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Publication Received

Santa Maria di Scolca, Abbazia Olivetana di Rimini, Fonti e Documenti. Cronotassi Olivetana a cura di Roberto Donghi. By Andrea Donati and Gian Lodovico Masetti Zannini.

12/2013 | 1329 | 155

Pages: 841

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Reviewer:

Teuffel, Christa Gardner von (Teuffel, Christa Gardner von; Gardner von Teuffel, Christa)

Subjects

buildings:

Santa Maria di Scolca, Rimini, Italy

dates:

1400-1699 / 1700-1799

places:

Rimini

subjects:

Manuscripts / Documents / Cultural history / Abbots / Religion / Religious architecture / Patronage

Exhibition Review

Paolo Veneziano. Rimini

11/2002 | 1196 | 144

Pages: 712-713

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Reviewer:

Strehlke, Carl Brandon (Strehlke, Carl Brandon; S., C. B.; Strehlke, C. B.; Strehlke, Carl Brandos)

Subjects

artists:

Paolo Veneziano

dates:

2000-2009

museums and institutions:

Castel Sismondo, Rimini, Italy

places:

Italy / Rimini

subjects:

Exhibitions / Reviews

Illustrations

Attributed works:

78. St Peter, by Lorenzo Veneziano. 1371. Panel, 114 by 44 cm. (Gallerie dell'Accademia, Venice; exh. Castel Sismondo, Rimini).

Attributed works:

79. St Matthew, by the Master of Caorle. c. 1350. Panel, 98 by 67 cm. (Cathedral, Caorle; exh. Castel Sismondo, Rimini).

Western art unattributed:

76. Icon of Sts Peter and Paul, by a Balkan artist. c. 1282. Panel, 72.5 by 51 cm. (Treasury of St Peter's, Vatican City; exh. Castel Sismondo, Rimini).

Western art unattributed:

77. The Magi, by a Venetian or Dalmatian artist, c. 1343-53. Mosaic, 77 by 85.5 cm. (Museo Marciano, Venice; exh. Castel Sismondo, Rimini).

Exhibition Review

Guido Cagnacci. Rimini

11/1993 | 1088 | 135

Pages: 783-784

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Reviewer:

Vertova, Luisa (Vertova, Luisa; Vertova, Luisa Felicita)

Subjects

artists:

Cagnacci, Guido

dates:

1990-1999

museums and institutions:

Museo della Città, Rimini, Italy

places:

Italy / Rimini

subjects:

Exhibitions / Reviews

Illustrations

Attributed works:

58. Vision of the Three Carmelite Saints, by Guido Cagnacci. 333 by 208 cm. (Chiesa di S. Giovanni Battista, Rimini; Exh. Museo della Città, Rimini).

Attributed works:

59. Detail of the Apotheosis of S. Valeriano, by Guido Cagnacci. 230 by 411 cm. (Whole). (Pinacoteca Civica, Forli'; Exh. Museo della Città, Rimini).

Attributed works:

60. Lucretia, by Guido Cagnacci. 87 by 66 cm. (Musée des Beaux-Arts, Lyon; Exh. Museo della Città, Rimini).

Article

A Dossal by Giotto and His Workshop: Some Problems of Attribution, Provenance and Patronage

08/1989 | 1037 | 131

Pages: 524-531

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Author:

Gordon, Dillian (Gordon, Dillian)

Subjects

artists:

Giotto

museums and institutions:

National Gallery, London, Great Britain

patrons:

Malatesta family

places:

Italy / Florence / Rimini

subjects:

Italian painting / Attributions

subjects:

Dossals

subjects:

Provenance / Patronage

subjects:

Technical analysis

subjects:

Christian iconography

Illustrations

Attributed works:

1. Epiphany, by Giotto and Workshop. Tempera on Panel. 44.9 by 43.7 cm. (Metropolitan Museum, New York).

Attributed works:

10. X-Radiograph of Fig. 9. [Entombment, by Giotto and Workshop. Tempera on Panel. 44.5 by 43 cm. (Berenson Collection, Villa I Tatti, Florence).]

