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10 articles
Article
Jean-Charles Cazin, 1881–83: naturalism and networking, regionalism and republicanism
03/2024 | 1452 | 166
Pages: 278–285
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Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Recollection of the festival (Courage, Knowledge and Labour collaborate to establish the reign of Concord), by Jean-Charles Cazin. 1880–81. Oil on canvas, 289 by 234 cm. (Petit Palais, Paris).
Attributed works:
10. The dead town, by Jean-Charles Cazin. 1883. Oil on canvas, 71 by 91 cm. (Private collection).
Attributed works:
2. The Marne (riverbank with bathers), by Jean-Charles Cazin. 1881. Oil on canvas, 131.2 by 147 cm. (Museum of Fine Arts, Boston).
Attributed works:
3. Theocritus, by Jean-Charles Cazin. 1882. Oil on canvas, 74 by 60.5 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Ulysses after the shipwreck, by Jean-Charles Cazin. c.1883. Oil on canvas, 73 by 59.5 cm. (Tate).
Attributed works:
5. Judith: the departure, by Jean-Charles Cazin. c.1882–83. Oil on canvas. (From W. Walton: Chefs d’Oeuvre de l’Exposition Universelle, Paris and Philadelphia 1889, between pp.16 and 17).
Attributed works:
6. The death-chamber of Léon Gambetta, by Jean-Charles Cazin. 1882. Oil on canvas, 38 by 46.3 cm. (Château-Musée Versailles; Bridgeman Images).
Attributed works:
7. Paysage au clair de lune, by Jean-Charles Cazin. c.1883–84. Oil on canvas, 27.4 by 22.3 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
8. Rainbow, Achères la fôret, by Jean-Charles Cazin. 1883. Oil on canvas, 82 by 100.5 cm. (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
9. Study for Rainbow, Achères la fôret, by Jean-Charles Cazin. c.1882–83. Oil on canvas, 22 by 27 cm. (Private collection).
Article
Rejection and revenge: Adolphe Willette, Jacques-Louis David and Henri Gervex
12/2022 | 1437 | 164
Pages: 1210-1215
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. Parce Domine, parce populo tuo!, by Adolphe Willette. 1884. Oil on canvas, 200 by 390 cm. (Musée de Montmartre, Paris; © Archives Charmet / Bridgeman Images).
Attributed works:
2. A meeting of the painting jury, by Henri Gervex. 1885. Oil on canvas, 299 by 419 cm. (Musée d’Orsay, Paris; © Peter Willi / Bridgeman Images).
Attributed works:
3. The tennis court oath, by Jacques-Louis David. 1791. Graphite, pen and sepia wash heightened with white on paper, 65 by 105 cm. (Musée national du Château de Versailles; Bridgeman Images).
Attributed works:
4. The painting jury – a sketch of the painting by Gervex after Jacques-Louis David, by Adolphe Willette. Photomechanical process, 31 by 45 cm. (Le Chat noir, 2nd May 1885).
Attributed works:
5. Masthead of Le Chat Noir, no.1 (14th January 1882), by Henri Pille. (Private collection).
Article
Camille Pissarro’s ‘Turpitudes sociales’ revisited, part II: anarchism, anti-Semitism and Adolphe Willette
07/2016 | 1360 | 158
Pages: 547-551
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
28. Cover of Turpitudes sociales, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
29. L'hiver sera dur pour les goymes cette année (Discours de S.M. Rothschild, roi de France), by Adolphe Willette. Published in Le Pierrot 21 (30th August 1889). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Attributed works:
30. Le Capital. Turpitudes sociales, no.1, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
31. Les Affaires; Accaparement - Misère!, by Jean-Louis Forain. Published in Le Fifre (30th March 1889). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Attributed works:
32. The Golden Calf, by Camille Pissarro. 1889 (Denver Art Museum)
Attributed works:
33. Detail of Les Juifs et la Semaine Sainte, by Adolphe Willette. Published in Le Courrier français (5th April 1885). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Article
Camille Pissarro’s ‘Turpitudes sociales’ revisited, part I: politics, caricature and family tensions in 1889
04/2016 | 1357 | 158
Pages: 276-282
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
47. Le Bagne St Honoré. Turpitudes sociales, no.9, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
48. La Couleur parisienne, by Paul Quinsac. Le Courrier français, 13th November 1887, p.9 (Zimmerli Art Museum, Rutgers University, New Brunswick)
Attributed works:
49. Le Bagne. Turpitudes sociales, no.7, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
50. Le Passé, le Présent, l'Avenir, by Honoré Daumier. Lithograph. La Caricature, 9th January 1834
Attributed works:
51. Le suicide du boursier. Turpitudes sociales, no.5, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
52. Projet sinistre dévoilé, by Henriot. Le Charivari, 16th April 1889
Attributed works:
53. Jules Grévy, by Léon Bonnat. 1880 (Musée d'Orsay, Paris)
Article
Maurice Denis’s ‘Définition du Néo-traditionnisme’ and anti-naturalism (1890)
04/2012 | 1309 | 154
Pages: 260-267
related names
Author:
Thomson, Richard (Thomson, Richard)
Author:
Thomson, Belinda (Thomson, Belinda)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
31. The martyrdom of St Denis, by Léon Bonnat. 1884–85. Canvas, maroufflé to the wall, dimensions unknown. (Panthéon, Paris).
