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Exhibition Review

Glyn Philpot: Flesh and Spirit

08/2022 | 1433 | 164

Pages: 805-809

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Reviewer:

Hall, Michael (Hall, Michael)

Subjects

artists:

Philpot, Glyn

museums and institutions:

Pallant House Gallery, Chichester, Great Britain

subjects:

British art / Portraits / Black people / Homosexuality

Reviewed Items

subjects:

Glyn Philpot: Flesh and Spirit Pallant House Gallery, Chichester 14th May–23rd October | :

Illustrations

Attributed works:

20. The little dancer, by Glyn Philpot. 1923. Oil on canvas, 143 by 115 cm. (Private collection; © Maas Gallery, London; exh. Pallant House Gallery, Chichester; Bridgeman Images).

Attributed works:

21. Resurgam, by Glyn Philpot. 1929. Oil on canvas, 86 by 89 cm. (Private collection; © Christie’s Images; exh. Pallant House Gallery, Chichester; Bridgeman Images).

Attributed works:

22. Tom Whiskey (M. Julien Zaïre), by Glyn Philpot. 1931. Oil on canvas, 47 by 39.5 cm. (Private collection; courtesy Richard Osborn Fine Art; exh. Pallant House Gallery, Chichester).

Article

On and off the wall: British murals in the twentieth century

06/2013 | 1323 | 155

Pages: 408-413

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related names

Reviewer:

Beechey, James (Beechey, James)

Subjects

artists:

Mahoney, Charles / Bawden, Edward / Ravilious, Eric / Piper, John / Riley, Bridget, London , Great Britain / Brangwyn, Frank

artists:

Adshead, Mary / Grant, Duncan / Etchells, Frederick / Omega Workshops / Gore, Spencer / Ginner, Charles / Lewis, Wyndham / Kennington, Eric / Rowntree, Kenneth / Philpot, Glyn / Whistler, Rex / Armstrong, John, 1893-1973 / Vaughan, Keith / Nicholson, Ben / Jones, Barbara, 1912-1978

dates:

1910-1919 / 1920-1929 / 1930-1939 / 1940-1959 / 1960-1979 / 2010-2019

private galleries:

Fine Art Society, London, Great Britain / Liss Fine Art, London, Great Britain

subjects:

British painting / Wall paintings / Lost works / Exhibitions / Commissions / Public buildings / British / Festival of Britain (London:1951) / Frescoes

Illustrations

Attributed works:

61. Day, by Eric Ravilious. 1933. Mural in the tea-room of the Midland Hotel, Morecambe. Destroyed c.1935

Attributed works:

62. Design for a mural in the foyer of the Telecinema at the Festival of Britain, South Bank, London, by John Armstrong (Exh. Fine Art Society, London)

Attributed works:

63. The Englishman's home, by John Piper (Private collection; exh. Fine Art Society, London)

Attributed works:

64. An English holiday - the puncture, by Mary Adshead. One of eleven panels commissioned by Lord Beaverbrook for Calvin Lodge, Newmarket. (Exh. Fine Art Society, London)

Attributed works:

65. Murals by Charles Mahoney in the Lady Chapel at Campion Hall, Oxford

Attributed works:

66. Adam naming the animals, by Barbara Jones, at Yew Lane School, Sheffield

Attributed works:

67. Fig.66 after its demolition in 2009

Article

‘The dead faun’, by Glyn Philpot

11/2009 | 1280 | 151

Pages: 768-770

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Author:

Hamnett, Melissa (Hamnett, Melissa)

Subjects

artists:

Philpot, Glyn

dates:

1920-1929

museums and institutions:

Victoria and Albert Museum, London, Great Britain

print:

Philpot, Glyn

subjects:

British sculpture / Bronzes / Collections, Public

subjects:

Portraits

subjects:

Interior design

Illustrations

Attributed works:

41. The dead faun, by Glyn Philpot. c.1920. Cast bronze, 41.5 by 15 by 12.5 cm. (Victoria and Albert Museum, London).

Attributed works:

42. Jack Evers, by Joanna Evers. c.1930s. Watercolour, 72 by 54 cm. (Private collection).

Attributed works:

43. Scandal, fireplace relief, by Charles Sargeant Jagger. 1930. Cast bronze, 161 by 149 cm. (Victoria and Albert Museum, London).

