Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Antoine de Lohny (active in Autun, Toulouse, Barcelona and Piedmont 1446 - c.1490). Saint Vincent Ferrer Proaching. Tempera on gold ground panel, 41 3/4 x 16 3/8 in. (106 x 41.5 cm)
Attributed works:
[Charles Beddington, London. A capriccio of classical ruins on a Mediterranean coast, by Leonard Coccorante (1680-1750). Signed with monogram 'LC' (lower right). Oil on canvas, 75 by 126 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Attributed to Pieter Balten (Antwerp 1525 - 1598). Kermesse with the feast of Saint Georges. Oil on canvas, 153 by 286 cm (60 1/4 by 112 1/2 in.).]
Attributed works:
[David Koetser, Switzerland. A wooded dune landscape, by Jacob van Ruisdael (1628/29-82). Signed and dated lower center: JVRuidfael 1648. Oil on panel, 27.5 by 31 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The siege of Therouanne, with the army led by Charles V camping at the foot of the town, by Henri Met de Bles (c.1510 - 1560). Oil on panel, 118.1 by 181 cm]
Attributed works:
[Galerie Canesso, Paris. Exotic birds from the aviaries of Grand Duke Cosimo III de' Medici in a landscape, by Bartolomeo Bimbi (1648-1730). Oil on canvas, 119.4 by 151.1 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellamare di Stabia, 1707 - Naples, 1789. The Painter's Studio. Oil on canvas, 168 x 235 cm /66 1/4 x 92 1/2 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jan van Bijlert (Ultrecht 1597-1671). Young Woman with a cat. Allegory of the sense of touch. Oil on canvas, 76.5 x 64.5 cm.]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Nicolas Maes. 'The presentation of Christ in the temple. Pen, brush and brown ink, 13.7 x 14.7 cm)]
Attributed works:
[Gallery Matthiesen. 7/8 Manson’s Yard, Duke Street, St. James’s. London, W.1. WERNER VAN DER VALKERT (In or nr. The Hague c.1580/85 - c-1627 Amsterdam). Omnia Vincit Amor. Circa 1616. Oil on panel; 78 x 63 cm (30 3/4 x 24 3/4 in)]
Attributed works:
[Haboldt & Co. Paris. 'Tronie' of an old man, by Jan Lievens (1607-74). c. 1629. Oil on panel, 60.1 by 47.8 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Peter Lanyon 1918-1964. Coast Wind, 1957. Oil on board. 72 x 48 inches; 183 x 122 cm. Signed and dated.]
Attributed works:
[Johnny van Haeften Ltd, London. The Hofstede Wolf en Hoeck on the Pumer, by Jan van der Heyden (1637-1712). Signed lower left. Oil on panel, 33.8 by 39.7 cm.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Michael Sweerts (Brussels 1618 - 1664 Goa). A Portrait of a Gentleman. On canvas, 25 1/4 x 20 1/4 ins (64.1 x 51.4 cm) - oval.]
Attributed works:
[Koetser Gallery Ltd. Talstrasse 37. Zurich. Jan Luijkenstraat 62 (sous). Amsterdam. Oil sketch by Sir Peter Paul Rubens (1577 Siegen - Antwerp 1640). Alexander and Roxana. Oil on panel, 40 x 35.5 cm]
Attributed works:
[Oskar Reinahrt. Haldenstrasse 95. Winterthur. Camille Corot, La Petite Liseuse of Jeune bergère aussie et liant, c.1855/65]
Attributed works:
[Otto Naumann Ltd. New York. Architectural capriccio with a self-portrait of Bellotto in the costume of a venetian nobleman, by Bernardo Bellotto (1721-80). Oil on canvas, 155 by 112 cm]
Attributed works:
[Richard L. Feigen & Co., New York. Mountainous landscape with Hunters, by Jan Looten (c.1618-c.1680). Oil on canvas, 112.5 by 146.5 cm]
Attributed works:
[Schlichte Bergen, Amsterdam. An ideal landscape with an epitaph for Epaminondas, by George Augustus Wallis Merton (1761-1847). One of pair of neoclassical drawings in their contemporary frames. Black chalk on brown paper, 72 by 101 cm]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Adrian Ludwig Richter. Dresden 1803-1884 Loschwitz. Am Brunnen bei Grottaferrata. Signed and dated L. Richter/1832. Canvas 113 x 99.5 cm]
Attributed works:
[The Burlington Magazine, London. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk, 35 by 25 cm (Dulwich Picture Gallery)
Attributed works:
[The Burlington Magazine. London. Head of St. Peter from the Last Supper, after Leonardo da Vinci (Giovanni Antonio Boltraffio ?). Black chalk, pastel and watercolour. (Cabinet des Estampes at des Dessins, Stasbourg)]
Attributed works:
[The Burlington Magazine. Study after Ruben's 'Peace and War', here attributed to Eugène Delacroix. c.1825. Watercolour and gouache, 33.5 by 26 cm. (Private collection)]
Attributed works:
[The Matthisen Gallery, London. Huntsmen in a landscape, by Paul Brill (1554-1626). Signed and dated 1612. On canvas, 59 by 87 cm]
Attributed works:
[The Rubens House Museum. Anthony van Dyck (1599-1641), Isabella Brant. @ National Gallery of Art, Washington, DC.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico Road. London. Wilhelm de Groff (early 18th Century). A monumental portrait of Maximilian II Emanuel, Elector of Bavaria (1662-1726). Bronze.]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. Illustrated: A needlework mirror with folding shutters. English, late 17th Century.]
