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13 articles
Short Notice
The patron of Raphael’s ‘Madonna of the candelabra’ and its medieval sources
06/2019 | 1395 | 161
Pages: 491-493
related names
Author:
Cavazzini, Patrizia (Cavazzini, Patrizia)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
5. The Madonna of the candelabra, by Raphael and his workshop. c.1514. Panel, 65.7 by 64 cm. (The Walters Art Museum, Baltimore).
Attributed works:
6. Virgin and Child, attributed to the circle of Jacopo Torriti. Mosaic, thirteenth century. (S. Maria in Aracoeli, Rome).
Attributed works:
7. Virgin and Child between St John the Baptist and St John the Evangelist, by the workshop of Pietro Cavallini. Fresco, end of the thirteenth century. (S. Maria in Aracolei, Rome).
Book Review
Pietro Cavallini. Napoli prima di Giotto, P. Leone de Castris
03/2015 | 1344 | 157
Pages: 193-194
related names
Reviewer:
Gibbs, Robert (Gibbs, Robert; Gibbs, Robert J.)
Subjects
Book Review
Giotto e Pietro Cavallini. La questione di Assisi e il cantiere medievale della pittura a fresco.
11/2004 | 1220 | 146
Pages: 764
related names
Reviewer:
Cooper, Donal (Cooper, Donal)
Subjects
dates:
places:
Reviewed Items
works:
Giotto e Pietro Cavallini. La questione di Assisi e il cantiere medievale della pittura a fresco. | author: Zanardi, B.
Book Review
Pietro Cavallini
04/1980 | 925 | 122
Pages: 255-258
related names
Reviewer:
Gardner, Julian (Gardner, Julian)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Pietro Cavallini: A Study in the Art of Late Medieval Rome | author: Hetherington, Paul
Article
Copies of Roman Mosaics in Edinburgh
09/1973 | 846 | 115
Pages: 583-591
related names
Author:
Gardner, Julian (Gardner, Julian)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
26. Copy of the Presentation in the Temple (above), and the Adoration of the Magi (Below), by Pietro Cavallini. S. Maria in Trastevere. (D1055).
Attributed works:
27. Copy of the Lower Zone of the Apse Mosaic by Jacopo Torriti in S. Giovanni in Laterano. (D1059).
Attributed works:
29. Copy of the Apse Mosaic, S. Maria Maggiore by Jacopo Torriti. (D1050).
Attributed works:
30. Copy of the Upper Zone of the Facade Mosaic of S. Maria Maggiore by Filippo Rusuti (Left and Right Sides). Vat. Lat. 5408.
Attributed works:
32. Tomb of Cardinal Gudiel. Mosaic. (S. Maria Maggiore, Rome.)
Attributed works:
33. Mosaic, by Lellus. 1322. (S. Restituta, Naples.)
Western art unattributed:
22. Copy of the Apse Mosaic, S. Clemente. (D1052).
Western art unattributed:
23. Copy of the Apse Arch Mosaic, S. Clemente. (D1053).
Western art unattributed:
24. Copy of the Apse Mosaic, S. Maria in Trastevere. (D1056).
Western art unattributed:
25. Copy of the Apse Arch Mosaic, S. Maria in Trastevere. (D1054).
Western art unattributed:
28. Copy of the Facade Mosaic, S. Maria Maggiore. (D1051).
Western art unattributed:
31. Copy of the Facade Mosaic, S. Paolo Fuori le Mura. (D1057).
Western art unattributed:
34. Copy of the Vault Mosaic, Cappella S. Elena, S. Croce in Gerusalemme. (D1058).
Article
Pietro Cavallini, Artistic Style and Patronage in Late Medieval Rome
01/1972 | 826 | 114
Pages: 4-10
related names
Author:
Hetherington, Paul (Hetherington, Paul; Hetherington, P. B.; H., P.; Hetherington, P.)
Subjects
artists:
artists:
dates:
dates:
places:
subjects:
Illustrations
Attributed works:
4. Nativity, by Jacopo Torriti. Apse Mosaic. (Sta. Maria Maggiore, Rome.)
Attributed works:
6. Navicella (Fragment), by Giotto. Mosaic. (S. Pietro Ispano, Boville Ernica.)
Western art unattributed:
2. Baptism of Constantine by Pope Sylvester. Wall-Painting. (Cappella di S. Silvestro, SS. Quattro Coronati, Rome.)
Western art unattributed:
3. Vault Mosaic. (Sancta Sanctorum, Rome.)
Western art unattributed:
5. Painting on South Wall. (Sancta Sanctorum, Rome.)
Western art unattributed:
7. Portrait Head. Detail of Vault Mosaic. (Sta. Costanza, Rome.)
Western art unattributed:
8. Angel's Head. Detail of Vault Mosaic. (Baptistery, Florence.)
Article
The Triptychs of the Beata Chiara of Rimini
09/1950 | 570 | 92
Pages: 247-249+251
related names
Author:
Zeri, Federico (Zeri, Federico; Zeri, Professor)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. The Vision of the Beata Chiara. By a Riminese Painter about 1340-5, Here Called the 'Beata Chiara Master'. Panel, 55.9 by 61 cm. (Lady Catherine Ashburnham, Ashburnham Place, Battle.)
Attributed works:
2. Adoration of the Magi. By a Riminese Painter about 1340-5, Here Called the 'Beata Chiara Master'. Panel, 61 by 61 cm. (National Gallery of Art, Washington D. C., Kress Collection.)
Attributed works:
Fig. A. Vision of the Beata Chiara. Engraving from G. Garampi: Memorie Ecclesiastiche... della Beata Chiara da Rimini, 1755.
Western art unattributed:
3. Adoration of the Magi. Riminese School, about 1330. Panel, 49 by 45 cm. (Musée Fesch, Ajaccio.)
Western art unattributed:
4. Crucifixion. Riminese School, about 1330. Panel, 49 by 52 cm. (Musée Fesch, Ajaccio.)
Western art unattributed:
5. The Vision of the Beata Chiara. Riminese School, about 1330. Panel, 49 by 45 cm. (Musée Fesch, Ajaccio.)
Article
The Master of the Last Judgment at Rimini
08/1935 | 389 | 67
Pages: 53-55+58-61+64-66
related names
Author:
Beenken, Hermann (Beenken, Hermann; Beenken, H.)
Subjects
art literature:
artists:
artists:
dates:
places:
Illustrations
Attributed works:
Plate I. A-Madonna and Child with Angels, Here Attributed to the Master of the Last Judgment. Fresco. (S. Agostino, Rimini); B-Madonna and Child with Saints, by Giuliano da Rimini. Centre Panel from the Urbania Altarpiece. Dated 1307. (The Gardner Museum, Boston, U. S. A.); C-The Incredulity of St. Thomas. The Workshop of Pietro da Rimini. Fresco. (S. Maria in Porto Fuori, Ravenna). The Master of the Last Judgment at Rimini
Attributed works:
Plate II. A-The Last Judgment. Fresco from S. Agostino, Rimini (Palazzo Dell' Arengo, Rimini). The Master of the Last Judgment at Rimini
Attributed works:
Plate II. B-The Archangel Michael, Here Attributed to the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini
Attributed works:
Plate II. C-Three Apostles. Detail of Plate II, A. The Master of the Last Judgment at Rimini
Attributed works:
Plate II. D-Three Apostles, Detail from the Last Judgment, by Cavallini. Fresco (S. Cecilia, Rome). The Master of the Last Judgment at Rimini
Attributed works:
Plate III. A-Left, St. John Arresting the Earthquake at Ephesus; Right, St. John in a Vat of Boiling Oil in the Presence of Domitian, Here Attributed to an Assistant of the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini
Attributed works:
Plate III. B-Left, The Trial by Poison of St. John the Evangelist at Patmos; Right, St. Augustine Presenting the Rule to the Hermits, Here Attributed to the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini
Attributed works:
Plate IV. A, B-Angels, Details of Plate II, A. The Master of the Last Judgment at Rimini
Attributed works:
Plate IV. C, D-Two Apostles, Details of Plate II, A. The Master of the Last Judgment at Rimini
Article
The Chapter House Frescoes at Pomposa
06/1933 | 363 | 62
Pages: 253-255+258-261
related names
Author:
Beenken, Hermann (Beenken, Hermann; Beenken, H.)