Attributed works:

44. Mural scheme for Mulberry House, London, showing the position of Fig.43 (lower right), by Glyn Philpot. 1929–30. Pencil, watercolour and silver paint, each design 27 by 19.5 cm. (Victoria and Albert Museum, London).

Advertisements

Advertisements February 1988 (Back)

02/1988 | 1019 | 130

Pages: nil

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Subjects

advertisements:

Asprey & Garrard, London, Great Britain

advertisements:

Christie's, London

artists:

Philpot, Glyn

artists:

McHattie & Fenwick

Illustrations

Attributed works:

[Asprey, 165-169 New Bond Street, London] A Fine George III Presentation Tray by McHattie and Fenwick. Edinburgh. 1800. 17¼″ Long, 6lozs.

Attributed works:

[Christie's, 8 King Street, London] Glyn Philpot, R. A.: The Entrance to the Tagada, Signed with Initials, Oil on Canvas, 19⅞ in × 24⅛ in.

Supplement

Recent Acquisitions - And Some Rediscoveries Made by the Department of Western Art in the Ashmolean Museum: Supplement

01/1987 | 1006 | 129

Pages: 56-60

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Author:

Penny, Nicholas (Penny, Nicholas)

Subjects

artists:

Cockerell, Charles Robert, 1788-1863

artists:

Picasso, Pablo

artists:

Philpot, Glyn

artists:

Nicholson, Ben

artists:

Hughes-Stanton, Blair Rowlands

artists:

Austin, Robert

artists:

Barrias, Félix Joseph

artists:

Grandi, Giuseppe

artists:

Niessen, Johannes

artists:

Westmacott, Henry

artists:

Wilkie, David

artists:

Ingres, Jean-Auguste-Dominique

artists:

Bacon, John, I, 1740-1799

artists:

Aubry, Étienne

artists:

Guarana, Jacopo

artists:

Maes, Nicolaes

artists:

Dieussart, François

dates:

1980-1989

museums and institutions:

Ashmolean Museum, Oxford, Great Britain

subjects:

Italian painting / Italian sculpture / British painting / French painting

subjects:

Art museums / Acquisitions

Illustrations

Attributed works:

After Augustin Pajou (1730-1809). Blaise Pascal. (Fig.63). Biscuit de Sèvres, Probably 1784. 32.5 cm High.

Attributed works:

Atributed to Nicholaes Maes (1632-93). Holy Family, after Rembrandt. (Fig.59). Red Chalk, Pen Drawing in Brown Inks, with Washes, on Vellum. 22.3 by 28 cm (Arched Top).

Attributed works:

Attributed to Jacopo Guarana (1720-62). The Hand of a Young Man and the Head of an Old Man. (Fig.62). Black Crayon and White Chalk on Pinky Buff Paper. 41.3 by 27.8 cm.

Attributed works:

Ben Nicholson (1894-1982). View of the Harbour, St Ives, 1929. (Fig.76). Pencil on Yellowed Paper (From a Sketch Pad). Inscribed on Verso (See Below). 33 by 42 cm.

Attributed works:

Blair Rowlands Hughes-Stanton (1902-81). Troisième Classe, 1925. (Fig.73). Wood Engraving. Signed 'Blair H. S.', Dated and Numbered 8/30. 11.9 by 9.6 cm. Actual Size.

Attributed works:

Charles Robert Cockerell (1788-1863). Study of a Greek Antefixa. (Fig.66). Water-Colour Brushed over Pen Drawing with Ink, over Faint Pencil Drawing, on Paper. 35.6 by 27.4 cm.

Attributed works:

Etienne Aubry (1745-81). Portrait of a Gentleman. (Fig.60). Oil on Canvas, Signed. 63.5 by 54 cm.