Attributed works:

11. Descent into Limbo, by Giotto and Workshop. Tempera on Panel. 45.5 by 44 cm. (Alte Pinakothek, Munich).

Attributed works:

12. X-Radiograph of Fig. 11. [Descent into Limbo, by Giotto and Workshop. Tempera on Panel. 45.5 by 44 cm. (Alte Pinakothek, Munich).]

Attributed works:

13. Pentecost, by Giotto and Workshop. Tempera on Panel. 45.5 by 44 cm. (National Gallery, London).

Attributed works:

14. X-Radiograph of Fig. 13. [Pentecost, by Giotto and Workshop. Tempera on Panel. 45.5 by 44 cm. (National Gallery, London).]

Attributed works:

15. Back of the Panel of Fig. 13. [Pentecost, by Giotto and Workshop. Tempera on Panel. 45.5 by 44 cm. (National Gallery, London).]

Attributed works:

16. Detail of Fig. 7. [Crucifixion, by Giotto and Workshop. Tempera on Panel. 45 by 43.5 cm. (Alte Pinakothek, Munich).]

Attributed works:

2. X-Radiograph of Fig. 1. [Epiphany, by Giotto and Workshop. Tempera on Panel. 44.9 by 43.7 cm. (Metropolitan Museum, New York).]

Attributed works:

3. Presentation, by Giotto and Workshop. Tempera on Panel. 45.2 by 43.6 cm. (Isabella Stewart Gardner Museum, Boston).

Attributed works:

4. X-Radiograph of Fig. 3. [Presentation, by Giotto and Workshop. Tempera on Panel. 45.2 by 43.6 cm. (Isabella Stewart Gardner Museum, Boston).]

Attributed works:

5. Last Supper, by Giotto and Workshop. Tempera on Panel. 42.5 by 43 cm. (Alte Pinakothek, Munich).

Attributed works:

6. X-Radiograph of Fig.5. [Last Supper, by Giotto and Workshop. Tempera on Panel. 42.5 by 43 cm. (Alte Pinakothek, Munich).]

Attributed works:

7. Crucifixion, by Giotto and Workshop. Tempera on Panel. 45 by 43.5 cm. (Alte Pinakothek, Munich).

Attributed works:

8. X-Radiograph of Fig. 7. [Crucifixion, by Giotto and Workshop. Tempera on Panel. 45 by 43.5 cm. (Alte Pinakothek, Munich).]

Attributed works:

9. Entombment, by Giotto and Workshop. Tempera on Panel. 44.5 by 43 cm. (Berenson Collection, Villa I Tatti, Florence).

Article

The Beginnings of Fra Bartolommeo

09/1966 | 762 | 108

Pages: 456-463

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Author:

Fahy, Everett (Fahy, Everett)

Subjects

artists:

Bartolommeo, Fra

artists:

Ghirlandaio, Domenico

artists:

Albertinelli, Mariotto

dates:

1480-1519

patrons:

Malatesta family

places:

Italy / Florence

places:

Volterra

places:

Rimini

subjects:

Italian painting / Early works

subjects:

Mary, Virgin: Annunciation

subjects:

Drawings / Attributions

Illustrations

Attributed works:

10. The St Vincent Altar-Piece, by Domenico Ghirlandaio and Assistants. (Pinacoteca Comunale, Rimini.)

Attributed works:

11. Annunciation, by Fra Bartolommeo. Panel, 176 by 170 cm. (Cathedral, Volterra.)

Attributed works:

12. Madonna of Humility and Woman Kneeling in Profile to the Right, Here Identified as a Study for a Portrait of Elisabetta Aldovrandini by Fra Bartolommeo. Metalpoint with White High-Lighting, 26.5 by 18.5 cm. (Gabinetto dei Disegni, Galleria Degli Uffizi).

Attributed works:

13. Kneeling Boy, Madonna and Child, and Drapery Study, Here Identified as a Study for a Portrait of Carlo Malatesta by Fra Bartolommeo. Pen and Ink over Metalpoint with White High-Lighting, 19.5 by 23.5 cm. (Formerly Collection A. S. Drey, Munich.)

