Coat of arms of the Opera del Duomo between the Destruction of the world and the Signs of the end of the World, by Luca Signorelli. c.1503. Fresco. (Entrance wall, Cappella Nuova, Orvieto Cathedral).
Attributed works:
Detail of grotesques, with the coat of arms of the Opera del Duomo, by Luca Signorelli. c.1501. Fresco. (Lower right-hand entrance wall, Cappella Nuova, Orvieto cathedral).
Attributed works:
Virgins, with Monaldeschi coats of arms in the angles, by Luca Signorelli. March 1500. Fresco. (Entrance-bay vault, Cappella Nuova, Orvieto cathedral).
39. Assumption of the Virgin, by El Greco. Canvas, 401 by 229 cm. (Art Institute of Chicago).
Attributed works:
40. Detail from Last Judgment, by Michelangelo. Fresco. (Sistine Chapel.)
Attributed works:
41. Allegory of the Holy League, by El Greco. Panel, 54 by 34 cm. (National Gallery.)
Attributed works:
42. Last Judgement, by Giovanni Battista Fontana. Engraving. (British Museum.) Photo by Courtesy of the Warburg Institute.
Attributed works:
43. Detail from the Engraving Reproduced in Fig.42. [Last Judgement, by Giovanni Battista Fontana. Engraving. (British Museum.) Photo by Courtesy of the Warburg Institute.]
Article
Raphael and Bruegel: Two Aspects of the Relationship between Form and Content
51. Last Judgement, by Pieter Bruegel the Elder. Signed and Dated 1558. Pen and Grey-Brown Ink, 23 by 29.9 cm. (Albertina, Vienna.)
Attributed works:
52. Last Judgement. Engraving by H. Cock after Bruegel's Drawing Illustrated in Fig.51. Signed by Engraver and Dated 1558.
Attributed works:
53. Disputa, by Raphael. Fresco. (Vatican.)
Attributed works:
54. Study for the Left Half of the Disputa, by Raphael. Brush Drawing in Light Brown, Heightened with White, 28 by 28.5 cm. (Royal Library, Windsor Castle.) Reproduced by Gracious Permission of H.M. The Queen.
Attributed works:
55. Study for the Left Half of the Disputa, by Raphael. Pen and Wash, 24.3 by 40 cm. (British Museum.)
Attributed works:
56. Study for the upper Part of the Disputa, by Raphael. Pencil and Bistre Wash with White Heightening, 23 by 39.5 cm. (Ashmolean Museum, Oxford.)
Attributed works:
57. Study for the Lower Part of the Disputa, by Raphael. Pencil and Bistre Wash with White Heightening, 23.2 by 40.5 cm. (Musée Condé, Chantilly.)
43-46. Fragments, from the Ceiling of the Chapel at All Souls College, Oxford, by Isaac Fuller. Oak Panels. (Not to Uniform Scale.) (All Souls College, Oxford.)
Article
Two Contributions to Lombard Quattrocento Painting
Plate I. B-Head of an Angel. Byzantine. About 1150-1200. Mosaic Fragment, 31 by 23.5 cm. (Museum, Torcello). Studies among the Torcello Mosaics-II.
Western art unattributed:
Plate I. A-Head of a Saint. Byzantine, 1112. Mosaic Fragment. (Archiepiscopal Palace, Ravenna). Studies among the Torcello Mosaics-II.
Western art unattributed:
Plate II. A-The Last Judgement. Nineteenth Century, Repeating a Design of about 1150-1200. Mosaic. (Cathedral, Torcello). Studies among the Torcello Mosaics-II.
Western art unattributed:
Plate II. B-Three Male Heads. Byzantine. About 1150-1200. Mosaic Fragment, 61 by 61 cm. (Museum, Torcello). Studies among the Torcello Mosaics-II.