Attributed works:

Félix Joseph Barrias (1822-1907). Figure Studies, Perhaps for a Group of Captives. (Fig.68). Black Chalk on Paper. Studio Stamp Lower Left. 13.4 by 20.9 cm.

Attributed works:

François Dieussart (c. 1600-61). Thomas Howard, Earl of Arundel, c. 1636. (Fig.58). Marble, with Some Plaster Repairs. 115 cm. High (Including a Socle of 24.8 cm).

Attributed works:

Giuseppe Grandi (1843-94). Alessandro Volta. (Fig.71). Bronze. Lost Wax Cast. Inscribed 'Grandi' in the Cold Metal and A Volta - The A Interlaced with the V - in the Wax on the Integral Plinth. 66 cm High.

Attributed works:

Glyn Philpot (1884-1937). Man with a Gun, 1933. (Fig.75). Oil on Canvas. Signed 'G. P.'. 114.5 by 92 cm.

Attributed works:

Jean-Auguste-Dominique Ingres (1780-1867). Portrait of a Man. (Fig.64). Graphite on Paper. Signed. 7.5 cm (Diameter).

Attributed works:

Johannes Niessen (1821-1910). Head of a Young Woman, 1847. (Fig.70). Pencil on Brown Paper. Signed and Dated 'J. Niessen 4/7 1847', with an Inscription Vertically at the Right. 32.3 by 27 cm.

Attributed works:

John Bacon the Elder R. A. (1740-99). Preparatory Study for the Statue of Samuel Johnson in St Paul's Cathedral. (Fig.65). Some Wash Brushed over Pen Drawing in Ink on Whatman Paper, Inscribed with Observations on Size and Scale in the Artist's Hand. 47.3 by 32.5 cm.

Attributed works:

Pablo Picasso (1881-1973). Untitled Nocturnal Scene (Bloch 1589). (Fig.74). Aquatint, Dated '25-5-68'. Signed by the Artist in Pencil and Numbered 7/50). 29.5 by 34.6 cm. (Plate).

Attributed works:

Robert Sargent Austin (1895-1973). Two Riders. (Fig.72). Charcoal, with Red-Brown and White Crayon on Cream Paper. 31.6 by 27.5 cm.

Attributed works:

Sir David Wilkie (1785-1841). A Lady Descending from Her Carriage. (Fig.67). Some White Body-Colour and Water-Colours Brushed over Drawing in Black Chalk, on Paper. Signed and Dated, 1822. 13.5 by 18.9 cm.

Attributed works:

Sir Richard Westmacott, R. A. (1775-1856). Fragment of a Cast of the Original Clay Model for 'The Gypsy', 1832. (Fig.69). Plaster Coated in Stone Coloured Paint (Probably Original, Now Darkened). 29 cm High (From Fractured Chest to Top of Head).

Western art unattributed:

Anon. Probably Italian (Before 1693). Reduced Copy of an Ancient Roman Marble Relief. (Fig.61). Terracotta, with Some Old Plaster Repairs. 30 by 24.8 cm.

Supplement

Recent Acquisitions and Loans at the National Portrait Gallery

02/1985 | 983 | 127

Pages: 124-126

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Subjects

artists:

Weight, Carel

artists:

Gilman, Harold

artists:

Wolfe, Edward

artists:

Wadsworth, Edward

artists:

Ocean, Humphrey

artists:

Johnstone, William

artists:

Schwarz, Hans, b. 1922

artists:

Rosoman, Leonard Henry

artists:

Kossoff, Leon

artists:

Philpot, Glyn

artists:

Lewis, Wyndham

artists:

Grant, Duncan

dates:

1980-1989

museums and institutions:

National Portrait Gallery, London, Great Britain

places:

England

subjects:

British painting / Loan of works of art

subjects:

Art museums / Acquisitions

Illustrations

Attributed works:

50. Virginia Woolf, by Duncan Grant. 1911. Board, 55.9 by 40.6 cm. Painted at 46 Gordon Square in the Year before the Author's Marriage. Loan.

Attributed works:

51. Self Portrait, by Edward Wadsworth. 1911. 39.8 by 34.8. Painted While the Artist Was at the Slade School of Fine Art. Loan.