Attributed works:

14. Woman Kneeling in Profile toward the Right, Here Identified as a Study for a Portrait of Violante Aldovrandini by Fra Bartolommeo. Metalpoint Heightened with White, 21.4 by 21.6 cm. (Fogg Art Museum, Cambridge, Mass.)

Attributed works:

15. Drapery Study, Here Identified as a Preparatory Drawing for a Portrait of Pandolfo IV Malatesta by Fra Bartolommeo. Metalpoint with White High-Lighting, 28.8 by 10.5 cm. (Muséc Wicar, Lille.)

Attributed works:

16. Detail from Annunciation (Fig.11). [by Fra Bartolommeo. Panel, 176 by 170 cm. (Cathedral, Volterra.)] The Archangel Gabriel and a View of the Landscape.

Attributed works:

17. Detail from St Vincent Allar-Piece (Fig.10). [by Domenico Ghirlandaio and Assistants. (Pinacoteca Comunale, Rimini.)] Portraits of Elisabetta and Violante Aldovrandini.

Attributed works:

18. Detail from Annunciation (Fig.11). [by Fra Bartolommeo. Panel, 176 by 170 cm. (Cathedral, Volterra.)] The Virgin.

Attributed works:

19. Woman Standing with a Torch in Her Right Hand, Copied by Fra Bartolommeo after an Original Drawing by Domenico Ghirlandaio. Pen and Ink, 22.3 by 10.4 cm. (Royal Library, Windsor Castle.) Reproduced by Gracious Permission of H. M. The Queen.

Attributed works:

8. Detail from St Vincent Altar-Piece (Fig. 10). [by Domenico Ghirlandaio and Assistants. (Pinacoteca Comunale, Rimini.)] St. Sebastian.

Attributed works:

9. St Sebastian, by Fra Bartolommeo. Black Chalk Drawing on the Verso of the Drapery Study for Pandolfo's Portrait (Fig.15).

Letter

A Riminese Panel from Alnwick

05/1953 | 602 | 95

Pages: 170

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Author:

Egbert, Virginia Wylie (Egbert, Virginia Wylie)

Subjects

buildings:

Alnwick Castle, nr. Alnwick, Great Britain

collectors and dealers:

Dukes of Northumberland

dates:

1300-1399

places:

Italy / Rimini

places:

England

subjects:

Italian painting / Medieval / Saints / Iconography

subjects:

Catherine of Alexandria, Saint

Article

The Triptychs of the Beata Chiara of Rimini

09/1950 | 570 | 92

Pages: 247-249+251

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Author:

Zeri, Federico (Zeri, Federico; Zeri, Professor)

Subjects

artists:

Beata Chiara Master

artists:

Giotto

artists:

Cavallini, Pietro

artists:

Lorenzetti, Pietro

dates:

1300-1349

places:

Italy / Rimini

subjects:

Italian painting / Triptychs

subjects:

Christian iconography / Chiara Agolanti da Rimini, Beata / Saints

Illustrations

Attributed works:

1. The Vision of the Beata Chiara. By a Riminese Painter about 1340-5, Here Called the 'Beata Chiara Master'. Panel, 55.9 by 61 cm. (Lady Catherine Ashburnham, Ashburnham Place, Battle.)

Attributed works:

2. Adoration of the Magi. By a Riminese Painter about 1340-5, Here Called the 'Beata Chiara Master'. Panel, 61 by 61 cm. (National Gallery of Art, Washington D. C., Kress Collection.)

Attributed works:

Fig. A. Vision of the Beata Chiara. Engraving from G. Garampi: Memorie Ecclesiastiche... della Beata Chiara da Rimini, 1755.

