Der Salon und die Pariser Kunstszene unter Napoleon I.: Kunstpolitik, Künstlerische Strategien, Internationale Resonanzen, and London and the Emergence of a European Art Market, 1780–1820
Der Salon und die Pariser Kunstszene
unter Napoleon I.: Kunstpolitik,
Künstlerische Strategien,
Internationale Resonanzen
By Eva Knels. 424 pp. incl. 10 col. + 45 b. & w. ills.
(Georg Olms Verlag, Hildesheim, Zurich and
New York, 2019), £80. ISBN 978–3–487–15774–0. |
:
subjects:
London and the Emergence of a
European Art Market, 1780–1820
Edited by Susanna Avery-Quash and Christian
Huemer. 304 pp. incl. 70 col. + 17 b. & w. ills.
(Getty Research Institute, Los Angeles, 2019),
£45. ISBN 978–1–60606–595–2. |
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Illustrations
Attributed works:
1. Vue du Salon de l’an IX, by Antoine Maxime
Monsaldy and Simon Pierre Devisme. 1801.
Etching, 21.4 by 25.1 cm. (Bibliothèque
nationale de France, Paris).
Book Review
Raffinesse im Akkord: Meissener Porzellanmalerei und ihre Grafischen Vorlagen. By Claudia Bodinek, with contributions by Peter Braun, Tobias Pfeifer-Helke und Claudia Schnitzer
Raffinesse im Akkord: Meissener
Porzellanmalerei und ihre
Grafischen Vorlagen
By Claudia Bodinek, with contributions by
Peter Braun, Tobias Pfeifer-Helke und
Claudia Schnitzer. 2 vols, 768 pp. incl. 1,394 col.
+ 34 b. & w. ills. (Michel Imhof Verlag, Munich,
2018), 135. ISBN 978–3–7319–0472–4. |
:
Illustrations
Attributed works:
7. ‘Philis lors qu’a nos yeux le lapin tu
caresse.’, by Marie-Jeanne Renard Dubos
after Madeleine Fran oise Basseporte.
c.1700. Engraving and etching, 20.9 by
15.2 cm. (Meissen Archive). Snuffbox,
Meissen. c.1740. Gold and porcelain, diameter
7.6 cm. (Private collection).
Book Review
Charles Robert Cockerell in the Mediterranean: Letters and Travels, 1810–1817. By Susan Pearce and Theresa Ormrod
Charles Robert Cockerell in the
Mediterranean: Letters and Travels,
1810–1817
By Susan Pearce and Theresa Ormrod. 330 pp.
incl. 21 b. & w. ills. (Boydell Press, Martlesham,
2017), |
:
Publication Received
Der Palast von Sans-Souci in Milot, Haiti (ca. 1806–1813): Das vergessene Potsdam im Regenwald / The Palace of Sans-Souci in Milot, Haiti (ca. 1806–1813): The Untold Story of the Potsdam of the Rainforest. By Gauvin Alexander Bailey
Irish Fine Art in the Early Modern Period: New Perspectives on Artistic Practice, 1620–1820. Edited by Jane Fenlon, Ruth Kenny, Caroline Pegum and Brendan Rooney
China and the Church: Chinoiseries in Global Context. By Christopher M.S. Johns; The Shining Inheritance: Italian Painters at the Qing Court, 1699–1812. By Marco Musillo
36. Descent from the Cross, by Rogier van der Weyden. c.1435 (Museo del Prado, Madrid)
Attributed works:
37. Map of Madrid by Pedro Teixeira. 1656 (Biblioteca Nacional, Madrid). Detail with locations for a) Real Alcázar Palace; b) Convent of St Giles; c) Palacio de Bedmar; d) Paris of San Justo; e) Archbishop's Palace; f) Casa de Rebeque; g) Calle de Postas
Attributed works:
38. Adoration of the Magi, by Peter Paul Rubens. 1610 (Museo del Prado, Madrid)
Attributed works:
39. The finding of Moses, by Paolo Veronese. c.1580 (Museo del Prado, Madrid)
Attributed works:
40. A Castilian king, by Alonso Cano. c.1640 (Museo del Prado, Madrid)
Attributed works:
41. The finding of Moses, by Orazio Gentileschi. 1633 (Museo del Prado, Madrid)
Attributed works:
42. Portrait of a seated woman, by Antonis Mor. c.1560-65 (Museo del Prado, Madrid)
Attributed works:
43. Family of Philip V, by Jean Ranc. c.1722 (Museo del Prado, Madrid)
Western art unattributed:
35. Diagram showing the relative positions at court of Pintores de Cámara and Pintores del Rey, and the three administrative authorities for which the artists worked
Editorial
The new Europe 1600–1815 Galleries at the Victoria and Albert Museum
I. Installation view of the Europe 1600-1815 Galleries at the Victoria and Albert Museum, London, showing (centre) Neptune and Triton, by Giovanni Lorenzo Bernini. c.1622-23
Book Review
Giuseppe Maggiolini, Catalogo ragionato dei disegni, G. Beretti and A.González-Palacios
Friedrich Gottlob Hoffmann, M. Sulzbacher, P. Atzig, S. Schneider and K. Hommel
68. Plate XXXIII from Friedrich Gottlob Hoffmann: Neues Verzeichnis und Muster-Charte des Meubles-Magazin, Leipsig 1795, showing an open bureau said to contain twenty-nine drawers supporting bronze vases embellished with glass; part of its base is drawn out to reveal a spittoon