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01/2025 | 1462 | 167
Pages: i-xvi
Subjects
Illustrations
Attributed works:
2417.Hypholoma, by Julien Alphonse Lignier (1872–1932). c.1925. Watercolour and ink on paper, 29.8 by 25.1 cm. VICTORIA MUNROE FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
A panel design with Cupid and Psyche, by Jules-Frédéric Bouchet (1799–1860). 1850. Watercolour with pen and ink and gouache, 30 by 20 cm. [NONESUCH GALLERY, LONDON/ Master Drawings New York]
Attributed works:
A woman and her son as Venus and Cupid, by Jacob van Loo (1614–70). c.1670. Oil on canvas, 87.5 by 77.5 cm. [GALERIE LOWET DE WOTRENGE, ANTWERP/Brafa]
Attributed works:
ATTRIBUTED TO GIOVANNI DA UD INE Udine, 1487 - Rome, 1560 A STUDY FOR THE FRESCO ON THE PILASTER BETWEEN THE SEVENTH & EIGHTH BAYS OF RAPHAEL'S DECORATIONS IN THE PAPAL LOGGIE AT THE VATICAN Pen & ink on laid paper 406 x 207 mm | 16 x 8 in ] [Nonesuch Gallery]
Attributed works:
Bahram Gur facing the dragon, by School of Muhammad Zaman. Central Iran, probably Isfahan, c.1675. Brush drawing, opaque pigments and gold on card, 16.2 by 25.1 cm (painting). [SAM FOGG, LONDON/Master Drawings New York]
Attributed works:
Cluny’ and ‘Senlis’ vases, by René Lalique (1860–1945). c.1925. Moulded glass with bronze handles, height each 26 cm. [GALERIE BG ARTS, SAINT-OUEN SUR SEINE/Brafa]
Attributed works:
Composition, by Jacoba van Heemskerck (1876–1923). 1916. Woodblock print, 20 by 28 cm. [PERSPECTIVE FINE ART, AMSTERDAM/Master Drawings New York]
Attributed works:
Dancer in the café, by Jean Metzinger (1883– 1956). 1912. Ink and watercolour on paper, 45 by 37 cm. [GALERIE MARC JEAN-FRANÇOIS CAZEAU, PARIS/Brafa]
Attributed works:
Denial of St Peter, by Bartolomeo Manfredi (1582–1622). c.1618–20. Oil on canvas, 125 by 183 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/Brafa]
Attributed works:
Fox and hare on floral ground. Southern Netherlands, possibly Saint-Trond. 2nd quarter 16th century. Wool and silk, 103 by 236 cm. [DE WIT FINE TAPESTRIES, MECHELEN/BRAFA]
Attributed works:
Girl, by André Lhote (1885–1962). 1909–10. Oil on paper laid down on board, 48.8 by 31.8 cm. [DR NÖTH KUNSTHANDEL + GALERIE, ANSBACH/Brafa]
Attributed works:
GIUSEPPE MOLTENI (1800–1867) The Chimney Sweep, c. 1838 Recently acquired by the Galleria d’Arte Moderna, Milan [Robilant & Voena]
Attributed works:
Head of a bearded man, by Giuseppe Cesari, called Arpino (1568–1640). Pen and brown ink, 15.5 by 13 cm. [RATTON AND LADRIÈRE, PARIS/Master Drawings New York]
Attributed works:
José Álvarez Cubero (1768 – Priego de Cordoba – 1827) The composer Gioachino Rossini (1792–1868) Rome, c.1819–1827. 68 cm high [Desmet/Brafa]
Attributed works:
Monumental bed in Egyptomania style. by Louis Malard. 19th century. Walnut with polychromy, 271 by 232 by 260 cm. [GALERIE MARC MAISON, PARIS/Brafa]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam).[Abbott and Holder]
Attributed works:
Pair of staggering and pacing horses, attributed to Francesco Fanelli (1577–1653). 1625– 50. Bronze, black lacquer patina, height 15 cm. and 16.5 cm. [GALERIE DESMET, BRUSSELS/Brafa]
Attributed works:
Portrait of a woman seated under a tree, by John Hoppner (1758–1810). c.1780. Red and black chalks, 31.8 by 26.7 cm. [ABBOTT AND HOLDER, LONDON/Master Drawings New York]
Attributed works:
St Cecilia, by Edward Reginald Frampton (1872–1923). 1917. Watercolour and tempera on board, 73.7 by 120 cm. [THE MAAS GALLERY, LONDON/Master Drawings New York]
