Attributed works:
Plate I. Esther, Haman and Ahasuerus, by Jan Steen. Canvas, 27¼ by 36 in. (The Property of Galerie G. Cramer, 38 Javastraat, The Hague, Holland)
Attributed works:
Plate II. Still Life, Attributed to Michelangelo di Campidoglio. Canvas, 47 by 41 in. (The Property of Lasson Gallery, 57 Jermyn Street, London sw1)
Attributed works:
Plate III. Pair of Flowerpieces, by Juan de Arellano. Signed; one Dated 1664. Canvas, Each 44 by $19frac{3}{4}$ in. (The Property of Mr H. Terry-Engell, 8 Bury Street, St James's, London sw1)
Attributed works:
Plate IV. A Cardinal, by François Dussart. Signed with Initials. Ivory; Height, $8frac{5}{8}$ in. (The Property of Messrs Cyril Humphris Ltd, 23 Old Bond Street, London w1)
Attributed works:
Plate IX. The Arrival of the Queen of Sheba, by Giovanni Antonio Pellegrini. Canvas, 26 by 20 in. (The Property of Hazlitt Gallery, 4 Ryder Street, St James's, London sw1)
Attributed works:
Plate V. Lot and His Daughters, by Alessandro Turchi. Canvas, 38 by 51 in. (The Property of Leger Galleries, 13 Old Bond Street, London, w1)
Attributed works:
Plate VI. Church Interior with Figures, by Pieter Neefs II. Panel, $14frac{3}{4}$ by 22¼ in. (The Property of Mr C. Marshall Spink, 7a Grafton Street, New Bond Street, London w1)
Attributed works:
Plate VII. Design for Casket with a Figure of Prudence at the Top, by Francesco Salviati. Pen and Brown Wash over Preliminary Indications in Black Chalk, $9frac{3}{4}$ by $16frac{7}{8}$ in. (The Property of Messrs P. & D. Colnaghi & Co. Ltd, 14 Old Bond Street, London w1)
Attributed works:
Plate VIII. Avenue in Front of a Country House, by Gerrit Berckheyde. Signed. Canvas, $33frac{3}{8}$ by 42¼ in. (The Property of Mr W. Katz, 11 Old Bond Street, London w1)
Attributed works:
Plate X. Portrait of Mrs Mary Thompson, by Gilbert Stuart. Canvas, 30 by 25 in. (The Property of Messrs J. S. Maas & Co. Ltd, 15a Clifford Street, New Bond Street, London w1)
Attributed works:
Plate XIII. Jockey à Cheval, by Edgar Degas. Black Chalk, $13frac{3}{8}$ by $10frac{3}{4}$ in. (The Property of M. R. Schweitzer Gallery, 958 Madison Avenue, New York 21, N. Y., U. S. A.)
Attributed works:
Plate XIV. The Beech in the Forest of L'Isle-Adam, by Théodore Rousseau. Signed. Canvas, 39¼ by 31½ in. (The Property of Hirschl & Adler Galleries, Inc., 21 East 67th Street, New York 21, N. Y., U. S. A.)
Attributed works:
Plate XIX. The Man with the Broken Nose, by Auguste Rodin. Signed. Plaster; Height 18 in. (The Property of Robert Schoelkopf Gallery, 825 Madison Avenue, New York City, U. S. A.)
Attributed works:
Plate XV. Le Port de Cannes, by Pierre Bonnard. c. 1930. Pencil, Water-Colour and Gouache, 11 by 15 in. (The Property of The Hanover Gallery, 32a St George Street, London w1)
Attributed works:
Plate XVI. Le Marché â Falaise, by Raoul Dufy. Signed. 1904. Canvas, 18¼ by 22 in.
Attributed works:
Plate XVII. La Seine et la Panthéon, by Albert Marquet. Signed. 1925. Canvas, $19frac{3}{4}$ by 24 in. (The Property of Schoneman Galleries Inc., 63 East 57th Street, New York 22, N. Y., U. S. A.)
Western art unattributed:
Plate XVIII. Sheet of Studies. Italian, Second Half of the Fifteenth Century. Brown Ink on Paper, 6½ by 4 in. (The Property of L'Art Ancien S. A., Signaustrasse 6, Zurich, Switzerland.)
Western art unattributed:
Plates XI and XII. Studies for Music-Making Angels. ?Flemish School, Early Seventeenth Century. Black Chalk with White Heightening on Grey-Green Paper, $10frac{3}{4}$ by 14½ in. (The Property of Ferrers, 9 Piccadilly Arcade, London sw1). Study of a Bear. ?German or Bohemian School, Late Sixteenth Century. Pen, Ink and Water-Colour, 9½ by $12frac{3}{4}$ in. (The Property of Ferrers, 9 Piccadilly Arcade, London sw1)
