museums and institutions:
Attributed works:
1. Detail of the verso of Fig.2 showing the ‘PBMA’ watermark.
Attributed works:
10. Right Detail of Capricho no.70, Devout profession, by Francisco de
Goya. 1799. Aquatint and drypoint, 30 by 20 cm (sheet). (Museo Nacional
del Prado, Madrid).
Attributed works:
11. Opposite left Studies of ‘Los Caprichos’, no.6, by Eugène Delacroix.
c.1824. Pen and brown ink, brush, and brown wash, 18 by 11 cm. (Musée
du Louvre, Paris).
Attributed works:
12. Opposite right Capricho no.6, Nobody knows himself, by Francisco
de Goya. 1799. Etching and burnished aquatint. 30 by 20 cm (sheet).
(Museo Nacional del Prado, Madrid).
Attributed works:
13. 31, 35, 55, 61, 62, 63 and 65, showing young women inspired by Capricho
31, by Eugène Delacroix. Date unknown. Graphite, 25 by 39 cm. (Musée
du Louvre, Paris).
Attributed works:
14. Detail of Studies of ‘Los Caprichos’, nos.11, 31, 33 and 36, showing
a young woman inspired by Capricho 31, by Eugène Delacroix. c.1824–26.
Pen and brown ink, 31 by 20 cm. (Musée du Louvre, Paris).
Attributed works:
15. Studies of ‘Los Caprichos’, nos.32 and 37, by Eugène Delacroix.
c.1824. Pen and brown ink, 20 by 15 cm. (Musée du Louvre, Paris).
Attributed works:
16. Woman dragging on the floor, gripping a staircase, by Eugène
Delacroix. c.1824–29. Pen, brown ink and brown wash, 22 by 31 cm.
(Musée du Louvre, Paris).
Attributed works:
17. Croquis, Buonaparte and other sketches, by Eugène Delacroix. 1814.
Etching. 5 by 9 cm. (Location unknown, repr. in N.M. Athanassoglou-
Kallmyer: Eugène Delacroix: Prints, Politics and Satire 1814–1822, New
Haven and London 1991, p.12, fig.4).
Attributed works:
18. An old man of letters meditates. What century are we in!!!, by
Eugène Delacroix. Published in Le Miroir (27th June 1821). Lithograph.
17 by 22 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
19. Right Capricho no.23, Those specks of dust, by Francisco de Goya.
1799. Etching, burnished aquatint, drypoint and burin, 30 by 20 cm.
(Museo Nacional del Prado, Madrid).
Attributed works:
2. Two Studies after ‘Los Caprichos’, nos.31 and 32, here attributed
to Eugène Delacroix. c.1820–24. Black chalk and brown wash, 23 by
34 cm. (Colomer collection, Madrid).
Attributed works:
3. Capricho no.31, She prays for her, by Francisco de Goya. 1799.
Etching, burnished aquatint, drypoint, and burin, 30 by 20 cm.
(sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
4. Capricho no.32, Because she was susceptible, by Francisco de
Goya. 1799. Aquatint and burnisher, 30 by 20 cm (sheet). (Museo
Nacional del Prado, Madrid).
Attributed works:
5. Detail of Capricho no.27, Which of them is the more overcome?, by
Francisco de Goya. 1799. Etching, aquatint and drypoint, 30 by 20 cm.
(sheet). (Museo Nacional del Prado, Madrid).
Attributed works:
6. Detail of Méphistophélès se présente chez Marthe, from Faust,
by Eugène Delacroix. 1828. Lithograph, 24.4 by 20.9 cm. (Bibliothèque
nationale de France, Paris; Bridgeman Images).
Attributed works:
7. Detail of Studies after Los Caprichos nos.26, 27, 29, 35, 69, by Eugène
Delacroix. c.1824. Pen and brown ink, 22 by 18 cm. (Fogg Art Museum,
Cambridge MA; © President and Fellows of Harvard College).
Attributed works:
8. Caricatures, by Eugène Delacroix. Graphite, 11 by 18 cm. (Musée du
Louvre, Paris).
Attributed works:
9. Detail of Capricho no.19, Everyone will fall, by Francisco de Goya. 1799.
Etching and burnished aquatint, 30 by 20 cm (sheet). (Museo Nacional
del Prado, Madrid).