Attributed works:
TADDEO ZUCCARO (1529-1566) Design for a Pendentive with Saint Luke Pen and brown ink and brown wash, with touches of white heightening, and squared in red chalk, on blue paper. 147 x 142 mm. (5³⁄₄ x 5⁵⁄₈ in.) at greatest dimensions. A study for Taddeo Zuccaro’s most important surviving work, the fresco decoration of the Mattei Chapel in the Roman church of Santa Maria della Consolazione, painted between 1553 and 1556. An early preparatory study,this drawing depicts one of the four Evangelists painted by Zuccaro on the pendentives of the vault. [Stephen Ongpin]
Attributed works:
The Triumph of Silenus, by Jean- Baptiste Greuze (1725–1805). c.1760– 70. Pen and brown and black ink and grey wash, over an underdrawing in black chalk, laid down on an 18th century French mount, 53.8 by 37.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Master Drawings New York]
Attributed works:
The Triumph of David, from a Book of Hours, by the Berlin Master of Mary of Burgundy. Southern Netherlands, possibly Ghent, c.1480. Miniature on parchment, 15.3 by 11 cm. [ENLUMINURES, CHICAGO, PARIS AND NEW YORK/Master Drawings New York]
Attributed works:
Travellers on donkeys approaching a ruined city gate, by Bartolomé Esteban Murillo (1617–82). Pen and brown ink with brown wash, 21.4 by 13.5 cm. [CHRISTIE’S, NEW YORK/Master Drawings New York]
Attributed works:
Two Capucin monkeys, by Christophe Huet (1700–59). 1737. Oil on canvas, 45.4 by 56.4 cm. [COSTERMANS, BRUSSELS/BRAFA]
Western art unattributed:
Salver. Portugal, late 16th century. Silver, diameter 33 cm. [J. BAPTISTA, LISBON/Brafa]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
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12/2024 | 1461 | 166
Pages: i-xii
Subjects
Illustrations
Attributed works:
Charles Wild (1781–1835), Carlton House – The Blue Velvet Room. c.1816. Watercolour. Royal Collection Trust © His Majesty King Charles III, 2024. [Attingham Trust]
Attributed works:
Claude-Joseph Vernet (French, 1714-1789) The grand cascade at Tivoli, 1753 Oil on canvas | 39 x 53 inches (99.1 x 134.6 cm) Property from the Estate of Toni Chapman Brinker, Dallas, Texas Estimate: $200,000 - $300,000 [Heritage Auctions]
Attributed works:
Ghosts, by Salman Toor (b.1984). 2023. Charcoal, ink and gouache on paper, 45.5 by 61 cm. LUHRING AUGUSTINE, NEW YORK [Art Basel Miami Beach]
Attributed works:
Giovanni Battista Benvenuti, called L’Ortolano (Ferrara c. 1487/88–c. 1525/27) The Virgin and Child Oil on panel 38.2 by 31.2 cm. Painted c.1510–20 [Agnews]
Attributed works:
Self portrait, by Émilie Charmy (1878–1974). 1921. Oil on canvas, 116 by 89 cm. GALERIE BERNARD BOUCHE, PARIS [Art Basel Miami Beach]
Attributed works:
Studio Mirror (_DSF0587), by Paul Mpagi Sepuya (b.1982). 2023. Archival pigment print, 152.4 by 114.3 cm. DOCUMENT, CHICAGO AND LISBON [Art Basel Miami Beach]
Attributed works:
Untitled, by Evgeny Antufi ev (b.1986). 2023. Bronze, patina, garnet and enamel, 50 by 32 by 32 cm. EMALIN, LONDON [Art Basel Miami Beach]
Attributed works:
Untitled, by Joanna Piotrowska (b.1985). 2022. Gelatin silver print, 130 by 160 cm. MADRAGOA, LISBON [Art Basel Miami Beach]
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01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
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01/2022 | 1426 | 164
Pages: i-xii
Subjects
artists:
Illustrations
Attributed works:
Bartolomé Esteban MURILLO Study of saint Anthony of Padua Black chalk 21 × 19 cm Estimate: €150,000 - 200,000 [Art Curial]
Attributed works:
Bernhard STRIGEL (Memmingen 1460-1528) Ange vêtu d’une tunique jaune tenant un encensoir Panneau de chêne, une planche, non parqueté. 48,7 x 61 cm [Artpaugée]
Attributed works:
Frans Hals, The Laughing Cavalier (detail), 1624. [The Wallace Collection, London]
Attributed works:
GIOVANNI BATTISTA PIAZZETTA (Venice, 1683–1754) The martyrdom of saint james, oil on canvas, 45.5 x 33.5 cm PROVENANCE: Collection of Italico Brass, Venice Sketch for the large canvas of the same subject in the Church of San Stae, Venice. Commissioned circa 1721–22 by the venetian N.H. Andrea Stazio [Santa Tecla]
Attributed works:
Nicolas Tournier, Roman Charity, c. 1620 [Robilant and Voena]
Attributed works:
P.F. Mola Venus, Cupid & Satyr 120 x 175mm pen & brush, brown ink & wash. prov: J.F. Mather Jr., Princeton [Mia N. Weiner]
Attributed works:
Tattooing with Rose Wallpaper, by Martha Edelheit. 1963. Oil on canvas, 68.6 by 129.5 cm. (Courtesy Eric Firestone Gallery, New York; DACS, London, 2021).[Burlington Contemporary]
Non-western art unattributed:
A Very Fine Edo Hip Mask / Ornament Nigeria, Benin Kingdom 19th Century si z e: 16 cm high provenance: Ex Sothebys, London Antiquities and Tribal Art 13th December 1977, lot 372 Ex Bonhams, Knightsbridge Tribal Art, 1st December 1993, lot 19 [Finch & Co]
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05/2021 | 1418 | 163
Pages: i-xvi
Subjects
Illustrations
Attributed works:
Allen Jones, You Dare, 1967, oil on canvas and aluminium steps with plastic tiles [Hazlitt Holland-Hibbert]
Attributed works:
François Boucher (Paris, France 1703–1770) The Story of Cupid and Psyche: An Old Philosopher Leads the Wandering Psyche to His Rustic Home (In preparation for one of the Beauvais Tapestries, 1734–1737) Oil on canvas in grisaille softened with blue grey, celadon, to grey. 49 x 52.3 cm. (193⁄16 x 209⁄16 in.) [Découvert Fine Art]
Attributed works:
GEORGE GOWER (c.1538–1596) William Arundell (c.1561–1592), 1580 Oil on panel 23   x 20 in (60.6 x 50.9 cm) [Philip Mould]
Attributed works:
JEAN-BAPTISTE GREUZE (1725-1805) The First Harvest of the Wheat Black chalk, brush and black and grey ink and grey wash on laid paper. 476 x 593 mm. (18  x 23 ⁄8 in.) [Stephen Ongpin Fine Art]
Attributed works:
Jean-Honoré FRAGONARD (Grasse 1732 – Paris 1806) A Philosopher reading Unlined, oval 45.8 x 57 cm - 18 x 22 / in. In its original frame stamped Chartier Estimate : 1.500.000 / 2.000.000 € [Enchères Champagne]
Attributed works:
Lorenzo Monaco (1370-1425) Saint Anthony the Abbot and Saint John - Crucifixion with a Donor [Moretti]
Attributed works:
Théodore Géricault Discovery of an unknown painting Sapeur du premier régiment de hussards, 1814 Oil on canvas, 81 x 64 cm [Galerie Johann Naldi with Arsinopia]
Attributed works:
Thomas Patch (Exeter 1725–1782 Florence), The River Arno looking towards the Ponte Santa Trinità, Florence oil on canvas, 95.2 x 129.5 cm, €100,000 – 150,000 [Dorotheum]
Non-western art unattributed:
Lot 418 A rare inscribed underglaze blue and copper-red decorated brushpot, China, Qing dynasty, probably Kangxi period. [Hermann Historica]
Western art unattributed:
Featuring in Five Centuries: FRENCH GOTHIC IVORY COMPOSITE CASKET CIRCA 1330 all panels intricately carved in bas-relief to include scenes from the Medieval tales Queste del Saint Grail and Tristan & Isolde, with brass brackets and handle 25cm wide, 11cm high, 13cm deep Provenance: Acquired by Thomas Baird of Auchmedden, circa 1615, thence by family descent  30,000-50,000 + fees [Lyon and Turnbull]
Western art unattributed:
Lot 192 A gilt incense boat with champlevé decoration, Limoges, 13th century [Hermann Historica]
Western art unattributed:
Lot 525 A magnificent marble portrait head of Caracalla, 205 - 209 A.D. [Hermann Historica]
Western art unattributed:
Lot 564 A Scandinavian Viking boar’s head from a ship, 7th - 9th century [Hermann Historica]
Western art unattributed:
Two lance tips with the finest blue-green ‘emerald’ patina Late Bronze age, 13th-11th Century BC Provenance: Private collection, South Germany Private collection, Switzerland [Peter Finer]
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04/2021 | 1417 | 163
Pages: i-viii
Subjects
Illustrations
Attributed works:
Jacopo da San Geminiano, Vita Christi, by an artist from the circle of Giotto, Padua, c. 1305 and after Illuminated manuscript in Latin on vellum with 24 large or full-page miniatures, two historiated initials and one drawing by a painter from the circle of Giotto di Bondone. Complete. [Heribert Tenschert/Antiquariat Bibermühle]
Attributed works:
Jean-Honoré FRAGONARD (Grasse 1732 – Paris 1806) A Philosopher reading, Oil on canvas, oval 45.8 x 57 cm. - 18 x 222/8 in. In its original frame stamped Chartier Estimate : 1.500.000 / 2.000.000 € [Enchères Champagne, Epernay]
Attributed works:
Théodore Géricault Discovery of an unknown painting Sapeur du premier régiment de hussards, 1814 Oil on canvas, 81 x 64 cm [Galerie Johann Naldi with Arsinopia]
Western art unattributed:
Two lance tips with the finest blue-green ‘emerald’ patina Late Bronze age, 13th-11th Century BC Provenance: Private collection, South Germany, Private collection, Switzerland [Peter Finer]
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01/2021 | 1414 | 163
Pages: i-viii
Subjects
Illustrations
Attributed works:
James McNeill Whistler, Campanile at Lido, 1879, pastel and charcoal on brown paper, 8 x 11⅞ inches. Rare Whistler Venetian pastel recently brought to light [Debra Force Fine Art]
Attributed works:
JEAN DECOURT (DE COURT) (c .1530 – c .1585) Henri III, King of France (1551–1589) Watercolour on vellum Signed on the reverse faict·par·decovrt·1578 Oval, 2 x 1 ½ in (5 x 3.75 cm) This is the only recorded signed work by the artist, court painter to Mary Queen of Scots, Charles IX King of France and Henri III King of France [Philip Mould]
Western art unattributed:
A Knightly Mail Collar or Pizaine Mid-14th – 15th century [Peter Finer]
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11/2019 | 1400 | 161
Pages: i-xxviii
Subjects
Illustrations
Attributed works:
Allegory of friendship, by Albert-Ernest Carrier-Belleuse (1824–87). Terracotta, 51 by 49 by 15 cm. CHANTAL KIENER, PARIS]
Attributed works:
Le succube, by Auguste [Rodin (1840–1917). c.1887. Plaster, height 23.5 cm. UNIVERS DU BRONZE, PARIS]
Attributed works:
Louis Samyn, Interior of a Library, c. 1825-50. S. Emmering Bequest, Amsterdam. Rijksmuseum Fellowship Programme]
Attributed works:
Paul Cézanne. Bol, boîte à lait et bouteille. 1879-80. Oil on canvas. 15.7 x 20 cm. Estimate: £ 240 000 – 400 000. Koller]
Attributed works:
[A BRONZE BUST WITH A BROWN PATINA ATTRIBUTED TO FRANCESCO BORDONI (1580-1654) PORTRAIT OF PAUL PHELYPEAUX DE PONTCHARTRAIN. H. 33.85 IN. De Baecque]
Attributed works:
[A trompe l’oeil of newspapers, letters, writing utensils and a comb, by Edward Collier (1641/42–1708). 1706. Oil on canvas, 66 by 53.4 cm. Rafael Valls ltd, London]
Attributed works:
[Alonso Berruguete, Saint Christopher (detail), 1526/1533, painted wood with gilding, Museo Nacional de Escultura, Valladolid. Image © Museo Nacional de Escultura, Valladolid (Spain), photo by Javier Muñoz and Paz Pastor, CE0271/015. National Gallery of Art, Washington]
Attributed works:
[ANTONIO MONTAUTI (- ? - – Florence – 1743) Saint Bibiana after Gian Lorenzo Bernini Italian, eighteenth century. Bronze with dark red patina (two fingers missing from the right hand). Height: 47.5 cm. Length: 19 cm. Width: 14 cm. Charles Ratton and Guy Ladrière]
Attributed works:
[Astronomer with an armillary sphere, by Mattia Preti (1613–99). c.1630s. Oil on canvas, 98 by 73 cm. Galerie Canesso, Paris]
Attributed works:
[Attributed to Peter Scheemakers (1691-1781) Bust of Frederick, Prince of Wales Estimate £40,000–60,000* SOTHEBYS.COM/LONDON SCULPTURE]
Attributed works:
[Auguste Rodin and Carrier-Belleuse, The Vase of the Titans (detail) glazed ceramic. Stuart Lochhead Sculpture]
Attributed works:
[Bust of a young woman, by Claude-André Deseine (1740–1823). c.1785–95. Terracotta, height 42 cm. GALERIE SISMANN, PARIS]
Attributed works:
[European bee-eater, Jean-Baptiste Adanson (1732–1804). Pencil and watercolour on paper, 25.2 by 31 cm. Charles Beddington Ltd, London]
Attributed works:
[François Lemoyne (1688–1737), Head of Hebe, c. 1734, pastel over red, black and white chalk on blue paper. British Museum Department of Prints and Drawings. Getty Paper Project Fellow]
Attributed works:
[Head of a young boy with a fur hat, by Eduard Fechner (1799–1861). c.1820s. Pencil, 21 by 16.7 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[Joseph Chinard, Bust of the painter Constance Marie Charpentier, marble, c. 1800. 79 cm high. Daniel Katz Gallery]
Attributed works:
[Lot 2569 A monumental fire gilt sculpture of Chronos, Paris, c. 1780. Hermann Hstorica]
Attributed works:
[Louyse Moillon, Still Life of Peaches in a Porcelain Bowl. Oil on panel, H. 49 cm; W. 64 cm. Galerie Eric Coatalem]
Attributed works:
[Marc Chagall. Les fiancés aux anémones. 1979. Oil/canvas. 91.5 × 64.7 cm. © VG Bild-Kunst, Bonn 2019. EUR 1,000,000 – 1,500,000. Grisebach, Berlin]
Attributed works:
[Master of Vissy Brod, Bohemia c. 1350. The Virgin and child enthroned. Devotional panel, tempera on a fruitwood panel, 22 x 20 cm. Thickness 1.4 cm. Estimate 400,000-600,000 euros. Cortot et Associés]
Attributed works:
[Michel Anguier, attributed to Eu 1612 – 1686 Paris Arrotino Bronze, dimensions: h. 27.8 x 32.2 x 17.5 cm excluding the base. Patricia Wengraf]
Attributed works:
[One of three angels from the Reredos for Saint Paul’s Cathedral, by Attilio Piccirilli (1866–1945) and Furio Piccirilli (1868–1949). 1886–87. Marble, 73 by 40 cm. TRINITY FINE ART, 15 OLD BOND STREET, W1S]
Attributed works:
[Portrait of John Everett Millais, by Alexander Munro (1825–71). c.1855. Terracotta, diameter 36 cm. GALERIE CHAPTAL, PARIS]
Attributed works:
[Portrait of Marquis de Biré, by Jean Antoine Houdon (1741–1828). Terracotta, height 74 cm. GALERIE STEINITZ, PARIS]
Attributed works:
[Sofonisba Anguissola, Self portrait, 1558. Rome, Collezione Principi Colonna. Prado]
Attributed works:
[St Peter enthroned, by Martin del Cano (doc. 1411–21). c.1420. Tempera on panel, 219 by 111 cm. SAM FOGG LTD, 15D CLIFFORD STREET, W1S]
Attributed works:
[Tête; Objet à traire (Head; Object to milk), by Jean (Hans) Arp (1886– 1966). 1925. Painted collage, gold leaf and fabric on board, 36.5 by 35.5 cm. ORDOVAS, 25 SAVILE ROW, W1S]
Attributed works:
[The Hunter, by Claude Michel, known as Clodion (1738–1814). 1798. Terracotta, 35.5 by 10.5 cm. PERRIN FINE ARTS, PARIS]
Attributed works:
[Three draped figures, by Lelio Orsi (c.1508–87). c.1558. Pen and brown ink on paper, 20.5 by 21.6 cm. Galerie Ratton Ladrière, Paris]
Attributed works:
[Untitled shroud anthropométrie, by Yves Klein (1928–62). c.1960. Dry pigment and synthetic resin on fabric, 77 by 50 cm. OLIVIER MALINGUE LTD, 143 NEW BOND STREET, W1S]
Attributed works:
[Venere Fortuna, by Libero Andreotti (1928–91). Bronze, 78 by 25 by 15 cm. LAOCOONGALLERY LTD. EXHIBITING AT: 2A–4 RYDER ST, SW1]
Attributed works:
[View of Hawthornden Castle on the North Esk river, Midlothian, Scotland, by Julius Caesar Ibbetson (1759–1817). 1800. Oil on canvas, 42.5 by 54 cm. JOHN MITCHELL FINE PAINTINGS, 17 AVERY ROW, W1K]
Attributed works:
[Weeping willows and firs on the shore, by Hermann Wihler (1897–1961). c.1915. ink on cardboard, 35.9 by 24.2 cm. Cuellar Nathan, Zürich]
Attributed works:
[Wild turkey, by Wenzel Peter (1745–1829). 1800. Oil on canvas, 98 by 72.5 cm. BAGSHAWE FINE ART, 10 BURY STREET, SW1]
Non-western art unattributed:
A rare gilt bronze figure of Buddha Shakyamuni, China, Tang dynasty. Nagel]
Non-western art unattributed:
[A group of cloisonné enamel censers and vases, some with Qianlong marks and period. Nagel]
Non-western art unattributed:
[A rare pair of green dragon jars and covers, Daoguang seal marks aand period. Nagel]
Non-western art unattributed:
[An imperial bronze figure of Vajrasatva, China, Yongle mark and period. Nagel]
Non-western art unattributed:
[An imperial porcelain lotos bowl, China, Xuande mark and period. Nagel]
Non-western art unattributed:
[An important Samanid silver plate, dated to circa 9–10 century AD. 35 cm in diameter. Showing an ancient Sasanian king, Bahram Chobin, on horseback blessing an incoming Samanid king, Ismail Samani. Eurasian Arts Gallery]
Non-western art unattributed:
[Face of Serapis. Hellenistic Egypt. c.1st century BC. Marble. Height: 19 cm. ARIADNE GALLERIES, 6 HILL STREET, W1J]
Non-western art unattributed:
[Iznik tile. Turkey, (1570–80). Pottery, 24.5 by 24.5 cm. OLIVER FORGE& BRENDAN LYNCH LTD, 10 BURY STREET, SW1]
Western art unattributed:
[An Important Italian Medieval Knightly Helmet, a Bascinet c. 1400 Italian. Steel. 32 cm / 12⁄ in x 20.3 cm / 8¼ in 2.19 kg / 4 lb 13½ oz. Peter Finer]
Western art unattributed:
[Giant leaf wainscot tapestry with serrated leaves. Southern Netherlands. c.1530. Wools and silks, 398.8 by 134.6 cm. S FRANSES LTD, 80 JERMYN STREET, SW1]
Western art unattributed:
[Lot 2275. A large ebony cabinet of museum quality. Antwerp, mid-17th century. Hermann Historica]
Western art unattributed:
[Lot 2533 A portrait made with oil, signed 'Nicolaus V. Waldauw - Silesie. German School, dated 1617. Hermann Historica]
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Pages: i–xx
Subjects
subjects:
Illustrations
Attributed works:
[Bernard Quaritch Ltd, London. Master of the Brussels Initials, St John the Evangelist, very large initial ‘V’ cut from a gradual, Italy (Bologna), c. 1410–20.]
