Casting the Parthenon Sculptures
from the Eighteenth Century to
the Digital Age
By Emma M. Payne. 224 pp. incl. 88 b. & w. ills.
(Bloomsbury Academic, London, 2021), £85.
ISBN 978–1–350–12034–1. |
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Book Review
Plaster Monuments: Architecture and the Power of Reproduction. By Mari Lending
6. The twelth-century gallery in the Musée de sculpture comparée, Paris. A cast of the Erechtheion caryatid from the British Museum, London, is juxtaposed with the ‘smiling angel’ from Reims Cathedral. From P. F. J. Marcou, Album du Musée de Sculpture Comparée, vol. 2 (Paris, 1897).
Exhibition Review
Rodin and the Art of Ancient Greece. British Museum, London
1. Ancient scene, by Auguste Rodin. Before 1870. Canvas, 81.2 by 126 cm. (Musée Rodin, Paris; exh. British Museum, London).
Attributed works:
2. Pallas (Athena) with the Parthenon, by Auguste Rodin. 1896. Marble and plaster, 47 by 38.7 by 31 cm. (Musée Rodin, Paris; exh. British Museum, London).
Attributed works:
3. The kiss, large version, by Auguste Rodin. 1888–98. Plaster, cast from marble after 1898, 184 by 112 by 110 cm. (Musée Rodin, Paris; exh. British Museum, London).
Western art unattributed:
4. Goddesses in diaphanous drapery, Figures L and M from the East Pediment of the Parthenon. c.438–32 BC. Marble, 123 by 233 by 98 cm. (British Museum, London).
Article
Drawing in exile: Jean-Baptiste Carpeaux and the Elgin Marbles