museums and institutions:
Attributed works:
After Augustin Pajou (1730-1809). Blaise Pascal. (Fig.63). Biscuit de Sèvres, Probably 1784. 32.5 cm High.
Attributed works:
Atributed to Nicholaes Maes (1632-93). Holy Family, after Rembrandt. (Fig.59). Red Chalk, Pen Drawing in Brown Inks, with Washes, on Vellum. 22.3 by 28 cm (Arched Top).
Attributed works:
Attributed to Jacopo Guarana (1720-62). The Hand of a Young Man and the Head of an Old Man. (Fig.62). Black Crayon and White Chalk on Pinky Buff Paper. 41.3 by 27.8 cm.
Attributed works:
Ben Nicholson (1894-1982). View of the Harbour, St Ives, 1929. (Fig.76). Pencil on Yellowed Paper (From a Sketch Pad). Inscribed on Verso (See Below). 33 by 42 cm.
Attributed works:
Blair Rowlands Hughes-Stanton (1902-81). Troisième Classe, 1925. (Fig.73). Wood Engraving. Signed 'Blair H. S.', Dated and Numbered 8/30. 11.9 by 9.6 cm. Actual Size.
Attributed works:
Charles Robert Cockerell (1788-1863). Study of a Greek Antefixa. (Fig.66). Water-Colour Brushed over Pen Drawing with Ink, over Faint Pencil Drawing, on Paper. 35.6 by 27.4 cm.
Attributed works:
Etienne Aubry (1745-81). Portrait of a Gentleman. (Fig.60). Oil on Canvas, Signed. 63.5 by 54 cm.
Attributed works:
Félix Joseph Barrias (1822-1907). Figure Studies, Perhaps for a Group of Captives. (Fig.68). Black Chalk on Paper. Studio Stamp Lower Left. 13.4 by 20.9 cm.
Attributed works:
François Dieussart (c. 1600-61). Thomas Howard, Earl of Arundel, c. 1636. (Fig.58). Marble, with Some Plaster Repairs. 115 cm. High (Including a Socle of 24.8 cm).
Attributed works:
Giuseppe Grandi (1843-94). Alessandro Volta. (Fig.71). Bronze. Lost Wax Cast. Inscribed 'Grandi' in the Cold Metal and A Volta - The A Interlaced with the V - in the Wax on the Integral Plinth. 66 cm High.
Attributed works:
Glyn Philpot (1884-1937). Man with a Gun, 1933. (Fig.75). Oil on Canvas. Signed 'G. P.'. 114.5 by 92 cm.
Attributed works:
Jean-Auguste-Dominique Ingres (1780-1867). Portrait of a Man. (Fig.64). Graphite on Paper. Signed. 7.5 cm (Diameter).
Attributed works:
Johannes Niessen (1821-1910). Head of a Young Woman, 1847. (Fig.70). Pencil on Brown Paper. Signed and Dated 'J. Niessen 4/7 1847', with an Inscription Vertically at the Right. 32.3 by 27 cm.
Attributed works:
John Bacon the Elder R. A. (1740-99). Preparatory Study for the Statue of Samuel Johnson in St Paul's Cathedral. (Fig.65). Some Wash Brushed over Pen Drawing in Ink on Whatman Paper, Inscribed with Observations on Size and Scale in the Artist's Hand. 47.3 by 32.5 cm.
Attributed works:
Pablo Picasso (1881-1973). Untitled Nocturnal Scene (Bloch 1589). (Fig.74). Aquatint, Dated '25-5-68'. Signed by the Artist in Pencil and Numbered 7/50). 29.5 by 34.6 cm. (Plate).
Attributed works:
Robert Sargent Austin (1895-1973). Two Riders. (Fig.72). Charcoal, with Red-Brown and White Crayon on Cream Paper. 31.6 by 27.5 cm.
Attributed works:
Sir David Wilkie (1785-1841). A Lady Descending from Her Carriage. (Fig.67). Some White Body-Colour and Water-Colours Brushed over Drawing in Black Chalk, on Paper. Signed and Dated, 1822. 13.5 by 18.9 cm.
Attributed works:
Sir Richard Westmacott, R. A. (1775-1856). Fragment of a Cast of the Original Clay Model for 'The Gypsy', 1832. (Fig.69). Plaster Coated in Stone Coloured Paint (Probably Original, Now Darkened). 29 cm High (From Fractured Chest to Top of Head).
Western art unattributed:
Anon. Probably Italian (Before 1693). Reduced Copy of an Ancient Roman Marble Relief. (Fig.61). Terracotta, with Some Old Plaster Repairs. 30 by 24.8 cm.