Attributed works:
32. Nous vous donnerons 25 francs pour commencer, by Jean-François Raffaëlli. c.1883–84. Oil on board laid down on panel, 50 by 65 cm. (Private collection).
Attributed works:
33. Vaccination, by Pascal Dagnan-Bouveret. 1882. Canvas, dimensions and whereabouts unknown.
Attributed works:
34. October 1806, by Ernest Meissonier. 1887–90. Canvas, 108.6 by 145.4 cm. (Private collection).
Attributed works:
35. Antonin Proust, by Alfred Roll. 1890. Pastel, dimensions and whereabouts unknown.
Attributed works:
36. Femme en rouge, by Louis Anquetin. 1890. Pastel on paper, 59.5 by 51 cm. (Musée des Beaux-Arts, Tournai).
Attributed works:
37. Calvaire breton, by Paul Gauguin. 1889. Canvas, 92 by 73.5 cm. (Musées Royaux des Beaux-Arts, Brussels).
Attributed works:
38. Le Toussaint, by Emile Friant. 1888. Canvas, 254 by 334 cm. (Musée des Beaux-Arts, Nancy).
Attributed works:
39. Illustration for Alphonse Daudet’s Femmes d’artistes, by Felicien von Myrbach-Rheinfeld. 1889 (English ed. 1890). Wood engraving, 12.5 by 9 cm. (Private collection).
Attributed works:
40. Illustration for Paul Verlaine’s Sagesse, by Maurice Denis. 1889. Lithograph, 5.2 by 11.8 cm. (Bibliothèque nationale, Paris).
Short Notice
The Degas Exhibition in Ottawa and New York
04/1989 | 1033 | 131
Pages: 293-296
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
50. Nude Woman Drying Herself, by Edgar Degas (L.951). c.1875-7?. 150 by 214.5 cm. (The Brooklyn Museum, New York).
Attributed works:
51. Après le bain, by Edgar Degas (L.707). Here Dated c.1895. Pastel. 72 by 58 cm. (Private Collection).
Short Notice
The Degas Exhibition at the Grand Palais
04/1988 | 1021 | 130
Pages: 295-299
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
45. Monsieur et Madame Edouard Manet, by Edgar Degas. 1868/69. 65 by 71 cm. (Kitakyushu Municipal Museum of Art; Exh. Grand Palais, Paris).
Attributed works:
46. La duchesse de Montejasi et ses filles Elena et Camilla, by Edgar Degas. 1876. 66 by 98 cm. (Private Collection; Exh. Grand Palais, Paris).
Attributed works:
47. Repasseuse, by Edgar Degas. 1876-84. 64.8 by 66.7 cm. (Reading Public Museum and Art Gallery, Pennsylvania; Exh. Grand Palais, Paris).
Attributed works:
48. Jockey blessé, by Edgar Degas. 1896/98. 181 by 151 cm. (Kunstmuseum, Basel; Exh. Grand Palais, Paris).
Attributed works:
49. Baigneuse s'essuyant, by Edgar Degas. c. 1895. 52 by 52 cm. (Collection Robert Guccione and Kathy Keeton; Exh. Grand Palais, Paris).
Short Notice
Degas's Only Known Painting on Tile
03/1988 | 1020 | 130
Pages: 222-225
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
42. Sketches of a Café-Concert Singer, by Edgar Degas. c.1876-78. Pencil, 26 by 35 cm. Notebook 29, p.11. (Collection Mr and Mrs Eugene Thaw, New York).
Attributed works:
43. Café-Concert Singer, by Edgar Degas. c.1876-78. Oil on Tile, 20.3 by 20.3 cm. (Private Collection).
Short Notice
Jean-Louis Forain's 'Place de la Concorde': A Rediscovered Painting and Its Imagery
03/1983 | 960 | 125
Pages: 154+157-158
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
28. After the Ball, by Francesco Netti. 46 by 56 cm. (Private Collection, Italy).
Attributed works:
29. A l'aube, by Charles Hermans. 248 by 317 cm. (Musées Royaux des Beaux-Arts, Brussels).
Attributed works:
30. Place de la Concorde, by Jean-Louis Forain. 71 by 51 cm. (Private Collection, England).
Letter
A Sisley Problem
11/1981 | 944 | 123
Pages: 676
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
dates:
places: