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10/2024 | 1459 | 166
Pages: i-xix
Subjects
advertisements:
Illustrations
Attributed works:
(KJ MF MS AG FW LM AS EW) recropped landscape, by Sophie Thun (b.1985). 2022. Silver gelatin print and photogram on baryta paper in artist’s frame, 87.7 by 119.4 by 3.5 cm. [SOPHIE TAPPEINER, VIENNA/Art Basel Paris]
Attributed works:
A trial by fire, by Jenkin van Zyl (b.1993). 2024. Film, duration 10 minutes. [EDEL ASSANTI, LONDON/Frieze London]
Attributed works:
An ensign seated in a guardroom with offi cers playing cards, by acob Duck (1600– 67). Oil on canvas, 69 by 60.3 cm. [JOHNNY VAN HAEFTEN, SURREY/Frieze Masters]
Attributed works:
BALTHASAR VAN DER AST (Middelburg 1593/4 – 1657 Delft) A Still Life of Fruit in a kraak porcelain Dish, with Shells and Roses Signed, lower right, on the ledge: B. van der. Ast Oil on panel, 26⅞ x 37⅞ ins. (68.3 x 98.7 cm) Framed dimensions: 35½ x 47½ x 3⅜ ins. (90 x 120.7 x 8.5 cm) [Johnny van Haeften]
Attributed works:
Candelabre ‘night butterfly’, by Nils Alix- Tabeling (b.1991). 2023. Mixed media, 250 by 160 by 60 cm. [PUBLIC GALLERY, LONDON/Frieze London]
Attributed works:
Charles Beale, by Mary Beale (1633– 99). Late 1650s. Oil on paper, laid on panel, 31.8 by 26 cm. PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Chest of drawers, attributed to Philippe Pasquier (Master in 1760), France, last quarter of the 18th century. Mahogany, mahogany veneer, yew burl and ebony, chased and gilt bronze with grey-veined white marble, 86 by 126 by 61 cm. [GALERIE LÉAGE, PARIS/Frieze Masters]
Attributed works:
Classroom, by Andrew Cranston (b.1969). 2023. Distemper on canvas, 213.8 by 183.9 cm. [INGLEBY GALLERY, EDINBURGH/Frieze London]
Attributed works:
Do you realise there is a rainbow even if it’s night!?, by Petrit Halilaj (b.1986). 2023. Qilim carpet from Kosovo, Flokati, polyester, chenille wire, stainless steel and brass, dimensions variable. [CHERTLÜDDE, BERLIN/Frieze London]
Attributed works:
EVA GONZALÈS (1849–83) Portrait de fillette au chapeau, 1879–80. Oil on canvas, 24.5 × 19 cm. Estimate: CHF 18‘000/ 25‘000 [Gloggner]
Attributed works:
FEDE GALIZIA (1578–1630) Judith with the Head of Holofernes, c. 1620s Recently acquired by the National Museum of Western Art, Tokyo [Robilant and Voena]
Attributed works:
Flora totem pino, by Lucía Pizzani (b.1975). 2023. English black stoneware and white slip, 138 by 50 by 50 cm. [CECILIA BRUNSON PROJECTS, LONDON/Frieze London]
Attributed works:
Florence: the Bargello, by Antonietta Brandeis (1848–1926). Oil on panel, 25.4 by 14.6 cm. CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Attributed works:
Folios 13v and 14r from Hours of Isabella d’Este, Use of Rome, illuminated by Gherardo (1444/45–97) and Monte di Giovanni del Fora (1448–1533). c.1490. Illuminated manuscript on vellum, 240 leaves, 13 by 8.7 cm. [DR. JÖRN GÜNTHER RARE BOOKS, BASEL/Frieze Masters]
Attributed works:
Giovanni Battista Foggini (1652–1725) The Crucifixion (detail) 1678 Red wax model in low relief 11.1 × 25 cm [Trinity Fine Art, London]
Attributed works:
Glow’ replica (mirroir1), by David Douard (b.1983). 2024. Painting, curved metal bar with aluminium casted flowers and spherical magnets, 220 by 70 by 50 cm. GALERIE CHANTAL CROUSEL, PARIS/Art Basel Paris]
Attributed works:
Guercino, The Cumaean Sibyl with a Putto, 1651 © The National Gallery, London [Waddesdon]
Attributed works:
I don’t know why nobody told you how to unfold your love I, by Dawn Ng (b.1982). 2024. Archival pigment print, 123 by 123 cm. [KATE MACGARRY, LONDON/Frize London]
Attributed works:
Italian columns, by Ben Nicholson (1894– 1982). 1965. Pen, ink, watercolour and gouache on paper, 31.7 by 24.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Lost door, by Lubaina Himid (b.1954). 2021. Acrylic on wood, 194 by 80 by 15 cm. [HOLLYBUSH GARDENS, LONDON/Frieze London]
Attributed works:
Marchiali, by Kensuke Koike (b.1980). 2022. Vintage photograph, 23.3 by 37.2 cm., framed. [SCHOENI PROJECTS, SOTHEBY’S, 34–35 NEW BOND ST, W1A/Asian Art London]
Attributed works:
Medicine Pocket, by Paddy Bedford (c.1922–2007). 1999. Natural earth pigments and synthetic binders on linen, 122 by 135 cm. [D’LAN CONTEMPORARY, MELBOURNE AND NEW YORK/Frieze Masters]
Attributed works:
Mephistopheles, by Jean-Jacques Feuchère (1807–52). 1833. Bronze, with rich red-brown patina, height 34 cm. BOWMAN SCULPTURE, LONDON/Frieze Masters]
Attributed works:
Open (amber), by Eva Gold (b.1994). 2024. Resin, aluminium, fibreglass and fluorescent light, 25 by 54.5 by 10 cm. [ROSE EASTON, LONDON/Frieze London]
Attributed works:
Pietro di Cristoforo Vannucci, called Perugino (1450–1523), Christ Crowned with Thorns and The Madonna, oil on panel, each 33.5 x 27.5 cm [Dorotheum]
Attributed works:
Plucked, by Hayv Kahraman (b.1981). 2024. Oil and acrylic on linen, 132.1 by 215.9 cm. [PILAR CORRIAS, LONDON/Art Basel Paris]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection)
Attributed works:
Post, by Juliana Huxtable (b.1987). 2022. Acrylic on printed canvas in artist’s frame, 138 by 267.5 by 7 cm. [PROJECT NATIVE INFORMANT, LONDON/Frieze London]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Stricture, by Louise Giovanelli (b.1993). 2023. Oil on canvas, diptych, each 240 by 170 cm. [GRIMM, AMSTERDAM, LONDON AND NEW YORK/Frieze London]
Attributed works:
Study for imaginative play I, by Caroline Walker (b.1982). 2024. Oil on paper, 47.5 by 61.5 cm. [STEPHEN FRIEDMAN GALLERY, LONDON AND NEW YORK/Frieze London]
Attributed works:
Tenno-ji Temple in Osaka (Osaka Tenno-ji), from the series Souvenirs of travel III (Tabi miyage dai sanshu), by Kawase Hasui (1883–1957). 1927. Woodblock print, 38.7 by 26.3 cm. [ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Triple self-portrait, by Suzanne Fabry (1904–85). c.1934. Oil on canvas, 66 by 85 cm. [WILL ELLIOTT FINE ART, LONDON/Frieze Masters]
Attributed works:
Untitled (still life), by Richard Aldrich (b.1975). 2024. Oil and wax on panel, 52.1 by 33.3 cm. [DÉPENDANCE, BRUSSELS/Art Basel Paris]
Attributed works:
Untitled, by Ana Mendieta (1948–85). 1978. Black-and-white photograph, 20.5 by 25.5 cm. GALERIE LELONG & CO., NEW YORK AND PARIS/Frieze London]
Attributed works:
Untitled, by Ana Mendieta (1948–85). 1978. Black-and-white photograph, 20.5 by 25.5 cm. [GALERIE LELONG & CO., NEW YORK AND PARIS/Art Basel Paris]
Non-western art unattributed:
Hilt of a tulwar. India, mid-to-late 17th century. Jawhar steel, total length 92.5 cm. [RUNJEET SINGH, SOTHEBY’S, 34–35 NEW BOND ST, W1A/Asian Art London]
Non-western art unattributed:
Large underglaze blue and copper red porcelain jar (guan). Yuan dynasty, c.1320–52. Porcelain, height 33 cm. [ESKENAZI LTD, 10 CLIFFORD ST, W1S/Asian Art London]
Non-western art unattributed:
Ming dynasty censer. China, c.1600. Bronze, 17.5 by 29 cm. [MICHAEL GOEDHUIS, LONDON AND YANWORTH/Frieze Masters]
Non-western art unattributed:
Model of a horse. China, Han Dynasty (206 BCE–220 AD). Bronze, height 33.5 cm. [CHRISTIE’S, KING ST, SW1Y/Asian Art London]
Western art unattributed:
Cycladic female figure. Greek, early Cycladic II, c.2600– 2500 BCE. Marble, height 17.1 cm. ARIADNE, GREENWICH CT AND LONDON/Frieze Masters]
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10/2023 | 1447 | 165
Pages: OBC
Subjects
Illustrations
Attributed works:
Ben Nicholson, O.M. (1894–1982). Painting 1938 (red circle). Oil on canvas 97.2 x 123.2 cm. copyright Angela Verne Taunt. All rights reserved, DACS 2023. [Christie's]
Attributed works:
EPPO DOEVE (JOSEPH FERDINAND DOEVE) (Bandung, Indonesia 1907–1981 Amsterdam) Mount Bromo, East Java Signed ‘DOEVE’ (lower right) Oil on panel, 49⅝ x 57⅛ in. (126 x 145 cm.) [Charles Beddington]
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09/2023 | 1446 | 165
Pages: i-xx
Subjects
Illustrations
Attributed works:
A field of sunflowers, by Mary Fedden (1915–2012). 1972. Pencil, charcoal and graphite on paper, 45 by 71 cm. [ORIEL FINE ART, CAMBRIDGE/British Art Fair]
Attributed works:
Aerial disturbance, by John Tunnard (1900–71). 1946. Gouache on paper, 36 by 55 cm. [OSBORNE SAMUEL, LONDON/British Art Fair]
Attributed works:
April nude no. 1, by Ivon Hitchens (1893–1979). 1949. Oil on canvas, 51 by 76.5 cm. UPSTONE, LONDON/British Art Fair]
Attributed works:
B. Besler. Hortus Eystettensis. 1613. Complete copy of the first edition.[Venator and Hansen]
Attributed works:
Ben Nicholson, OM, painting 1938 (red circle). Oil on canvas 97.2 x 123.2 cm. © Angela Warren Taunt. All rights reserved, DACS 2023. [Christie's]
Attributed works:
Charles Inge, Sugar Candy Mountain Series [The Stratford Gallery]
Attributed works:
Colin Hayes (1919-2003) ‘Heraklion’ [Louise Kosman]
Attributed works:
F.C.B. Cadell, R.S.A. (1883-1937) Cassis Sur Mer, 1923 Oil on panel, 15 x 18 in / 38 x 46 cm [Portland Gallery/British Art Fair]
Attributed works:
Headland with brigantine and ship, by Alfred Wallis (1855–1942). Oil and pencil on paper, 12 by 19 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Jan Brueghel the Elder, River Landscape (detail), 1612. Indianapolis Museum of Art at Newfields, The Clowes Collection, 2000.343. [Clowes Collection, Indianapolis Museum of Art]
Attributed works:
Landscape with whistling boy, Yorkshire, by Keith Vaughan (1912–77). Gouache on paper, 28 by 36.8 cm. [THE FINE ART SOCIETY LTD, LONDON/British Art Fair]
Attributed works:
Our dreams keep growing on Sugar Candy Mountain, by Charles Inge (b.1961). 2023. Oil and acrylic on canvas, 120 by 100 cm. [THE STRATFORD GALLERY, BROADWAY/British Art Fair]
Attributed works:
People in the wind, by Kenneth Armitage (1916–2002). 1959. Bronze, height 59 cm. [JONATHAN CLARK FINE ART, LONDON/British Art Fair]
Attributed works:
Portrait tiles of Charles 2 King & Prince James Workshop of Sijbrand Pieter Feijtama Zoutsloot, Harlingen, The Netherlands Circa 1670 - 1685. [Mazereeuw Antiquair]
Attributed works:
Shelley head, by Emily Young (b.1951). 2022 Jaisalmer, 49 by 33 by 46 cm. WILLOUGHBY GERRISH, LONDON AND YORKSHIRE/British Art Fair]
Attributed works:
Standing Flower’ by Humphrey Spender 1910-2005 Watercolour on paper, signed, dated’95, 70 x 53 cm [Oriel Fine Art]
Attributed works:
The arrival of spring in Woldgate, East Yorkshire, by David Hockney (b.1939). 2011. iPad drawing printed on paper. Edition of 25. 139.7 by 105.4 cm. [CLARENDON FINE ART, LICHFIELD/British Art Fair]
Attributed works:
Untitled 8, by Albert Irvin (1922–2015). c.1965. Oil on canvas, 152.5 by 127 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
Yellow tulips, by Mary Fedden (1915–2012). 1997. Oil on board, 51 by 61 cm. PORTLAND GALLERY, LONDON/British Art Fair]
Western art unattributed:
Early 19th century school, Three Sisters, oil on canvas, 100 x 128cm, £!0,000-15,000 [Sworders]
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
10/2018 | 1387 | 160
Pages: 863-865
related names
Reviewer:
Matheson, Neil (Matheson, Neil)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
21. Portrait of space, near Siwa, Egypt, by Lee Miller. 1937. Gelatin silver print, 29.2 by 23.3 cm. (© Lee Miller Archives, East Sussex; exh. The Hepworth Wakefield).
Attributed works:
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
Exhibition Review
Thomas Chippendale studies 1968–2018: reflections on his 300th anniversary
09/2018 | 1386 | 160
Pages: 734-739
related names
Reviewer:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
1. Opposite Secretaire, by Thomas Chippendale. 1773. Mahogany with Chinese lacquer and English japanning, 86 by 136 by 43 cm. (Leeds Museums and Galleries, Temple Newsam House).
Attributed works:
2. Drawing for three chairs by Thomas Chippendale. 1753. Pen and grey wash on paper, 20.3 by 33 cm. (The Chippendale Society).
Attributed works:
3. Card table, by Thomas Chippendale. 1759. Mahogany and oak, 75 by 89 by 46 cm. (closed). (Dumfries House Trust).
Attributed works:
4. Armchair, by Thomas Chippendale. 1767. Mahogany, 96 by 63.5 by 65 cm. (Nostell Priory, The National Trust).
Attributed works:
5. Armchair, by Thomas Chippendale. c.1774. Gilt limewood with tapestry covers. 105 by 70 by 74 cm. (Newby Hall, Yorkshire).
Attributed works:
6. Armchair, attributed to Gillows, based on a plate XVII of The Gentleman and Cabinet-Maker’s Director by Thomas Chippendale, London 1762. 1784. Mahogany, 101.6 by 58.4 by 47.5 cm. (Birmingham Museums Trust, Soho House).
Attributed works:
7. Digital reconstruction of Fig.8, to show the original appearance of the marquetry.
Attributed works:
8. Top of a pier table, by Thomas Chippendale. c.1772. Veneered mahogany, 60 by 196 cm. (The Chippendale Society).
Attributed works:
9. Commode, by Thomas Chippendale. c.1773. Veneered mahogany with gilt-brass mounts, 94 by 228.6 by 63.5 cm. (Renishaw Hall, Derbyshire).
Exhibition Review
The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London
08/2018 | 1385 | 160
Pages: 678-681
related names
Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).
Attributed works:
19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).
Attributed works:
20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).
Attributed works:
21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).
Publication Received
Aspects of Abstraction 1952–2007. With an introduction by Margaret Garlake
06/2018 | 1383 | 160
Pages: 527
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
media:
museums and institutions:
places:
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04/2018 | 1381 | 160
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Subjects
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Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
Exhibition Review
Kettle’s Yard
04/2018 | 1381 | 160
Pages: 335-338
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
15. New entrance to the galleries at Kettle’s Yard by Jamie Fobert Architects. (Photograph Hufton + Crow).
Attributed works:
16. Linear construction in space no. 1, by Naum Gabo. 1944–45. Perspex and Nylon thread, 304 by 304 by 62 cm. (Kettle’s Yard, University of Cambridge).
Attributed works:
17. Transparent orange rose / May green, by Callum Innes. 2017. Watercolour on Canson Heritage 640gsm, 56 by 76 cm. (Courtesy the artist; exh. Kettle’s Yard, Cambridge).
Attributed works:
18. The ladies (Wren Library), by Melanie Manchot. 2017. Digital Chromagenic print, 120 by 80 cm. (Courtesy the artist and Parafin, London; exh. Kettle’s Yard, Cambridge).
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11/2016 | 1364 | 158
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[August Laube. Zurich. Jacques Villon (Gaston Duchamp-Villon). Portrait d'acteur (Félix Barré). Dry-point etching. 1913. Numbered and signed. 48.2 x 35.6 cm. Edition of 32]
Attributed works:
[Bacarelli & Botticelli. Firenze. Three Angels from Saint Paul's Cathedral, London. Attilio Piccirilli (Massa Carrare 1866 - New York 1945), and Furio Piccirilli (Massa Carrara 1869 - Rome 1949).]
Attributed works:
[Cambi. Georg Petel (1601/02 - 1634). Corpus Christi in ivory. Genova 1622/24. 53 x 54 cm]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. A bronze group of King Henry IV astride a rearing horse. Barthelemy Prieur (1536-1611), French, circa 1595-1610.]
Attributed works:
[Coll&Cortés. Justiniano 3, Madrid, Spain. Lorenzo Mercadante de Bretaña (1454-1467). Virgen del Buen Fin. Terracotta with traces of polychromy. 65.2 x 24 x 18.3 in]
Attributed works:
[Daniel Katz Gallery. 6 Hill Street. London. Auguste Rodin. Nude woman standing. Watercolour, pencil and ink on paper. 31.2 x 24.5 cm. Circa 1898-1900]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Louis Dorigny, Paris, 1654 - Verone, 1742. Two Allegories of Comedy. Oil on canvas, a pair, 48.5 x 65 cm (19 1/8 x 25 9/16 in) each]
Attributed works:
[Galerie Lowet de Wotrenge. Artus II Quellinus (Sint-Truiden 1625 - 1700 Antwerp). An Allegory of Earth. Terracotta, height 54 cm]
Attributed works:
[Grisebach. Villa Grisebach Auktionen. Fasanenstasse 25. Berlin. Ben Nicholson, Western landscape, 1960. 64,5 x 75,5 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Howard Hodgkin. Born 1932. Leaves 1987-88. Oil on wood. 19 3/4 x 25 3/4 inches; 50.2 x 65.4 cm]
Attributed works:
[Jan Johnson. 189, rue St-Pierre, Chambly, Québec. St. Matthew. Antonio Maria Zanetti (1680-1767)]
Attributed works:
[Museo Nacional del Prado, Madrid. Pere Borrell del Caso. Scaping criticism, (detail), 1874. Madrid, Banco de Espana Collection]
Attributed works:
[Nagel Auktionen Gmbh & Co. KG. Neckarstaße 189-191. Stuttgart. Tino di Camaino (attr.). Probably c.1315, limewood, h. 36 cm]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. CRW Nevinson. Returning to the Trenches, 1916. Drypoint, 6 x 8 inches]
Attributed works:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. Mary Cassatt. The Picture Book (No.2), ca. 1910. Drypoint, signed]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power (1872-1951). The Concerto, c.1935. Linocut 32 x 30 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. Bartolomeo Manfredi: St. John the Baptist, circa 1610, oil on canvas, 137 x 96.5 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. The Master of the Unruly Children probably Sandro di Lorenzo di Smeraldo (Florence 1483-circa 1554). Bacchus. Terracotta. 25 x 29 x 20 cm (9 7/8 x 11 3/4 x 7 7/8 in)]
Attributed works:
[V&A. London. Lectures. Donatello (about 1386-1466). The Lamentation Over the Death Christ. About 1453-66. Bronze, Italy, possibly Siena.]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. A large silver water kettle with burner on stand. Maker Storr and Mortimer, 1824-1825. 925/1000]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. An antique enamel sautoir, by Giuliano 19th Century]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. Johan Barthold Jongkind (1819-1891). View on the Oude Schans with the Montelbaans Tower in Amsterdam. Signed lower right and dated 1885. oil on canvas, 26,5 x 43,5 cm]
Attributed works:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. Studio Willem van de Velde (1633-1707). 'A small English merchant ship at anchor firing a gun'. Signed lower center, oil on canvas. 62x74 cm]
Attributed works:
[W. Agnew & Company Ltd. The famous Whig politician, the Hon. Charles James FOx (1749-1806), by Joseph Nollekens RA (1737-1828), commissioned by Fox's closest friend, the 4th Earl Fitzwilliam, as a gift to Fox's 'secret' wife, the courtesan Elizabeth Armitstead, and inscribed, verso, 'This bust given to Mrs Armistead by Earl Fitzwilliam the First of March 1796. Nollekens Ft.' Marble, height: 28" (71 cm).]
Non-western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An important cased pair of indian flintlock pistols with silver barrels and lockplates, signed 'L. Col. Claude Martins, Locknow Arsenal,' circa 1785 and presented in 1786 by Martin to Lieutenant Colonel Alexander Ross]
Western art unattributed:
[Nagel Auktionen Gmbh & Co. KG. Neckarstaße 189-191. Stuttgart. An expressive Renaissance horse head. Italy, c. 1600, bronze, h. 17/30 cm.]
Western art unattributed:
[Nagel Auktionen Gmbh & Co. KG. Neckarstraße 189-191. Stuttgart. The virgin and child enthroned. Lower Bavaria/Landshut, c. 1490/1500, h. 96cm.]
Western art unattributed:
[Piasa. 118 rue du Faubourg Saint Honoré. Paris. Alabaster relief represent Adam and Eve. South Netherlands, around 1530]
Western art unattributed:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. A tortoiseshell, mother-of-pearl and gold piqué rosewater ewer and basin. Naples, first half of the 18th century]
Western art unattributed:
[Sphinx Fine Art. 125 Kensington Church St. London. Antwerp School. c.1635. A gold-Metal mounted Ebony, ebonized, rosewood. tortoiseshell and ivory cabinet on a stand. Decorated with scenes from Ovid's Methaphories]
Western art unattributed:
[Venduehuis. Nobelstraat 5, The Hague, The Netherland. A series of four blue and white 'Burglhey House' plates. Qianlong, ca. 1745. Decorated in the center with the Elizabethan 'Burghley House', in a garden with trees and birds, surrounded by ornamental bands]
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