Attributed works:
[BRAFA, Brussels. Angel, circle of Guillaume Kerricx the Elder (1652–1719), c.1700. Painted wood, height 173 cm. Galerie Sismann, Paris]
Attributed works:
[BRAFA, Brussels. Floor lamp, by Poul Henningsen (1894–1967). 1927–28. Brass and lacquered metal, height 150 cm. Galerie Le Beau-Goklaere, Brussels]
Attributed works:
[BRAFA, Brussels. Forze Spazial, (Project for a lampshade), by Giacomo Balla (1871–1958). c.1925. Tempera on cardboard, 11.5 by 36.8 cm. Rosenberg & Co., New York]
Attributed works:
[BRAFA, Brussels. Pair of encoignures with Chinese export and European lacquer panels, attributed to Jacques Dubois (1694–1763). c.1750. Marble, bronze, oak, ormolu and lacquer with cherry and ebony veneer, height 94 cm. Röbigg, Munich]
Attributed works:
[BRAFA, Brussels. Psyche abandoned, by Piero Tenerani (1789–1867). 1845. Marble, height 120 cm. Brun Fine Art, London]
Attributed works:
[BRAFA, Brussels. Scenes from St Blas’s life, by The Riglos Master, (c.1434–60). c.1450–60. Panel, 188 by 52 cm. Galeria Bernat, Barcelona]
Attributed works:
[BRAFA, Brussels. The four elements, by Artus Wolffort (1581–1641). Canvas, 200 by 158 cm. Jan Muller Fine Art, Ghent]
Attributed works:
[Christopher Bishop Fine Art, New York. Bartholomeus Spranger (Antwerp 1546–Prague 1611). Saint Ursula 197 x 162 mm. Pen and brown ink over traces of black chalk with red and green washes. Squared for transfer. ca. 1583]
Attributed works:
[Découvert Fine Art, Rockport, MA. Compositional Study or Ricordo of Bottom Half of the Altar of St. George in Braida. Workshop of Paolo Veronese, with question of his hand. Verona, 1528 – 1588. Venice Pen, brown ink and brown wash, heightened with white on blue paper, 28.1 by 35.5 cm. From The Skippe Collection, Christie’s, 11/20 & 21/1958, lot 91, as Paolo Farinati]
Attributed works:
[Freeman's Auction, Philadelphia. Master of the Embroidered Foliage (Netherlandish, active Brussels, late 15th century). Nursing Madonna. Oil and tempera on cradled oak panel. 33 3/4 x 28 in. (85.7 x 71.1 cm). $150,000–250,000.]
Attributed works:
[Galerie J. Kugel, Paris. Léonard Limosin. Henri II, King of France, circa 1553. Polychrome enamel on copper, H. 7 in; L. 5.1 in. Ex. collection: Rosebery, Mentmore Towers]
Attributed works:
[Kunstkammer Georg Laue, Munich. Christ in the Garden of Gethsemane. Master of the St Sebastian's Martyrdoms. Vienna ca 1660. Wood. Height 20 cm, width 40.5 cm]
Attributed works:
[Master Drawings New York. A page from a sketchbook, belonging to Arshile Gorky (1904–48). 1931. Ink on paper, 31.5 by 23.8 cm. Pavel Zoubok Fine Art]
Attributed works:
[Master Drawings New York. Cupid dictating a letter to a young woman, by Jean-Baptiste Greuze (1725–1805). Pen and ink and grey wash heightened with white gouache on blue paper, 41 by 30.6 cm. Didier Aaron, Inc.]
Attributed works:
[Master Drawings New York. Girl leaning on her elbow, by Egon Schiele (1890–1918). 1915. Charcoal on paper, 50 by 33.3 cm. W&K – Wienerroither & Kohlbacher]
Attributed works:
[Master Drawings New York. In the courtroom (avant l’audience), by Honoré Daumier (1808–79). Pen and black ink and charcoal, 21.2 by 22.5 cm. Stephen Ongpin Fine Art]
Attributed works:
[Master Drawings New York. On the blue swamp, by Alexander Calder (1898–1976). 1966. Watercolour on paper, 78 by 58 cm. David Tunich, Inc.]