Attributed works:

52. Self Portrait, by Edward Wolfe. c. 1923. 89.5 by 59.2 cm. Painted in Italy While Wolfe Was a Guest of Berenson at I Tatti.

Attributed works:

53. Self Portrait, by Harold Gilman. 61.6 by 46.2 cm. Unfinished Work Probably Painted c. 1916-18. Loan.

Attributed works:

54. Sir John Summerson, by Leonard Rosoman. 1984. 152.1 by 122 cm. The Subject is Shown in Sir John Soane's Museum, from Which He Retired Last Year as Director, Having Been Appointed There in 1945. 55. Sir Nikolaus Pevsner, by Hans Schwarz. 1969. Board, 122.2 by 81 cm. Pevsner in a Characteristic Attitude, Painted in the Year He Was Knighted. An Obituary of Pevsner was Published in This Magazine in April 1984. Schwarz Was Born in Vienna in 1922 and Came to England in 1939. 56. Richard Church, by William Johnstone. 1932. 91.5 by 71.6 cm. An Interesting Early Work by This Scottish Painter; Church was Best Known as a Poet at the Time of the Painting and Later Helped Edit the Well Known Everyman Anthology Poems of Our Time. 57. Philip Larkin, by Humphrey Ocean. 1984. Acrylic, 52.3 by 44.8 cm. Poet, Novelist, Jazz Critic and University Librarian at Hull; Painted in Hull at the Poet's Home.

Attributed works:

58. Dame Rebecca West, by Wyndham Lewis. 1932. Pencil, 43 by 31 cm. A Drawing from the Author's Extensive Collection Purchased by the Gallery in 1983, the Year She Died Aged Ninety-One. Her Novel This Real Night Was Published Posthumously Last Year. 59. Sir Oswald Mosley, by Glyn Philpot. 1925. 76.2 by 63.5 cm. The future Founder of the British Union of Fascists Seen Here at the Age of Twenty-Nine. A Portrait Recently Included in the NPG's Glyn Philpot Exhibition. Loan. 60. Self Portrait, by Leon Kossoff. 1981. Board, 42.4 by 33 cm. One of the Youngest Artists to be Represented in the Collection. 61. Self Portrait, by Carel Weight. c. 1930. 60.7 by 50.8 cm. Said to be the Artist's First Oil Painting, It Shows Him at the Age of Twenty-Two; In the Following Year Weight First Showed at the Royal Academy, of Which He Was Elected a Trustee in 1975.

Exhibition Review

Current and Forthcoming Exhibitions: Glyn Philpot, R. A. at the Ashmolean Museum, Oxford

11/1976 | 884 | 118

Pages: 791

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Reviewer:

Gibson, Robin (Gibson, Robin)

Subjects

artists:

Philpot, Glyn

dates:

1970-1979

museums and institutions:

Ashmolean Museum, Oxford, Great Britain

places:

England / Oxford

subjects:

Reviews / Exhibitions

Supplement

Acquisitions of Modern Art by Museums: Supplement

11/1970 | 812 | 112

Pages: 775-778

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Subjects

artists:

Gutfreund, Otto

artists:

Shahn, Jonathan

artists:

Kramer, Jacob

artists:

Corinth, Lovis

artists:

John, Gwen

artists:

John, Augustus Edwin

artists:

Moore, Henry Spencer, 1898-1986

artists:

Epstein, Jacob, 1880-1959

artists:

Blake, Peter

artists:

Marini, Marino

artists:

Philpot, Glyn

artists:

Carrington, Dora

artists:

Roberts, William, 1895-1980

artists:

Modersohn-Becker, Paula

dates:

1970-1979

museums and institutions:

National Portrait Gallery, Washington, United States

museums and institutions:

Tate Gallery, London, Great Britain

museums and institutions:

Cleveland Museum of Art, Cleveland, United States

museums and institutions:

National Museum of Wales, Cardiff, Great Britain

museums and institutions:

Museum of Fine Arts, Boston, United States

museums and institutions:

Allen Memorial Art Museum (AMAM), Oberlin, United States

museums and institutions:

Bristol Museum and Art Gallery, Bristol, Great Britain

museums and institutions:

Kröller-Müller Museum, Otterlo, Netherlands

museums and institutions:

National Portrait Gallery, London, Great Britain

museums and institutions:

Von der Heydt-Museum Wuppertal, Wuppertal, Germany

subjects:

Acquisitions / Art museums / Modern art / Supplements

Illustrations

Attributed works:

61. An Old Woman from the Alms-House, by Paula Modersohn-Becker. c. 1905. Canvas, 126 by 95 cm. (Von der Heydt Museum, Wuppertal.)

Attributed works:

62. Portrait of Harold Monro, by Jacob Kramer. Signed. 1923. Chalk and Indian Ink on Grey Paper, 35.5 by 29.2 cm. (National Portrait Gallery, London.)

Attributed works:

63. Portrait of the Artist's Father, by Otto Gutfreund. 1911. Bronze, 40 by 27.5 cm. (Rijksmuseum Kröller-Müller, Otterlo.)

Attributed works:

64. Portrait of Esther Lahr, by William Roberts. Signed. 1925. Canvas, 50.8 by 40.6 cm. (Tate Gallery, London.)

Attributed works:

65. Portrait of E. M. Forster, by Dora Carrington. Canvas, 50.8 by 40.6 cm. (National Portrait Gallery, London.)

Attributed works:

66. Self Portrait, by Glyn Philpot. 1908. Canvas, 90 by 67.5 cm. (National Portrait Gallery, London.)

Attributed works:

67. Self-Portrait, by Lovis Corinth. Signed and Dated November 1923. Lithograph Crayon, 50.3 by 33.7 cm. (Cleveland Museum of Art.)

Attributed works:

68. Girl in a Green Dress, by Gwen John. Canvas, 58.5 by 38.5 cm. (National Museum of Wales, Cardiff.)

Attributed works:

69. Portrait of Tallulah Bankhead, by Augustus John. 1930. Canvas, 120 by 61.5 cm. (National Portrait Gallery, Washington D. C.)

Attributed works:

70. Head, by Henry Moore. 1957. Bronze; Height, 40.5 cm. (Museum of Fine Arts, Boston.)

Attributed works:

71. Bust of Lucien Freud, by Jacob Epstein. 1947. Plaster, Hollow Cast, with Brown Patina, 64.2 by 83.2 cm. (Allen Memorial Art Museum, Oberlin.)

Attributed works:

72. Bust of Diego, by Alberto Giacometti. 1961. Bronze; Height 34 cm. (Museum of Fine Arts, Boston.)

Attributed works:

73. Bust of His Father Ben Shahn, by Jonathan Shahn. Signed. 1967. Copper and Bronze, 42.5 by 30 by 28.5 cm. (National Portrait Gallery, Washington D. C.)

Attributed works:

74. Portrait of Anna Christina, by Andrew Wyeth. 1967. Tempera on Masonite, 58.5 by 53.5 cm. (Museum of Fine Arts, Boston.)

Attributed works:

75. Executive Type, by Peter Blake. Signed. 1964. Pencil on Paper, 31.7 by 25.4 cm. (Bristol City Art Gallery.)

Attributed works:

76. Bust of Ralph Vaughan Williams, by Jacob Epstein. 1950. Bronze; Height, 39 cm. (National Portrait Gallery, London.)

Attributed works:

77. Bust of Henry Miller, by Marino Marini. Signed. 1961. Bronze; Height, 30.5 cm. (National Portrait Gallery, Washington, D. C.)

Book Review

Glyn Philpot, 1884-1937

08/1952 | 593 | 94

Pages: 242

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related names

Reviewer:

A., R. E. (A., R. E.)

Subjects

artists:

Philpot, Glyn

dates:

1890-1899 / 1900-1949

places:

England

subjects:

British painting / Monographs

Reviewed Items

subjects:

Glyn Philpot, 1884-1937 | author: Bodkin, Thomas , author: Sewter, A. C.

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