Western art unattributed:

3. Adoration of the Magi. Riminese School, about 1330. Panel, 49 by 45 cm. (Musée Fesch, Ajaccio.)

Western art unattributed:

4. Crucifixion. Riminese School, about 1330. Panel, 49 by 52 cm. (Musée Fesch, Ajaccio.)

Western art unattributed:

5. The Vision of the Beata Chiara. Riminese School, about 1330. Panel, 49 by 45 cm. (Musée Fesch, Ajaccio.)

Article

A Madonna by Giovanni Baronzio

02/1947 | 527 | 89

Pages: 28+30-32

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Author:

Vavalà, Evelyn Sandberg (Vavalà, Evelyn Sandberg; Sandberg-Vavalà, Evelyn; Vavala, E. Sandberg)

Subjects

artists:

Baronzio, Giovanni

dates:

1300-1399

places:

Italy / Rimini

subjects:

Italian painting / Medieval

subjects:

Attributions / Mary, Virgin: and Child

Illustrations

Attributed works:

Madonna and Child with Angels. Here Attributed to Giovanni Baronzio of Rimini. Panel, 86 by 66 cm. (M. Giovanni Salocchi, Florence)

Article

The Master of the Last Judgment at Rimini

08/1935 | 389 | 67

Pages: 53-55+58-61+64-66

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Author:

Beenken, Hermann (Beenken, Hermann; Beenken, H.)

Subjects

art literature:

Salmi, Mario

artists:

Giotto

artists:

Cavallini, Pietro

artists:

Giuliano da Rimini

artists:

Pietro da Rimini

artists:

Baronzio, Giovanni

artists:

Master of the Last Judgment

buildings:

Sant'Agostino, Rimini, Italy

dates:

1300-1349

places:

Italy / Rimini / Rome

subjects:

Italian painting / Medieval / Frescoes / Attributions

subjects:

Christian iconography / Saints / John the Evangelist, Saint

subjects:

Jesus Christ / Apostles / Jesus Christ: Last Judgement

Illustrations

Attributed works:

Plate I. A-Madonna and Child with Angels, Here Attributed to the Master of the Last Judgment. Fresco. (S. Agostino, Rimini); B-Madonna and Child with Saints, by Giuliano da Rimini. Centre Panel from the Urbania Altarpiece. Dated 1307. (The Gardner Museum, Boston, U. S. A.); C-The Incredulity of St. Thomas. The Workshop of Pietro da Rimini. Fresco. (S. Maria in Porto Fuori, Ravenna). The Master of the Last Judgment at Rimini

Attributed works:

Plate II. A-The Last Judgment. Fresco from S. Agostino, Rimini (Palazzo Dell' Arengo, Rimini). The Master of the Last Judgment at Rimini

Attributed works:

Plate II. B-The Archangel Michael, Here Attributed to the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini

Attributed works:

Plate II. C-Three Apostles. Detail of Plate II, A. The Master of the Last Judgment at Rimini

Attributed works:

Plate II. D-Three Apostles, Detail from the Last Judgment, by Cavallini. Fresco (S. Cecilia, Rome). The Master of the Last Judgment at Rimini

Attributed works:

Plate III. A-Left, St. John Arresting the Earthquake at Ephesus; Right, St. John in a Vat of Boiling Oil in the Presence of Domitian, Here Attributed to an Assistant of the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini

Attributed works:

Plate III. B-Left, The Trial by Poison of St. John the Evangelist at Patmos; Right, St. Augustine Presenting the Rule to the Hermits, Here Attributed to the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini

Attributed works:

Plate IV. A, B-Angels, Details of Plate II, A. The Master of the Last Judgment at Rimini

Attributed works:

Plate IV. C, D-Two Apostles, Details of Plate II, A. The Master of the Last Judgment at Rimini

Book Review

Stones of Rimini

04/1934 | 373 | 64

Pages: 197-198

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Reviewer:

Longhurst, Margaret H. (Longhurst, Margaret H.; Longhurst, M. H.; Longhurst, M.; Longhurst, Margaret)

Subjects

places:

Italy / Rimini

subjects:

Italian architecture / Italian sculpture / Cities

Reviewed Items

subjects:

Stones of Rimini | author: Stokes, Adrian

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