Attributed works:
[Master Drawings New York. Portrait of Nicolas, seigneur de Beurville et de Fresne, by Étienne Dumonstier (1540–1603). c.1581–83. Canvas, 187.3 by 107.3 cm. Galerie J. Kugel]
Attributed works:
[Master Drawings New York. Ruins of the Mithraic Mysteries, by Anthony Baus (b.1981). 2018. Pen and sepia ink and wash on toned paper, 30.5 by 38.1 cm. Robert Simon Fine Art]
Attributed works:
[Master Drawings New York. St John the Baptist, by Carlo Bononi (1569–1632). Pen, brown ink and wash, 15.2 by 6.9 cm. Découvert Fine Art]
Attributed works:
[Master Drawings New York. Study for the head of St John the Baptist, by Auguste Rodin (1840–1917). c.1885–90. Plaster, height 14 cm. Stuart Lochhead Sculpture]
Attributed works:
[Master Drawings New York. Venus at the forge of Vulcan, asking for arms for Cupid, by Biagio Pupini, called Biagio dalle Lame (active 1511–51). Pen and brown ink, heightened with a white, red and brown wash on paper, 29.3 by 20.5 cm. Hazlitt, Gooden & Fox (US) Ltd.]
Attributed works:
[Robert Simon Fine Art, New York. Anthony Baus (b.1981), Ruins of the Mithraic Mysteries. Pen and sepia ink and wash on toned paper, 30.4 x 38.1 cm]
Attributed works:
[Robert Simon Fine Art, New York. Giovanni Battista Tiepolo (Venice 1696–1770 Madrid), Allegory of Peace and Fortitude. One of five “secondo strappo” detached frescoes from the Palazzo Canossa, Verona, 185 x 138 cm]
Attributed works:
[Robert Simon Fine Art, New York. Jacob Jordaens (Antwerp, 1593–1678), Democritus. Colored chalk on paper, 14.3 x 11.3 cm]
Non-western art unattributed:
[BRAFA, Brussels. Moonflask. Chinese, Kangxi period (1662–1722). Porcelain, height 19.4 cm. Galerie Bertrand de Lavergne, Paris]
Non-western art unattributed:
[BRAFA, Brussels. Nimba shoulder mask. Republic of Guinea, Baga people, late 19th–early 20th century. Wood, height 120 cm. Charles-Wesley Hourdé, Paris]
Non-western art unattributed:
[Eurasian Arts Gallery, Brussels. Urartian Wingded Bull Cauldron Applique. Bronze, 17.5 cm wide; weight 900 grams. Provenance: UK private collection, purchased on the German art market before 1980.]
Non-western art unattributed:
[Peter Finer, London. A Fine Ottoman Dagger, Hancer and Scabbard, 19th century Turkey. Steel, rubies, emeralds, sapphire, silver, gold, jade shagreen and wood. Overall length: 46.5 cm / 18.3 in. Provenance: Private collection, United Kingdom]
Western art unattributed:
[BRAFA, Brussels. Anna Selbdritt. Southern Germany, Ulm, or Switzerland, Lucerne, c.1520. Limewood, with original polychrome and gilding, height 104 cm. Mullany Haute Epoque Fine Art, London]
Western art unattributed:
[BRAFA, Brussels. Hercules with the horn of the river-god Achelous, Roman, 4th century BC. Marble, height 56.2 cm. Phoenix Ancient Art, Geneva]
Western art unattributed:
[BRAFA, Brussels. The Virgin surrounded by saints, (The Königschlager Epitaph), Nuremberg, Germany. c.1450–60. Tempera on linen on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Western art unattributed:
[De Backker Medieval Art, Hoogstraten. Virgin and Child (detail) Paris, 3rd quarter of the 13th century, h: 27 cm]
Western art unattributed:
[Joanna Booth, London. English, circa 1450. Three figures probably from a choir stall. Oak with traces of colour. Height: 12½ ins (32 cm).]
Western art unattributed:
[Marc du Ry Limited, Marlborough. 'The Gothic Smile'. Northwest France, late thirteenth century. Fine-grained limestone, 25 cm high. Wooden stand by Kichizo Inagaki, Paris, c.1920–30, with his monogram]
Western art unattributed:
[Master Drawings New York. Laocoön and his sons. Italian, late 17th–early 18th century. Bronze, height 52 cm. Tomasso Brothers Fine Art]
Western art unattributed:
[Mullany Haute Epoque Fine Art, London. Anna Selbdritt. Oak, with traces of original polychrome and gilding. Flemish, Brabant, c. 1500 – 1520 H. 36 x W. 29 x D. 18 cm]
Western art unattributed:
[Robert Simon Fine Art, New York. Spanish Colonial, Cuzco School (Eighteenth Century), Baptism Dish. Silver, 22.9 cm high x 43.2 cm wide]
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Pages: i–xxiv
Subjects
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