Souvenir de la Tour Eiffel, by Joan Miró, cast by Fundicío Parellada, Barcelona. Bronze, 334 by 54 by 80 cm. (Private collection; exh. Centro Botín, Santander).
Attributed works:
21. Personnage et oiseau, by Joan Miró, cast by Fundicío Parellada, Barcelona. Bronze, 104 by 63 by 20 cm. (Private collection; exh. Centro Botín, Santander).
22. Photograph of the interior of Cave I at Ajanta, by Victor Goloubew. 1910. From ‘Documents pour servir à l’étude d’Ajanta: les peintures de la première grotte’, Ars Asiatica 10 (November 1927).
Attributed works:
23. Copy of a painting in Cave XVII at Ajanta depicting a scene from the Sibi Jataka, by Christiana Herringham and Dorothy Larcher. 1910–11. Tempera. (Lost).
Attributed works:
24. Copy of a painting in Cave XVII at Ajanta depicting a palace scene, by Nandalal Bose. 1910–11. Watercolour. (Lost).
Attributed works:
25. Copy of a painting in Cave I at Ajanta depicting a bodhisattva, by Syad Ahmad and Muhammad Faizl ud Din. 1910–11. Watercolour. (Lost).
Attributed works:
26. Morning at Benares, by William Rothenstein. 1911. Canvas, 89 by 124.5 cm. (Present whereabouts unknown).
Attributed works:
27. Copy of a painting in Cave XVII at Ajanta depicting female devotees, by Nandalal Bose. 1910–11. Watercolour. (Lost).
Attributed works:
28. Young Hindu woman, by William Rothenstein. 1911. Pencil, 30 by 26 cm. (Abbott and Holder, London).
Attributed works:
29. Detail of Seated figures, by William Rothenstein. 1911. Pencil, 30 by 26 cm. (Abbott and Holder, London).
Attributed works:
30. Woman offering puja, by William Rothenstein. 1911. Pencil, 30 by 26 cm. (Abbott and Holder, London).
Attributed works:
31. The traveller and the lotus, by Abanindranath Tagore. 1901. Chromolithograph, 25 by 19 cm. (Private collection).
Attributed works:
32. Young man in a turban, by William Rothenstein. 1911. Pencil, 30 by 26 cm. (Abbott and Holder, London).
Attributed works:
33. Tissarakshita, Queen of Asoka, by Abanindranath Tagore. 1911. Watercolour, 30 by 26 cm. (Royal Collection, Windsor).
Attributed works:
34. Tibetan monk, by William Rothenstein. 1911. Pencil, 30 by 26 cm. (Abbott and Holder, London).
Book Review
Pittura rupestre medievale. Lazio e Campania settentrionale (secoli VI–XIII)