Subjects
artists:
artists:
dates:
places:
places:
Illustrations
Attributed works:
Plate I. Both of the First Half of the Fourteenth Century (The Abbey of Sta. Maria, Pomposa). A-Interior of the Chapter House of the Abbey of Sta. Maria, Pomposa. B-Prophet. C-The Crucifixion (Detail). The Chapter House Frescoes at Pomposa
Attributed works:
Plate II. The Crucifixion. First Half of Fourteenth Century. (The Abbey of Sta. Maria, Pomposa). The Chapter House Frescoes at Pomposa
Attributed works:
Plate III. A-Two Apostles, by Cavallini and His Assistants. Early Fourteenth Century. (Sta. Maria Donna Regina Coeli, Naples). The Chapter House Frescoes at Pomposa
Attributed works:
Plate III. B-Two Prophets. First Half of the Fourteenth Century. (The Abbey of Sta. Maria, Pomposa). The Chapter House Frescoes at Pomposa
Attributed works:
Plate III. C and D-Prophets. First Half of the Fourteenth Century. (The Abbey of Sta. Maria, Pomposa). The Chapter House Frescoes at Pomposa
Article
Notes on the Italian Exhibition at Burlington House-I
02/1930 | 323 | 56
Pages: 72-73+76-79+82-85+88-89
related names
Author:
Fry, Roger E. (Fry, Roger E.; Fry, Roger (R. F.; R. E. F.); F., R. E.; Fry, R. E.; F., R.; F.)
Subjects
artists:
artists:
dates:
dates:
dates:
places:
places:
places:
Illustrations
Attributed works:
Plate III. A-Nativity (No. 14). Tempera on Panel. (M. Adolphe Stoclet, Brussels). Diptych Ascribed to Giotto. Notes on the Italian Exhibition at Burlington House-I
Attributed works:
Plate III. B-Crucifixion. Tempera on Panel. (Mr. Bernard Berenson, Florence). Diptych Ascribed to Giotto. Notes on the Italian Exhibition at Burlington House-I
Attributed works:
Plate V. A-E-Predella of the Altarpiece of the Virgin and Child, with SS. Francis, John the Baptist, Zenobius and Lucy, by Domenico Veneziano, from Sta Lucia di Magnoli (Uffizi); A-The Stigmatization of St. Francis, No. 128 (Count A. Contini); B-St. John in the Desert, No. 132 (Mr. C. W. Hamilton); C-The Annunciation, No. 130; and D-The Miracle of St. Zenobius, No. 131 (Fitzwilliam Museum, Cambridge); E-The Martyrdom of St. Lucy, No. 129 (Kaiser Friedrich Museum, Berlin). Notes on the Italian Exhibition at Burlington House-I
Attributed works:
Plate V. F-The Stigmatization of St. Francis, by Domenico Veneziano. (Count Alessandro Contini, Rome). Notes on the Italian Exhibition at Burlington House-I
Attributed works:
Plate V. G-St. John in the Desert, by Domenico Veneziano. (Mr. Carl W. Hamilton, New York). Notes on the Italian Exhibition at Burlington House-I
Attributed works:
Plate VI. A-The Last Supper. (Edinburgh) Predella Panels by Andrea dal Castagno. Notes on the Italian Exhibition at Burlington House-I
Attributed works:
Plate VI. B-The Crucifixion. (National Gallery). Notes on the Italian Exhibition at Burlington House-I
Attributed works:
Plate VI. C-The Resurrection. (Sir Joseph Duveen). Notes on the Italian Exhibition at Burlington House-I
Attributed works:
Plate VI. D-The Last Supper, by Andrea dal Castagno (No. 96). Tempera on Panel. (National Gallery of Scotland, Edinburgh). Notes on the Italian Exhibition at Burlington House-I
Attributed works:
Plate VI. E-The Resurrection, by Andrea dal Castagno (No. 91). Tempera on Panel. (Sir Joseph Duveen). Notes on the Italian Exhibition at Burlington House-I
Western art unattributed:
Plate I. A-The Angel of the Annunciation; The Adoration; The Nativity. No. 9. (Mr. Henry. Harris); B-The Virgin Annunciate; the Crucifixion. No. 10. (Royal Gallery, Urbino.) A Diptych of the Rimini School. Notes on the Italian Exhibition at Burlington House-I
Western art unattributed:
Plate II. The Adoration and the Nativity; Here Identified as of the School of Rimini. Detail of Plate I, a. (Mr. Henry Harris). Notes on the Italian Exhibition at Burlington House-I
Western art unattributed:
Plate IV. The Crucifixion, Here Ascribed to the Dalmatian School of the Fourteenth Century (No. 73). Tempera on Panel, 92 by 68 cm. (Lord Muir-Mackenzie). Notes on the Italian Exhibition at Burlington House-I
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